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Best Famous Instructs Poems

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Written by John Trumbull | Create an image from this poem

To Ladies Of A Certain Age

 Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.
When beauties lose their gay appearance, And lovers fall from perseverance, When eyes grow dim and charms decay, And all your roses fade away, First know yourselves; lay by those airs, Which well might suit your former years, Nor ape in vain the childish mien, And airy follies of sixteen.
We pardon faults in youth's gay flow, While beauty prompts the cheek to glow, While every glance has power to warm, And every turn displays a charm, Nor view a spot in that fair face, Which smiles inimitable grace.
But who, unmoved with scorn, can see The grey coquette's affected glee, Her ambuscading tricks of art To catch the beau's unthinking heart, To check th' assuming fopling's vows, The bridling frown of wrinkled brows; Those haughty airs of face and mind, Departed beauty leaves behind.
Nor let your sullen temper show Spleen louring on the envious brow, The jealous glance of rival rage, The sourness and the rust of age.
With graceful ease, avoid to wear The gloom of disappointed care: And oh, avoid the sland'rous tongue, By malice tuned, with venom hung, That blast of virtue and of fame, That herald to the court of shame; Less dire the croaking raven's throat, Though death's dire omens swell the note.
Contented tread the vale of years, Devoid of malice, guilt and fears; Let soft good humour, mildly gay, Gild the calm evening of your day, And virtue, cheerful and serene, In every word and act be seen.
Virtue alone with lasting grace, Embalms the beauties of the face, Instructs the speaking eye to glow, Illumes the cheek and smooths the brow, Bids every look the heart engage, Nor fears the wane of wasting age.
Nor think these charms of face and air, The eye so bright, the form so fair, This light that on the surface plays, Each coxcomb fluttering round its blaze, Whose spell enchants the wits of beaux, The only charms, that heaven bestows.
Within the mind a glory lies, O'erlook'd and dim to vulgar eyes; Immortal charms, the source of love, Which time and lengthen'd years improve, Which beam, with still increasing power, Serene to life's declining hour; Then rise, released from earthly cares, To heaven, and shine above the stars.
Thus might I still these thoughts pursue, The counsel wise, and good, and true, In rhymes well meant and serious lay, While through the verse in sad array, Grave truths in moral garb succeed: Yet who would mend, for who would read? But when the force of precept fails, A sad example oft prevails.
Beyond the rules a sage exhibits, Thieves heed the arguments of gibbets, And for a villain's quick conversion, A pillory can outpreach a parson.
To thee, Eliza, first of all, But with no friendly voice I call.
Advance with all thine airs sublime, Thou remnant left of ancient time! Poor mimic of thy former days, Vain shade of beauty, once in blaze! We view thee, must'ring forth to arms The veteran relics of thy charms; The artful leer, the rolling eye, The trip genteel, the heaving sigh, The labour'd smile, of force too weak, Low dimpling in th' autumnal cheek, The sad, funereal frown, that still Survives its power to wound or kill; Or from thy looks, with desperate rage, Chafing the sallow hue of age, And cursing dire with rueful faces, The repartees of looking-glasses.
Now at tea-table take thy station, Those shambles vile of reputation, Where butcher'd characters and stale Are day by day exposed for sale: Then raise the floodgates of thy tongue, And be the peal of scandal rung; While malice tunes thy voice to rail, And whispering demons prompt the tale-- Yet hold thy hand, restrain thy passion, Thou cankerworm of reputation; Bid slander, rage and envy cease, For one short interval of peace; Let other's faults and crimes alone, Survey thyself and view thine own; Search the dark caverns of thy mind, Or turn thine eyes and look behind: For there to meet thy trembling view, With ghastly form and grisly hue, And shrivel'd hand, that lifts sublime The wasting glass and scythe of Time, A phantom stands: his name is Age; Ill-nature following as his page.
While bitter taunts and scoffs and jeers, And vexing cares and torturing fears, Contempt that lifts the haughty eye, And unblest solitude are nigh; While conscious pride no more sustains, Nor art conceals thine inward pains, And haggard vengeance haunts thy name, And guilt consigns thee o'er to shame, Avenging furies round thee wait, And e'en thy foes bewail thy fate.
But see, with gentler looks and air, Sophia comes.
Ye youths beware! Her fancy paints her still in prime, Nor sees the moving hand of time; To all her imperfections blind, Hears lovers sigh in every wind, And thinks her fully ripen'd charms, Like Helen's, set the world in arms.
Oh, save it but from ridicule, How blest the state, to be a fool! The bedlam-king in triumph shares The bliss of crowns, without the cares; He views with pride-elated mind, His robe of tatters trail behind; With strutting mien and lofty eye, He lifts his crabtree sceptre high; Of king's prerogative he raves, And rules in realms of fancied slaves.
In her soft brain, with madness warm, Thus airy throngs of lovers swarm.
She takes her glass; before her eyes Imaginary beauties rise; Stranger till now, a vivid ray Illumes each glance and beams like day; Till furbish'd every charm anew, An angel steps abroad to view; She swells her pride, assumes her power, And bids the vassal world adore.
Indulge thy dream.
The pictured joy No ruder breath should dare destroy; No tongue should hint, the lover's mind Was ne'er of virtuoso-kind, Through all antiquity to roam For what much fairer springs at home.
No wish should blast thy proud design; The bliss of vanity be thine.
But while the subject world obey, Obsequious to thy sovereign sway, Thy foes so feeble and so few, With slander what hadst thou to do? What demon bade thine anger rise? What demon glibb'd thy tongue with lies? What demon urged thee to provoke Avenging satire's deadly stroke? Go, sink unnoticed and unseen, Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade In clouds hangs dismal o'er thy head.
Fill the short circle of thy day, Then fade from all the world away; Nor leave one fainting trace behind, Of all that flutter'd once and shined; The vapoury meteor's dancing light Deep sunk and quench'd in endless night


Written by Sylvia Plath | Create an image from this poem

Virgin In A Tree

 How this tart fable instructs
And mocks! Here's the parody of that moral mousetrap
Set in the proverbs stitched on samplers
Approving chased girls who get them to a tree
And put on bark's nun-black

Habit which deflects
All amorous arrows.
For to sheathe the virgin shape In a scabbard of wood baffles pursuers, Whether goat-thighed or god-haloed.
Ever since that first Daphne Switched her incomparable back For a bay-tree hide, respect's Twined to her hard limbs like ivy: the puritan lip Cries: 'Celebrate Syrinx whose demurs Won her the frog-colored skin, pale pith and watery Bed of a reed.
Look: Pine-needle armor protects Pitys from Pan's assault! And though age drop Their leafy crowns, their fame soars, Eclipsing Eva, Cleo and Helen of Troy: For which of those would speak For a fashion that constricts White bodies in a wooden girdle, root to top Unfaced, unformed, the nipple-flowers Shrouded to suckle darkness? Only they Who keep cool and holy make A sanctum to attract Green virgins, consecrating limb and lip To chastity's service: like prophets, like preachers, They descant on the serene and seraphic beauty Of virgins for virginity's sake.
' Be certain some such pact's Been struck to keep all glory in the grip Of ugly spinsters and barren sirs As you etch on the inner window of your eye This virgin on her rack: She, ripe and unplucked, 's Lain splayed too long in the tortuous boughs: overripe Now, dour-faced, her fingers Stiff as twigs, her body woodenly Askew, she'll ache and wake Though doomsday bud.
Neglect's Given her lips that lemon-tasting droop: Untongued, all beauty's bright juice sours.
Tree-twist will ape this gross anatomy Till irony's bough break.
Written by Ben Jonson | Create an image from this poem

On Sir Voluptuous Beast


XXV.
 ? ON SIR VOLUPTUOUS BEAST.
  
While BEAST instructs his fair and innocent wife,
In the past pleasures of his sensual life,
Telling the motions of each petticoat,
And how his Ganymede mov'd, and how his goat,
And now her hourly her own cucquean makes,
In varied shapes, which for his lust she takes :
What doth he else, but say, Leave to be chaste,
Just wife, and, to change me, make woman's haste.



[AJ Notes:
Ganymede, in Greek mythology, a beautiful shepherd boy
        with whom Zeus fell in love.
Cucquean, n.
[Cuckold + queen], a woman whose
        husband is unfaithful to her.
]
Written by Isaac Watts | Create an image from this poem

Psalm 144 part 1

 v.
1,2 C.
M.
Assistance and victory in the spiritual warfare.
For ever blessed be the Lord, My Savior and my shield; He sends his Spirit with his word, To arm me for the field.
When sin and hell their force unite, He makes my soul his care, Instructs me to the heav'nly fight, And guards me through the war.
A friend and helper so divine Does my weak courage raise; He makes the glorious vict'ry mine, And his shall be the praise.
Written by Emily Dickinson | Create an image from this poem

The Summer that we did not prize

 The Summer that we did not prize,
Her treasures were so easy
Instructs us by departing now
And recognition lazy --

Bestirs itself -- puts on its Coat,
And scans with fatal promptness
For Trains that moment out of sight,
Unconscious of his smartness.


Written by William Strode | Create an image from this poem

On Fayrford Windowes

 I know no paynt of poetry
Can mend such colourd Imag'ry
In sullen inke: yet Fayrford, I
May relish thy fayre memory.
Such is the Ecchoes faynter sound, Such is the light when sunne is drownd; So did the fancy looke upon The worke before it was begunne: Yet when those shewes are out of sight My weaker colours may delight.
Those Images so faythfully Report true feature to the eye As you may thinke each picture was Some visage in a looking-glasse; Not a glasse-window face, unlesse Such as Cheapside hath: where a presse Of paynted gallants looking out Bedecke the Casement round about: But these have holy physnomy: Each pane instructs the Laity With silent eloquence: for here Devotion leads the eye, not eare, To note the catechising paynt, Whose easy phrase doth so acquaint Our sense with Gospell that the Creede In such a hand the weake may reade: Such types even yet of vertue bee, And Christ, as in a glasse wee see.
Behold two turtles in one cage, With such a lovely equipage, As they who knew them long may doubt Some yong ones have bin stollen out.
When with a fishing rodde the clarke Saint Peters draught of fish doth marke, Such is the scale, the eye, the finne, Youd thinke they strive and leape within; But if the nett, which holds them breake, Hee with his angle some would take.
But would you walke a turne in Pauls? Looke uppe; one little pane inroules A fayrer temple: fling a stone The Church is out o'the windowes throwne.
Consider, but not aske your eyes, And ghosts at midday seeme to rise: The Saynts there, striving to descend, Are past the glasse, and downward bend.
Looke there! The Divell! all would cry Did they not see that Christ was by: See where he suffers for thee: see His body taken from the Tree: Had ever death such life before? The limber corps, besullyd ore With meager palenesse, doth display A middle state twixt Flesh and Clay: His armes and leggs, his head and crowne, Like a true Lambskinne dangling downe, Who can forbeare, the Grave being nigh, To bring fresh oyntment in his eye? The wondrous art hath equall fate, Unfencd and yet unviolate: The Puritans were sure deceivd, And thought those shadowes movde and heavde, So held from stoning Christ: the winde And boystrous tempests were so kinde As on his Image not to prey, Whom both the winds and seas obey.
At Momus wish bee not amazd; For if each Christian heart were glazde With such a window, then each breast Might bee his owne Evangelist.
Written by Francesco Petrarch | Create an image from this poem

SONNET CIX

SONNET CIX.

Amor che nel pensier mio vive e regna.

THE COURAGE AND TIMIDITY OF LOVE.

The long Love that in my thought I harbour,
And in my heart doth keep his residence,
Into my face pressèth with bold pretence,
And there campèth displaying his bannèr.
She that me learns to love and to suffèr,
And wills that my trust, and lust's negligence
Be rein'd by reason, shame, and reverence,
With his hardiness takes displeasure.
Wherewith Love to the heart's forest he fleeth,
Leaving his enterprise with pain and cry,
And there him hideth, and not appearèth.
What may I do, when my master fearèth,
But in the field with him to live and die?
For good is the life, ending faithfully.
Wyatt.
Love, that liveth and reigneth in my thought,
That built its seat within my captive breast;
[Pg 139]Clad in the arms wherein with me he fought,
Oft in my face he doth his banner rest.
She, that me taught to love, and suffer pain;
My doubtful hope, and eke my hot desire
With shamefaced cloak to shadow and restrain,
Her smiling grace converteth straight to ire.
And coward love then to the heart apace
Taketh his flight; whereas he lurks, and plains
His purpose lost, and dare not show his face.
For my lord's guilt thus faultless bide I pains.
Yet from my lord shall not my foot remove:
Sweet is his death, that takes his end by love.
Surrey.
Love in my thought who ever lives and reigns,
And in my heart still holds the upper place,
At times come forward boldly in my face,
There plants his ensign and his post maintains:
She, who in love instructs us and its pains,
Would fain that reason, shame, respect should chase
Presumptuous hope and high desire abase,
And at our daring scarce herself restrains,
Love thereon to my heart retires dismay'd,
Abandons his attempt, and weeps and fears,
And hiding there, no more my friend appears.
What can the liege whose lord is thus afraid,
More than with him, till life's last gasp, to dwell?
For who well loving dies at least dies well.
Macgregor.
Written by Emily Dickinson | Create an image from this poem

Escaping backward to perceive

 Escaping backward to perceive
The Sea upon our place --
Escaping forward, to confront
His glittering Embrace --

Retreating up, a Billow's height
Retreating blinded down
Our undermining feet to meet
Instructs to the Divine.

Book: Reflection on the Important Things