Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind."
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy."
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol."
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire."
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand."
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation."
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad."
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness."
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent."
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command."
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science."
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket."
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Written by
William Topaz McGonagall |
'Twas at the Seige of Matagarda, during the Peninsular War,
That a Mrs Reston for courage outshone any man there by far;
She was the wife of a Scottish soldier in Matagarda Port,
And to attend to her husband she there did resort.
'Twas in the Spring of the year 1810,
That General Sir Thomas Graham occupied Matagarda with 150 men;
These consisted of a detachment from the Scots Brigade,
And on that occasion they weren't in the least afraid.
And Captain Maclaine of the 94th did the whole of them command,
And the courage the men displayed was really grand;
Because they held Matagarda for fifty-four days,
Against o'erwhelming numbers of the French - therefore they are worthy of praise.
The British were fighting on behalf of Spain,
But if they fought on their behalf they didn't fight in vain;
For they beat them manfully by land and sea,
And from the shores of Spain they were forced to flee.
Because Captain Maclaine set about repairing the old fort,
So as to make it comfortable for his men to resort;
And there he kept his men at work day by day,
Filling sand-bags and stuffing them in the walls without delay.
There was one woman in the fort during those trying dags,
A Mrs Reston, who is worthy of great praise;
She acted like a ministering angel to the soldiers while there,
By helping them to fill sand-bags, it was her constant care.
Mrs Reston behaved as fearlessly as any soldier in the garrison,
And amongst the soldiers golden opinions she won,
For her presence was everywhere amongst the men,
And the service invaluable she rendered to them.
Methinks I see that brave heroine carrying her child,
Whilst the bullets were falling around her, enough to drive her wild;
And bending over it to protect it from danger,
Because to war's alarms it was a stranger.
And while the shells shrieked around, and their fragments did scatter,
She was serving the men at the guns with wine and water;
And while the shot whistled around, her courage wasn't slack,
Because to the soldiers she carried sand-bags on her back.
A little drummer boy was told to fetch water from the well,
But he was afraid because the bullets from the enemy around it fell;
And the Doctor cried to the boy, Why are you standing there?
But Mrs Reston said, Doctor, the bairn is feared, I do declare.
And she said, Give me the pail, laddie, I'll fetch the water,
Not fearing that the shot would her brains scatter;
And without a moment's hesitation she took the pail,
Whilst the shot whirred thick around her, yet her courage didn't fail.
And to see that heroic woman the scene was most grand,
Because as she drew the water a shot cut the rope in her hand;
But she caught the pail with her hand dexterously,
Oh! the scene was imposing end most beautiful to see.
The British fought bravely, as they are always willing to do,
Although their numbers were but few;
So they kept up the cannonading with their artillery,
And stood manfully at their guns against the enemy.
And five times the flagstaff was shot away,
And as often was it replaced without dismay;
And the flag was fastened to an angle of the wall,
And the British resolved to defend it whatever did befall.
So the French were beaten and were glad to run,
And the British for defeating them golden opinions have won
Ah through brave Captain Maclaine and his heroes bold,
Likewise Mrs Reston, whose name should be written in letters of gold.
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Written by
Isaac Watts |
A vision of the Lamb.
Rev. 5:6-9.
All mortal vanities, begone,
Nor tempt my eyes, nor tire my ears;
Behold, amidst th' eternal throne,
A vision of the Lamb appears.
[Glory his fleecy robe adorns,
Marked with the bloody death he bore;
Seven are his eyes, and seven his horns,
To speak his wisdom and his power.
Lo! he receives a sealed book
From him that sits upon the throne;
Jesus, my Lord, prevails to look
On dark decrees and things unknown.]
All the assembling saints around
Fall worshipping before the Lamb,
And in new songs of gospel sound
Address their honors to his name.
[The Joy, the shout, the harmony,
Flies o'er the everlasting hills
"Worthy art thou alone," they cry,
To read the book, to loose the seals."]
Our voices join the heav'nly strain,
And with transporting pleasure sing,
"Worthy the Lamb that once was slain,
To be our Teacher and our King!"
His words of prophecy reveal
Eternal counsels, deep designs;
His grace and vengeance shall fulfil
The peaceful and the dreadful lines.
Thou hast redeemed our souls from hell
With thine invaluable blood;
And wretches that did once rebel
Are now made fav'rites of their God.
Worthy for ever is the Lord,
That died for treasons not his own,
By every tongue to be adored,
And dwell upon his Father's throne!
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