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Best Famous Interrupting Poems

Here is a collection of the all-time best famous Interrupting poems. This is a select list of the best famous Interrupting poetry. Reading, writing, and enjoying famous Interrupting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of interrupting poems.

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Written by Gwendolyn Brooks | Create an image from this poem

The Lovers of the Poor

 arrive.
The Ladies from the Ladies' Betterment League Arrive in the afternoon, the late light slanting In diluted gold bars across the boulevard brag Of proud, seamed faces with mercy and murder hinting Here, there, interrupting, all deep and debonair, The pink paint on the innocence of fear; Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care, Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel! You had better not throw stones upon the wrens! Herein they kiss and coddle and assault Anew and dearly in the innocence With which they baffle nature.
Who are full, Sleek, tender-clad, fit, fiftyish, a-glow, all Sweetly abortive, hinting at fat fruit, Judge it high time that fiftyish fingers felt Beneath the lovelier planes of enterprise.
To resurrect.
To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor.
The very very worthy And beautiful poor.
Perhaps just not too swarthy? Perhaps just not too dirty nor too dim Nor--passionate.
In truth, what they could wish Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze! God shield them sharply from the beggar-bold! The noxious needy ones whose battle's bald Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans, Dead porridges of assorted dusty grains, The old smoke, heavy diapers, and, they're told, Something called chitterlings.
The darkness.
Drawn Darkness, or dirty light.
The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness.
Old Wood.
Old marble.
Old tile.
Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic, There is no quiet drama, no rubbed glaze, no Unkillable infirmity of such A tasteful turn as lately they have left, Glencoe, Lake Forest, and to which their cars Must presently restore them.
When they're done With dullards and distortions of this fistic Patience of the poor and put-upon.
They've never seen such a make-do-ness as Newspaper rugs before! In this, this "flat," Their hostess is gathering up the oozed, the rich Rugs of the morning (tattered! the bespattered .
.
.
), Readies to spread clean rugs for afternoon.
Here is a scene for you.
The Ladies look, In horror, behind a substantial citizeness Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor And tortured thereover, potato peelings, soft- Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put Their money collected from delicate rose-fingers Tipped with their hundred flawless rose-nails seems .
.
.
They own Spode, Lowestoft, candelabra, Mantels, and hostess gowns, and sunburst clocks, Turtle soup, Chippendale, red satin "hangings," Aubussons and Hattie Carnegie.
They Winter In Palm Beach; cross the Water in June; attend, When suitable, the nice Art Institute; Buy the right books in the best bindings; saunter On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre With fissures everywhere! Why, what are bringings Of loathe-love largesse? What shall peril hungers So old old, what shall flatter the desolate? Tin can, blocked fire escape and chitterling And swaggering seeking youth and the puzzled wreckage Of the middle passage, and urine and stale shames And, again, the porridges of the underslung And children children children.
Heavens! That Was a rat, surely, off there, in the shadows? Long And long-tailed? Gray? The Ladies from the Ladies' Betterment League agree it will be better To achieve the outer air that rights and steadies, To hie to a house that does not holler, to ring Bells elsetime, better presently to cater To no more Possibilities, to get Away.
Perhaps the money can be posted.
Perhaps they two may choose another Slum! Some serious sooty half-unhappy home!-- Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center Of the hall as they walk down the hysterical hall, They allow their lovely skirts to graze no wall, Are off at what they manage of a canter, And, resuming all the clues of what they were, Try to avoid inhaling the laden air.


Written by Emily Dickinson | Create an image from this poem

Death sets a thing significant

Death sets a thing significant
The eye had hurried by,
Except a perished creature
Entreat us tenderly

To ponder little workmanships
In crayon or in wool,
With "This was last her fingers did,"
Industrious until

The thimble weighed too heavy,
The stitches stopped themselves,
And then 't was put among the dust
Upon the closet shelves.
A book I have, a friend gave, Whose pencil, here and there, Had notched the place that pleased him,-- At rest his fingers are.
Now, when I read, I read not, For interrupting tears Obliterate the etchings Too costly for repairs.
Written by Emily Dickinson | Create an image from this poem

I got so I could take his name

 I got so I could take his name --
Without -- Tremendous gain --
That Stop-sensation -- on my Soul --
And Thunder -- in the Room --

I got so I could walk across
That Angle in the floor,
Where he turned so, and I turned -- how --
And all our Sinew tore --

I got so I could stir the Box --
In which his letters grew
Without that forcing, in my breath --
As Staples -- driven through --

Could dimly recollect a Grace --
I think, they call it "God" --
Renowned to ease Extremity --
When Formula, had failed --

And shape my Hands --
Petition's way,
Tho' ignorant of a word
That Ordination -- utters --

My Business, with the Cloud,
If any Power behind it, be,
Not subject to Despair --
It care, in some remoter way,
For so minute affair
As Misery --
Itself, too vast, for interrupting -- more --
Written by Katherine Philips | Create an image from this poem

La Solitude de St. Amant

 1

O! Solitude, my sweetest choice
Places devoted to the night,
Remote from tumult, and from noise,
How you my restless thoughts delight!
O Heavens! what content is mine,
To see those trees which have appear'd
From the nativity of Time,
And which hall ages have rever'd,
To look to-day as fresh and green,
As when their beauties first were seen!


2

A cheerful wind does court them so,
And with such amorous breath enfold,
That we by nothing else can know,
But by their hieght that they are old.
Hither the demi-gods did fly To seek the sanctuary, when Displeased Jove once pierc'd the sky, To pour a deluge upon men, And on these boughs themselves did save, When they could hardly see a wave.
3 Sad Philomel upon this thorn, So curiously by Flora dress'd, In melting notes, her case forlorn, To entertain me, hath confess'd.
O! how agreeable a sight These hanging mountains do appear, Which the unhappy would invite To finish all their sorrows here, When their hard fate makes them endure Such woes, as only death can cure.
4 What pretty desolations make These torrents vagabond and fierce, Who in vast leaps their springs forsake, This solitary Vale to pierce.
Then sliding just as serpents do Under the foot of every tree, Themselves are changed to rivers too, Wherein some stately Nayade, As in her native bed, is grown A queen upon a crystal throne.
5 This fen beset with river-plants, O! how it does my sense charm! Nor elders, reeds, nor willows want, Which the sharp steel did never harm.
Here Nymphs which come to take the air, May with such distaffs furnish'd be, As flags and rushes can prepare, Where we the nimble frogs may see, Who frighted to retreat do fly If an approaching man they spy.
6 Here water-flowl repose enjoy, Without the interrupting care, Lest Fortune should their bliss destroy By the malicious fowler's snare.
Some ravish'd with so bright a day, Their feathers finely prune and deck; Others their amorous heats allay, Which yet the waters could not check: All take their innocent content In this their lovely element.
7 Summer's, nor Winter's bold approach, This stream did never entertain; Nor ever felt a boat or coach, Whilst either season did remain.
No thirsty traveller came near, And rudely made his hand his cup; Nor any hunted hind hath here Her hopeless life resigned up; Nor ever did the treacherous hook Intrude to empty any brook.
8 What beauty is there in the sight Of these old ruin'd castle-walls Of which the utmost rage and spight Of Time's worst insurrection falls? The witches keep their Sabbath here, And wanton devils make retreat.
Who in malicious sport appear, Our sense both to afflict and cheat; And here within a thousand holes Are nest of adders and of owls.
9 The raven with his dismal cries, That mortal augury of Fate, Those ghastly goblins ratifies, Which in these gloomy places wait.
On a curs'd tree the wind does move A carcase which did once belong To one that hang'd himself for love Of a fair Nymph that did him wrong, Who thought she saw his love and truth, With one look would not save the youth.
10 But Heaven which judges equally, And its own laws will still maintain, Rewarded soon her cruelty With a deserv'd and mighty pain: About this squalid heap of bones, Her wand'ring and condemned shade, Laments in long and piercing groans The destiny her rigour made, And the more to augment her right, Her crime is ever in her sight.
11 There upon antique marbles trac'd, Devices of past times we see, Here age ath almost quite defac'd, What lovers carv'd on every tree.
The cellar, here, the highest room Receives when its old rafters fail, Soil'd with the venom and the foam Of the spider and the snail: And th'ivy in the chimney we Find shaded by a walnut tree.
12 Below there does a cave extend, Wherein there is so dark a grot, That should the Sun himself descend, I think he could not see a jot.
Here sleep within a heavy lid In quiet sadness locks up sense, And every care he does forbid, Whilst in arms of negligence, Lazily on his back he's spread, And sheaves of poppy are his bed.
13 Within this cool and hollow cave, Where Love itself might turn to ice, Poor Echo ceases not to rave On her Narcissus wild and nice: Hither I softly steal a thought, And by the softer music made With a sweet lute in charms well taught, Sometimes I flatter her sad shade, Whilst of my chords I make such choice, They serve as body to her voice.
14 When from these ruins I retire, This horrid rock I do invade, Whose lofty brow seems to inquire Of what materials mists are made: From thence descending leisurely Under the brow of this steep hill It with great pleasure I descry By waters undermin'd, until They to Palaemon's seat did climb, Compos'd of sponges and of slime.
15 How highly is the fancy pleas'd To be upon the Ocean's shore, When she begins to be appeas'd And her fierce billows cease to roar! And when the hairy Tritons are Riding upon the shaken wave, With what strange sounds they strike the air Of their trumpets hoarse and brave, Whose shrill reports does every wind Unto his due submission bind! 16 Sometimes the sea dispels the sand, Trembling and murmuring in the bay, And rolls itself upon the shells Which it both brings and takes away.
Sometimes exposed on the strand, Th'effect of Neptune's rage and scorn, Drown'd men, dead monsters cast on land, And ships that were in tempests torn, With diamonds and ambergreece, And many more such things as these.
17 Sometimes so sweetly she does smile, A floating mirror she might be, And you would fancy all that while New Heavens in her face to see: The Sun himself is drawn so well, When there he would his picture view, That our eye can hardly tell Which is the false Sun, which the true; And lest we give our sense the lie, We think he's fallen from the sky.
18 Bernieres! for whose beloved sake My thoughts are at a noble strife, This my fantastic landskip take, Which I have copied from the life.
I only seek the deserts rough, Where all alone I love to walk, And with discourse refin'd enough, My Genius and the Muses talk; But the converse most truly mine, Is the dear memory of thine.
19 Thou mayst in this Poem find, So full of liberty and heat, What illustrious rays have shin'd To enlighten my conceit: Sometimes pensive, sometimes gay, Just as that fury does control, And as the object I survey The notions grow up in my soul, And are as unconcern'd and free As the flame which transported me.
20 O! how I Solitude adore, That element of noblest wit, Where I have learnt Apollo's lore, Without the pains to study it: For thy sake I in love am grown With what thy fancy does pursue; But when I think upon my own, I hate it for that reason too.
Because it needs must hinder me From seeing, and from serving thee.
Written by Anne Kingsmill Finch | Create an image from this poem

Mans Injustice Towards Providence

 A Thriving Merchant, who no Loss sustained, 
In little time a mighty Fortune gain'd.
No Pyrate seiz'd his still returning Freight; Nor foundring Vessel sunk with its own Weight: No Ruin enter'd through dissever'd Planks; No Wreck at Sea, nor in the Publick Banks.
Aloft he sails, above the Reach of Chance, And do's in Pride, as fast as Wealth, advance.
His Wife too, had her Town and Country-Seat, And rich in Purse, concludes her Person Great.
A Dutchess wears not so much Gold and Lace; Then 'tis with Her an undisputed Case, The finest Petticoat must take the Place.
Her Rooms, anew at ev'ry Christ'ning drest, Put down the Court, and vex the City-Guest.
Grinning Malottos in true Ermin stare; The best Japan, and clearest China Ware Are but as common Delft and English Laquar there.
No Luxury's by either unenjoy'd, Or cost withheld, tho' awkardly employ'd.
How comes this Wealth? A Country Friend demands, Who scarce cou'd live on Product of his Lands.
How is it that, when Trading is so bad That some are Broke, and some with Fears run Mad, You can in better State yourself maintain, And your Effects still unimpair'd remain! My Industry, he cries, is all the Cause; Sometimes I interlope, and slight the Laws; I wiser Measures, than my Neighbors, take, And better speed, who better Bargains make.
I knew, the Smyrna–Fleet wou'd fall a Prey, And therefore sent no Vessel out that way: My busy Factors prudently I chuse, And in streight Bonds their Friends and Kindred noose: At Home, I to the Publick Sums advance, Whilst, under-hand in Fee with hostile France, I care not for your Tourvills, or Du-Barts, No more than for the Rocks, and Shelves in Charts: My own sufficiency creates my Gain, Rais'd, and secur'd by this unfailing Brain.
This idle Vaunt had scarcely past his Lips, When Tydings came, his ill-provided Ships Some thro' the want of Skill, and some of Care, Were lost, or back return'd without their Fare.
From bad to worse, each Day his State declin'd, 'Till leaving Town, and Wife, and Debts behind, To his Acquaintance at the Rural Seat He Sculks, and humbly sues for a Retreat.
Whence comes this Change, has Wisdom left that Head, (His Friend demands) where such right Schemes were bred? What Phrenzy, what Delirium mars the Scull, Which fill'd the Chests, and was it self so full? Here interrupting, sadly he Reply'd, In Me's no Change, but Fate must all Things guide; To Providence I attribute my Loss.
Vain-glorious Man do's thus the Praise engross, When Prosp'rous Days around him spread their Beams: But, if revolv'd to opposite Extreams, Still his own Sence he fondly will prefer, And Providence, not He, in his Affairs must Err!


Written by Elizabeth Bishop | Create an image from this poem

Sandpiper

 The roaring alongside he takes for granted,
and that every so often the world is bound to shake.
He runs, he runs to the south, finical, awkward, in a state of controlled panic, a student of Blake.
The beach hisses like fat.
On his left, a sheet of interrupting water comes and goes and glazes over his dark and brittle feet.
He runs, he runs straight through it, watching his toes.
--Watching, rather, the spaces of sand between them where (no detail too small) the Atlantic drains rapidly backwards and downwards.
As he runs, he stares at the dragging grains.
The world is a mist.
And then the world is minute and vast and clear.
The tide is higher or lower.
He couldn't tell you which.
His beak is focussed; he is preoccupied, looking for something, something, something.
Poor bird, he is obsessed! The millions of grains are black, white, tan, and gray mixed with quartz grains, rose and amethyst.
Written by Francesco Petrarch | Create an image from this poem

SESTINA VI

SESTINA VI.

Anzi tre di creata era alma in parte.

THE HISTORY OF HIS LOVE; AND PRAYER FOR HELP.

Life's three first stages train'd my soul in part
To place its care on objects high and new,
And to disparage what men often prize,
But, left alone, and of her fatal course
As yet uncertain, frolicsome, and free,
She enter'd at spring-time a lovely wood.
A tender flower there was, born in that wood
The day before, whose root was in a part
High and impervious e'en to spirit free;
For many snares were there of forms so new,
And such desire impell'd my sanguine course,
That to lose freedom were to gain a prize.
Dear, sweet, yet perilous and painful prize!
Which quickly drew me to that verdant wood,
Doom'd to mislead me midway in life's course;
The world I since have ransack'd part by part,
For rhymes, or stones, or sap of simples new,
Which yet might give me back the spirit, free.
But ah! I feel my body must be free
From that hard knot which is its richest prize,
[Pg 194]Ere medicine old or incantations new
Can heal the wounds which pierced me in that wood,
Thorny and troublous, where I play'd such part,
Leaving it halt who enter'd with hot course.
Yes! full of snares and sticks, a difficult course
Have I to run, where easy foot and sure
Were rather needed, healthy in each part;
Thou, Lord, who still of pity hast the prize,
Stretch to me thy right hand in this wild wood,
And let thy sun dispel my darkness new.
Look on my state, amid temptations new,
Which, interrupting my life's tranquil course,
Have made me denizen of darkling wood;
If good, restore me, fetterless and free,
My wand'ring consort, and be thine the prize
If yet with thee I find her in blest part.
Lo! thus in part I put my questions new,
If mine be any prize, or run its course,
Be my soul free, or captived in close wood.
Macgregor.
Written by Rudyard Kipling | Create an image from this poem

The Men That Fought at Minden

 The men that fought at Minden, they was rookies in their time --
 So was them that fought at Waterloo!
All the 'ole command, yuss, from Minden to Maiwand,
 They was once dam' sweeps like you!

Then do not be discouraged, 'Eaven is your 'elper,
 We'll learn you not to forget;
An' you mustn't swear an' curse, or you'll only catch it worse,
 For we'll make you soldiers yet!

The men that fought at Minden, they 'ad stocks beneath their chins,
 Six inch 'igh an' more;
But fatigue it was their pride, and they would not be denied
 To clean the cook-'ouse floor.
The men that fought at Minden, they had anarchistic bombs Served to 'em by name of 'and-grenades; But they got it in the eye (same as you will by-an'-by) When they clubbed their field-parades.
The men that fought at Minden, they 'ad buttons up an' down, Two-an'-twenty dozen of 'em told; But they didn't grouse an' shirk at an hour's extry work, They kept 'em bright as gold.
The men that fought at Minden, they was armed with musketoons, Also, they was drilled by 'alberdiers; I don't know what they were, but the sergeants took good care They washed be'ind their ears.
The men that fought at Minden, they 'ad ever cash in 'and Which they did not bank nor save, But spent it gay an' free on their betters -- such as me -- For the good advice I gave.
The men that fought at Minden, they was civil -- yuss, they was -- Never didn't talk o' rights an' wrongs, But they got it with the toe (same as you will get it -- so!) -- For interrupting songs.
The men that fought at Minden, they was several other things Which I don't remember clear; But that's the reason why, now the six-year men are dry, The rooks will stand the beer! Then do not be discouraged, 'Eaven is your 'elper, We'll learn you not to forget; An' you mustn't swear an' curse, or you'll only catch it worse, For we'll make you soldiers yet! Soldiers yet, if you've got it in you -- All for the sake of the Core; Soldiers yet, if we 'ave to skin you -- Run an' get the beer, Johnny Raw -- Johnny Raw! Ho! run an' get the beer, Johnny Raw!

Book: Shattered Sighs