Written by
Margaret Atwood |
This is the lair of the landlady
She is
a raw voice
loose in the rooms beneath me.
the continuous henyard
squabble going on below
thought in this house like
the bicker of blood through the head.
She is everywhere, intrusive as the smells
that bulge in under my doorsill;
she presides over my
meagre eating, generates
the light for eyestrain.
From her I rent my time:
she slams
my days like doors.
Nothing is mine.
and when I dream images
of daring escapes through the snow
I find myself walking
always over a vast face
which is the land-
lady's, and wake up shouting.
She is a bulk, a knot
swollen in a space. Though I have tried
to find some way around
her, my senses
are cluttered by perception
and can't see through her.
She stands there, a raucous fact
blocking my way:
immutable, a slab
of what is real.
solid as bacon.
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Written by
Wilfred Owen |
Under his helmet, up against his pack,
After the many days of work and waking,
Sleep took him by the brow and laid him back.
And in the happy no-time of his sleeping,
Death took him by the heart. There was a quaking
Of the aborted life within him leaping ...
Then chest and sleepy arms once more fell slack.
And soon the slow, stray blood came creeping
From the intrusive lead, like ants on track.
* * *
Whether his deeper sleep lie shaded by the shaking
Of great wings, and the thoughts that hung the stars,
High pillowed on calm pillows of God's making
Above these clouds, these rains, these sleets of lead,
And these winds' scimitars;
--Or whether yet his thin and sodden head
Confuses more and more with the low mould,
His hair being one with the grey grass
And finished fields of autumns that are old ...
Who knows? Who hopes? Who troubles? Let it pass!
He sleeps. He sleeps less tremulous, less cold
Than we who must awake, and waking, say Alas!
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Written by
Wislawa Szymborska |
Four billion people on this earth,
but my imagination is the way it's always been:
bad with large numbers.
It is still moved by particularity.
It flits about the darkness like a flashlight beam,
disclosing only random faces,
while the rest go blindly by,
unthought of, unpitied.
Not even a Dante could have stopped that.
So what do you do when you're not,
even with all the muses on your side?
Non omnis moriar—a premature worry.
Yet am I fully alive, and is that enough?
It never has been, and even less so now.
I select by rejecting, for there's no other way,
but what I reject, is more numerous,
more dense, more intrusive than ever.
At the cost of untold losses—a poem, a sigh.
I reply with a whisper to a thunderous calling.
How much I am silent about I can't say.
A mouse at the foot of mother mountain.
Life lasts as long as a few lines of claws in the sand.
My dreams—even they are not as populous as they should be.
There is more solitude in them than crowds or clamor.
Sometimes someone long dead will drop by for a bit.
A single hand turns a knob.
Annexes of echo overgrow the empty house.
I run from the threshold down into the quiet
valley seemingly no one's—an anachronism by now.
Where does all this space still in me come from—
that I don't know.
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Written by
Les Murray |
All the air conditioners now slacken
their hummed carrier wave. Once again
we've served our three months with remissions
in the steam and dry iron of this seaboard.
In jellied glare, through the nettle-rash season
we've watched the sky's fermenting laundry
portend downpours. Some came, and steamed away,
and we were clutched back into the rancid
saline midnights of orifice weather,
to damp grittiness and wiping off the air.
Metaphors slump irritably together in
the muggy weeks. Shark and jellyfish shallows
become suburbs where you breathe a fat towel;
babies burst like tomatoes with discomfort
in the cotton-wrapped pointing street markets;
the Lycra-bulging surf drips from non-swimmers
miles from shore, and somehow includes soil.
Skins, touching, soak each other. Skin touching
any surface wets that and itself
in a kind of mutual digestion.
Throbbing heads grow lianas of nonsense.
It's our annual visit to the latitudes
of rice, kerosene and resignation,
an averted, temporary visit
unrelated, for most, to the attitudes
of festive northbound jets gaining height -
closer, for some few, to the memory
of ulcers scraped with a tin spoon
or sweated faces bowing before dry
where the flesh is worn inside out,
all the hunger-organs clutched in rank nylon,
by those for whom exhaustion is spirit:
an intrusive, heart-narrowing season
at this far southern foot of the monsoon.
As the kleenex flower, the hibiscus
drops its browning wads, we forget
annually, as one forgets a sickness.
The stifling days will never come again,
not now that we've seen the first sweater
tugged down on the beauties of division
and inside the rain's millions, a risen
loaf of cat on a cool night verandah.
|
Written by
Charlotte Turner Smith |
Charm'd by thy suffrage, shall I yet aspire
(All inauspicious as my fate appears,
By troubles darken'd, that encrease with years,)
To guide the crayon, or to touch the lyre?
Ah me!---the sister Muses still require
A spirit free from all intrusive fears,
Nor will they deign to wipe away the tears
Of vain regret, that dim their sacred fire.
But when thy envied sanction crowns my lays,
A ray of pleasure lights my languid mind,
For well I know the value of thy praise;
And to how few, the flattering meed confin'd,
That thou,---their highly favour'd brows to bind,
Wilt weave green myrtle, and unfading bays!
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Written by
Robert Burns |
AT 1 Brownhill we always get dainty good cheer,
And plenty of bacon each day in the year;
We’ve a’ thing that’s nice, and mostly in season,
But why always Bacon—come, tell me a reason?
Note 1. Bacon was the name of a presumably intrusive host. The lines are said to have “afforded much amusement.”—Lang. [back]
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