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Best Famous Irresolute Poems

Here is a collection of the all-time best famous Irresolute poems. This is a select list of the best famous Irresolute poetry. Reading, writing, and enjoying famous Irresolute poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of irresolute poems.

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Written by Emily Dickinson | Create an image from this poem

A Field of Stubble lying sere

 A Field of Stubble, lying sere
Beneath the second Sun --
Its Toils to Brindled People thrust --
Its Triumphs -- to the Bin --
Accosted by a timid Bird
Irresolute of Alms --
Is often seen -- but seldom felt,
On our New England Farms --


Written by Emile Verhaeren | Create an image from this poem

THE GRAVE-DIGGER

In the garden yonder of yews and death,
There sojourneth
A man who toils, and has toiled for aye.
Digging the dried-up ground all day.


Some willows, surviving their own dead selves.
Weep there around him as he delves.
And a few poor flowers, disconsolate
Because the tempest and wind and wet
Vex them with ceaseless scourge and fret.


The ground is nothing but pits and cones,
Deep graves in every corner yawn;
The frost in the winter cracks the stones,
And when the summer in June is born
One hears, 'mid the silence that pants for breath,
The germinating and life of Death
Below, among the lifeless bones.


Since ages longer than he can know,
The grave-digger brings his human woe,
That never wears out, and lays its head
Slowly down in that earthy bed.


By all the surrounding roads, each day
They come towards him, the coffins white,
They come in processions infinite;
They come from the distances far away.
From corners obscure and out-of-the-way.
From the heart of the towns—and the wide-spreading
plain.
The limitless plain, swallows up their track;
They come with their escort of people in black.
At every hour, till the day doth wane;
And at early dawn the long trains forlorn
Begin again.


The grave-digger hears far off the knell,
Beneath weary skies, of the passing bell,
Since ages longer than he can tell.


Some grief of his each coffin carrieth—
His wild desires toward evenings dark with death
Are here: his mournings for he knows not what:
Here are his tears, for ever on this spot
Motionless in their shrouds: his memories.
With gaze worn-out from travelling through the years
So far, to bid him call to mind the fears
Of which their souls are dying—and with these
Lies side by side
The shattered body of his broken pride.
His heroism, to which nought replied,
Is here all unavailing;
His courage, 'neath its heavy armour failing.
And his poor valour, gashed upon the brow.
Silent, and crumbling in corruption now.
The grave-digger watches them come into sight,
The long, slow roads.
Marching towards him, with all their loads
Of coffins white.


Here are his keenest thoughts, that one by one
His lukewarm soul hath tainted and undone;
And his white loves of simple days of yore,
in lewd and tempting mirrors sullied o'er;
The proud, mute vows that to himself he made
Are here—for he hath scored and cancelled them,
As one may cut and notch a diadem;
And here, inert and prone, his will is laid,
Whose gestures flashed like lightning keen before.
But that he now can raise in strength no more.


The grave-digger digs to the sound of the knell
'Mid the yews and the deaths in yonder dell.
Since ages longer than he can tell.


Here is his dream—born in the radiant glow.
Of joy and young oblivion, long ago—
That in black fields of science he let go,
That he hath clothed with flame and embers bright,
—Red wings plucked off from Folly in her flight—
That he hath launched toward inaccessible
Spaces afar, toward the distance there,
The golden conquest of the Impossible,
And that the limitless, refractory sky,
Sends back to him again, or it has ere
So much as touched the immobile mystery.


The grave-digger turneth it round and round—
With arms by toil so weary made,
With arms so thin, and strokes of spade—
Since what long times?—the dried-up ground.
Here, for his anguish and remorse, there throng
Pardons denied to creatures in the wrong;
And here, the tears, the prayers, the silent cries,
He would not list to in his brothers' eyes.
The insults to the gentle, and the jeer
What time the humble bent their knees, are here;
Gloomy denials, and a bitter store
Of arid sarcasms, oft poured out before
Devotedness that in the shadow stands
With outstretched hands.


The grave-digger, weary, yet eager as well.
Hiding his pain to the sound of the knell,
With strokes of the spade turns round and round
The weary sods of the dried-up ground.


Then—fear-struck dallyings with suicide;
Delays, that conquer hours that would decide:
Again—the terrors of dark crime and sin
Furtively felt with frenzied fingers thin:
The fierce craze and the fervent rage to be
The man who lives of the extremity
Of his own fear:
And then, too, doubt immense and wild affright.
And madness, with its eyes of marble white,
These all are here.


His head a prey to the dull knell's sound,
In terror the grave-digger turns the ground
With strokes of the spade, and doth ceaseless cast
The dried-up earth upon his past.


The slain days, and the present, he doth see,
Quelling each quivering thrill of life to be.
And drop by drop, through fists whose fingers start.
Pressing the future blood of his red heart;
Chewing with teeth that grind and crush, each part
Of that his future's body, limb by limb,
Till there is but a carcase left to him;
And shewing him, in coffins prisoned,
Or ever they be born, his longings dead.


The grave-digger yonder doth hear the knell,
More heavy yet, of the passing bell.
That up through the mourning horizons doth swell
What if the bells, with their haunting swing,
Would stop on a day that heart-breaking ring!
And the endless procession of corse after corse.
Choke the highways no more of his long remorse
But the biers, with the prayers and the tears,
Immensely yet follow the biers;
They halt by crucifix now, and by shrine,
Then take up once more their mournful line;
On the backs of men, upon trestles borne.
They follow their uniform march forlorn;
Skirting each field and each garden-wall.
Passing beneath the sign-posts tall,
Skirting along by the vast Unknown,
Where terror points horns from the corner-stone.


The old man, broken and propless quite.
Watches them still from the infinite
Coming towards him—and hath beside
Nothing to do, but in earth to hide
His multiple death, thus bit by bit,
And, with fingers irresolute, plant on it
Crosses so hastily, day by day,
Since what long times—he cannot say.
Written by Omer Tarin | Create an image from this poem

Mohenjodaro Reviisited

I.
You are not dead Why do they call you Mohen-jo-daro, “ Mounds-of-the-Dead”? You are not dead! You have never been dead Or buried Or cremated By the scorching banks of the Sindhu; Historians have conspired against you A thousand and one tales Have besmirched your name Misguided fools have imagined Your obituary to be true; Sentimental fools have sung elegies By their own graves Garlanded their own biers, Cursed the stars and howled at the heavens Self-piteous tears, in the hope That some part of their practiced grief would be remembered As poetry, A fitting tribute to your eternal face; Maybe, they would be able to, by their ululations, Raise demons from the earth Or bring forth spectres From darkest shadows of the thinnest air, precipitating Some prophecy, nameless and foreboding, a small Tin medal on their pathetic breasts, Stark in their hunger for inspired flights; Other dust should fashion other jars, not having the consistency Of ours.
It has been foretold that you will not die That you will not die thus, at the behest of historians Or for the research of archaeologists Or even the yapping lap-dogs Aping the tawny shades of our leonine skins; It has been foretold, And we are witnesses to you survival.
II.
Priest-Kings and dancing girls The sands have shifted, As the river has--- You are only abandoned, “Mound-abandoned-and-shifted”.
Take heart! Be not sad, The sons of Sindhu are around you; You cannot die while your sons live, While the children of the river still ply their wide boats On your consort’s undulating breast; While your daughters carry their vessels Fashioned from your clay; In every face, you are alive.
In the mien of priest-kings who have renounced Their crowns and pulpits for lives of love and freedom— At Bhit Shah, they sing your songs; At Sehwan, they celebrate your being; In every prayer and call to prayer you are revealed Rising gradually towards the heights of Kirthar Rolling ceaselessly over the sands of Kutch With every partridge crooning in the cotton, With every mallard winging over Manchar, You come forth— The Breaker-of-the-Shackles-of-Tyranny The-Keeper-of-the-Honour-of-Dancing –girls Friend-of-the-Imprisoned-Hari Last-Flower-amidst-the-Thorns-of-Despair! You are the yellow turmeric staining the red ajrak Of our wounds Anointing your martyrs Healing your casualties Soothing us with your whispered lullaby Such as our mothers used to sing us In our cradles From the earliest dawn of creation; Even now, your humped oxen plod home in the evening Of their tillage; Every day I hear the rise and fall of your undeciphered script In the cadences of children In the chattering of women In the murmur of lovers In the gestures of old men In the anger of the young.
III.
A Dream Untold It was said, long ago, that you will not die That forever you will live in the eyes of every child, That you will rise from your gargantuan sleep, Arise, woken by the winds! When the Eastern Gates of your citadel are opened wide All wars will cease Your sons will no longer flinch under the lash, Your daughters will no longer be distraught, The pillars of fire and smoke will settle down And the silent waste-lands speak with voices of prophecy; When precious stones will once again etch the bright circumference Of your ruins And the heavens shake themselves into fleeting shapes, Vain and irresolute constellations plunge Into narrow circles of despair— It has been said that you will flourish again, When the crashing shores Of sea and river Melt into each other When waves shiver Into the rock’s embrace.
Then I, too, shall awaken, I trust, And behold you in your truth.
------------ * (c) Omer Tarin.
Pub ''The Glasgow Seeker'', UK, 2005
Written by Edna St Vincent Millay | Create an image from this poem

Sonnets 07: When I Too Long Have Looked Upon Your Face

 When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room In which a little while, uncertainly, Surrounded by impenetrable gloom, Among familiar things grown strange to me Making my way, I pause, and feel, and hark, Till I become accustomed to the dark.
Written by George Meredith | Create an image from this poem

Modern Love XXII: What May the Woman

 What may the woman labour to confess?
There is about her mouth a nervous twitch.
'Tis something to be told, or hidden:--which? I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel That all the household things are things she knew.
She stops before the glass.
What sight in view? A face that seems the latest to reveal! For she turns from it hastily, and tossed Irresolute, steals shadow-like to where I stand; and wavering pale before me there, Her tears fall still as oak-leaves after frost.
She will not speak.
I will not ask.
We are League-sundered by the silent gulf between.
Yon burly lovers on the village green, Yours is a lower, and a happier star!


Written by Alan Seeger | Create an image from this poem

The Nympholept

 There was a boy -- not above childish fears -- 
With steps that faltered now and straining ears, 
Timid, irresolute, yet dauntless still, 
Who one bright dawn, when each remotest hill 
Stood sharp and clear in Heaven's unclouded blue 
And all Earth shimmered with fresh-beaded dew, 
Risen in the first beams of the gladdening sun, 
Walked up into the mountains.
One by one Each towering trunk beneath his sturdy stride Fell back, and ever wider and more wide The boundless prospect opened.
Long he strayed, From dawn till the last trace of slanting shade Had vanished from the canyons, and, dismayed At that far length to which his path had led, He paused -- at such a height where overhead The clouds hung close, the air came thin and chill, And all was hushed and calm and very still, Save, from abysmal gorges, where the sound Of tumbling waters rose, and all around The pines, by those keen upper currents blown, Muttered in multitudinous monotone.
Here, with the wind in lovely locks laid bare, With arms oft raised in dedicative prayer, Lost in mute rapture and adoring wonder, He stood, till the far noise of noontide thunder, Rolled down upon the muffled harmonies Of wind and waterfall and whispering trees, Made loneliness more lone.
Some Panic fear Would seize him then, as they who seemed to hear In Tracian valleys or Thessalian woods The god's hallooing wake the leafy solitudes; I think it was the same: some piercing sense Of Deity's pervasive immanence, The Life that visible Nature doth indwell Grown great and near and all but palpable .
.
.
He might not linger, but with winged strides Like one pursued, fled down the mountain-sides -- Down the long ridge that edged the steep ravine, By glade and flowery lawn and upland green, And never paused nor felt assured again But where the grassy foothills opened.
Then, While shadows lengthened on the plain below And the sun vanished and the sunset-glow Looked back upon the world with fervid eye Through the barred windows of the western sky, Homeward he fared, while many a look behind Showed the receding ranges dim-outlined, Highland and hollow where his path had lain, Veiled in deep purple of the mountain rain.
Written by George Meredith | Create an image from this poem

Modern Love: XXII

 What may the woman labour to confess?
There is about her mouth a nervous twitch.
'Tis something to be told, or hidden:--which? I get a glimpse of hell in this mild guess.
She has desires of touch, as if to feel That all the household things are things she knew.
She stops before the glass.
What sight in view? A face that seems the latest to reveal! For she turns from it hastily, and tossed Irresolute, steals shadow-like to where I stand; and wavering pale before me there, Her tears fall still as oak-leaves after frost.
She will not speak.
I will not ask.
We are League-sundered by the silent gulf between.
Yon burly lovers on the village green, Yours is a lower, and a happier star!

Book: Shattered Sighs