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Best Famous International Poems

Here is a collection of the all-time best famous International poems. This is a select list of the best famous International poetry. Reading, writing, and enjoying famous International poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of international poems.

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Written by Allen Ginsberg | Create an image from this poem

Who Runs America?

Oil brown smog over Denver 
Oil red dung colored smoke 
level to level across the horizon 

blue tainted sky above 
Oil car smog gasoline 
hazing red Denver's day 

December bare trees 

sticking up from housetop streets 

Plane lands rumbling, planes rise over 

radar wheels, black smoke 

drifts from tailfins 

Oil millions of cars speeding the cracked plains 
Oil from Texas, Bahrein, Venezuela Mexico 
Oil that turns General Motors 

revs up Ford 
lights up General Electric, oil that crackles 

thru International Business Machine computers, 

charges dynamos for ITT 
sparks Western 
Electric 

runs thru Amer Telephone & Telegraph wires 

Oil that flows thru Exxon New Jersey hoses, 
rings in Mobil gas tank cranks, rumbles 

Chrysler engines 

shoots thru Texaco pipelines 

blackens ocean from broken Gulf tankers 
spills onto Santa Barbara beaches from 

Standard of California derricks offshore. 



Written by Philip Levine | Create an image from this poem

Late Light

 Rain filled the streets 
once a year, rising almost 
to door and window sills, 
battering walls and roofs 
until it cleaned away the mess 
we'd made. My father told 
me this, he told me it ran 
downtown and spilled into 
the river, which in turn 
emptied finally into the sea. 
He said this only once 
while I sat on the arm 
of his chair and stared out 
at the banks of gray snow 
melting as the March rain 
streaked past. All the rest 
of that day passed on 
into childhood, into nothing, 
or perhaps some portion hung 
on in a tiny corner of thought. 
Perhaps a clot of cinders 
that peppered the front yard 
clung to a spar of old weed 
or the concrete lip of the curb 
and worked its way back under 
the new growth spring brought 
and is a part of that yard 
still. Perhaps light falling 
on distant houses becomes 
those houses, hunching them 
down at dusk like sheep 
browsing on a far hillside, 
or at daybreak gilds 
the roofs until they groan 
under the new weight, or 
after rain lifts haloes 
of steam from the rinsed, 
white aluminum siding, 
and those houses and all 
they contain live that day 
in the sight of heaven. 

II 

In the blue, winking light 
of the International Institute 
of Social Revolution 
I fell asleep one afternoon 
over a book of memoirs 
of a Spanish priest who'd 
served his own private faith 
in a long forgotten war. 
An Anarchist and a Catholic, 
his remembrances moved 
inexplicably from Castilian 
to Catalan, a language I 
couldn't follow. That dust, 
fine and gray, peculiar 
to libraries, slipped 
between the glossy pages 
and my sight, a slow darkness 
calmed me, and I forgot 
the agony of those men 
I'd come to love, forgot 
the battles lost and won, 
forgot the final trek 
over hopeless mountain roads, 
defeat, surrender, the vows 
to live on. I slept until 
the lights came on and off. 
A girl was prodding my arm, 
for the place was closing. 
A slender Indonesian girl 
in sweater and American jeans, 
her black hair falling 
almost to my eyes, she told 
me in perfect English 
that I could come back, 
and she swept up into a folder 
the yellowing newspaper stories 
and photos spilled out before 
me on the desk, the little 
chronicles of death themselves 
curling and blurring 
into death, and took away 
the book still unfinished 
of a man more confused 
even than I, and switched off 
the light, and left me alone. 

III 

In June of 1975 I wakened 
one late afternoon in Amsterdam 
in a dim corner of a library. 
I had fallen asleep over a book 
and was roused by a young girl 
whose hand lay on my hand. 
I turned my head up and stared 
into her brown eyes, deep 
and gleaming. She was crying. 
For a second I was confused 
and started to speak, to offer 
some comfort or aid, but I 
kept still, for she was crying 
for me, for the knowledge 
that I had wakened to a life 
in which loss was final. 
I closed my eyes a moment. 
When I opened them she'd gone, 
the place was dark. I went 
out into the golden sunlight; 
the cobbled streets gleamed 
as after rain, the street cafes 
crowded and alive. Not 
far off the great bell 
of the Westerkirk tolled 
in the early evening. I thought 
of my oldest son, who years 
before had sailed from here 
into an unknown life in Sweden, 
a life which failed, of how 
he'd gone alone to Copenhagen, 
Bremen, where he'd loaded trains, 
Hamburg, Munich, and finally 
-- sick and weary -- he'd returned 
to us. He slept in a corner 
of the living room for days, 
and woke gaunt and quiet, 
still only seventeen, his face 
in its own shadows. I thought 
of my father on the run 
from an older war, and wondered 
had he passed through Amsterdam, 
had he stood, as I did now, 
gazing up at the pale sky, 
distant and opaque, for the sign 
that never comes. Had he drifted 
in the same winds of doubt 
and change to another continent, 
another life, a family, some 
years of peace, an early death. 
I walked on by myself for miles 
and still the light hung on 
as though the day would 
never end. The gray canals 
darkened slowly, the sky 
above the high, narrow houses 
deepened into blue, and one 
by one the stars began 
their singular voyages.
Written by Wystan Hugh (W H) Auden | Create an image from this poem

September 1, 1939

I sit in one of the divesOn Fifty-second StreetUncertain and afraidAs the clever hopes expireOf a low dishonest decade:Waves of anger and fearCirculate over the brightAnd darkened lands of the earth,Obsessing our private lives;The unmentionable odour of deathOffends the September night. Accurate scholarship canUnearth the whole offenceFrom Luther until nowThat has driven a culture mad,Find what occurred at Linz,What huge imago madeA psychopathic god:I and the public knowWhat all schoolchildren learn,Those to whom evil is doneDo evil in return. Exiled Thucydides knewAll that a speech can sayAbout Democracy,And what dictators do,The elderly rubbish they talkTo an apathetic grave;Analysed all in his book,The enlightenment driven away,The habit-forming pain,Mismanagement and grief:We must suffer them all again. Into this neutral airWhere blind skyscrapers useTheir full height to proclaimThe strength of Collective Man,Each language pours its vainCompetitive excuse:But who can live for longIn an euphoric dream;Out of the mirror they stare,Imperialism's faceAnd the international wrong. Faces along the barCling to their average day:The lights must never go out,The music must always play,All the conventions conspireTo make this fort assumeThe furniture of home;Lest we should see where we are,Lost in a haunted wood,Children afraid of the nightWho have never been happy or good. The windiest militant trashImportant Persons shoutIs not so crude as our wish:What mad Nijinsky wroteAbout DiaghilevIs true of the normal heart;For the error bred in the boneOf each woman and each manCraves what it cannot have,Not universal loveBut to be loved alone. From the conservative darkInto the ethical lifeThe dense commuters come,Repeating their morning vow;"I will be true to the wife,I'll concentrate more on my work,"And helpless governors wakeTo resume their compulsory game:Who can release them now,Who can reach the deaf,Who can speak for the dumb? All I have is a voiceTo undo the folded lie,The romantic lie in the brainOf the sensual man-in-the-streetAnd the lie of AuthorityWhose buildings grope the sky:There is no such thing as the StateAnd no one exists alone;Hunger allows no choiceTo the citizen or the police;We must love one another or die. Defenceless under the nightOur world in stupor lies;Yet, dotted everywhere,Ironic points of lightFlash out wherever the JustExchange their messages:May I, composed like themOf Eros and of dust,Beleaguered by the sameNegation and despair,Show an affirming flame.
Written by G K Chesterton | Create an image from this poem

The Song of Education

 III. For the Creche 

Form 8277059, Sub-Section K 

I remember my mother, the day that we met, 
A thing I shall never entirely forget; 
And I toy with the fancy that, young as I am, 
I should know her again if we met in a tram. 
But mother is happy in turning a crank 
That increases the balance in somebody's bank; 
And I feel satisfaction that mother is free 
From the sinister task of attending to me. 

They have brightened our room, that is spacious and cool, 
With diagrams used in the Idiot School, 
And Books for the Blind that will teach us to see; 
But mother is happy, for mother is free. 
For mother is dancing up forty-eight floors, 
For love of the Leeds International Stores, 
And the flame of that faith might perhaps have grown cold, 
With the care of a baby of seven weeks old. 

For mother is happy in greasing a wheel 
For somebody else, who is cornering Steel; 
And though our one meeting was not very long, 
She took the occasion to sing me this song: 
"O, hush thee, my baby, the time will soon come 
When thy sleep will be broken with hooting and hum; 
There are handles want turning and turning all day, 
And knobs to be pressed in the usual way; 

O, hush thee, my baby, take rest while I croon, 
For Progress comes early, and Freedom too soon."
Written by Allen Ginsberg | Create an image from this poem

Cosmopolitan Greetings

 To Struga Festival Golden Wreath Laureates
 & International Bards 1986

Stand up against governments, against God.

Stay irresponsible.

Say only what we know & imagine.

Absolutes are coercion.

Change is absolute.

Ordinary mind includes eternal perceptions.

Observe what's vivid.

Notice what you notice.

Catch yourself thinking.

Vividness is self-selecting.

If we don't show anyone, we're free to write anything.

Remember the future.

Advise only yourself.

Don't drink yourself to death.

Two molecules clanking against each other requires an observer to become 
 scientific data.

The measuring instrument determines the appearance of the phenomenal
 world after Einstein.

The universe is subjective.

Walt Whitman celebrated Person.

We Are an observer, measuring instrument, eye, subject, Person.

Universe is person.

Inside skull vast as outside skull.

Mind is outer space.

"Each on his bed spoke to himself alone, making no sound."

First thought, best thought.

Mind is shapely, Art is shapely.

Maximum information, minimum number of syllables.

Syntax condensed, sound is solid.

Intense fragments of spoken idiom, best.

Consonants around vowels make sense.

Savor vowels, appreciate consonants.

Subject is known by what she sees.

Others can measure their vision by what we see.

Candor ends paranoia.


 Kral Majales
 June 25, 1986
 Boulder, Colorado


Written by Alice Walker | Create an image from this poem

When Golda Meir was in Africa

When Golda Meir
Was in Africa
She shook out her hair
And combed it
Everywhere she went.


According to her autobiography
Africans loved this.


In Russia, Minneapolis, London, Washington, D.C.,
Germany, Palestine, Tel Aviv and
Jerusalem
She never combed at all.
There was no point. In those
Places people said, "She looks like
Any other aging grandmother. She looks
Like a troll. Let's sell her cookery
And guns."


"Kreplach your cookery," said Golda.


Only in Africa could she finally
Settle down and comb her hair.
The children crept up and stroked it,
And she felt beautiful.


Such wonderful people, Africans
Childish, arrogant, self-indulgent, pompous,
Cowardly and treacherous-a great disappointment
To Israel, of course, and really rather
Ridiculous in international affairs
But, withal, opined Golda, a people of charm
And good taste. 
Written by Allen Ginsberg | Create an image from this poem

Footnote To Howl

 Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! 
 Holy! Holy! Holy! Holy! Holy! Holy! 
The world is holy! The soul is holy! The skin is holy! 
 The nose is holy! The tongue and cock and hand 
 and ******* holy! 
Everything is holy! everybody's holy! everywhere is 
 holy! everyday is in eternity! Everyman's an 
 angel! 
The bum's as holy as the seraphim! the madman is 
 holy as you my soul are holy! 
The typewriter is holy the poem is holy the voice is 
 holy the hearers are holy the ecstasy is holy! 
Holy Peter holy Allen holy Solomon holy Lucien holy 
 Kerouac holy Huncke holy Burroughs holy Cas- 
 sady holy the unknown buggered and suffering 
 beggars holy the hideous human angels! 
Holy my mother in the insane asylum! Holy the cocks 
 of the grandfathers of Kansas! 
Holy the groaning saxophone! Holy the bop 
 apocalypse! Holy the jazzbands marijuana 
 hipsters peace & junk & drums! 
Holy the solitudes of skyscrapers and pavements! Holy 
 the cafeterias filled with the millions! Holy the 
 mysterious rivers of tears under the streets! 
Holy the lone juggernaut! Holy the vast lamb of the 
 middle class! Holy the crazy shepherds of rebell- 
 ion! Who digs Los Angeles IS Los Angeles! 
Holy New York Holy San Francisco Holy Peoria & 
 Seattle Holy Paris Holy Tangiers Holy Moscow 
 Holy Istanbul! 
Holy time in eternity holy eternity in time holy the 
 clocks in space holy the fourth dimension holy 
 the fifth International holy the Angel in Moloch! 
Holy the sea holy the desert holy the railroad holy the 
 locomotive holy the visions holy the hallucina- 
 tions holy the miracles holy the eyeball holy the 
 abyss! 
Holy forgiveness! mercy! charity! faith! Holy! Ours! 
 bodies! suffering! magnanimity! 
Holy the supernatural extra brilliant intelligent 
 kindness of the soul! 

 Berkeley 1955
Written by D. H. Lawrence | Create an image from this poem

A Sane Revolution

 If you make a revolution, make it for fun,
don't make it in ghastly seriousness,
don't do it in deadly earnest,
do it for fun.

Don't do it because you hate people,
do it just to spit in their eye.

Don't do it for the money,
do it and be damned to the money.

Don't do it for equality,
do it because we've got too much equality
and it would be fun to upset the apple-cart
and see which way the apples would go a-rolling.

Don't do it for the working classes.
Do it so that we can all of us be little aristocracies on our own
and kick our heels like jolly escaped asses.

Don't do it, anyhow, for international Labour.
Labour is the one thing a man has had too much of.
Let's abolish labour, let's have done with labouring!
Work can be fun, and men can enjoy it; then it's not labour.
Let's have it so! Let's make a revolution for fun!
Written by John Betjeman | Create an image from this poem

Myfanwy

 Kind o’er the kinderbank leans my Myfanwy,
White o’er the playpen the sheen of her dress,
Fresh from the bathroom and soft in the nursery
Soap scented fingers I long to caress.

Were you a prefect and head of your dormit'ry?
Were you a hockey girl, tennis or gym?
Who was your favourite? Who had a crush on you?
Which were the baths where they taught you to swim?

Smooth down the Avenue glitters the bicycle,
Black-stockinged legs under navy blue serge,
Home and Colonial, Star, International,
Balancing bicycle leant on the verge.

Trace me your wheel-tracks, you fortunate bicycle,
Out of the shopping and into the dark,
Back down the avenue, back to the pottingshed,
Back to the house on the fringe of the park.

Golden the light on the locks of Myfanwy,
Golden the light on the book on her knee,
Finger marked pages of Rackham's Hans Anderson,
Time for the children to come down to tea.

Oh! Fullers angel-cake, Robertson’s marmalade,
Liberty lampshade, come shine on us all,
My! what a spread for the friends of Myfanwy,
Some in the alcove and some in the hall.

Then what sardines in half-lighted passages!
Locking of fingers in long hide-and-seek.
You will protect me, my silken Myfanwy,
Ring leader, tom-boy, and chum to the weak.
Written by Yevgeny Yevtushenko | Create an image from this poem

Babi Yar

 No monument stands over Babi Yar.
A drop sheer as a crude gravestone. 
I am afraid.
 Today I am as old in years 
as all the Jewish people. 
Now I seem to be
 a Jew. 
Here I plod through ancient Egypt. 
Here I perish crucified, on the cross, 
and to this day I bear the scars of nails. 
I seem to be
 Dreyfus. 
The Philistine 
 is both informer and judge. 
I am behind bars.
 Beset on every side. 
Hounded, 
 spat on,
 slandered.
Squealing, dainty ladies in flounced Brussels lace
stick their parasols into my face.
I seem to be then
 a young boy in Byelostok. 
Blood runs, spilling over the floors. 
The barroom rabble-rousers 
give off a stench of vodka and onion. 
A boot kicks me aside, helpless. 
In vain I plead with these pogrom bullies. 
While they jeer and shout,
 "Beat the Yids. Save Russia!" 
some grain-marketeer beats up my mother. 
0 my Russian people!
 I know 
 you 
are international to the core. 
But those with unclean hands 
have often made a jingle of your purest name. 
I know the goodness of my land. 
How vile these anti-Semites-
 without a qualm 
they pompously called themselves 
the Union of the Russian People! 
I seem to be
 Anne Frank 
transparent 
 as a branch in April. 
And I love.
 And have no need of phrases. 
My need 
 is that we gaze into each other. 
How little we can see
 or smell! 
We are denied the leaves, 
 we are denied the sky. 
Yet we can do so much --
 tenderly 
embrace each other in a darkened room. 
They're coming here?
 Be not afraid. Those are the booming 
sounds of spring:
 spring is coming here. 
Come then to me.
 Quick, give me your lips.
Are they smashing down the door?
 No, it's the ice breaking ... 
The wild grasses rustle over Babi Yar. 
The trees look ominous, 
 like judges. 
Here all things scream silently, 
 and, baring my head, 
slowly I feel myself 
 turning gray. 
And I myself 
 am one massive, soundless scream 
above the thousand thousand buried here. 
I am 
 each old man 
 here shot dead. 
I am 
 every child
 here shot dead.
Nothing in me
 shall ever forget! 
The "Internationale," let it 
 thunder 
when the last anti-Semite on earth 
is buried forever. 
In my blood there is no Jewish blood. 
In their callous rage, all anti-Semites 
must hate me now as a Jew. 
For that reason
 I am a true Russian!

Book: Radiant Verses: A Journey Through Inspiring Poetry