Written by
Wendell Berry |
You will be walking some night
in the comfortable dark of your yard
and suddenly a great light will shine
round about you, and behind you
will be a wall you never saw before.
It will be clear to you suddenly
that you were about to escape,
and that you are guilty: you misread
the complex instructions, you are not
a member, you lost your card
or never had one. And you will know
that they have been there all along,
their eyes on your letters and books,
their hands in your pockets,
their ears wired to your bed.
Though you have done nothing shameful,
they will want you to be ashamed.
They will want you to kneel and weep
and say you should have been like them.
And once you say you are ashamed,
reading the page they hold out to you,
then such light as you have made
in your history will leave you.
They will no longer need to pursue you.
You will pursue them, begging forgiveness.
They will not forgive you.
There is no power against them.
It is only candor that is aloof from them,
only an inward clarity, unashamed,
that they cannot reach. Be ready.
When their light has picked you out
and their questions are asked, say to them:
"I am not ashamed." A sure horizon
will come around you. The heron will begin
his evening flight from the hilltop.
|
Written by
Margaret Atwood |
This is a word we use to plug
holes with. It's the right size for those warm
blanks in speech, for those red heart-
shaped vacancies on the page that look nothing
like real hearts. Add lace
and you can sell
it. We insert it also in the one empty
space on the printed form
that comes with no instructions. There are whole
magazines with not much in them
but the word love, you can
rub it all over your body and you
can cook with it too. How do we know
it isn't what goes on at the cool
debaucheries of slugs under damp
pieces of cardboard? As for the weed-
seedlings nosing their tough snouts up
among the lettuces, they shout it.
Love! Love! sing the soldiers, raising
their glittering knives in salute.
Then there's the two
of us. This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It's not love we don't wish
to fall into, but that fear.
this word is not enough but it will
have to do. It's a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside. You can
hold on or let go.
|
Written by
Charles Bukowski |
don't feel sorry for me.
I am a competent,
satisfied human being.
be sorry for the others
who
fidget
complain
who
constantly
rearrange their
lives
like
furniture.
juggling mates
and
attitudes
their
confusion is
constant
and it will
touch
whoever they
deal with.
beware of them:
one of their
key words is
"love."
and beware those who
only take
instructions from their
God
for they have
failed completely to live their own
lives.
don't feel sorry for me
because I am alone
for even
at the most terrible
moments
humor
is my
companion.
I am a dog walking
backwards
I am a broken
banjo
I am a telephone wire
strung up in
Toledo, Ohio
I am a man
eating a meal
this night
in the month of
September.
put your sympathy
aside.
they say
water held up
Christ:
to come
through
you better be
nearly as
lucky.
|
Written by
Lewis Carroll |
PREFACE
If---and the thing is wildly possible---the charge of writing
nonsense were ever brought against the author of this brief but
instructive poem, it would be based, I feel convinced, on the line
``Then the bowsprit got mixed with the rudder sometimes''
In view of this painful possibility, I will not (as I might) appeal
indignantly to my other writings as a proof that I am incapable of
such a deed: I will not (as I might) point to the strong moral
purpose of this poem itself, to the arithmetical principles so
cautiously inculcated in it, or to its noble teachings in Natural
History---I will take the more prosaic course of simply explaining
how it happened.
The Bellman, who was almost morbidly sensitive about appearances,
used to have the bowsprit unshipped once or twice a week to be
revarnished, and it more than once happened, when the time came for
replacing it, that no one on board could remember which end of the
ship it belonged to. They knew it was not of the slightest use to
appeal to the Bellman about it---he would only refer to his Naval
Code, and read out in pathetic tones Admiralty Instructions which
none of them had ever been able to understand---so it generally ended
in its being fastened on, anyhow, across the rudder. The helmsman
used to stand by with tears in his eyes: he knew it was all wrong,
but alas! Rule 42 of the Code, ``No one shall speak to the Man at the
Helm'', had been completed by the Bellman himself with the words
``and the Man at the Helm shall speak to no one''. So remonstrance
was impossible, and no steering could be done till the next
varnishing day. During these bewildering intervals the ship usually
sailed backwards.
This office was usually undertaken by the Boots, who found in it
a refuge from the Baker's constant complaints about the insufficient
blacking of his three pairs of boots.
As this poem is to some extent connected with the lay of the
Jabberwock, let me take this opportunity of answering a question that
has often been asked me, how to pronounce ``slithy toves''. The
``i'' in ``slithy'' is long, as in ``writhe''; and ``toves'' is
pronounced so as to rhyme with ``groves''. Again, the first ``o'' in
``borogoves'' is pronounced like the ``o'' in ``borrow''. I have
heard people try to give it the sound of the ``o'' in ``worry''.
Such is Human Perversity.
This also seems a fitting occasion to notice the other hard words in
that poem. Humpty-Dumpty's theory, of two meanings packed into one
word like a portmanteau, seems to me the right explanation for all.
For instance, take the two words ``fuming'' and ``furious''. Make up
your mind that you will say both words, but leave it unsettled which
you will say first. Now open your mouth and speak. If your thoughts
incline ever so little towards ``fuming'', you will say
``fuming-furious''; if they turn, by even a hair's breadth, towards
``furious'', you will say ``furious-fuming''; but if you have that
rarest of gifts, a perfectly balanced mind, you will say
``frumious''.
Supposing that, when Pistol uttered the well-known words---
``Under which king, Bezonian? Speak or die!''
Justice Shallow had felt certain that it was either William or
Richard, but had not been able to settle which, so that he could not
possibly say either name before the other, can it be doubted that,
rather than die, he would have gasped out ``Rilchiam!''.
|
Written by
Christopher Smart |
For I will consider my Cat Jeoffry.
For he is the servant of the Living God duly and daily serving him.
For at the first glance of the glory of God in the East he worships in his way.
For this is done by wreathing his body seven times round with elegant quickness.
For then he leaps up to catch the musk, which is the blessing of God upon his prayer.
For he rolls upon prank to work it in.
For having done duty and received blessing he begins to consider himself.
For this he performs in ten degrees.
For first he looks upon his forepaws to see if they are clean.
For secondly he kicks up behind to clear away there.
For thirdly he works it upon stretch with the forepaws extended.
For fourthly he sharpens his paws by wood.
For fifthly he washes himself.
For sixthly he rolls upon wash.
For seventhly he fleas himself, that he may not be interrupted upon the beat.
For eighthly he rubs himself against a post.
For ninthly he looks up for his instructions.
For tenthly he goes in quest of food.
For having consider'd God and himself he will consider his neighbour.
For if he meets another cat he will kiss her in kindness.
For when he takes his prey he plays with it to give it a chance.
For one mouse in seven escapes by his dallying.
For when his day's work is done his business more properly begins.
For he keeps the Lord's watch in the night against the adversary.
For he counteracts the powers of darkness by his electrical skin and glaring eyes.
For he counteracts the Devil, who is death, by brisking about the life.
For in his morning orisons he loves the sun and the sun loves him.
For he is of the tribe of Tiger.
For the Cherub Cat is a term of the Angel Tiger.
For he has the subtlety and hissing of a serpent, which in goodness he suppresses.
For he will not do destruction, if he is well-fed, neither will he spit without provocation.
For he purrs in thankfulness, when God tells him he's a good Cat.
For he is an instrument for the children to learn benevolence upon.
For every house is incomplete without him and a blessing is lacking in the spirit.
For the Lord commanded Moses concerning the cats at the departure of the Children of Israel from Egypt.
For every family had one cat at least in the bag.
For the English Cats are the best in Europe.
For he is the cleanest in the use of his forepaws of any quadruped.
For the dexterity of his defence is an instance of the love of God to him exceedingly.
For he is the quickest to his mark of any creature.
For he is tenacious of his point.
For he is a mixture of gravity and waggery.
For he knows that God is his Saviour.
For there is nothing sweeter than his peace when at rest.
For there is nothing brisker than his life when in motion.
For he is of the Lord's poor and so indeed is he called by benevolence perpetually--Poor Jeoffry! poor Jeoffry! the rat has bit thy throat.
For I bless the name of the Lord Jesus that Jeoffry is better.
For the divine spirit comes about his body to sustain it in complete cat.
For his tongue is exceeding pure so that it has in purity what it wants in music.
For he is docile and can learn certain things.
For he can set up with gravity which is patience upon approbation.
For he can fetch and carry, which is patience in employment.
For he can jump over a stick which is patience upon proof positive.
For he can spraggle upon waggle at the word of command.
For he can jump from an eminence into his master's bosom.
For he can catch the cork and toss it again.
For he is hated by the hypocrite and miser.
For the former is afraid of detection.
For the latter refuses the charge.
For he camels his back to bear the first notion of business.
For he is good to think on, if a man would express himself neatly.
For he made a great figure in Egypt for his signal services.
For he killed the Ichneumon-rat very pernicious by land.
For his ears are so acute that they sting again.
For from this proceeds the passing quickness of his attention.
For by stroking of him I have found out electricity.
For I perceived God's light about him both wax and fire.
For the Electrical fire is the spiritual substance, which God sends from heaven to sustain the bodies both of man and beast.
For God has blessed him in the variety of his movements.
For, tho he cannot fly, he is an excellent clamberer.
For his motions upon the face of the earth are more than any other quadruped.
For he can tread to all the measures upon the music.
For he can swim for life.
For he can creep.
|
Written by
Marge Piercy |
Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.
Work is what you have done
after the play is produced
and the audience claps.
Before that friends keep asking
when you are planning to go
out and get a job.
Genius is what they know you
had after the third volume
of remarkable poems. Earlier
they accuse you of withdrawing,
ask why you don't have a baby,
call you a bum.
The reason people want M.F.A.'s,
take workshops with fancy names
when all you can really
learn is a few techniques,
typing instructions and some-
body else's mannerisms
is that every artist lacks
a license to hang on the wall
like your optician, your vet
proving you may be a clumsy sadist
whose fillings fall into the stew
but you're certified a dentist.
The real writer is one
who really writes. Talent
is an invention like phlogiston
after the fact of fire.
Work is its own cure. You have to
like it better than being loved.
|
Written by
Donald Justice |
Papier-mache body; blue-and-black cotton jersey cover. Metal stand.
Instructions included.
-- Sears, Roebuck Catalogue
O my coy darling, still
You wear for me the scent
Of those long afternoons we spent,
The two of us together,
Safe in the attic from the jealous eyes
Of household spies
And the remote buffooneries of the weather;
So high,
Our sole remaining neighbor was the sky,
Which, often enough, at dusk,
Leaning its cloudy shoulders on the sill,
Used to regard us with a bored and cynical eye.
How like the terrified,
Shy figure of a bride
You stood there then, without your clothes,
Drawn up into
So classic and so strict a pose
Almost, it seemed, our little attic grew
Dark with the first charmed night of the honeymoon.
Or was it only some obscure
Shape of my mother's youth I saw in you,
There where the rude shadows of the afternoon
Crept up your ankles and you stood
Hiding your sex as best you could?--
Prim ghost the evening light shone through.
|
Written by
Andrew Barton Paterson |
Kanzo Makame, the diver, sturdy and small Japanee,
Seeker of pearls and of pearl-shell down in the depths of the sea,
Trudged o'er the bed of the ocean, searching industriously.
Over the pearl-grounds the lugger drifted -- a little white speck:
Joe Nagasaki, the "tender", holding the life-line on deck,
Talked through the rope to the diver, knew when to drift or to check.
Kanzo was king of his lugger, master and diver in one,
Diving wherever it pleased him, taking instructions from none;
Hither and thither he wandered, steering by stars and by sun.
Fearless he was beyond credence, looking at death eye to eye:
This was his formula always, "All man go dead by and by --
S'posing time come no can help it -- s'pose time no come, then no die."
Dived in the depths of the Darnleys, down twenty fathom and five;
Down where by law, and by reason, men are forbidden to dive;
Down in a pressure so awful that only the strongest survive:
Sweated four men at the air pumps, fast as the handles could go,
Forcing the air down that reached him heated and tainted, and slow --
Kanzo Makame the diver stayed seven minutes below;
Came up on deck like a dead man, paralysed body and brain;
Suffered, while blood was returning, infinite tortures of pain:
Sailed once again to the Darnleys -- laughed and descended again!
Scarce grew the shell in the shallows, rarely a patch could they touch;
Always the take was so little, always the labour so much;
Always they thought of the Islands held by the lumbering Dutch --
Islands where shell was in plenty lying in passage and bay,
Islands where divers could gather hundreds of shell in a day.
But the lumbering Dutch in their gunboats they hunted the divers away.
Joe Nagasaki, the "tender", finding the profits grow small,
Said, "Let us go to the Islands, try for a number one haul!
If we get caught, go to prison -- let them take lugger and all!"
Kanzo Makame, the diver -- knowing full well what it meant --
Fatalist, gambler, and stoic, smiled a broad smile of content,
Flattened in mainsail and foresail, and off to the Islands they went.
Close to the headlands they drifted, picking up shell by the ton,
Piled up on deck were the oysters, opening wide in the sun,
When, from the lee of the headland, boomed the report of a gun.
Then if the diver was sighted, pearl-shell and lugger must go --
Joe Nagasaki decided (quick was the word and the blow),
Cut both the pipe and the life-line, leaving the diver below!
Kanzo Makame, the diver, failing to quite understand,
Pulled the "haul up" on the life-line, found it was slack in his hand;
Then, like a little brown stoic, lay down and died on the sand.
Joe Nagasaki, the "tender", smiling a sanctified smile,
Headed her straight for the gunboat--throwing out shells all the while --
Then went aboard and reported, "No makee dive in three mile!
"Dress no have got and no helmet -- diver go shore on the spree;
Plenty wind come and break rudder -- lugger get blown out to sea:
Take me to Japanee Consul, he help a poor Japanee!"
So the Dutch let him go; but they watched him, as off from the Islands he ran,
Doubting him much -- but what would you? You have to be sure of your man
Ere you wake up that nest-ful of hornets -- the little brown men of Japan.
Down in the ooze and the coral, down where earth's wonders are spread,
Helmeted, ghastly, and swollen, Kanzo Makame lies dead.
Joe Nagasaki, his "tender", is owner and diver instead.
Wearer of pearls in your necklace, comfort yourself if you can.
These are the risks of the pearling -- these are the ways of Japan;
"Plenty more Japanee diver plenty more little brown man!"
|
Written by
Carl Sandburg |
CLOWNS DYINGFIVE circus clowns dying this year, morning newspapers told their lives, how each one horizontal in a last gesture of hands arranged by an undertaker, shook thousands into convulsions of laughter from behind rouge-red lips and powder-white face.
STEAMBOAT BILLWhen the boilers of the Robert E. Lee exploded, a steamboat winner of many races on the Mississippi went to the bottom of the river and never again saw the wharves of Natchez and New Orleans.
And a legend lives on that two gamblers were blown toward the sky and during their journey laid bets on which of the two would go higher and which would be first to set foot on the turf of the earth again.
FOOT AND MOUTH PLAGUEWhen the mysterious foot and mouth epidemic ravaged the cattle of Illinois, Mrs. Hector Smith wept bitterly over the government killing forty of her soft-eyed Jersey cows; through the newspapers she wept over her loss for millions of readers in the Great Northwest.
SEVENSThe lady who has had seven lawful husbands has written seven years for a famous newspaper telling how to find love and keep it: seven thousand hungry girls in the Mississippi Valley have read the instructions seven years and found neither illicit loves nor lawful husbands.
PROFITEERI who saw ten strong young men die anonymously, I who saw ten old mothers hand over their sons to the nation anonymously, I who saw ten thousand touch the sunlit silver finalities of undistinguished human glory—why do I sneeze sardonically at a bronze drinking fountain named after one who participated in the war vicariously and bought ten farms?
|
Written by
Marriott Edgar |
I'll tell you the story of Jonah,
A really remarkable tale;
A peaceful and humdrum existence he had
Until one day he went for a sail.
The weather were grand when they started,
But later at turn of the tide
The wind started blowing, the water got rough,
And Jonah felt funny inside.
When the ship started pitching and tossing
He tried hard his feelings to smother,
At last he just leant his head over the side
And one thing seemed to bring up another.
When the sailors saw what he were doing
It gave them a bit of a jar;
They didn't mind trippers enjoying theirselves,
But thowt this 'ere were going too far.
Said one "Is there nowt you can think on
To stop you from feelin' so bad?"
And Jonah said "Aye, lift me over the side
And chuck me in, there's a good lad."
The sailor were not one to argue,
He said "Happen you know what's best."
Then he picked Jonah up by the seat of his pants
And chucked him in, as per request.
A Grampus came up at that moment,
And seeing the old man hard set,
It swam to his side and it opened its mouth
And said "Come in lad, out of the wet."
Its manner were kindly and pleading,
As if to say R.S.V.P.
Said Jonah "I've eaten a kipper or two,
But I never thowt one would eat me."
The inside of Grampus surprised him,
'Twere the first time he'd been behind scenes;
He found 'commodation quite ample for one
But it smelled like a tin of sardines.
Then over the sea they went cruising,
And Jonah were filled with delight;
With his eye to the blow-'ole in t'Grampus's head
He watched ships that passed in the night.
"I'm tired of watching," said Jonah,
"I'll rest for a minute or so."
"I'm afraid as you wont find your bed very soft,"
Said the Grampus, "I've got a hard roe."
At that moment up came a whale boat,
Said Jonah, "What's this 'ere we've struck?"
"They're after my blubber," the Grampus replied,
"You'd better 'old tight while I duck."
The water came in through the spy-'ole
And hit Jonah's face a real slosher,
He said, "Shut your blow-'ole!" and Grampus replied
"I can't lad, it needs a new washer."
Jonah tried 'ard to bail out the water,
But found all his efforts in vain,
For as fast as he emptied the slops out through the gills
They came in through the blow 'ole again.
When at finish they came to the surface
Jonah took a look out and he saw
They were stuck on a bit of a sandbank that lay
One rod, pole or perch from the shore.
Said the Grampus, "We're in shallow water,
I've brought you as far as I may;
If you sit on the blow 'ole on top of my head
I'll spout you the rest of the way."
So Jonah obeyed these instructions,
And the Grampus his lungs did expand,
Then blew out a fountain that lifted Jo' up
And carried him safely to land.
There was tears in their eyes when they parted
And each blew a kiss, a real big 'un,
Then the Grampus went off with a swish of it's tail
And Jonah walked back home to Wigan.
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