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Best Famous Inspect Poems

Here is a collection of the all-time best famous Inspect poems. This is a select list of the best famous Inspect poetry. Reading, writing, and enjoying famous Inspect poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of inspect poems.

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Written by Vladimir Mayakovsky | Create an image from this poem

At the Top of My voice

 My most respected
 comrades of posterity!
Rummaging among
 these days’ 
 petrified crap,
exploring the twilight of our times,
you,
 possibly,
 will inquire about me too.
And, possibly, your scholars will declare, with their erudition overwhelming a swarm of problems; once there lived a certain champion of boiled water, and inveterate enemy of raw water.
Professor, take off your bicycle glasses! I myself will expound those times and myself.
I, a latrine cleaner and water carrier, by the revolution mobilized and drafted, went off to the front from the aristocratic gardens of poetry - the capricious wench She planted a delicious garden, the daughter, cottage, pond and meadow.
Myself a garden I did plant, myself with water sprinkled it.
some pour their verse from water cans; others spit water from their mouth - the curly Macks, the clever jacks - but what the hell’s it all about! There’s no damming al this up - beneath the walls they mandoline: “Tara-tina, tara-tine, tw-a-n-g.
.
.
” It’s no great honor, then, for my monuments to rise from such roses above the public squares, where consumption coughs, where whores, hooligans and syphilis walk.
Agitprop sticks in my teeth too, and I’d rather compose romances for you - more profit in it and more charm.
But I subdued myself, setting my heel on the throat of my own song.
Listen, comrades of posterity, to the agitator the rabble-rouser.
Stifling the torrents of poetry, I’ll skip the volumes of lyrics; as one alive, I’ll address the living.
I’ll join you in the far communist future, I who am no Esenin super-hero.
My verse will reach you across the peaks of ages, over the heads of governments and poets.
My verse will reach you not as an arrow in a cupid-lyred chase, not as worn penny Reaches a numismatist, not as the light of dead stars reaches you.
My verse by labor will break the mountain chain of years, and will present itself ponderous, crude, tangible, as an aqueduct, by slaves of Rome constructed, enters into our days.
When in mounds of books, where verse lies buried, you discover by chance the iron filings of lines, touch them with respect, as you would some antique yet awesome weapon.
It’s no habit of mine to caress the ear with words; a maiden’s ear curly-ringed will not crimson when flicked by smut.
In parade deploying the armies of my pages, I shall inspect the regiments in line.
Heavy as lead, my verses at attention stand, ready for death and for immortal fame.
The poems are rigid, pressing muzzle to muzzle their gaping pointed titles.
The favorite of all the armed forces the cavalry of witticisms ready to launch a wild hallooing charge, reins its chargers still, raising the pointed lances of the rhymes.
and all these troops armed to the teeth, which have flashed by victoriously for twenty years, all these, to their very last page, I present to you, the planet’s proletarian.
The enemy of the massed working class is my enemy too inveterate and of long standing.
Years of trial and days of hunger ordered us to march under the red flag.
We opened each volume of Marx as we would open the shutters in our own house; but we did not have to read to make up our minds which side to join, which side to fight on.
Our dialectics were not learned from Hegel.
In the roar of battle it erupted into verse, when, under fire, the bourgeois decamped as once we ourselves had fled from them.
Let fame trudge after genius like an inconsolable widow to a funeral march - die then, my verse, die like a common soldier, like our men who nameless died attacking! I don’t care a spit for tons of bronze; I don’t care a spit for slimy marble.
We’re men of kind, we’ll come to terms about our fame; let our common monument be socialism built in battle.
Men of posterity examine the flotsam of dictionaries: out of Lethe will bob up the debris of such words as “prostitution,” “tuberculosis,” “blockade.
” For you, who are now healthy and agile, the poet with the rough tongue of his posters, has licked away consumptives’ spittle.
With the tail of my years behind me, I begin to resemble those monsters, excavated dinosaurs.
Comrade life, let us march faster, march faster through what’s left of the five-year plan.
My verse has brought me no rubles to spare: no craftsmen have made mahogany chairs for my house.
In all conscience, I need nothing except a freshly laundered shirt.
When I appear before the CCC of the coming bright years, by way of my Bolshevik party card, I’ll raise above the heads of a gang of self-seeking poets and rogues, all the hundred volumes of my communist-committed books.
Transcribed: by Mitch Abidor.


Written by Lady Mary Chudleigh | Create an image from this poem

From The Ladies Defence

 Melissa: I've still rever'd your Order [she is responding to a Parson] as Divine;
And when I see unblemish'd Virtue shine,
When solid Learning, and substantial Sense,
Are joyn'd with unaffected Eloquence;
When Lives and Doctrices of a Piece are made,
And holy Truths with humble Zeal convey'd;
When free from Passion, Bigottry, and Pride,
Not sway'd by Int'rest, nor to Parties ty'd,
Contemning Riches, and abhorring strife,
And shunning all the noisy Pomps of Life,
You live the aweful Wonders of your time,
Without the least Suspicion of a Crime:
I shall with Joy the highest Deference pay,
and heedfully attend to all you say.
From such, Reproofs shall always welcome prove, As being th' Effects of Piety and Love.
But those from me can challenge no Respect, Who on us all without just Cause reflect: Who without Mercy all the Sex decry, And into open Defamations fly: Who think us Creatures for Derision made, And the Creator with his Works upbraid: What he call'd good, they proudly think not so, And with their Malice, their Prophaneness show.
'Tis hard we shou'd be by the Men despis'd, Yet kept from knowing what wou'd make us priz'd: Debarr'd from Knowledge, banish'd from the Schools, And with the utmost Industry bred Fools.
Laugh'd out of Reason, jested out of Sense, And nothing left but Native Innocence: Then told we are incapable of Wit, And only for the meanest Drudgeries fit: Made Slaves to serve their Luxury and Pride, And with innumerable Hardships try'd, 'Till Pitying Heav'n release us from our Pain, Kind Heav'n to whom alone we dare complain.
Th' ill-natur'd World will no Compassion show; Such as are wretched, it wou'd still have so: It gratifies its Envy and its Spight; The most in others Miseries take Delight.
While we are present they some Pity spare, And feast us on a thin Repast of Air: Look Grave and Sigh, when we our Wrongs relate, An in a Compliment accuse our Fate: Blame those to whom we our Misfortunes owe, And all the Signs of real Friendship show.
But when we're absent, we their Sport are made, They fan the Flame, and our Oppressors aid; Joyn with the Stronger, the Victorious Side, And all our Suff'ring, all our griefs deride.
Those gen'rous few, whom kinder Thoughts inspire, And who the Happiness of all desire; Who wish we were from barb'rous Usage free, Exempt from Toils, and shameful Slavery, Yet let us, unreprov'd, mis.
spend our Hours, And to mean Purposes employ our nobler Pow'rs.
They think, if we our Thoughts can but express, And know but how to Work, to Dance and Dress, It is enough, as much as we shou'd mind, As if we were for nothing else design'd, But made, like Puppets, to divert Mankind.
O that my Sex wou'd all such Toys despise; And only study to be Good, and Wise; Inspect themselves, and every Blemish find, Search all the close Recesses of the Mind, And leave no vice, no ruling Passion there, Nothing to raise a Blush, or cause a Fear: Their Memories with solid Notions fill, And let their Reason dictate to their Will, Instead of Novels, Histories peruse, And for their Guides the wiser Ancients chuse, Thro' all the Labyrinths of Learning go, And grow more humble, as they more do know.
By doing this, they will Respect procure, Silence the Men, and lasting Fame secure; And to themselves the best Companions prove, And neither fear their Malice, nor desire their Love.
Written by John Keats | Create an image from this poem

If By Dull Rhymes Our English Must Be Chaind

 If by dull rhymes our English must be chain'd,
 And, like Andromeda, the Sonnet sweet
Fetter'd, in spite of pained loveliness;
Let us find out, if we must be constrain'd,
 Sandals more interwoven and complete
To fit the naked foot of poesy;
Let us inspect the lyre, and weigh the stress
Of every chord, and see what may be gain'd
 By ear industrious, and attention meet:
Misers of sound and syllable, no less
 Than Midas of his coinage, let us be
 Jealous of dead leaves in the bay wreath crown;
So, if we may not let the Muse be free,
 She will be bound with garlands of her own.
Written by Robert William Service | Create an image from this poem

Bessies Boil

 Says I to my Missis: "Ba goom, lass! you've something I see, on your mind.
" Says she: "You are right, Sam, I've something.
It 'appens it's on me be'ind.
A Boil as 'ud make Job jealous.
It 'urts me no end when I sit.
" Says I: "Go to 'ospittel, Missis.
They might 'ave to coot it a bit.
" Says she: "I just 'ate to be showin' the part of me person it's at.
" Says I: "Don't be fussy; them doctors see sights more 'orrid than that.
" So Misses goes off togged up tasty, and there at the 'ospittel door They tells 'er to see the 'ouse Doctor, 'oose office is Room Thirty-four.
So she 'unts up and down till she finds it, and knocks and a voice says: "Come in," And there is a 'andsome young feller, in white from 'is 'eels to 'is chin.
"I've got a big boil," says my Missis.
"It 'urts me for fair when I sit, And Sam (that's me 'usband) 'as asked me to ask you to coot it a bit.
" Then blushin' she plucks up her courage, and bravely she shows 'im the place, And 'e gives it a proper inspection, wi' a 'eap o' surprise on 'is face.
Then 'e says wi' an accent o' Scotland: "Whit ye hae is a bile, Ah can feel, But ye'd better consult the heid Dockter; they caw him Professor O'Niel.
He's special for biles and carbuncles.
Ye'll find him in Room Sixty-three.
No charge, Ma'am.
It's been a rare pleasure.
Jist tell him ye're comin' from me.
" So Misses she thanks 'im politely, and 'unts up and down as before, Till she comes to a big 'andsome room with "Professor O'Neil" on the door.
Then once more she plucks up her courage, and knocks, and a voice says: "All right.
" So she enters, and sees a fat feller wi' whiskers, all togged up in white.
"I've got a big boil," says my Missis, "and if ye will kindly permit, I'd like for to 'ave you inspect it; it 'urts me like all when I sit.
" So blushin' as red as a beet-root she 'astens to show 'im the spot, And 'e says wi' a look o' amazement: "Sure, Ma'am, it must hurt ye a lot.
" Then 'e puts on 'is specs to regard it, and finally says wi' a frown: "I'll bet it's as sore as the divvle, especially whin ye sit down.
I think it's a case for the Surgeon; ye'd better consult Doctor Hoyle.
I've no hisitation in sayin' yer boil is a hill of a boil.
" So Misses she thanks 'im for sayin' her boil is a hill of a boil, And 'unts all around till she comes on a door that is marked: "Doctor Hoyle.
" But by now she 'as fair got the wind up, and trembles in every limb; But she thinks: "After all, 'e's a Doctor.
Ah moosn't be bashful wi' 'im.
" She's made o' good stuff is the Missis, so she knocks and a voice says: "Oos there?" "It's me," says ma Bessie, an' enters a room which is spacious and bare.
And a wise-lookin' old feller greets 'er, and 'e too is togged up in white.
"It's the room where they coot ye," thinks Bessie; and shakes like a jelly wi' fright.
"Ah got a big boil," begins Missis, "and if ye are sure you don't mind, I'd like ye to see it a moment.
It 'urts me, because it's be'ind.
" So thinkin' she'd best get it over, she 'astens to show 'im the place, And 'e stares at 'er kindo surprised like, an' gets very red in the face.
But 'e looks at it most conscientious, from every angle of view, Then 'e says wi' a shrug o' 'is shoulders: "Pore Lydy, I'm sorry for you.
It wants to be cut, but you should 'ave a medical bloke to do that.
Sye, why don't yer go to the 'orsespittel, where all the Doctors is at? Ye see, Ma'am, this part o' the buildin' is closed on account o' repairs; Us fellers is only the pynters, a-pyntin' the 'alls and the stairs.
"
Written by Mihai Eminescu | Create an image from this poem

MORTUA EST

Two candles, tall sentry, beside an earth mound, 
A dream with wings broken that trail to the ground,  
Loud flung from the belfry calamitous chime.
.
.
'Tis thus that you passed o'er the bound'ries of time.
Gone by are the hours when the heavens entire Flowed rivers of milk and grew flowers of fire, When the thunderous clouds were but castles erect Which the moon like a queen each in turn did inspect.
I see you a shadow bright silver transcending, With wings high uplifted to heaven ascending, I see you slow climbing through the sky's scaffold bars Midst a tempest of light and a snowstorm of stars; While the witches the sound of their spinning prolong, Exalted in sunshine, swept up by a song, O'er your breast like a saint you white arms crossed in prayer, And gold on the water, and silver in the air.
I see your soul's parting, its flight I behold; Then glaze at the clay that remains .
.
.
mute and cold, At the winding-sheet clung to the coffin's rude sill, At your smile sweet and candid, that seems alive still.
And i ask times unending my soul torn with doubt, O why, pallid angel, your light has gone out, For were you not blameless and wonderfully fair ? Have you gone to rekindle a star in despair ? I fancy on high there are wings without name, Broad rivers of fire spanned by bridges of flame, Strange castles that spires till the zenith up fling, With stairways of incense and flowers that sing.
And you wonder among them, a worshipful queen, With hair of bright starlight and eyes vespertine, In a tunic of turquoise bespattered with gold, While a wreath of green laurels does your forehead enfold.
O, death is a chaos, an ocean of stars gleaming, While life is a quagmire of doubts and of dreaming, Oh, death is an aeon of sun-blazoned spheres, While life but a legend of wailing and tears.
Trough my head beats a whirlwind, a clamorous wrangle Of thoughts and of dreams that despair does entangle; For when suns are extinguished and meteors fail The whole universe seems to mean nothing at all.
Maybe that one day the arched heavens will sunder, And down through their break all the emptiness thunder, Void's night o'er the earth its vast nothing extending, The loot of an instant of death without ending.
If so, then forever your flame did succumb, And forever your voice from today will be dumb.
If so, then hereafter can bring no rebirth.
If so, then this angel was nothing but earth.
And thus, lovely soil that breath has departed, I stand by your coffin alone broken-hearted; And yet i don't weep, rather praise for its fleeing Your ray softly crept from this chaos of being.
For who shell declare which is ill and which well, The is, or the isn't ? Can anyone tell ? For he who is not, even grief can't destroy, And oft is the grieving, and seldom the joy.
To exist! O, what nonsense, what foolish conceit; Our eyes but deceive us, our ears but cheat, What this age discovers, the next will deny, For better just nothing than naught a lie.
I see dreams in men's clothing that after dreams chase, But that tumble in tombs ere the end of the race, And i search in may soul how this horror to fly, To laugh like a madman ? To curse ? Or to cry ? O, what is the meaning ? What sense does agree ? The end of such beauty, had that what to be ? Sweet seraph of clay where still lingers life's smile, Just in order to die did you live for a while ? O, tell me the meaning.
This angel or clod ? I find on her forehead no witness of God.
English version by Corneliu M.
Popescu Transcribed by Ana- Maria Ene School No.
10, Focsani, Romania


Written by Emily Dickinson | Create an image from this poem

Fame is a fickle food

 Fame is a fickle food
Upon a shifting plate
Whose table once a
Guest but not
The second time is set.
Whose crumbs the crows inspect And with ironic caw Flap past it to the Farmer's Corn -- Men eat of it and die.
Written by William Topaz McGonagall | Create an image from this poem

Grace Darling

 As the night was beginning to close in one rough September day
In the year of 1838, a steamer passed through the Fairway
Between the Farne Islands and the coast, on her passage northwards;
But the wind was against her, and the steamer laboured hard.
There she laboured in the heavy sea against both wind and tide, Whilst a dense fog enveloped her on every side; And the mighty billows made her timbers creak, Until at last, unfortunately, she sprung a leak.
Then all hands rushed to the pumps, and wrought with might and main.
But the water, alas! alarmingly on them did gain; And the thick sleet was driving across the raging sea, While the wind it burst upon them in all its fury.
And the fearful gale and the murky aspect of the sky Caused the passengers on board to Lament and sigh As the sleet drove thick, furious, and fast, And as the waves surged mountains high, they stood aghast.
And the screaming of the sea-birds foretold a gathering storm, And the passengers, poor souls, looked pale and forlorn, And on every countenance was depicted woe As the "Forfarshire" steamer was pitched to and fro.
And the engine-fires with the water were washed out, Then, as the tide set strongly in, it wheeled the vessel about And the ill-fated vessel drifted helplessly along; But the fog cleared up a little as the night wore on.
Then the terror-stricken crew saw the breakers ahead, And all thought of being saved from them fled, And the Farne lights were shining hazily through the gloom, While in the fore-cabin a woman lay with two children in a swoon.
Before the morning broke, the "Forfarshire" struck upon a rock, And was dashed to pieces by a tempestuous shock, Which raised her for a moment, and dashed her down again, Then the ill-starred vessel was swallowed up in the briny main Before the vessel broke up, some nine or ten of the crew intent To save their lives, or perish in the attempt, Lowered one of the boats while exhausted and forlorn, And, poor souls, were soon lost sight of in the storm.
Around the windlass on the forecastle some dozen poor wretches clung, And with despair and grief their weakly hearts were rung As the merciless sea broke o'er them every moment; But God in His mercy to them Grace Darling sent.
By the first streak of dawn she early up had been, And happened to look out upon the stormy scene, And she descried the wreck through the morning gloom; But she resolved to rescue them from such a perilous doom Then she cried, Oh! father dear, come here and see the wreck, See, here take the telescope, and you can inspect; Oh! father, try and save them, and heaven will you bless; But, my darling, no help can reach them in such a storm as this.
Oh! my kind father, you will surely try and save These poor souls from a cold and watery grave; Oh! I cannot sit to see them perish before mine eyes, And, for the love of heaven, do not my pleading despise! Then old Darling yielded, and launched the little boat, And high on the big waves the boat did float; Then Grace and her father took each an oar in hand, And to see Grace Darling rowing the picture was grand.
And as the little boat to the sufferers drew near, Poor souls, they tried to raise a cheer; But as they gazed upon the heroic Grace, The big tears trickled down each sufferer's face.
And nine persons were rescued almost dead with the cold By modest and lovely Grace Darling, that heroine bold; The survivors were taken to the light-house, and remained there two days, And every one of them was loud in Grace Darling's praise.
Grace Darling was a comely lass, with long, fair floating hair, With soft blue eyes, and shy, and modest rare; And her countenance was full of sense and genuine kindliness, With a noble heart, and ready to help suffering creatures in distress.
But, alas! three years after her famous exploit, Which, to the end of time, will never be forgot, Consumption, that fell destroyer, carried her away To heaven, I hope, to be an angel for ever and aye.
Before she died, scores of suitors in marriage sought her hand; But no, she'd rather live in Longstone light-house on Farne island, And there she lived and died with her father and mother, And for her equal in true heroism we cannot find another.
Written by Seamus Heaney | Create an image from this poem

From The Frontier Of Writing

 The tightness and the nilness round that space 
when the car stops in the road, the troops inspect 
its make and number and, as one bends his face 

towards your window, you catch sight of more 
on a hill beyond, eyeing with intent 
down cradled guns that hold you under cover 

and everything is pure interrogation 
until a rifle motions and you move 
with guarded unconcerned acceleration— 

a little emptier, a little spent 
as always by that quiver in the self, 
subjugated, yes, and obedient.
So you drive on to the frontier of writing where it happens again.
The guns on tripods; the sergeant with his on-off mike repeating data about you, waiting for the squawk of clearance; the marksman training down out of the sun upon you like a hawk.
And suddenly you're through, arraigned yet freed, as if you'd passed from behind a waterfall on the black current of a tarmac road past armor-plated vehicles, out between the posted soldiers flowing and receding like tree shadows into the polished windscreen.
Written by Emily Dickinson | Create an image from this poem

A precious -- mouldering pleasure -- tis

 A precious -- mouldering pleasure -- 'tis --
To meet an Antique Book --
In just the Dress his Century wore --
A privilege -- I think --

His venerable Hand to take --
And warming in our own --
A passage back -- or two -- to make --
To Times when he -- was young --

His quaint opinions -- to inspect --
His thought to ascertain
On Themes concern our mutual mind --
The Literature of Man --

What interested Scholars -- most --
What Competitions ran --
When Plato -- was a Certainty --
And Sophocles -- a Man --

When Sappho -- was a living Girl --
And Beatrice wore
The Gown that Dante -- deified --
Facts Centuries before

He traverses -- familiar --
As One should come to Town --
And tell you all your Dreams -- were true --
He lived -- where Dreams were born --

His presence is Enchantment --
You beg him not to go --
Old Volume shake their Vellum Heads
And tantalize -- just so --
Written by Emily Dickinson | Create an image from this poem

Could Hope inspect her Basis

 Could Hope inspect her Basis
Her Craft were done --
Has a fictitious Charter
Or it has none --

Balked in the vastest instance
But to renew --
Felled by but one assassin --
Prosperity --

Book: Shattered Sighs