Written by
Adrienne Rich |
Good-by to you whom I shall see tomorrow,
Next year and when I'm fifty; still good-by.
This is the leave we never really take.
If you were dead or gone to live in China
The event might draw your stature in my mind.
I should be forced to look upon you whole
The way we look upon the things we lose.
We see each other daily and in segments;
Parting might make us meet anew, entire.
You asked me once, and I could give no answer,
How far dare we throw off the daily ruse,
Official treacheries of face and name,
Have out our true identity? I could hazard
An answer now, if you are asking still.
We are a small and lonely human race
Showing no sign of mastering solitude
Out on this stony planet that we farm.
The most that we can do for one another
Is let our blunders and our blind mischances
Argue a certain brusque abrupt compassion.
We might as well be truthful. I should say
They're luckiest who know they're not unique;
But only art or common interchange
Can teach that kindest truth. And even art
Can only hint at what disturbed a Melville
Or calmed a Mahler's frenzy; you and I
Still look from separate windows every morning
Upon the same white daylight in the square.
And when we come into each other's rooms
Once in awhile, encumbered and self-conscious,
We hover awkwardly about the threshold
And usually regret the visit later.
Perhaps the harshest fact is, only lovers--
And once in a while two with the grace of lovers--
Unlearn that clumsiness of rare intrusion
And let each other freely come and go.
Most of us shut too quickly into cupboards
The margin-scribbled books, the dried geranium,
The penny horoscope, letters never mailed.
The door may open, but the room is altered;
Not the same room we look from night and day.
It takes a late and slowly blooming wisdom
To learn that those we marked infallible
Are tragi-comic stumblers like ourselves.
The knowledge breeds reserve. We walk on tiptoe,
Demanding more than we know how to render.
Two-edged discovery hunts us finally down;
The human act will make us real again,
And then perhaps we come to know each other.
Let us return to imperfection's school.
No longer wandering after Plato's ghost,
Seeking the garden where all fruit is flawless,
We must at last renounce that ultimate blue
And take a walk in other kinds of weather.
The sourest apple makes its wry announcement
That imperfection has a certain tang.
Maybe we shouldn't turn our pockets out
To the last crumb or lingering bit of fluff,
But all we can confess of what we are
Has in it the defeat of isolation--
If not our own, then someone's, anyway.
So I come back to saying this good-by,
A sort of ceremony of my own,
This stepping backward for another glance.
Perhaps you'll say we need no ceremony,
Because we know each other, crack and flaw,
Like two irregular stones that fit together.
Yet still good-by, because we live by inches
And only sometimes see the full dimension.
Your stature's one I want to memorize--
Your whole level of being, to impose
On any other comers, man or woman.
I'd ask them that they carry what they are
With your particular bearing, as you wear
The flaws that make you both yourself and human.
|
Written by
Robert Burns |
KILMARNOCK wabsters, fidge an’ claw,
An’ pour your creeshie nations;
An’ ye wha leather rax an’ draw,
Of a’ denominations;
Swith to the Ligh Kirk, ane an’ a’
An’ there tak up your stations;
Then aff to Begbie’s in a raw,
An’ pour divine libations
For joy this day.
Curst Common-sense, that imp o’ hell,
Cam in wi’ Maggie Lauder; 1
But Oliphant 2 aft made her yell,
An’ Russell 3 sair misca’d her:
This day Mackinlay 4 taks the flail,
An’ he’s the boy will blaud her!
He’ll clap a shangan on her tail,
An’ set the bairns to daud her
Wi’ dirt this day.
Mak haste an’ turn King David owre,
And lilt wi’ holy clangor;
O’ double verse come gie us four,
An’ skirl up the Bangor:
This day the kirk kicks up a stoure;
Nae mair the knaves shall wrang her,
For Heresy is in her pow’r,
And gloriously she’ll whang her
Wi’ pith this day.
Come, let a proper text be read,
An’ touch it aff wi’ vigour,
How graceless Ham 5 leugh at his dad,
Which made Canaan a ******;
Or Phineas 6 drove the murdering blade,
Wi’ whore-abhorring rigour;
Or Zipporah, 7 the scauldin jad,
Was like a bluidy tiger
I’ th’ inn that day.
There, try his mettle on the creed,
An’ bind him down wi’ caution,
That stipend is a carnal weed
He taks by for the fashion;
And gie him o’er the flock, to feed,
And punish each transgression;
Especial, rams that cross the breed,
Gie them sufficient threshin;
Spare them nae day.
Now, auld Kilmarnock, cock thy tail,
An’ toss thy horns fu’ canty;
Nae mair thou’lt rowt out-owre the dale,
Because thy pasture’s scanty;
For lapfu’s large o’ gospel kail
Shall fill thy crib in plenty,
An’ runts o’ grace the pick an’ wale,
No gi’en by way o’ dainty,
But ilka day.
Nae mair by Babel’s streams we’ll weep,
To think upon our Zion;
And hing our fiddles up to sleep,
Like baby-clouts a-dryin!
Come, screw the pegs wi’ tunefu’ cheep,
And o’er the thairms be tryin;
Oh, rare to see our elbucks wheep,
And a’ like lamb-tails flyin
Fu’ fast this day.
Lang, Patronage, with rod o’ airn,
Has shor’d the Kirk’s undoin;
As lately Fenwick, sair forfairn,
Has proven to its ruin: 8
Our patron, honest man! Glencairn,
He saw mischief was brewin;
An’ like a godly, elect bairn,
He’s waled us out a true ane,
And sound, this day.
Now Robertson 9 harangue nae mair,
But steek your gab for ever;
Or try the wicked town of Ayr,
For there they’ll think you clever;
Or, nae reflection on your lear,
Ye may commence a shaver;
Or to the Netherton 10 repair,
An’ turn a carpet weaver
Aff-hand this day.
Mu’trie 11 and you were just a match,
We never had sic twa drones;
Auld Hornie did the Laigh Kirk watch,
Just like a winkin baudrons,
And aye he catch’d the tither wretch,
To fry them in his caudrons;
But now his Honour maun detach,
Wi’ a’ his brimstone squadrons,
Fast, fast this day.
See, see auld Orthodoxy’s faes
She’s swingein thro’ the city!
Hark, how the nine-tail’d cat she plays!
I vow it’s unco pretty:
There, Learning, with his Greekish face,
Grunts out some Latin ditty;
And Common-sense is gaun, she says,
To mak to Jamie Beattie
Her plaint this day.
But there’s Morality himsel’,
Embracing all opinions;
Hear, how he gies the tither yell,
Between his twa companions!
See, how she peels the skin an’ fell,
As ane were peelin onions!
Now there, they’re packed aff to hell,
An’ banish’d our dominions,
Henceforth this day.
O happy day! rejoice, rejoice!
Come bouse about the porter!
Morality’s demure decoys
Shall here nae mair find quarter:
Mackinlay, Russell, are the boys
That heresy can torture;
They’ll gie her on a rape a hoyse,
And cowe her measure shorter
By th’ head some day.
Come, bring the tither mutchkin in,
And here’s—for a conclusion—
To ev’ry New Light 12 mother’s son,
From this time forth, Confusion!
If mair they deave us wi’ their din,
Or Patronage intrusion,
We’ll light a *****, and ev’ry skin,
We’ll rin them aff in fusion
Like oil, some day.
Note 1. Alluding to a scoffing ballad which was made on the admission of the late reverend and worthy Mr. Lihdsay to the “Laigh Kirk.”—R. B. [back]
Note 2. Rev. James Oliphant, minister of Chapel of Ease, Kilmarnock. [back]
Note 3. Rev. John Russell of Kilmarnock. [back]
Note 4. Rev. James Mackinlay. [back]
Note 5. Genesis ix. 22.—R. B. [back]
Note 6. Numbers xxv. 8.—R. B. [back]
Note 7. Exodus iv. 52.—R. B. [back]
Note 8. Rev. Wm. Boyd, pastor of Fenwick. [back]
Note 9. Rev. John Robertson. [back]
Note 10. A district of Kilmarnock. [back]
Note 11. The Rev. John Multrie, a “Moderate,” whom Mackinlay succeeded. [back]
Note 12. “New Light” is a cant phrase in the west of Scotland for those religious opinions which Dr. Taylor of Norwich has so strenuously defended.—R. B. [back]
|
Written by
Robinson Jeffers |
The extraordinary patience of things!
This beautiful place defaced with a crop of surburban houses-
How beautiful when we first beheld it,
Unbroken field of poppy and lupin walled with clean cliffs;
No intrusion but two or three horses pasturing,
Or a few milch cows rubbing their flanks on the outcrop rockheads-
Now the spoiler has come: does it care?
Not faintly. It has all time. It knows the people are a tide
That swells and in time will ebb, and all
Their works dissolve. Meanwhile the image of the pristine beauty
Lives in the very grain of the granite,
Safe as the endless ocean that climbs our cliff.-As for us:
We must uncenter our minds from ourselves;
We must unhumanize our views a little, and become confident
As the rock and ocean that we were made from.
|
Written by
Erin Moure |
Unspeakable. The word that fills up the
poem, that the head
tries to excise.
At 6 a.m., the wet lion. Its sewn plush face
on the porch rail in the rain.
Heavy rains later, & maybe a thunderstorm.
12 or 13 degrees.
Inside: an iris, candle, poster of the
many-breasted Artemis in a stone hat
from Anatolia
A little pedal steel guitar
A photograph of her at a table by the sea,
her shoulder blocked by the red geranium.
The sea tho invisible can be smelled by the casual watcher
Incredible salt air
in my throat when I see her.
"Suddenly you discover that you'll spend your entire life
in disorder; it's all that you have; you must learn to live
with it."
2
Four tanks, & the human white-shirted body
stopped on June 5 in Place Tian an Men.
Or "a red pullover K-Way." There is not much time left
to say these things. The urgency of that,
desire that dogged the body all winter
& has scarcely left,
now awaits the lilacs, their small white bunches.
Gaily.
As if their posies will light up
the curious old intentional bruise.
Adjective, adjective, adjective, noun!
3
Or just, lilac moon.
What we must, & cannot, excise from the head.
Her hand holding, oh, The New Path to the Waterfall?
Or the time I walked in too quickly, looked up
at her shirtless, grinning.
Pulling her down into the front of me, silly!
Sitting down sudden to make a lap for her...
Kissing the back of her leg.
4
Actually the leg kiss was a dream, later enacted
we laughed at it,
why didn't you do it
she said
when you thought of it.
The excisable thought, later
desired or
necessary.
Or shuddered at, in memory.
Later, it is repeated for the cameras
with such unease.
& now, stuck in the head.
Like running the motorcycle full-tilt into the hay bales.
What is the motorcycle doing in the poem
A. said.
It's an image, E. said back.
It's a crash in the head, she said.
It's a real motorcycle.
Afterthought 1
0 excise this: her back turned,
she concentrates on something
in a kitchen sink,
& I sit behind her,
running my fingers on
the table edge.
0 excise this.
Afterthought 2
& after, excise, excise.
If the source of the pain could be located
using geological survey equipment.
Into the sedimentary layers, the slippage,
the surge of the igneous intrusion.
Or the flat bottom of the former sea
I grew up on,
Running the motorcycle into the round
bay bales.
Hay grass poking the skin.
The back wet.
Hey, I shouted,
Her back turned to me, its location
now visible only in the head.
When I can't stand it,
I invent anything, even memories.
She gets up, hair stuck with hay.
I invented this. Yeow.
|
Written by
Duncan Campbell Scott |
The Muse is stern unto her favoured sons,
Giving to some the keys of all the joy
Of the green earth, but holding even that joy
Back from their life;
Bidding them feed on hope,
A plant of bitter growth,
Deep-rooted in the past;
Truth, 'tis a doubtful art
To make Hope sweeten
Time as it flows;
For no man knows
Until the very last,
Whether it be a sovereign herb that he has eaten,
Or his own heart.
O stern, implacable Muse,
Giving to Keats so richly dowered,
Only the thought that he should be
Among the English poets after death;
Letting him fade with that expectancy,
All powerless to unfold the future!
What boots it that our age has snatched him free
From thy too harsh embrace,
Has given his fame the certainty
Of comradeship with Shakespeare's?
He lies alone
Beneath the frown of the old Roman stone
And the cold Roman violets;
And not our wildest incantation
Of his most sacred lines,
Nor all the praise that sets
Towards his pale grave,
Like oceans towards the moon,
Will move the Shadow with the pensive brow
To break his dream,
And give unto him now
One word! --
When the young master reasoned
That our puissant England
Reared her great poets by neglect,
Trampling them down in the by-paths of Life
And fostering them with glory after death,
Did any flame of triumph from his own fame
Fall swift upon his mind; the glow
Cast back upon the bleak and aching air
Blown around his days -- ?
Happily so!
But he, whose soul was mighty as the soul
Of Milton, who held the vision of the world
As an irradiant orb self-filled with light,
Who schooled his heart with passionate control
To compass knowledge, to unravel the dense
Web of this tangled life, he would weigh slight
As thistledown blown from his most fairy fancy
That pale self-glory, against the mystery,
The wonder of the various world, the power
Of "seeing great things in loneliness."
Where bloodroot in the clearing dwells
Along the edge of snow;
Where, trembling all their trailing bells,
The sensitive twinflowers blow;
Where, searching through the ferny breaks,
The moose-fawns find the springs;
Where the loon laughs and diving takes
Her young beneath her wings;
Where flash the fields of arctic moss
With myriad golden light;
Where no dream-shadows ever cross
The lidless eyes of night;
Where, cleaving a mountain storm, the proud
Eagles, the clear sky won,
Mount the thin air between the loud
Slow thunder and the sun;
Where, to the high tarn tranced and still
No eye has ever seen,
Comes the first star its flame to chill
In the cool deeps of green; --
Spirit of Keats, unfurl thy wings,
Far from the toil and press,
Teach us by these pure-hearted things,
Beauty in loneliness.
Where, in the realm of thought, dwell those
Who oft in pain and penury
Work in the void,
Searching the infinite dark between the stars,
The infinite little of the atom,
Gathering the tears and terrors of this life,
Distilling them to a medicine for the soul;
(And hated for their thought
Die for it calmly;
For not their fears,
Nor the cold scorn of men,
Fright them who hold to truth:)
They brood alone in the intense serene
Air of their passion,
Until on some chill dawn
Breaks the immortal form foreshadowed in their dream,
And the distracted world and men
Are no more what they were.
Spirit of Keats, unfurl thy deathless wings,
Far from the wayward toil, the vain excess,
Teach us by such soul-haunting things
Beauty in loneliness.
The minds of men grow numb, their vision narrows,
The clogs of Empire and the dust of ages,
The lust of power that fogs the fairest pages,
Of the romance that eager life would write,
These war on Beauty with their spears and arrows.
But still is Beauty and of constant power;
Even in the whirl of Time's most sordid hour,
Banished from the great highways,
Afflighted by the tramp of insolent feet,
She hangs her garlands in the by-ways;
Lissome and sweet
Bending her head to hearken and learn
Melody shadowed with melody,
Softer than shadow of sea-fern,
In the green-shadowed sea:
Then, nourished by quietude,
And if the world's mood
Change, she may return
Even lovelier than before. --
The white reflection in the mountain lake
Falls from the white stream
Silent in the high distance;
The mirrored mountains guard
The profile of the goddess of the height,
Floating in water with a curve of crystal light;
When the air, envious of the loveliness,
Rushes downward to surprise,
Confusion plays in the contact,
The picture is overdrawn
With ardent ripples,
But when the breeze, warned of intrusion,
Draws breathless upward in flight,
The vision reassembles in tranquillity,
Reforming with a gesture of delight,
Reborn with the rebirth of calm.
Spirit of Keats, lend us thy voice,
Breaking like surge in some enchanted cave
On a dream-sea-coast,
To summon Beauty to her desolate world.
For Beauty has taken refuge from our life
That grew too loud and wounding;
Beauty withdraws beyond the bitter strife,
Beauty is gone, (Oh where?)
To dwell within a precinct of pure air
Where moments turn to months of solitude;
To live on roots of fern and tips of fern,
On tender berries flushed with the earth's blood.
Beauty shall stain her feet with moss
And dye her cheek with deep nut-juices,
Laving her hands in the pure sluices
Where rainbows are dissolved.
Beauty shall view herself in pools of amber sheen
Dappled with peacock-tints from the green screen
That mingles liquid light with liquid shadow.
Beauty shall breathe the fairy hush
With the chill orchids in their cells of shade,
And hear the invocation of the thrush
That calls the stars into their heaven,
And after even
Beauty shall take the night into her soul.
When the thrill voice goes crying through the wood,
(Oh, Beauty, Beauty!)
Troubling the solitude
With echoes from the lonely world,
Beauty will tremble like a cloistered thing
That hears temptation in the outlands singing,
Will steel her dedicated heart and breathe
Into her inner ear to firm her vow: --
"Let me restore the soul that ye have marred.
O mortals, cry no more on Beauty,
Leave me alone, lone mortals,
Until my shaken soul comes to its own,
Lone mortals, leave me alone!"
(Oh Beauty, Beauty, Beauty!)
All the dim wood is silent as a dream
That dreams of silence.
|
Written by
Walter Savage Landor |
Lately our poets loiter'd in green lanes,
Content to catch the ballads of the plains;
I fancied I had strength enough to climb
A loftier station at no distant time,
And might securely from intrusion doze
Upon the flowers thro' which Ilissus flows.
In those pale olive grounds all voices cease,
And from afar dust fills the paths of Greece.
My sluber broken and my doublet torn,
I find the laurel also bears a thorn.
|
Written by
Andrew Marvell |
As one put drunk into the Packet-boat,
Tom May was hurry'd hence and did not know't.
But was amaz'd on the Elysian side,
And with an Eye uncertain, gazing wide,
Could not determine in what place he was,
For whence in Stevens ally Trees or Grass.
Nor where the Popes head, nor the Mitre lay,
Signs by which still he found and lost his way.
At last while doubtfully he all compares,
He saw near hand, as he imagin'd Ares.
Such did he seem for corpulence and port,
But 'twas a man much of another sort;
'Twas Ben that in the dusky Laurel shade
Amongst the Chorus of old Poets laid,
Sounding of ancient Heroes, such as were
The Subjects Safety, and the Rebel's Fear.
But how a double headed Vulture Eats,
Brutus and Cassius the Peoples cheats.
But seeing May he varied streight his song,
Gently to signifie that he was wrong.
Cups more then civil of Emilthian wine,
I sing (said he) and the Pharsalian Sign,
Where the Historian of the Common-wealth
In his own Bowels sheath'd the conquering health.
By this May to himself and them was come,
He found he was tranflated, and by whom.
Yet then with foot as stumbling as his tongue
Prest for his place among the Learned throng.
But Ben, who knew not neither foe nor friend,
Sworn Enemy to all that do pretend,
Rose more then ever he was seen severe,
Shook his gray locks, and his own Bayes did tear
At this intrusion. Then with Laurel wand,
The awful Sign of his supream command.
At whose dread Whisk Virgil himself does quake,
And Horace patiently its stroke does take,
As he crowds in he whipt him ore the pate
Like Pembroke at the Masque, and then did rate.
Far from these blessed shades tread back agen
Most servil' wit, and Mercenary Pen.
Polydore, Lucan, Allan, Vandale, Goth,
Malignant Poet and Historian both.
Go seek the novice Statesmen, and obtrude
On them some Romane cast similitude,
Tell them of Liberty, the Stories fine,
Until you all grow Consuls in your wine.
Or thou Dictator of the glass bestow
On him the Cato, this the Cicero.
Transferring old Rome hither in your talk,
As Bethlem's House did to Loretto walk.
Foul Architect that hadst not Eye to see
How ill the measures of these States agree.
And who by Romes example England lay,
Those but to Lucan do continue May.
But the nor Ignorance nor seeming good
Misled, but malice fixt and understood.
Because some one than thee more worthy weares
The sacred Laurel, hence are all these teares?
Must therefore all the World be set on flame,
Because a Gazet writer mist his aim?
And for a Tankard-bearing Muse must we
As for the Basket Guelphs and Gibellines be?
When the Sword glitters ore the Judges head,
And fear has Coward Churchmen silenced,
Then is the Poets time, 'tis then he drawes,
And single fights forsaken Vertues cause.
He, when the wheel of Empire, whirleth back,
And though the World disjointed Axel crack,
Sings still of ancient Rights and better Times,
Seeks wretched good, arraigns successful Crimes.
But thou base man first prostituted hast
Our spotless knowledge and the studies chast.
Apostatizing from our Arts and us,
To turn the Chronicler to Spartacus.
Yet wast thou taken hence with equal fate,
Before thou couldst great Charles his death relate.
But what will deeper wound thy little mind,
Hast left surviving Davenant still behind
Who laughs to see in this thy death renew'd,
Right Romane poverty and gratitude.
Poor Poet thou, and grateful Senate they,
Who thy last Reckoning did so largely pay.
And with the publick gravity would come,
When thou hadst drunk thy last to lead thee home.
If that can be thy home where Spencer lyes
And reverend Chaucer, but their dust does rise
Against thee, and expels thee from their side,
As th' Eagles Plumes from other birds divide.
Nor here thy shade must dwell, Return, Return,
Where Sulphrey Phlegeton does ever burn.
The Cerberus with all his Jawes shall gnash,
Megera thee with all her Serpents lash.
Thou rivited unto Ixion's wheel
Shalt break, and the perpetual Vulture feel.
'Tis just what Torments Poets ere did feign,
Thou first Historically shouldst sustain.
Thus by irrevocable Sentence cast,
May only Master of these Revels past.
And streight he vanisht in a Cloud of Pitch,
Such as unto the Sabboth bears the Witch.
|
Written by
Mercy Otis Warren |
Your pardon first I crave for this intrusion.
The topic's such it looks like a delusion;
And next your candour, for I swear and vow,
Such an attempt I never made till now.
But constant laughing at the Desp'rate fate,
The bastard sons of Mars endur'd of late,
Induc'd me thus to minute down the notion,
Which put my risibles in such commotion.
By yankees frighted too! oh, dire to say!
Why yankees sure at red-coats faint away!
Oh, yes—They thought so too—for lack-a-day,
Their gen'ral turned the blockade to a play:
Poor vain poltroons—with justice we'll retort,
And call them blockheads for their idle sport.
|
Written by
Vernon Scannell |
The bar he went inside was not
A place he often visited;
He welcomed anonymity;
No one to switch inquisitive
Receivers on, no one could see,
Or wanted to, exactly what
He was, or had been, or would be;
A quiet brown place, a place to drink
And let thought simmer like good stock,
No mirrors to distract, no fat
And calculating face of clock,
A good calm place to sip and think.
If anybody noticed that
He was even there they'd see
A fairly tall and slender man,
Fair-haired, blue-eyed, and handsome in
A manner strictly masculine.
They would not know, or want to know,
More than what they saw of him,
Nor would they wish to bug the bone
Walls of skull and listen in
To whatever whisperings
Pittered quietly in that dark:
An excellent place to sip your gin.
Then---sting of interruption! voice
Pierced the private walls and shook
His thoughtful calm with delicate shock.
A waiter, with white napkin face
And shining toe-cap hair, excused
The oiled intrusion, asking if
His name was what indeed it was.
In that case he was wanted on
The telephone the customers used,
The one next to the Gents. He went.
Inside the secretive warm box
He heard his wife's voice, strangled by
Distance, darkness, coils of wire,
But unmistakably her voice,
Asking why he was so late,
Why did he humiliate
Her in every way he could,
Make her life so hard to face?
She'd telephoned most bars in town
Before she'd finally tracked him down.
He said that he'd been working late
And slipped in for a quick one on
His weary journey home. He'd come
Back at once. Right now. Toot sweet.
No, not another drop. Not one.
Back in the bar, he drank his gin
And ordered just one more, the last.
And just as well: his peace had gone;
The place no longer welcomed him.
He saw the waiter moving past,
That pale ambassador of gloom,
And called him over, asked him how
He had known which customer
To summon to the telephone.
The waiter said, 'Your wife described
You, sir. I knew you instantly.'
'And how did she describe me, then,
That I'm so easily recognized?'
'She said: grey suit, cream shirt, blue tie,
That you were fairly tall, red-faced,
Stout, middle-aged, and going bald.'
Disbelief cried once and sat
Bolt upright, then it fell back dead.
'Stout middle-aged and going bald.'
The slender ghost with golden hair
Watched him go into the cold
Dark outside, heard his slow tread
Fade towards wife, armchair, and bed.
|
Written by
Denise Levertov |
After I had cut off my hands
and grown new ones
something my former hands had longed for
came and asked to be rocked.
After my plucked out eyes
had withered, and new ones grown
something my former eyes had wept for
came asking to be pitied.
|