Written by
Rainer Maria Rilke |
O trees of life, oh, what when winter comes?
We are not of one mind. Are not like birds
in unison migrating. And overtaken,
overdue, we thrust ourselves into the wind
and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware,
in their magnificence, of any weaknesss.
But we, while wholly concentrating on one thing,
already feel the pressure of another.
Hatred is our first response. And lovers,
are they not forever invading one another's
boundaries? -although they promised space,
hunting and homeland. Then, for a sketch
drawn at a moment's impulse, a ground of contrast
is prepared, painfully, so that we may see.
For they are most exact with us. We do not know
the contours of our feelings. We only know
what shapes them from the outside.
Who has not sat, afraid, before his own heart's
curtain? It lifted and displayed the scenery
of departure. Easy to understand. The well-known
garden swaying just a little. Then came the dancer.
Not he! Enough! However lightly he pretends to move:
he is just disguised, costumed, an ordinary man
who enters through the kitchen when coming home.
I will not have these half-filled human masks;
better the puppet. It at least is full.
I will endure this well-stuffed doll, the wire,
the face that is nothing but appearance. Here out front
I wait. Even if the lights go down and I am told:
"There's nothing more to come," -even if
the grayish drafts of emptiness come drifting down
from the deserted stage -even if not one
of my now silent forebears sist beside me
any longer, not a woman, not even a boy-
he with the brown and squinting eyes-:
I'll still remain. For one can always watch.
Am I not right? You, to whom life would taste
so bitter, Father, after you - for my sake -
slipped of mine, that first muddy infusion
of my necessity. You kept on tasting, Father,
as I kept on growing, troubled by the aftertaste
of my so strange a future as you kept searching
my unfocused gaze -you who, so often since
you died, have been afraid for my well-being,
within my deepest hope, relinquishing that calmness,
the realms of equanimity such as the dead possess
for my so small fate -Am I not right?
And you, my parents, am I not right? You who loved me
for that small beginning of my love for you
from which I always shyly turned away, because
the distance in your features grew, changed,
even while I loved it, into cosmic space
where you no longer were...: and when I feel
inclined to wait before the puppet stage, no,
rather to stare at is so intensely that in the end
to counter-balance my searching gaze, an angel
has to come as an actor, and begin manipulating
the lifeless bodies of the puppets to perform.
Angel and puppet! Now at last there is a play!
Then what we seperate can come together by our
very presence. And only then the entire cycle
of our own life-seasons is revealed and set in motion.
Above, beyond us, the angel plays. Look:
must not the dying notice how unreal, how full
of pretense is all that we accomplish here, where
nothing is to be itself. O hours of childhood,
when behind each shape more that the past lay hidden,
when that which lay before us was not the future.
We grew, of course, and sometimes were impatient
in growing up, half for the sake of pleasing those
with nothing left but their own grown-upness.
Yet, when alone, we entertained ourselves
with what alone endures, we would stand there
in the infinite space that spans the world and toys,
upon a place, which from the first beginnniing
had been prepared to serve a pure event.
Who shows a child just as it stands? Who places him
within his constellation, with the measuring-rod
of distance in his hand. Who makes his death
from gray bread that grows hard, -or leaves
it there inside his rounded mouth, jagged as the core
of a sweet apple?.......The minds of murderers
are easily comprehended. But this: to contain death,
the whole of death, even before life has begun,
to hold it all so gently within oneself,
and not be angry: that is indescribable.
|
Written by
Andrew Barton Paterson |
Oh, some folk think vice-royalty is festive and hilarious,
The duties of an A.D.C. are manifold and various,
So listen, whilst I tell in song
The duties of an aide-de-cong.
Whatsoever betide
To the Governor's side
We must stick -- or the public would eat him --
For each bounder we see
Says, "Just introduce me
To His Lordship -- I'm anxious to meet him."
Then they grab at his paw
And they chatter and jaw
Till they'd talk him to death -- if we'd let 'em --
And the folk he has met,
They are all in a fret,
Just for fear he might chance to forget 'em.
When some local King Billy
Is talking him silly,
Or the pound-keeper's wife has waylaid him,
From folks of that stamp
When he has to decamp --
We're his aides to decamp -- so we aid him.
Then some feminine beauty
Will come and salute ye,
She may be a Miss or a Madam,
Or a man comes in view,
Bails you up, "How de do!"
And you don't know the fellow from Adam!
But you've got to keep sweet
With each man that you meet,
And a trifle like this mustn't bar you,
So you clutch at his fin,
And you say, with a grin,
"Oh, delighted to see you -- how are you?"
Then we do country shows
Where some prize-taker blows
Of his pig -- a great, vast forty-stoner --
"See, my Lord! ain't he fine!
How is that for a swine!"
When it isn't a patch on its owner!
We fix up the dinners
For parsons and sinners
And lawyers and bishops and showmen,
And a judge of the court
We put next to a "sport",
And an Orangeman next to a Roman.
We send invitations
To all celebrations,
Some Nobody's presence entreating,
And the old folks of all
We invite to a ball,
And the young -- to a grandmothers' meeting.
And when we go dancing,
Like cart-horses prancing,
We plunge where the people are thickenkn';
And each gay local swell
Thinks it's "off" to dance well,
So he copies our style -- ain't it sickenin'!
Then at banquets we dine
And swig cheap, nasty wine,
But the poor aide-de-camp mustn't funk it --
And they call it champagne,
But we're free to maintain
That he feels real pain when he's drunk it.
Then our horses bestriding
We go out a-riding
Lest our health by confinement we'd injure;
You can notice the glare
Of the Governor's hair
When the little boys say, "Go it, Ginger!"
Then some wandering lords --
They so often are frauds --
This out-of-way country invading,
If a man dresses well
And behaves like a swell,
Then he's somebody's cook masquerading.
But an out-an-out ass
With a thirst for the glass
And the symptoms of drink on his "boko",
Who is perpetually
Pursuing the ballet,
He is always the "true Orinoco".
We must slave with our quills --
Keep the cash -- pay the bills --
Keep account of the liquor and victuals --
So I think you'll agree
That the gay A.D.C.
Has a life that's not all beer and skittles!
|
Written by
Laurence Binyon |
Of the old house, only a few, crumbled
Courses of brick, smothered in nettle and dock,
Or a shaped stone lying mossy where it tumbled!
Sprawling bramble and saucy thistle mock
What once was fire-lit floor and private charm,
Whence, seen in a windowed picture, were hills fading
At night, and all was memory-coloured and warm,
And voices talked, secure of the wind's invading.
Of the old garden, only a stray shining
Of daffodil flames among April's Cuckoo-flowers
Or clustered aconite, mixt with weeds entwining!
But, dark and lofty, a royal cedar towers
By homelier thorns; and whether the rain drifts
Or sun scortches, he holds the downs in ken,
The western vales; his branchy tiers he lifts,
Older than many a generation of men.
|
Written by
Anne Kingsmill Finch |
Observe this Piece, which to our Sight does bring
The fittest Posture for the Swedish King;
(Encompass'd, as we think, with Armies round,
Tho' not express'd within this narrow Bound)
Who, whilst his warlike and extended Hand
Directs the foremost Ranks to Charge or Stand,
Reverts his Face, lest That, so Fair and Young,
Should call in doubt the Orders of his Tongue:
Whilst the excited, and embolden'd Rear
Such Youth beholding, and such Features there,
Devote their plainer Forms, and are asham'd to Fear.
Thus! ev'ry Action, ev'ry Grace of thine,
O latest Son of Fame, Son of Gustavus Line!
Affects thy Troops, with all that can inspire
A blooming Sweetness, and a martial Fire,
Fatal to none, but thy invading Foe.
So Lightnings, which to all their Brightness shew,
Strike but the Man alone, who has provok'd the Blow
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