Best Famous Invent Poems

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Written by Ogden Nash | Create an image from this poem

Very Like a Whale

 One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and
metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts,
Can't seem just to say that anything is the thing it is but have to
go out of their way to say that it is like something else.
What does it mean when we are told
That that Assyrian came down like a wolf on the fold?
In the first place, George Gordon Byron had enough experience
To know that it probably wasn't just one Assyrian, it was a lot of
Assyrians.
However, as too many arguments are apt to induce apoplexy and
thus hinder longevity.
We'll let it pass as one Assyrian for the sake of brevity.
Now then, this particular Assyrian, the one whose cohorts were
gleaming in purple and gold,
Just what does the poet mean when he says he came down like a
wold on the fold?
In heaven and earth more than is dreamed of in our philosophy
there are great many things.
But I don't imagine that among them there is a wolf with purple
and gold cohorts or purple and gold anythings.
No, no, Lord Byron, before I'll believe that this Assyrian was
actually like a wolf I must have some kind of proof;
Did he run on all fours and did he have a hairy tail and a big red
mouth and big white teeth and did he say Woof Woof?
Frankly I think it is very unlikely, and all you were entitled to say,
at the very most,
Was that the Assyrian cohorts came down like a lot of Assyrian
cohorts about to destroy the Hebrew host.
But that wasn't fancy enough for Lord Byron, oh dear me no, he
had to invent a lot of figures of speech and then interpolate them,
With the result that whenever you mention Old Testament soldiers
to people they say Oh yes, they're the ones that a lot of
wolves dressed up in gold and purple ate them.
That's the kind of thing that's being done all the time by poets,
from Homer to Tennyson;
They're always comparing ladies to lilies and veal to venison,
And they always say things like that the snow is a white blanket
after a winter storm.
Oh it is, is it, all right then, you sleep under a six-inch blanket of
snow and I'll sleep under a half-inch blanket of unpoetical
blanket material and we'll see which one keeps warm,
And after that maybe you'll begin to comprehend dimly
What I mean by too much metaphor and simile.

Written by William Blake | Create an image from this poem

Auguries Of Innocence

 To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage
Puts all heaven in a rage.
A dove-house filled with doves and pigeons
Shudders hell through all its regions.
A dog starved at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipped and armed for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from hell a human soul.
The wild deer wandering here and there
Keeps the human soul from care.
The lamb misused breeds public strife,
And yet forgives the butcher's knife.
The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.
He who shall hurt the little wren
Shall never be beloved by men.
He who the ox to wrath has moved
Shall never be by woman loved.
The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.
The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the Last Judgment draweth nigh.
He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them, and thou wilt grow fat.
The gnat that sings his summer's song
Poison gets from Slander's tongue.
The poison of the snake and newt
Is the sweat of Envy's foot.
The poison of the honey-bee
Is the artist's jealousy.
The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.
It is right it should be so:
Man was made for joy and woe;
And when this we rightly know
Through the world we safely go.
Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.
The babe is more than swaddling bands,
Throughout all these human lands;
Tools were made and born were hands,
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;
This is caught by females bright
And returned to its own delight.
The bleat, the bark, bellow, and roar
Are waves that beat on heaven's shore.
The babe that weeps the rod beneath
Writes Revenge! in realms of death.
The beggar's rags fluttering in air
Does to rags the heavens tear.
The soldier armed with sword and gun
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.
One mite wrung from the labourer's hands
Shall buy and sell the miser's lands,
Or if protected from on high
Does that whole nation sell and buy.
He who mocks the infant's faith
Shall be mocked in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.
He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.
The questioner who sits so sly
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.
The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.
When gold and gems adorn the plough
To peaceful arts shall Envy bow.
A riddle or the cricket's cry
Is to doubt a fit reply.
The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.
If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.
The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding sheet.
The winner's shout, the loser's curse,
Dance before dead England's hearse.
Every night and every morn
Some to misery are born.
Every morn and every night
Some are born to sweet delight.
Some are born to sweet delight,
Some are born to endless night.
We are led to believe a lie
When we see not through the eye
Which was born in a night to perish in a night,
When the soul slept in beams of light.
God appears, and God is light
To those poor souls who dwell in night,
But does a human form display
To those who dwell in realms of day.
Written by Friedrich von Schiller | Create an image from this poem

Friendship

 Friend!--the Great Ruler, easily content,
Needs not the laws it has laborious been
The task of small professors to invent;
A single wheel impels the whole machine
Matter and spirit;--yea, that simple law,
Pervading nature, which our Newton saw.

This taught the spheres, slaves to one golden rein,
Their radiant labyrinths to weave around
Creation's mighty hearts: this made the chain,
Which into interwoven systems bound
All spirits streaming to the spiritual sun
As brooks that ever into ocean run!

Did not the same strong mainspring urge and guide
Our hearts to meet in love's eternal bond?
Linked to thine arm, O Raphael, by thy side
Might I aspire to reach to souls beyond
Our earth, and bid the bright ambition go
To that perfection which the angels know!

Happy, O happy--I have found thee--I
Have out of millions found thee, and embraced;
Thou, out of millions, mine!--Let earth and sky
Return to darkness, and the antique waste--
To chaos shocked, let warring atoms be,
Still shall each heart unto the other flee!

Do I not find within thy radiant eyes
Fairer reflections of all joys most fair?
In thee I marvel at myself--the dyes
Of lovely earth seem lovelier painted there,
And in the bright looks of the friend is given
A heavenlier mirror even of the heaven!

Sadness casts off its load, and gayly goes
From the intolerant storm to rest awhile,
In love's true heart, sure haven of repose;
Does not pain's veriest transports learn to smile
From that bright eloquence affection gave
To friendly looks?--there, finds not pain a grave?

In all creation did I stand alone,
Still to the rocks my dreams a soul should find,
Mine arms should wreathe themselves around the stone,
My griefs should feel a listener in the wind;
My joy--its echo in the caves should be!
Fool, if ye will--Fool, for sweet sympathy!

We are dead groups of matter when we hate;
But when we love we are as gods!--Unto
The gentle fetters yearning, through each state
And shade of being multiform, and through
All countless spirits (save of all the sire)--
Moves, breathes, and blends, the one divine desire.

Lo! arm in arm, through every upward grade,
From the rude mongrel to the starry Greek,
Who the fine link between the mortal made,
And heaven's last seraph--everywhere we seek
Union and bond--till in one sea sublime
Of love be merged all measure and all time!

Friendless ruled God His solitary sky;
He felt the want, and therefore souls were made,
The blessed mirrors of his bliss!--His eye
No equal in His loftiest works surveyed;
And from the source whence souls are quickened, He
Called His companion forth--ETERNITY!
Written by Philip Larkin | Create an image from this poem

I Remember I Remember

 Coming up England by a different line
For once, early in the cold new year,
We stopped, and, watching men with number plates
Sprint down the platform to familiar gates,
'Why, Coventry!' I exclaimed. 'I was born here.'

I leant far out, and squinnied for a sign
That this was still the town that had been 'mine'
So long, but found I wasn't even clear
Which side was which. From where those cycle-crates
Were standing, had we annually departed

For all those family hols? . . . A whistle went:
Things moved. I sat back, staring at my boots.
'Was that,' my friend smiled, 'where you "have your roots"?'
No, only where my childhood was unspent,
I wanted to retort, just where I started:

By now I've got the whole place clearly charted.
Our garden, first: where I did not invent
Blinding theologies of flowers and fruits,
And wasn't spoken to by an old hat.
And here we have that splendid family

I never ran to when I got depressed,
The boys all biceps and the girls all chest,
Their comic Ford, their farm where I could be
'Really myself'. I'll show you, come to that,
The bracken where I never trembling sat,

Determined to go through with it; where she
Lay back, and 'all became a burning mist'.
And, in those offices, my doggerel
Was not set up in blunt ten-point, nor read
By a distinguished cousin of the mayor,

Who didn't call and tell my father There
Before us, had we the gift to see ahead -
'You look as though you wished the place in Hell,'
My friend said, 'judging from your face.' 'Oh well,
I suppose it's not the place's fault,' I said.

'Nothing, like something, happens anywhere.'
Written by Andrew Marvell | Create an image from this poem

The Gallery

Clora, come view my soul, and tell
Whether I have contrived it well.
Now all its several lodgings lie
Composed into one gallery;
And the great arras-hangings, made
Of various faces, by are laid;
That, for all furniture, you'll find
Only your picture in my mind.

Here thou art painted in the dress
Of an inhuman murderess;
Examining upon our hearts
Thy fertile shop of cruel arts:
Engines more keen than ever yet
Adornèd tyrant's cabinet;
Of which the most tormenting are
Black eyes, red lips, and curlèd hair.

But, on the other side, thou'rt drawn
Like to Aurora in the dawn;
When in the east she slumb'ring lies,
And stretches out her milky thighs;
While all the morning choir does sing,
And manna falls, and roses spring;
And, at thy feet, the wooing doves
Sit perfecting their harmless loves.

Like an enchantress here thou show'st,
Vexing thy restless lover's ghost;
And, by a light obscure, dost rave
Over his entrails, in the cave;
Divining thence, with horrid care,
How long thou shalt continue fair;
And (when informed) them throw'st away,
To be the greedy vulture's prey.

But, against that, thou sit'st afloat
Like Venus in her pearly boat.
The halcyons, calming all that's nigh,
Betwixt the air and water fly:
Or, if some rolling wave appears,
A mass of ambergris it bears:
Nor blows more wind than what may well
Convoy the perfume to the smell.

These pictures and a thousand more,
Of thee, my gallery do store;
In all the forms thou canst invent
Either to please me, or torment:
For thou alone to people me,
Art grown a num'rous colony;
And a collection choicer far
Than or Whitehall's, or Mantua's were.

But, of these pictures and the rest,
That at the entrance likes me best;
Where the same posture, and the look
Remains, with which I first was took:
A tender shepherdess, whose hair
Hangs loosely playing in the air,
Transplanting flowers from the green hill,
To crown her head, and bosom fill.

Written by John Dryden | Create an image from this poem

Mac Flecknoe

 All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace,
And blest with issue of a large increase,
Worn out with business, did at length debate
To settle the succession of the State:
And pond'ring which of all his sons was fit
To reign, and wage immortal war with wit;
Cry'd, 'tis resolv'd; for nature pleads that he
Should only rule, who most resembles me:
Shadwell alone my perfect image bears,
Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he
Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense.
Some beams of wit on other souls may fall,
Strike through and make a lucid interval;
But Shadwell's genuine night admits no ray,
His rising fogs prevail upon the day:
Besides his goodly fabric fills the eye,
And seems design'd for thoughtless majesty:
Thoughtless as monarch oaks, that shade the plain,
And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee,
Thou last great prophet of tautology:
Even I, a dunce of more renown than they,
Was sent before but to prepare thy way;
And coarsely clad in Norwich drugget came
To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung
When to King John of Portugal I sung,
Was but the prelude to that glorious day,
When thou on silver Thames did'st cut thy way,
With well tim'd oars before the royal barge,
Swell'd with the pride of thy celestial charge;
And big with hymn, commander of an host,
The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail,
The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore
The treble squeaks for fear, the basses roar:
Echoes from Pissing-Alley, Shadwell call,
And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng,
As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band
Thou wield'st thy papers in thy threshing hand.
St. Andre's feet ne'er kept more equal time,
Not ev'n the feet of thy own Psyche's rhyme:
Though they in number as in sense excel;
So just, so like tautology they fell,
That, pale with envy, Singleton forswore
The lute and sword which he in triumph bore
And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy
In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade,
That for anointed dullness he was made.

 Close to the walls which fair Augusta bind,
(The fair Augusta much to fears inclin'd)
An ancient fabric, rais'd t'inform the sight,
There stood of yore, and Barbican it hight:
A watch tower once; but now, so fate ordains,
Of all the pile an empty name remains.
From its old ruins brothel-houses rise,
Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep,
And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head,
Where queens are form'd, and future heroes bred;
Where unfledg'd actors learn to laugh and cry,
Where infant punks their tender voices try,
And little Maximins the gods defy.
Great Fletcher never treads in buskins here,
Nor greater Jonson dares in socks appear;
But gentle Simkin just reception finds
Amidst this monument of vanish'd minds:
Pure clinches, the suburbian muse affords;
And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known,
Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since,
That in this pile should reign a mighty prince,
Born for a scourge of wit, and flail of sense:
To whom true dullness should some Psyches owe,
But worlds of Misers from his pen should flow;
Humorists and hypocrites it should produce,
Whole Raymond families, and tribes of Bruce.

 Now Empress Fame had publisht the renown,
Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet,
From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way,
But scatter'd limbs of mangled poets lay:
From dusty shops neglected authors come,
Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay,
But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd,
And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd,
High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat
Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace,
And lambent dullness play'd around his face.
As Hannibal did to the altars come,
Sworn by his sire a mortal foe to Rome;
So Shadwell swore, nor should his vow be vain,
That he till death true dullness would maintain;
And in his father's right, and realm's defence,
Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made,
As king by office, and as priest by trade:
In his sinister hand, instead of ball,
He plac'd a mighty mug of potent ale;
Love's kingdom to his right he did convey,
At once his sceptre and his rule of sway;
Whose righteous lore the prince had practis'd young,
And from whose loins recorded Psyche sprung,
His temples last with poppies were o'er spread,
That nodding seem'd to consecrate his head:
Just at that point of time, if fame not lie,
On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook,
Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make,
And omens of his future empire take.
The sire then shook the honours of his head,
And from his brows damps of oblivion shed
Full on the filial dullness: long he stood,
Repelling from his breast the raging god;
At length burst out in this prophetic mood:

Heavens bless my son, from Ireland let him reign
To far Barbadoes on the Western main;
Of his dominion may no end be known,
And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen;
He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance
Still in new impudence, new ignorance.
Success let other teach, learn thou from me
Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ;
Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage,
Make Dorimant betray, and Loveit rage;
Let Cully, Cockwood, Fopling, charm the pit,
And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence,
And justify their author's want of sense.
Let 'em be all by thy own model made
Of dullness, and desire no foreign aid:
That they to future ages may be known,
Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same,
All full of thee, and differing but in name;
But let no alien Sedley interpose
To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull,
Trust Nature, do not labour to be dull;
But write thy best, and top; and in each line,
Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill,
And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame,
By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise,
And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part;
What share have we in Nature or in Art?
Where did his wit on learning fix a brand,
And rail at arts he did not understand?
Where made he love in Prince Nicander's vein,
Or swept the dust in Psyche's humble strain?
Where sold he bargains, whip-stitch, kiss my ****,
Promis'd a play and dwindled to a farce?
When did his muse from Fletcher scenes purloin,
As thou whole Eth'ridge dost transfuse to thine?
But so transfus'd as oil on waters flow,
His always floats above, thine sinks below.
This is thy province, this thy wondrous way,
New humours to invent for each new play:
This is that boasted bias of thy mind,
By which one way, to dullness, 'tis inclin'd,
Which makes thy writings lean on one side still,
And in all changes that way bends thy will.
Nor let thy mountain belly make pretence
Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ,
But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep,
Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write,
Thy inoffensive satires never bite.
In thy felonious heart, though venom lies,
It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame
In keen iambics, but mild anagram:
Leave writing plays, and choose for thy command
Some peaceful province in acrostic land.
There thou may'st wings display and altars raise,
And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit,
Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard,
For Bruce and Longvil had a trap prepar'd,
And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind,
Born upwards by a subterranean wind.
The mantle fell to the young prophet's part,
With double portion of his father's art.
Written by Edwin Arlington Robinson | Create an image from this poem

Lancelot

 Gawaine, aware again of Lancelot 
In the King’s garden, coughed and followed him; 
Whereat he turned and stood with folded arms 
And weary-waiting eyes, cold and half-closed— 
Hard eyes, where doubts at war with memories
Fanned a sad wrath. “Why frown upon a friend? 
Few live that have too many,” Gawaine said, 
And wished unsaid, so thinly came the light 
Between the narrowing lids at which he gazed. 
“And who of us are they that name their friends?” 
Lancelot said. “They live that have not any. 
Why do they live, Gawaine? Ask why, and answer.” 

Two men of an elected eminence, 
They stood for a time silent. Then Gawaine, 
Acknowledging the ghost of what was gone,
Put out his hand: “Rather, I say, why ask? 
If I be not the friend of Lancelot, 
May I be nailed alive along the ground 
And emmets eat me dead. If I be not 
The friend of Lancelot, may I be fried
With other liars in the pans of hell. 
What item otherwise of immolation 
Your Darkness may invent, be it mine to endure 
And yours to gloat on. For the time between, 
Consider this thing you see that is my hand.
If once, it has been yours a thousand times; 
Why not again? Gawaine has never lied 
To Lancelot; and this, of all wrong days— 
This day before the day when you go south 
To God knows what accomplishment of exile—
Were surely an ill day for lies to find 
An issue or a cause or an occasion. 
King Ban your father and King Lot my father, 
Were they alive, would shake their heads in sorrow 
To see us as we are, and I shake mine
In wonder. Will you take my hand, or no? 
Strong as I am, I do not hold it out 
For ever and on air. You see—my hand.” 
Lancelot gave his hand there to Gawaine, 
Who took it, held it, and then let it go,
Chagrined with its indifference. 
“Yes, Gawaine, 
I go tomorrow, and I wish you well; 
You and your brothers, Gareth, Gaheris,— 
And Agravaine; yes, even Agravaine,
Whose tongue has told all Camelot and all Britain 
More lies than yet have hatched of Modred’s envy. 
You say that you have never lied to me, 
And I believe it so. Let it be so. 
For now and always. Gawaine, I wish you well.
Tomorrow I go south, as Merlin went, 
But not for Merlin’s end. I go, Gawaine, 
And leave you to your ways. There are ways left.” 
“There are three ways I know, three famous ways, 
And all in Holy Writ,” Gawaine said, smiling:
“The snake’s way and the eagle’s way are two, 
And then we have a man’s way with a maid— 
Or with a woman who is not a maid. 
Your late way is to send all women scudding, 
To the last flash of the last cramoisy,
While you go south to find the fires of God. 
Since we came back again to Camelot 
From our immortal Quest—I came back first— 
No man has known you for the man you were 
Before you saw whatever ’t was you saw,
To make so little of kings and queens and friends 
Thereafter. Modred? Agravaine? My brothers? 
And what if they be brothers? What are brothers, 
If they be not our friends, your friends and mine? 
You turn away, and my words are no mark
On you affection or your memory? 
So be it then, if so it is to be. 
God save you, Lancelot; for by Saint Stephen, 
You are no more than man to save yourself.” 

“Gawaine, I do not say that you are wrong,
Or that you are ill-seasoned in your lightness; 
You say that all you know is what you saw, 
And on your own averment you saw nothing. 
Your spoken word, Gawaine, I have not weighed 
In those unhappy scales of inference
That have no beam but one made out of hates 
And fears, and venomous conjecturings; 
Your tongue is not the sword that urges me 
Now out of Camelot. Two other swords 
There are that are awake, and in their scabbards
Are parching for the blood of Lancelot. 
Yet I go not away for fear of them, 
But for a sharper care. You say the truth, 
But not when you contend the fires of God 
Are my one fear,—for there is one fear more.
Therefore I go. Gawaine, I wish you well.” 

“Well-wishing in a way is well enough; 
So, in a way, is caution; so, in a way, 
Are leeches, neatherds, and astrologers. 
Lancelot, listen. Sit you down and listen:
You talk of swords and fears and banishment. 
Two swords, you say; Modred and Agravaine, 
You mean. Had you meant Gaheris and Gareth, 
Or willed an evil on them, I should welcome 
And hasten your farewell. But Agravaine
Hears little what I say; his ears are Modred’s. 
The King is Modred’s father, and the Queen 
A prepossession of Modred’s lunacy. 
So much for my two brothers whom you fear, 
Not fearing for yourself. I say to you,
Fear not for anything—and so be wise 
And amiable again as heretofore; 
Let Modred have his humor, and Agravaine 
His tongue. The two of them have done their worst, 
And having done their worst, what have they done?
A whisper now and then, a chirrup or so 
In corners,—and what else? Ask what, and answer.” 

Still with a frown that had no faith in it, 
Lancelot, pitying Gawaine’s lost endeavour 
To make an evil jest of evidence,
Sat fronting him with a remote forbearance— 
Whether for Gawaine blind or Gawaine false, 
Or both, or neither, he could not say yet, 
If ever; and to himself he said no more 
Than he said now aloud: “What else, Gawaine?
What else, am I to say? Then ruin, I say; 
Destruction, dissolution, desolation, 
I say,—should I compound with jeopardy now. 
For there are more than whispers here, Gawaine: 
The way that we have gone so long together
Has underneath our feet, without our will, 
Become a twofold faring. Yours, I trust, 
May lead you always on, as it has led you, 
To praise and to much joy. Mine, I believe, 
Leads off to battles that are not yet fought,
And to the Light that once had blinded me. 
When I came back from seeing what I saw, 
I saw no place for me in Camelot. 
There is no place for me in Camelot. 
There is no place for me save where the Light
May lead me; and to that place I shall go. 
Meanwhile I lay upon your soul no load 
Of counsel or of empty admonition; 
Only I ask of you, should strife arise 
In Camelot, to remember, if you may,
That you’ve an ardor that outruns your reason, 
Also a glamour that outshines your guile; 
And you are a strange hater. I know that; 
And I’m in fortune that you hate not me. 
Yet while we have our sins to dream about,
Time has done worse for time than in our making; 
Albeit there may be sundry falterings 
And falls against us in the Book of Man.” 

“Praise Adam, you are mellowing at last! 
I’ve always liked this world, and would so still;
And if it is your new Light leads you on 
To such an admirable gait, for God’s sake, 
Follow it, follow it, follow it, Lancelot; 
Follow it as you never followed glory. 
Once I believed that I was on the way
That you call yours, but I came home again 
To Camelot—and Camelot was right, 
For the world knows its own that knows not you; 
You are a thing too vaporous to be sharing 
The carnal feast of life. You mow down men
Like elder-stems, and you leave women sighing 
For one more sight of you; but they do wrong. 
You are a man of mist, and have no shadow. 
God save you, Lancelot. If I laugh at you, 
I laugh in envy and in admiration.”

The joyless evanescence of a smile, 
Discovered on the face of Lancelot 
By Gawaine’s unrelenting vigilance, 
Wavered, and with a sullen change went out; 
And then there was the music of a woman
Laughing behind them, and a woman spoke: 
“Gawaine, you said ‘God save you, Lancelot.’ 
Why should He save him any more to-day 
Than on another day? What has he done, 
Gawaine, that God should save him?” Guinevere,
With many questions in her dark blue eyes 
And one gay jewel in her golden hair, 
Had come upon the two of them unseen, 
Till now she was a russet apparition 
At which the two arose—one with a dash
Of easy leisure in his courtliness, 
One with a stately calm that might have pleased 
The Queen of a strange land indifferently. 
The firm incisive languor of her speech, 
Heard once, was heard through battles: “Lancelot,
What have you done to-day that God should save you? 
What has he done, Gawaine, that God should save him? 
I grieve that you two pinks of chivalry 
Should be so near me in my desolation, 
And I, poor soul alone, know nothing of it.
What has he done, Gawaine?” 

With all her poise, 
To Gawaine’s undeceived urbanity 
She was less queen than woman for the nonce, 
And in her eyes there was a flickering
Of a still fear that would not be veiled wholly 
With any mask of mannered nonchalance. 
“What has he done? Madam, attend your nephew; 
And learn from him, in your incertitude, 
That this inordinate man Lancelot,
This engine of renown, this hewer down daily 
Of potent men by scores in our late warfare, 
Has now inside his head a foreign fever 
That urges him away to the last edge 
Of everything, there to efface himself
In ecstasy, and so be done with us. 
Hereafter, peradventure certain birds 
Will perch in meditation on his bones, 
Quite as if they were some poor sailor’s bones, 
Or felon’s jettisoned, or fisherman’s,
Or fowler’s bones, or Mark of Cornwall’s bones. 
In fine, this flower of men that was our comrade 
Shall be for us no more, from this day on, 
Than a much remembered Frenchman far away. 
Magnanimously I leave you now to prize
Your final sight of him; and leaving you, 
I leave the sun to shine for him alone, 
Whiles I grope on to gloom. Madam, farewell; 
And you, contrarious Lancelot, farewell.”
Written by William Carlos (WCW) Williams | Create an image from this poem

A Sort Of A Song

 Let the snake wait under
his weed
and the writing
be of words, slow and quick, sharp
to strike, quiet to wait,
sleepless.
—through metaphor to reconcile
the people and the stones.
Compose. (No ideas
but in things) Invent!
Saxifrage is my flower that splits
the rocks.
Written by Sir Philip Sidney | Create an image from this poem

Sonnet XIX: On Cupids Bow

 On Cupid's bow how are my heartstrings bent, 
That see my wrack, and yet embrace the same? 
When most I glory, then I feel most shame: 
I willing run, yet while I run, repent. 

My best wits still their own disgrace invent: 
My very ink turns straight to Stella's name; 
And yet my words, as them my pen doth frame, 
Avise themselves that they are vainly spent. 

For though she pass all things, yet what is all 
That unto me, who fare like him that both 
Looks to the skies and in a ditch doth fall? 

Oh let me prop my mind, yet in his growth, 
And not in Nature, for best fruits unfit: 
"Scholar," saith Love, "bend hitherward your wit."
Written by Andrew Marvell | Create an image from this poem

The Character Of Holland

 Holland, that scarce deserves the name of Land,
As but th'Off-scouring of the Brittish Sand;
And so much Earth as was contributed
By English Pilots when they heav'd the Lead;
Or what by th' Oceans slow alluvion fell,
Of shipwrackt Cockle and the Muscle-shell;
This indigested vomit of the Sea
Fell to the Dutch by just Propriety.
Glad then, as Miners that have found the Oar,
They with mad labour fish'd the Land to Shoar;
And div'd as desperately for each piece
Of Earth, as if't had been of Ambergreece;
Collecting anxiously small Loads of Clay,
Less then what building Swallows bear away;
Transfursing into them their Dunghil Soul.
How did they rivet, with Gigantick Piles,
Thorough the Center their new-catched Miles;
And to the stake a strugling Country bound,
Where barking Waves still bait the forced Ground;
Building their watry Babel far more high
To reach the Sea, then those to scale the Sky.
Yet still his claim the Injur'd Ocean laid,
And oft at Leap-frog ore their Steeples plaid:
As if on purpose it on Land had come
To shew them what's their Mare Liberum.
A daily deluge over them does boyl;
The Earth and Water play at Level-coyl;
The Fish oft-times the Burger dispossest,
And sat not as a Meat but as a Guest;
And oft the Tritons and the Sea-Nymphs saw
Whole sholes of Dutch serv'd up for Cabillan;
Or as they over the new Level rang'd
For pickled Herring, pickled Heeren chang'd.
Nature, it seem'd, asham'd of her mistake,
Would throw their land away at Duck and Drake.
Therefore Necessity, that first made Kings,
Something like Government among them brings.
For as with Pygmees who best kills the Crane,
Among the hungry he that treasures Grain,
Among the blind the one-ey'd blinkard reigns,
So rules among the drowned he that draines.
Not who first see the rising Sun commands,
But who could first discern the rising Lands.
Who best could know to pump an Earth so leak
Him they their Lord and Country's Father speak.
To make a Bank was a great Plot of State;
Invent a Shov'l and be a Magistrate.
Hence some small Dyke-grave unperceiv'd invades
The Pow'r, and grows as 'twere a King of Spades.
But for less envy some Joynt States endures,
Who look like a Commission of the Sewers.
For these Half-anders, half wet, and half dry,
Nor bear strict service, nor pure Liberty.
'Tis probable Religion after this
Came next in order; which they could not miss.
How could the Dutch but be converted, when
Th' Apostles were so many Fishermen?
Besides the Waters of themselves did rise,
And, as their Land, so them did re-baptise.
Though Herring for their God few voices mist,
And Poor-John to have been th' Evangelist.
Faith, that could never Twins conceive before,
Never so fertile, spawn'd upon this shore:
More pregnant then their Marg'ret, that laid down
For Hans-in-Kelder of a whole Hans-Town.
Sure when Religion did it self imbark,
And from the east would Westward steer its Ark,
It struck, and splitting on this unknown ground,
Each one thence pillag'd the first piece he found:
Hence Amsterdam, Turk-Christian-Pagan-Jew,
Staple of Sects and Mint of Schisme grew;
That Bank of Conscience, where not one so strange
Opinion but finds Credit, and Exchange.
In vain for Catholicks our selves we bear;
The Universal Church is onely there.
Nor can Civility there want for Tillage,
Where wisely for their Court they chose a Village.
How fit a Title clothes their Governours,
Themselves the Hogs as all their Subjects Bores
Let it suffice to give their Country Fame
That it had one Civilis call'd by Name,
Some Fifteen hundred and more years ago,
But surely never any that was so.
See but their Mairmaids with their Tails of Fish,
Reeking at Church over the Chafing-Dish.
A vestal Turf enshrin'd in Earthen Ware
Fumes through the loop-holes of wooden Square.
Each to the Temple with these Altars tend,
But still does place it at her Western End:
While the fat steam of Female Sacrifice
Fills the Priests Nostrils and puts out his Eyes.
Or what a Spectacle the Skipper gross,
A Water-Hercules Butter-Coloss,
Tunn'd up with all their sev'ral Towns of Beer;
When Stagg'ring upon some Land, Snick and Sneer,
They try, like Statuaries, if they can,
Cut out each others Athos to a Man:
And carve in their large Bodies, where they please,
The Armes of the United Provinces.
But when such Amity at home is show'd;
What then are their confederacies abroad?
Let this one court'sie witness all the rest;
When their hole Navy they together prest,
Not Christian Captives to redeem from Bands:
Or intercept the Western golden Sands:
No, but all ancient Rights and Leagues must vail,
Rather then to the English strike their sail;
to whom their weather-beaten Province ows
It self, when as some greater Vessal tows
A Cock-boat tost with the same wind and fate;
We buoy'd so often up their Sinking State.
Was this Jus Belli & Pacis; could this be
Cause why their Burgomaster of the Sea
Ram'd with Gun-powder, flaming with Brand wine,
Should raging hold his Linstock to the Mine?
While, with feign'd Treaties, they invade by stealth
Our sore new circumcised Common wealth.
Yet of his vain Attempt no more he sees
Then of Case-Butter shot and Bullet-Cheese.
And the torn Navy stagger'd with him home,
While the Sea laught it self into a foam,
'Tis true since that (as fortune kindly sports,)
A wholesome Danger drove us to our ports.
While half their banish'd keels the Tempest tost,
Half bound at home in Prison to the frost:
That ours mean time at leisure might careen,
In a calm Winter, under Skies Serene.
As the obsequious Air and waters rest,
Till the dear Halcyon hatch out all its nest.
The Common wealth doth by its losses grow;
And, like its own Seas, only Ebbs to flow.
Besides that very Agitation laves,
And purges out the corruptible waves.
And now again our armed Bucentore
Doth yearly their Sea-Nuptials restore.
And how the Hydra of seaven Provinces
Is strangled by our Infant Hercules.
Their Tortoise wants its vainly stretched neck;
Their Navy all our Conquest or our Wreck:
Or, what is left, their Carthage overcome
Would render fain unto our better Rome.
Unless our Senate, lest their Youth disuse,
The War, (but who would) Peace if begg'd refuse.
For now of nothing may our State despair,
Darling of Heaven, and of Men the Care;
Provided that they be what they have been,
Watchful abroad, and honest still within.
For while our Neptune doth a Trident shake, Blake,
Steel'd with those piercing Heads, Dean, Monck and
And while Jove governs in the highest Sphere,
Vainly in Hell let Pluto domineer.
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