Get Your Premium Membership

Best Famous Issues Poems

Here is a collection of the all-time best famous Issues poems. This is a select list of the best famous Issues poetry. Reading, writing, and enjoying famous Issues poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of issues poems.

Search and read the best famous Issues poems, articles about Issues poems, poetry blogs, or anything else Issues poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by David Lehman | Create an image from this poem

A Little History

 Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old
 neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their
 lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude
 them by running away. They were happy just to see him run
 away. The coward! All Jews were yellow.
They spelled Jew with a small j jew.
And now they find out they are Jews themselves.
It happened at the time of the Spanish Inquisition.
To escape persecution, they pretended to convert to Christianity.
They came to this country and settled in the Southwest.
At some point oral tradition failed the family, and their
 secret faith died.
No one would ever have known if not for the bones that turned up
 on the dig.
A disaster. How could it have happened to them?
They are in a state of panic--at first.
Then they realize that it is the answer to their prayers.
They hasten to the synagogue or build new ones.
They are Jews at last!
They are free to marry other Jews, and divorce them, and intermarry
 with Gentiles, God forbid.
They are model citizens, clever and thrifty.
They debate the issues.
They fire off earnest letters to the editor.
They vote.
They are resented for being clever and thrifty.
They buy houses in the suburbs and agree not to talk so loud.
They look like everyone else, drive the same cars as everyone else,
 yet in their hearts they know they're different.
In every minyan there are always two or three, hated by 
 the others, who give life to one ugly stereotype or another:
The grasping Jew with the hooked nose or the Ivy League Bolshevik
 who thinks he is the agent of world history.
But most of them are neither ostentatiously pious nor
 excessively avaricious.
How I envy them! They believe.
How I envy them their annual family reunion on Passover,
 anniversary of the Exodus, when all the uncles and aunts and
 cousins get together.
They wonder about the heritage of Judaism they are passing along
 to their children.
Have they done as much as they could to keep the old embers
 burning?
Others lead more dramatic lives.
A few go to Israel.
One of them calls Israel "the ultimate concentration camp."
He tells Jewish jokes.
On the plane he gets tipsy, tries to seduce the stewardess.
People in the Midwest keep telling him reminds them of Woody
 Allen.
He wonders what that means. I'm funny? A sort of nervous
 intellectual type from New York? A Jew?
Around this time somebody accuses him of not being Jewish enough.
It is said by resentful colleagues that his parents changed their
 name from something that sounded more Jewish.
Everything he publishes is scrutinized with reference to "the
 Jewish question."
It is no longer clear what is meant by that phrase.
He has already forgotten all the Yiddish he used to know, and
 the people of that era are dying out one after another.
The number of witnesses keeps diminishing.
Soon there will be no one left to remind the others and their
 children.
That is why he came to this dry place where the bones have come
 to life.
To live in a state of perpetual war puts a tremendous burden on the
 population. As a visitor he felt he had to share that burden.
With his gift for codes and ciphers, he joined the counter-
 terrorism unit of army intelligence.
Contrary to what the spook novels say, he found it possible to
 avoid betraying either his country or his lover.
This was the life: strange bedrooms, the perfume of other men's
 wives.
As a spy he has a unique mission: to get his name on the front 
 page of the nation's newspaper of record. Only by doing that 
 would he get the message through to his immediate superior.
If he goes to jail, he will do so proudly; if they're going to
 hang him anyway, he'll do something worth hanging for.
In time he may get used to being the center of attention, but
 this was incredible:
To talk his way into being the chief suspect in the most 
 flamboyant murder case in years!
And he was innocent!
He could prove it!
And what a book he would write when they free him from this prison:
A novel, obliquely autobiographical, set in Vienna in the twilight
 of the Hapsburg Empire, in the year that his mother was born.


Written by William Cullen Bryant | Create an image from this poem

A Forest Hymn

The groves were God's first temples. Ere man learned 
To hew the shaft, and lay the architrave, 
And spread the roof above them,---ere he framed 
The lofty vault, to gather and roll back 
The sound of anthems; in the darkling wood, 
Amidst the cool and silence, he knelt down, 
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences, 
Which, from the stilly twilight of the place, 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs, and from the sound 
Of the invisible breath that swayed at once 
All their green tops, stole over him, and bowed 
His spirit with the thought of boundless power 
And inaccessible majesty. Ah, why 
Should we, in the world's riper years, neglect 
God's ancient sanctuaries, and adore 
Only among the crowd, and under roofs, 
That our frail hands have raised? Let me, at least, 
Here, in the shadow of this aged wood, 
Offer one hymn---thrice happy, if it find 
Acceptance in His ear. 
Father, thy hand 
Hath reared these venerable columns, thou 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth, and, forthwith, rose 
All these fair ranks of trees. They, in thy sun, 
Budded, and shook their green leaves in the breeze, 
And shot towards heaven. The century-living crow, 
Whose birth was in their tops, grew old and died 
Among their branches, till, at last, they stood, 
As now they stand, massy, and tall, and dark, 
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults, 
These winding aisles, of human pomp and pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here---thou fill'st 
The solitude. Thou art in the soft winds 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes, scarcely felt; the barky trunks, the ground, 
The fresh moist ground, are all instinct with thee. 
Here is continual worship;---Nature, here, 
In the tranquility that thou dost love, 
Enjoys thy presence. Noiselessly, around, 
From perch to perch, the solitary bird 
Passes; and yon clear spring, that, midst its herbs, 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest, tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness, in these shades, 
Of thy perfections. Grandeur, strength, and grace 
Are here to speak of thee. This mighty oak--- 
By whose immovable stem I stand and seem 
Almost annihilated---not a prince, 
In all that proud old world beyond the deep, 
E'er wore his crown as lofty as he 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty, such as blooms not in the glare 
Of the broad sun. That delicate forest flower 
With scented breath, and look so like a smile, 
Seems, as it issues from the shapeless mould, 
An emanation of the indwelling Life, 
A visible token of the upholding Love, 
That are the soul of this wide universe. 

My heart is awed within me when I think 
Of the great miracle that still goes on, 
In silence, round me---the perpetual work 
Of thy creation, finished, yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 
Lo! all grow old and die---but see again, 
How on the faltering footsteps of decay 
Youth presses----ever gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 
Moulder beneath them. Oh, there is not lost 
One of earth's charms: upon her bosom yet, 
After the flight of untold centuries, 
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 
Of his arch enemy Death---yea, seats himself 
Upon the tyrant's throne---the sepulchre, 
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom, and shall have no end. 

There have been holy men who hid themselves 
Deep in the woody wilderness, and gave 
Their lives to thought and prayer, till they outlived 
The generation born with them, nor seemed 
Less aged than the hoary trees and rocks 
Around them;---and there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire, and in thy presence reassure 
My feeble virtue. Here its enemies, 
The passions, at thy plainer footsteps shrink 
And tremble and are still. Oh, God! when thou 
Dost scare the world with falling thunderbolts, or fill, 
With all the waters of the firmament, 
The swift dark whirlwind that uproots the woods 
And drowns the village; when, at thy call, 
Uprises the great deep and throws himself 
Upon the continent, and overwhelms 
Its cities---who forgets not, at the sight 
Of these tremendous tokens of thy power, 
His pride, and lays his strifes and follies by? 
Oh, from these sterner aspects of thy face 
Spare me and mine, nor let us need the wrath 
Of the mad unchained elements to teach 
Who rules them. Be it ours to meditate, 
In these calm shades, thy milder majesty, 
And to the beautiful order of the works 
Learn to conform the order of our lives. 
Written by Henry Wadsworth Longfellow | Create an image from this poem

Flowers

 Spake full well, in language quaint and olden,
One who dwelleth by the castled Rhine,
When he called the flowers, so blue and golden,
Stars, that in earth's firmament do shine.

Stars they are, wherein we read our history,
As astrologers and seers of eld;
Yet not wrapped about with awful mystery,
Like the burning stars, which they beheld.

Wondrous truths, and manifold as wondrous,
God hath written in those stars above;
But not less in the bright flowerets under us
Stands the revelation of his love.

Bright and glorious is that revelation,
Written all over this great world of ours;
Making evident our own creation,
In these stars of earth, these golden flowers.

And the Poet, faithful and far-seeing,
Sees, alike in stars and flowers, a part
Of the self-same, universal being,
Which is throbbing in his brain and heart.

Gorgeous flowerets in the sunlight shining,
Blossoms flaunting in the eye of day,
Tremulous leaves, with soft and silver lining,
Buds that open only to decay;

Brilliant hopes, all woven in gorgeous tissues,
Flaunting gayly in the golden light;
Large desires, with most uncertain issues,
Tender wishes, blossoming at night!


These in flowers and men are more than seeming;
Workings are they of the self-same powers,
Which the Poet, in no idle dreaming,
Seeth in himself and in the flowers.

Everywhere about us are they glowing,
Some like stars, to tell us Spring is born;
Others, their blue eyes with tears o'er-flowing,
Stand like Ruth amid the golden corn;

Not alone in Spring's armorial bearing,
And in Summer's green-emblazoned field,
But in arms of brave old Autumn's wearing,
In the centre of his brazen shield;

Not alone in meadows and green alleys,
On the mountain-top, and by the brink
Of sequestered pools in woodland valleys,
Where the slaves of nature stoop to drink;

Not alone in her vast dome of glory,
Not on graves of bird and beast alone,
But in old cathedrals, high and hoary,
On the tombs of heroes, carved in stone;

In the cottage of the rudest peasant,
In ancestral homes, whose crumbling towers,
Speaking of the Past unto the Present,
Tell us of the ancient Games of Flowers;

In all places, then, and in all seasons,
Flowers expand their light and soul-like wings,
Teaching us, by most persuasive reasons,
How akin they are to human things.

And with childlike, credulous affection
We behold their tender buds expand;
Emblems of our own great resurrection,
Emblems of the bright and better land.
Written by Robert Graves | Create an image from this poem

Mermaid Dragon Fiend

 In my childhood rumors ran
 Of a world beyond our door—
Terrors to the life of man
 That the highroad held in store.

Of mermaids' doleful game
 In deep water I heard tell,
Of lofty dragons belching flame,
 Of the hornèd fiend of Hell.

Tales like these were too absurd
 For my laughter-loving ear:
Soon I mocked at all I heard,
 Though with cause indeed for fear.

Now I know the mermaid kin
 I find them bound by natural laws:
They have neither tail nor fin,
 But are deadlier for that cause.

Dragons have no darting tongues,
 Teeth saw-edged, nor rattling scales;
No fire issues from their lungs,
 No black poison from their tails:

For they are creatures of dark air,
 Unsubstantial tossing forms,
Thunderclaps of man's despair
 In mid-whirl of mental storms.

And there's a true and only fiend
 Worse than prophets prophesy,
Whose full powers to hurt are screened
 Lest the race of man should die.

Ever in vain will courage plot
 The dragon's death, in coat of proof;
Or love abjure the mermaid grot;
 Or faith denounce the cloven hoof.

Mermaids will not be denied
 The last bubbles of our shame,
The Dragon flaunts an unpierced hide,
 The true fiend governs in God's name.
Written by Sidney Lanier | Create an image from this poem

Corn

 To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving. Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.

I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.

There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.

Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.

As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.

O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.

Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.


Written by William Cullen Bryant | Create an image from this poem

A Forest Hymn

THE GROVES were God's first temples. Ere man learned 
To hew the shaft and lay the architrave  
And spread the roof above them¡ªere he framed 
The lofty vault to gather and roll back 
The sound of anthems; in the darkling wood 5 
Amidst the cool and silence he knelt down  
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences 
Which from the stilly twilight of the place 10 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs and from the sound 
Of the invisible breath that swayed at once 
All their green tops stole over him and bowed 
His spirit with the thought of boundless power 15 
And inaccessible majesty. Ah why 
Should we in the world's riper years neglect 
God's ancient sanctuaries and adore 
Only among the crowd and under roofs 
That our frail hands have raised? Let me at least 20 
Here in the shadow of this aged wood  
Offer one hymn¡ªthrice happy if it find 
Acceptance in His ear. 

Father thy hand 
Hath reared these venerable columns thou 25 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth and forthwith rose 
All these fair ranks of trees. They in thy sun  
Budded and shook their green leaves in thy breeze  
And shot towards heaven. The century-living crow 30 
Whose birth was in their tops grew old and died 
Among their branches till at last they stood  
As now they stand massy and tall and dark  
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults 35 
These winding aisles of human pomp or pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here¡ªthou fill'st 
The solitude. Thou art in the soft winds 40 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes scarcely felt; the barky trunks the ground  
The fresh moist ground are all instinct with thee. 45 
Here is continual worship;¡ªNature here  
In the tranquillity that thou dost love  
Enjoys thy presence. Noiselessly around  
From perch to perch the solitary bird 
Passes; and yon clear spring that midst its herbs 50 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness in these shades  
Of thy perfections. Grandeur strength and grace 55 
Are here to speak of thee. This mighty oak ¡ª 
By whose immovable stem I stand and seem 
Almost annihilated¡ªnot a prince  
In all that proud old world beyond the deep  
E'er wore his crown as loftily as he 60 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty such as blooms not in the glare 
Of the broad sun. That delicate forest flower  
With scented breath and look so like a smile 65 
Seems as it issues from the shapeless mould  
An emanation of the indwelling Life  
A visible token of the upholding Love  
That are the soul of this great universe. 

My heart is awed within me when I think 70 
Of the great miracle that still goes on  
In silence round me¡ªthe perpetual work 
Of thy creation finished yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 75 
Lo! all grow old and die¡ªbut see again  
How on the faltering footsteps of decay 
Youth presses ¡ªever-gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 80 
Moulder beneath them. O there is not lost 
One of earth's charms: upon her bosom yet  
After the flight of untold centuries  
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 85 
Of his arch-enemy Death¡ªyea seats himself 
Upon the tyrant's throne¡ªthe sepulchre  
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom and shall have no end. 90 

There have been holy men who hid themselves 
Deep in the woody wilderness and gave 
Their lives to thought and prayer till they outlived 
The generation born with them nor seemed 
Less aged than the hoary trees and rocks 95 
Around them;¡ªand there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire and in thy presence reassure 
My feeble virtue. Here its enemies 100 
The passions at thy plainer footsteps shrink 
And tremble and are still. O God! when thou 
Dost scare the world with tempests set on fire 
The heavens with falling thunderbolts or fill  
With all the waters of the firmament 105 
The swift dark whirlwind that uproots the woods 
And drowns the villages; when at thy call  
Uprises the great deep and throws himself 
Upon the continent and overwhelms 
Its cities¡ªwho forgets not at the sight 110 
Of these tremendous tokens of thy power  
His pride and lays his strifes and follies by? 
O from these sterner aspects of thy face 
Spare me and mine nor let us need the wrath 
Of the mad unchain¨¨d elements to teach 115 
Who rules them. Be it ours to meditate  
In these calm shades thy milder majesty  
And to the beautiful order of thy works 
Learn to conform the order of our lives. 
Written by Anne Sexton | Create an image from this poem

Oh

 It is snowing and death bugs me
as stubborn as insomnia.
The fierce bubbles of chalk,
the little white lesions
settle on the street outside.
It is snowing and the ninety
year old woman who was combing
out her long white wraith hair
is gone, embalmed even now,
even tonight her arms are smooth
muskets at her side and nothing
issues from her but her last word - "Oh." Surprised by death.

It is snowing. Paper spots
are falling from the punch.
Hello? Mrs. Death is here!
She suffers according to the digits
of my hate. I hear the filaments
of alabaster. I would lie down
with them and lift my madness
off like a wig. I would lie
outside in a room of wool
and let the snow cover me.
Paris white or flake white
or argentine, all in the washbasin
of my mouth, calling, "Oh."
I am empty. I am witless.
Death is here. There is no
other settlement. Snow!
See the mark, the pock, the pock!

Meanwhile you pour tea
with your handsome gentle hands.
Then you deliberately take your
forefinger and point it at my temple,
saying, "You suicide *****!
I'd like to take a corkscrew
and screw out all your brains
and you'd never be back ever."
And I close my eyes over the steaming
tea and see God opening His teeth.
"Oh." He says.
I see the child in me writing, "Oh."
Oh, my dear, not why.
Written by Delmore Schwartz | Create an image from this poem

Prothalamion

 "little soul, little flirting,
 little perverse one
 where are you off to now?
 little wan one, firm one
 little exposed one...
 and never make fun of me again."


Now I must betray myself.
The feast of bondage and unity is near,
And none engaged in that great piety
When each bows to the other, kneels, and takes
Hand in hand, glance and glance, care and care,
None may wear masks or enigmatic clothes,
For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.

I gave a girl an apple when five years old,
Saying, Will you be sorry when I am gone?
Ravenous for such courtesies, my name
Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself. I do indeed
Before each genuine beauty, and I will
Forget myself before your unknown heart.

I will forget the speech my mother made
In a restaurant, trapping my father there
At dinner with his whore. Her spoken rage
Struck down the child of seven years
With shame for all three, with pity for
The helpless harried waiter, with anger for
The diners gazing, avid, and contempt
And great disgust for every human being.
I will remember this. My mother's rhetoric
Has charmed my various tongue, but now I know
Love's metric seeks a rhyme more pure and sure.

For thus it is that I betray myself,
Passing the terror of childhood at second hand
Through nervous, learned fingertips.
At thirteen when a little girl died,
I walked for three weeks neither alive nor dead,
And could not understand and still cannot
The adult blind to the nearness of the dead,
Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits,
But we will taste of them the whole night long,
Forgetting no twelfth night, no fete of June,
But in the daylight knowing our nothingness.

Let Freud and Marx be wedding guests indeed!
Let them mark out masks that face us there,
For of all anguish, weakness, loss and failure,
No form is cruel as self-deception, none
Shows day-by-day a bad dream long lived
And unbroken like the lies
We tell each other because we are rich or poor.
Though from the general guilt not free
We can keep honor by being poor.

The waste, the evil, the abomination
Is interrupted. the perfect stars persist
Small in the guilty night,
 and Mozart shows
The irreducible incorruptible good
Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane,
Remote and dim, fosters a myth or dream,
And in that dream, I speak, I summon all
Who are our friends somehow and thus I say:

"Bid the jewellers come with monocles,
Exclaiming, Pure! Intrinsic! Final!
Summon the children eating ice cream
To speak the chill thrill of immediacy.
Call for the acrobats who tumble
The ecstasy of the somersault.
Bid the self-sufficient stars be piercing
In the sublime and inexhaustible blue.

"Bring a mathematician, there is much to count,
The unending continuum of my attention:
Infinity will hurry his multiplied voice!
Bring the poised impeccable diver,
Summon the skater, precise in figure,
He knows the peril of circumstance,
The risk of movement and the hard ground.
Summon the florist! And the tobacconist!
All who have known a plant-like beauty:
Summon the charming bird for ignorant song.

"You, Athena, with your tired beauty,
Will you give me away? For you must come
In a bathing suit with that white owl
Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion
Of finding Friday, no longer alone;
You too, Chaplin, muse of the curbstone,
Mummer of hope, you understand!"

But this is fantastic and pitiful,
And no one comes, none will, we are alone,
And what is possible is my own voice,
Speaking its wish, despite its lasting fear;
Speaking of its hope, its promise and its fear,
The voice drunk with itself and rapt in fear,
Exaggeration, braggadocio,
Rhetoric and hope, and always fear:

"For fifty-six or for a thousand years,
I will live with you and be your friend,
And what your body and what your spirit bears
I will like my own body cure and tend.
But you are heavy and my body's weight
Is great and heavy: when I carry you
I lift upon my back time like a fate
Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope
Is drunk, and wanton, and unwilled;
In time's quicksilver, where our desires grope,
The dream is warped or monstrously fulfilled,
In this sense, listen, listen, and draw near:
Love is inexhaustible and full of fear."

This life is endless and my eyes are tired,
So that, again and again, I touch a chair,
Or go to the window, press my face
Against it, hoping with substantial touch,
Colorful sight, or turning things to gain once more
The look of actuality, the certainty
Of those who run down stairs and drive a car.
Then let us be each other's truth, let us
Affirm the other's self, and be
The other's audience, the other's state,
Each to the other his sonorous fame.

Now you will be afraid, when, waking up,
Before familiar morning, by my mute side
Wan and abandoned then, when, waking up,
You see the lion or lamb upon my face
Or see the daemon breathing heavily
His sense of ignorance, his wish to die,
For I am nothing because my circus self
Divides its love a million times.

I am the octopus in love with God,
For thus is my desire inconclusible,
Until my mind, deranged in swimming tubes,
Issues its own darkness, clutching seas
---O God of my perfect ignorance,
Bring the New Year to my only sister soon,
Take from me strength and power to bless her head,
Give her the magnitude of secular trust,
Until she turns to me in her troubled sleep,
Seeing me in my wish, free from self-wrongs.
Written by Ralph Waldo Emerson | Create an image from this poem

Ode to W. H. Channing

Though loath to grieve
The evil time's sole patriot,
I cannot leave
My honied thought
For the priest's cant,
Or statesman's rant.

If I refuse
My study for their politique,
Which at the best is trick,
The angry Muse
Puts confusion in my brain.

But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blindworm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife!

Or who, with accent bolder,
Dare praise the freedom-loving mountaineer?
I found by thee, O rushing Contoocook!
And in thy valleys, Agiochook!
The jackals of the *****-holder.

The God who made New Hampshire
Taunted the lofty land
With little men;--
Small bat and wren
House in the oak:--
If earth-fire cleave
The upheaved land, and bury the folk,
The southern crocodile would grieve.
Virtue palters; Right is hence;
Freedom praised, but hid;
Funeral eloquence
Rattles the coffin-lid.

What boots thy zeal,
O glowing friend,
That would indignant rend
The northland from the south?
Wherefore? to what good end?
Boston Bay and Bunker Hill
Would serve things still;--
Things are of the snake.

The horseman serves the horse,
The neatherd serves the neat,
The merchant serves the purse,
The eater serves his meat;
'T is the day of the chattel,
Web to weave, and corn to grind;
Things are in the saddle,
And ride mankind.

There are two laws discrete,
Not reconciled,--
Law for man, and law for thing;
The last builds town and fleet,
But it runs wild,
And doth the man unking.
'T is fit the forest fall,
The steep be graded,
The mountain tunnelled,
The sand shaded,
The orchard planted,
The glebe tilled,
The prairie granted,
The steamer built.

Let man serve law for man;
Live for friendship, live for love,
For truth's and harmony's behoof;
The state may follow how it can,
As Olympus follows Jove.

Yet do not I implore
The wrinkled shopman to my sounding woods,
Nor bid the unwilling senator
Ask votes of thrushes in the solitudes.
Every one to his chosen work;--
Foolish hands may mix and mar;
Wise and sure the issues are.
Round they roll till dark is light,
Sex to sex, and even to odd;--
The over-god
Who marries Right to Might,
Who peoples, unpeoples,--
He who exterminates
Races by stronger races,
Black by white faces,--
Knows to bring honey
Out of the lion;
Grafts gentlest scion
On pirate and Turk.

The Cossack eats Poland,
Like stolen fruit;
Her last noble is ruined,
Her last poet mute:
Straight, into double band
The victors divide;
Half for freedom strike and stand;--
The astonished Muse finds thousands at her side. 
Written by George Eliot | Create an image from this poem

The Choir Invisible

 Oh, may I join the choir invisible 
Of those immortal dead who live again 
In minds made better by their presence; live 
In pulses stirred to generosity, 
In deeds of daring rectitude, in scorn 
For miserable aims that end with self, 
In thoughts sublime that pierce the night like stars, 
And with their mild persistence urge men's search 
To vaster issues. So to live is heaven: 
To make undying music in the world, 
Breathing a beauteous order that controls 
With growing sway the growing life of man. 
So we inherit that sweet purity 
For which we struggled, failed, and agonized 
With widening retrospect that bred despair. 
Rebellious flesh that would not be subdued, 
A vicious parent shaming still its child, 
Poor anxious penitence, is quick dissolved; 
Its discords, quenched by meeting harmonies, 
Die in the large and charitable air, 
And all our rarer, better, truer self 
That sobbed religiously in yearning song, 
That watched to ease the burden of the world, 
Laboriously tracing what must be, 
And what may yet be better, -- saw within 
A worthier image for the sanctuary, 
And shaped it forth before the multitude, 
Divinely human, raising worship so 
To higher reverence more mixed with love, -- 
That better self shall live till human Time 
Shall fold its eyelids, and the human sky 
Be gathered like a scroll within the tomb 
Unread forever. This is life to come, -- 
Which martyred men have made more glorious 
For us who strive to follow. May I reach 
That purest heaven, -- be to other souls 
The cup of strength in some great agony, 
Enkindle generous ardor, feed pure love, 
Beget the smiles that have no cruelty, 
Be the sweet presence of a good diffused, 
And in diffusion ever more intense! 
So shall I join the choir invisible 
Whose music is the gladness of the world.

Book: Radiant Verses: A Journey Through Inspiring Poetry