Written by
Walt Whitman |
THAT which eludes this verse and any verse,
Unheard by sharpest ear, unform’d in clearest eye or cunningest mind,
Nor lore nor fame, nor happiness nor wealth,
And yet the pulse of every heart and life throughout the world incessantly,
Which you and I and all pursuing ever ever miss,
Open but still a secret, the real of the real, an illusion,
Costless, vouchsafed to each, yet never man the owner,
Which poets vainly seek to put in rhyme, historians in prose,
Which sculptor never chisel’d yet, nor painter painted,
Which vocalist never sung, nor orator nor actor ever utter’d,
Invoking here and now I challenge for my song.
Indifferently, ’mid public, private haunts, in solitude,
Behind the mountain and the wood,
Companion of the city’s busiest streets, through the assemblage,
It and its radiations constantly glide.
In looks of fair unconscious babes,
Or strangely in the coffin’d dead,
Or show of breaking dawn or stars by night,
As some dissolving delicate film of dreams,
Hiding yet lingering.
Two little breaths of words comprising it.
Two words, yet all from first to last comprised in it.
How ardently for it!
How many ships have sail’d and sunk for it!
How many travelers started from their homes and ne’er return’d!
How much of genius boldly staked and lost for it!
What countless stores of beauty, love, ventur’d for it!
How all superbest deeds since Time began are traceable to it—and shall be to the end!
How all heroic martyrdoms to it!
How, justified by it, the horrors, evils, battles of the earth!
How the bright fascinating lambent flames of it, in every age and land, have drawn
men’s
eyes,
Rich as a sunset on the Norway coast, the sky, the islands, and the cliffs,
Or midnight’s silent glowing northern lights unreachable.
Haply God’s riddle it, so vague and yet so certain,
The soul for it, and all the visible universe for it,
And heaven at last for it.
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Written by
John Ashbery |
Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering,
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore)
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others,
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
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Written by
Wendell Berry |
I.
The poem is important, but
not more than the people
whose survival it serves,
one of the necessities, so they may
speak what is true, and have
the patience for beauty: the weighted
grainfield, the shady street,
the well-laid stone and the changing tree
whose branches spread above.
For want of songs and stories
they have dug away the soil,
paved over what is left,
set up their perfunctory walls
in tribute to no god,
for the love of no man or woman,
so that the good that was here
cannot be called back
except by long waiting, by great
sorrows remembered and to come
by invoking the thunderstones
of the world, and the vivid air.
II.
The poem is important,
as the want of it
proves. It is the stewardship
of its own possibility,
the past remembering itself
in the presence of
the present, the power learned
and handed down to see
what is present
and what is not: the pavement
laid down and walked over
regardlessly--by exiles, here
only because they are passing.
Oh, remember the oaks that were
here, the leaves, purple and brown,
falling, the nuthatches walking
headfirst down the trunks,
crying "onc! onc!" in the brightness
as they are doing now
in the cemetery across the street
where the past and the dead
keep each other. To remember,
to hear and remember, is to stop
and walk on again
to a livelier, surer measure.
It is dangerous
to remember the past only
for its own sake, dangerous
to deliver a message
you did not get.
|
Written by
John Milton |
This rich Marble doth enterr
The honour'd Wife of Winchester,
A Vicounts daughter, an Earls heir,
Besides what her vertues fair
Added to her noble birth,
More then she could own from Earth.
Summers three times eight save one
She had told, alas too soon,
After so short time of breath,
To house with darknes, and with death.
Yet had the number of her days
Bin as compleat as was her praise,
Nature and fate had had no strife
In giving limit to her life.
Her high birth, and her graces sweet,
Quickly found a lover meet;
The Virgin quire for her request
The God that sits at marriage feast;
He at their invoking came
But with a scarce-wel-lighted flame;
And in his Garland as he stood,
Ye might discern a Cipress bud.
Once had the early Matrons run
To greet her of a lovely son,
And now with second hope she goes,
And calls Lucina to her throws;
But whether by mischance or blame
Atropos for Lucina came;
And with remorsles cruelty,
Spoil'd at once both fruit and tree:
The haples Babe before his birth
Had burial, yet not laid in earth,
And the languisht Mothers Womb
Was not long a living Tomb.
So have I seen som tender slip
Sav'd with care from Winters nip,
The pride of her carnation train,
Pluck't up by som unheedy swain,
Who onely thought to crop the flowr
New shot up from vernall showr;
But the fair blossom hangs the head
Side-ways as on a dying bed,
And those Pearls of dew she wears,
Prove to be presaging tears
Which the sad morn had let fall
On her hast'ning funerall.
Gentle Lady may thy grave
Peace and quiet ever have;
After this thy travail sore
Sweet rest sease thee evermore,
That to give the world encrease,
Shortned hast thy own lives lease;
Here besides the sorrowing
That thy noble House doth bring,
Here be tears of perfect moan
Weept for thee in Helicon,
And som Flowers, and som Bays,
For thy Hears to strew the ways,
Sent thee from the banks of Came,
Devoted to thy vertuous name;
Whilst thou bright Saint high sit'st in glory,
Next her much like to thee in story,
That fair Syrian Shepherdess,
Who after yeers of barrennes,
The highly favour'd Joseph bore
To him that serv'd for her before,
And at her next birth much like thee,
Through pangs fled to felicity,
Far within the boosom bright
of blazing Majesty and Light,
There with thee, new welcom Saint,
Like fortunes may her soul acquaint,
With thee there clad in radiant sheen,
No Marchioness, but now a Queen.
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Written by
Robinson Jeffers |
This morning Hitler spoke in Danzig, we hear his voice.
A man of genius: that is, of amazing
Ability, courage, devotion, cored on a sick child's soul,
Heard clearly through the dog wrath, a sick child
Wailing in Danzig; invoking destruction and wailing at it.
Here, the day was extremely hot; about noon
A south wind like a blast from hell's mouth spilled a slight rain
On the parched land, and at five a light earthquake
Danced the house, no harm done. Tonight I have been amusing myself
Watching the blood-red moon droop slowly
Into the black sea through bursts of dry lightning and distant thunder.
Well: the day is a poem: but too much
Like one of Jeffers's, crusted with blood and barbaric omens,
Painful to excess, inhuman as a hawk's cry.
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Written by
Herman Melville |
Ye elms that wave on Malvern Hill
In prime of morn and May,
Recall ye how McClellan's men
Here stood at bay?
While deep within yon forest dim
Our rigid comrades lay -
Some with the cartridge in their mouth,
Others with fixed arms lifted South -
Invoking so
The cypress glades? Ah wilds of woe!
The spires of Richmond, late beheld
Through rifts in musket-haze,
Were closed from view in clouds of dust
On leaf-walled ways,
Where streamed our wagons in caravan;
And the Seven Nights and Days
Of march and fast, retreat and fight,
Pinched our grimed faces to ghastly plight -
Does the elm wood
Recall the haggard beards of blood?
The battle-smoked flag, with stars eclipsed,
We followed (it never fell!) -
In silence husbanded our strength -
Received their yell;
Till on this slope we patient turned
With cannon ordered well;
Reverse we proved was not defeat;
But ah, the sod what thousands meet! -
Does Malvern Wood
Bethink itself, and muse and brood?
We elms of Malvern Hill
Remember every thing;
But sap the twig will fill:
Wag the world how it will,
Leaves must be green in Spring.
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Written by
Sidney Lanier |
Our hearths are gone out and our hearts are broken,
And but the ghosts of homes to us remain,
And ghastly eyes and hollow sighs give token
From friend to friend of an unspoken pain.
O Raven days, dark Raven days of sorrow,
Bring to us in your whetted ivory beaks
Some sign out of the far land of To-morrow,
Some strip of sea-green dawn, some orange streaks.
Ye float in dusky files, forever croaking.
Ye chill our manhood with your dreary shade.
Dumb in the dark, not even God invoking,
We lie in chains, too weak to be afraid.
O Raven days, dark Raven days of sorrow,
Will ever any warm light come again?
Will ever the lit mountains of To-morrow
Begin to gleam athwart the mournful plain?
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