Written by
Elizabeth Bishop |
At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock
just below
the gun-metal blue window
and immediately there is an echo
off in the distance,
then one from the backyard fence,
then one, with horrible insistence,
grates like a wet match
from the broccoli patch,
flares,and all over town begins to catch.
Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,
where in the blue blur
their rusting wives admire,
the roosters brace their cruel feet and glare
with stupid eyes
while from their beaks there rise
the uncontrolled, traditional cries.
Deep from protruding chests
in green-gold medals dressed,
planned to command and terrorize the rest,
the many wives
who lead hens' lives
of being courted and despised;
deep from raw throats
a senseless order floats
all over town.
A rooster gloats
over our beds
from rusty irons sheds
and fences made from old bedsteads,
over our churches
where the tin rooster perches,
over our little wooden northern houses,
making sallies
from all the muddy alleys,
marking out maps like Rand McNally's:
glass-headed pins,
oil-golds and copper greens,
anthracite blues, alizarins,
each one an active
displacement in perspective;
each screaming, "This is where I live!"
Each screaming
"Get up! Stop dreaming!"
Roosters, what are you projecting?
You, whom the Greeks elected
to shoot at on a post, who struggled
when sacrificed, you whom they labeled
"Very combative.
.
.
"
what right have you to give
commands and tell us how to live,
cry "Here!" and "Here!"
and wake us here where are
unwanted love, conceit and war?
The crown of red
set on your little head
is charged with all your fighting blood
Yes, that excrescence
makes a most virile presence,
plus all that vulgar beauty of iridescence
Now in mid-air
by two they fight each other.
Down comes a first flame-feather,
and one is flying,
with raging heroism defying
even the sensation of dying.
And one has fallen
but still above the town
his torn-out, bloodied feathers drift down;
and what he sung
no matter.
He is flung
on the gray ash-heap, lies in dung
with his dead wives
with open, bloody eyes,
while those metallic feathers oxidize.
St.
Peter's sin
was worse than that of Magdalen
whose sin was of the flesh alone;
of spirit, Peter's,
falling, beneath the flares,
among the "servants and officers.
"
Old holy sculpture
could set it all together
in one small scene, past and future:
Christ stands amazed,
Peter, two fingers raised
to surprised lips, both as if dazed.
But in between
a little cock is seen
carved on a dim column in the travertine,
explained by gallus canit;
flet Petrus underneath it,
There is inescapable hope, the pivot;
yes, and there Peter's tears
run down our chanticleer's
sides and gem his spurs.
Tear-encrusted thick
as a medieval relic
he waits.
Poor Peter, heart-sick,
still cannot guess
those cock-a-doodles yet might bless,
his dreadful rooster come to mean forgiveness,
a new weathervane
on basilica and barn,
and that outside the Lateran
there would always be
a bronze cock on a porphyry
pillar so the people and the Pope might see
that event the Prince
of the Apostles long since
had been forgiven, and to convince
all the assembly
that "Deny deny deny"
is not all the roosters cry.
In the morning
a low light is floating
in the backyard, and gilding
from underneath
the broccoli, leaf by leaf;
how could the night have come to grief?
gilding the tiny
floating swallow's belly
and lines of pink cloud in the sky,
the day's preamble
like wandering lines in marble,
The cocks are now almost inaudible.
The sun climbs in,
following "to see the end,"
faithful as enemy, or friend.
|
Written by
Edwin Arlington Robinson |
I
We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel --
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand.
II
Tumultuously void of a clean scheme
Whereon to build, whereof to formulate,
The legion life that riots in mankind
Goes ever plunging upward, up and down,
Most like some crazy regiment at arms,
Undisciplined of aught but Ignorance,
And ever led resourcelessly along
To brainless carnage by drunk trumpeters.
III
To me the groaning of world-worshippers
Rings like a lonely music played in hell
By one with art enough to cleave the walls
Of heaven with his cadence, but without
The wisdom or the will to comprehend
The strangeness of his own perversity,
And all without the courage to deny
The profit and the pride of his defeat.
IV
While we are drilled in error, we are lost
Alike to truth and usefulness.
We think
We are great warriors now, and we can brag
Like Titans; but the world is growing young,
And we, the fools of time, are growing with it: --
We do not fight to-day, we only die;
We are too proud of death, and too ashamed
Of God, to know enough to be alive.
V
There is one battle-field whereon we fall
Triumphant and unconquered; but, alas!
We are too fleshly fearful of ourselves
To fight there till our days are whirled and blurred
By sorrow, and the ministering wheels
Of anguish take us eastward, where the clouds
Of human gloom are lost against the gleam
That shines on Thought's impenetrable mail.
VI
When we shall hear no more the cradle-songs
Of ages -- when the timeless hymns of Love
Defeat them and outsound them -- we shall know
The rapture of that large release which all
Right science comprehends; and we shall read,
With unoppressed and unoffended eyes,
That record of All-Soul whereon God writes
In everlasting runes the truth of Him.
VII
The guerdon of new childhood is repose: --
Once he has read the primer of right thought,
A man may claim between two smithy strokes
Beatitude enough to realize
God's parallel completeness in the vague
And incommensurable excellence
That equitably uncreates itself
And makes a whirlwind of the Universe.
VIII
There is no loneliness: -- no matter where
We go, nor whence we come, nor what good friends
Forsake us in the seeming, we are all
At one with a complete companionship;
And though forlornly joyless be the ways
We travel, the compensate spirit-gleams
Of Wisdom shaft the darkness here and there,
Like scattered lamps in unfrequented streets.
IX
When one that you and I had all but sworn
To be the purest thing God ever made
Bewilders us until at last it seems
An angel has come back restigmatized, --
Faith wavers, and we wonder what there is
On earth to make us faithful any more,
But never are quite wise enough to know
The wisdom that is in that wonderment.
X
Where does a dead man go? -- The dead man dies;
But the free life that would no longer feed
On fagots of outburned and shattered flesh
Wakes to a thrilled invisible advance,
Unchained (or fettered else) of memory;
And when the dead man goes it seems to me
'T were better for us all to do away
With weeping, and be glad that he is gone.
XI
So through the dusk of dead, blank-legended,
And unremunerative years we search
To get where life begins, and still we groan
Because we do not find the living spark
Where no spark ever was; and thus we die,
Still searching, like poor old astronomers
Who totter off to bed and go to sleep,
To dream of untriangulated stars.
XII
With conscious eyes not yet sincere enough
To pierce the glimmered cloud that fluctuates
Between me and the glorifying light
That screens itself with knowledge, I discern
The searching rays of wisdom that reach through
The mist of shame's infirm credulity,
And infinitely wonder if hard words
Like mine have any message for the dead.
XIII
I grant you friendship is a royal thing,
But none shall ever know that royalty
For what it is till he has realized
His best friend in himself.
'T is then, perforce,
That man's unfettered faith indemnifies
Of its own conscious freedom the old shame,
And love's revealed infinitude supplants
Of its own wealth and wisdom the old scorn.
XIV
Though the sick beast infect us, we are fraught
Forever with indissoluble Truth,
Wherein redress reveals itself divine,
Transitional, transcendent.
Grief and loss,
Disease and desolation, are the dreams
Of wasted excellence; and every dream
Has in it something of an ageless fact
That flouts deformity and laughs at years.
XV
We lack the courage to be where we are: --
We love too much to travel on old roads,
To triumph on old fields; we love too much
To consecrate the magic of dead things,
And yieldingly to linger by long walls
Of ruin, where the ruinous moonlight
That sheds a lying glory on old stones
Befriends us with a wizard's enmity.
XVI
Something as one with eyes that look below
The battle-smoke to glimpse the foeman's charge,
We through the dust of downward years may scan
The onslaught that awaits this idiot world
Where blood pays blood for nothing, and where life
Pays life to madness, till at last the ports
Of gilded helplessness be battered through
By the still crash of salvatory steel.
XVII
To you that sit with Sorrow like chained slaves,
And wonder if the night will ever come,
I would say this: The night will never come,
And sorrow is not always.
But my words
Are not enough; your eyes are not enough;
The soul itself must insulate the Real,
Or ever you do cherish in this life --
In this life or in any life -- repose.
XVIII
Like a white wall whereon forever breaks
Unsatisfied the tumult of green seas,
Man's unconjectured godliness rebukes
With its imperial silence the lost waves
Of insufficient grief.
This mortal surge
That beats against us now is nothing else
Than plangent ignorance.
Truth neither shakes
Nor wavers; but the world shakes, and we shriek.
XIX
Nor jewelled phrase nor mere mellifluous rhyme
Reverberates aright, or ever shall,
One cadence of that infinite plain-song
Which is itself all music.
Stronger notes
Than any that have ever touched the world
Must ring to tell it -- ring like hammer-blows,
Right-echoed of a chime primordial,
On anvils, in the gleaming of God's forge.
XX
The prophet of dead words defeats himself:
Whoever would acknowledge and include
The foregleam and the glory of the real,
Must work with something else than pen and ink
And painful preparation: he must work
With unseen implements that have no names,
And he must win withal, to do that work,
Good fortitude, clean wisdom, and strong skill.
XXI
To curse the chilled insistence of the dawn
Because the free gleam lingers; to defraud
The constant opportunity that lives
Unchallenged in all sorrow; to forget
For this large prodigality of gold
That larger generosity of thought, --
These are the fleshly clogs of human greed,
The fundamental blunders of mankind.
XXII
Forebodings are the fiends of Recreance;
The master of the moment, the clean seer
Of ages, too securely scans what is,
Ever to be appalled at what is not;
He sees beyond the groaning borough lines
Of Hell, God's highways gleaming, and he knows
That Love's complete communion is the end
Of anguish to the liberated man.
XXIII
Here by the windy docks I stand alone,
But yet companioned.
There the vessel goes,
And there my friend goes with it; but the wake
That melts and ebbs between that friend and me
Love's earnest is of Life's all-purposeful
And all-triumphant sailing, when the ships
Of Wisdom loose their fretful chains and swing
Forever from the crumbled wharves of Time.
|
Written by
Richard Wilbur |
It is a cramped little state with no foreign policy,
Save to be thought inoffensive.
The grammar of the language
Has never been fathomed, owing to the national habit
Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city,
Report that the railway-route from Schuldig passes
Through country best described as unrelieved.
Sheep are the national product.
The faint inscription
Over the city gates may perhaps be rendered,
"I'm afraid you won't find much of interest here.
"
Census-reports which give the population
As zero are, of course, not to be trusted,
Save as reflecting the natives' flustered insistence
That they do not count, as well as their modest horror
Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence
Of churches or comfort-stations, have given observers
An odd impression of ostentatious meanness,
And it must be said of the citizens (muttering by
In their ratty sheepskins, shying at cracks in the sidewalk)
That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff
Unsmiling carelessness of the border-guards
And douaniers, who admit, whenever they can,
Not merely the usual carloads of deodorant
But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however,
For the hoped-for invasion, at which time the happy people
(Sniggering, ruddily naked, and shamelessly drunk)
Will stun the foe by their overwhelming submission,
Corrupt the generals, infiltrate the staff,
Usurp the throne, proclaim themselves to be sun-gods,
And bring about the collapse of the whole empire.
|
Written by
Edgar Bowers |
The angel of self-discipline, her guardian
Since she first knew and had to go away
From home that spring to have her child with strangers,
Sustained her, till the vanished boy next door
And her ordeal seemed fiction, and the true
Her mother’s firm insistence she was the mother
And the neighbors’ acquiescence.
So she taught school,
Walking a mile each way to ride the street car—
First books of the Aeneid known by heart,
French, and the French Club Wednesday afternoon;
Then summer replacement typist in an office,
Her sister’s family moving in with them,
Depression years and she the only earner.
Saturday, football game and opera broadcasts,
Sunday, staying at home to wash her hair,
The Business Women’s Circle Monday night,
And, for a treat, birthdays and holidays,
Nelson Eddy and Jeanette McDonald.
The young blond sister long since gone to college,
Nephew and nieces gone, her mother dead,
Instead of Caesar, having to teach First Aid,
The students rowdy, she retired.
The rent
For the empty rooms she gave to Thornwell Orphanage,
Unwed Mothers, Temperance, and Foster Parents
And never bought the car she meant to buy;
Too blind at last to do much more than sit
All day in the antique glider on the porch
Listening to cars pass up and down the street.
Each summer, on the grass behind the house—
Cape jasmine, with its scent of August nights
Humid and warm, the soft magnolia bloom
Marked lightly by a slow brown stain—she spread,
For airing, the same small intense collection,
Concert programs, worn trophies, years of yearbooks,
Letters from schoolgirl chums, bracelets of hair
And the same picture: black hair in a bun,
Puzzled eyes in an oval face as young
Or old as innocence, skirt to the ground,
And, seated on the high school steps, the class,
The ones to whom she would have said, “Seigneur,
Donnez-nous la force de supporter
La peine,” as an example easy to remember,
Formal imperative, object first person plural.
|
Written by
Amy Clampitt |
a stone at dawn
cold water in the basin
these walls' rough plaster
imageless
after the hammering
of so much insistence
on the need for naming
after the travesties
that passed as faces,
grace: the unction
of sheer nonexistence
upwelling in this
hyacinthine freshet
of the unnamed
the faceless
|
Written by
Adela Florence Cory Nicolson |
The Desert sands are heated, parched and dreary,
The tigers rend alive their quivering prey
In the near Jungle; here the kites rise, weary,
Too gorged with living food to fly away.
All night the hungry jackals howl together
Over the carrion in the river bed,
Or seize some small soft thing of fur or feather
Whose dying shrieks on the night air are shed.
I hear from yonder Temple in the distance
Whose roof with obscene carven Gods is piled,
Reiterated with a sad insistence
Sobs of, perhaps, some immolated child.
Strange rites here, where the archway's shade is deeper,
Are consummated in the river bed;
Parias steal the rotten railway sleeper
To burn the bodies of their cholera dead.
But yet, their lust, their hunger, cannot shame them
Goaded by fierce desire, that flays and stings;
Poor beasts, and poorer men. Nay, who shall blame them?
Blame the Inherent Cruelty of Things.
The world is horrible and I am lonely,
Let me rest here where yellow roses bloom
And find forgetfulness, remembering only
Your face beside me in the scented gloom.
Nay, do not shrink! I am not here for passion,
I crave no love, only a little rest,
Although I would my face lay, lover's fashion,
Against the tender coolness of your breast.
I am so weary of the Curse of Living
The endless, aimless torture, tumult, fears.
Surely, if life were any God's free giving,
He, seeing His gift, long since went blind with tears.
Seeing us; our fruitless strife, our futile praying,
Our luckless Present and our bloodstained Past.
Poor players, who make a trick or two in playing,
But know that death must win the game at last.
As round the Fowler, red with feathered slaughter,
The little joyous lark, unconscious, sings,—
As the pink Lotus floats on azure water,
Innocent of the mud from whence it springs.
You walk through life, unheeding all the sorrow,
The fear and pain set close around your way,
Meeting with hopeful eyes each gay to-morrow,
Living with joy each hour of glad to-day.
I love to have you thus (nay, dear, lie quiet,
How should these reverent fingers wrong your hair?)
So calmly careless of the rush and riot
That rages round is seething everywhere.
You do not understand. You think your beauty
Does but inflame my senses to desire,
Till all you hold as loyalty and duty,
Is shrunk and shrivelled in the ardent fire.
You wrong me, wearied out with thought and grieving
As though the whole world's sorrow eat my heart,
I come to gaze upon your face believing
Its beauty is as ointment to the smart.
Lie still and let me in my desolation
Caress the soft loose hair a moment's span.
Since Loveliness is Life's one Consolation,
And love the only Lethe left to man.
Ah, give me here beneath the trees in flower,
Beside the river where the fireflies pass,
One little dusky, all consoling hour
Lost in the shadow of the long grown grass
Give me, oh you whose arms are soft and slender,
Whose eyes are nothing but one long caress,
Against your heart, so innocent and tender,
A little Love and some Forgetfulness.
|
Written by
Dimitris Varos |
I am a waterfall in the desert.
A rain from a cloudless sky.
A well known but unborn child.
An insistence experience
that you never had.
I play mind games with your brain.
When you strike the keys and remember the sea
I come as indefinable memory.
When you look at your watch
and the time has passed
you feel me like a fleeting hallucination.
I play mind games with your brain.
I’m nesting behind your eyes.
I’m ranging through your dreams.
You are finding me in all of your desires.
In all of those are absent from you.
I play mind games with your brain.
I stand in the places that you cannot reach.
I exist where you cannot touch upon.
But I am what you always waiting for
I m what holds your life on.
I play mind games with your brain.
But I swear this is not a fun.
I feel unbearable loneliness.
Because I do not have a body
And you, that you have, refuse me yours.
|
Written by
Mark Doty |
The priest never used blueprints, but worked all
the many designs out of his head.
Father Wilerus,
transplanted Alsatian,
built around
this plain Wisconsin
redbrick church
a coral-reef en-
crustation--meant,
the brochure says,
to glorify America
and heaven simul-
taneously.
Thus:
Mary and Columbus
and the Sacred Heart
equally enthroned
in a fantasia of quartz
and seashells, broken
dishes, stalactites
and stick-shift knobs--
no separation
of nature and art
for Father Wilerus!
He's built fabulous blooms
--bristling mosaic tiles
bunched into chipped,
permanent roses---
and more glisteny
stuff than I can catalogue,
which seems to he the point:
a spectacle, saints
and Stars and Stripes
billowing in hillocks
of concrete.
Stubborn
insistence on rendering
invisibles solid.
What's
more frankly actual
than cement? Surfaced,
here, in pure decor:
even the railings
curlicued with rows
of identical whelks,
even the lampposts
and birdhouses,
and big encrusted urns
wagging with lunar flowers!
A little dizzy,
the world he's made,
and completely
unapologetic, high
on a hill in Dickeyville
so the wind whips
around like crazy.
A bit pigheaded,
yet full of love
for glitter qua glitter,
sheer materiality;
a bit foolhardy
and yet -- sly sparkle --
he's made matter giddy.
Exactly what he wanted,
I'd guess: the very stones
gone lacy and beaded,
an airy intricacy
of froth and glimmer.
For God? Country?
Lucky man:
his purpose pales
beside the fizzy,
weightless fact of rock.
|
Written by
Paul Laurence Dunbar |
The Midnight wooed the Morning Star,
And prayed her: "Love come nearer;
Your swinging coldly there afar
To me but makes you dearer.
"
The Morning Star was pale with dole
As said she, low replying:
"Oh, lover mine, soul of my soul,
For you I too am sighing.
"
"But One ordained when we were born,
In spite of love's insistence,
That night might only view the Morn
Adoring at a distance.
"
But as she spoke, the jealous Sun
Across the heavens panted;
"Oh, whining fools," he cried, "have done,
Your wishes shall be granted.
"
He hurled his flaming lances far;
The twain stood unaffrighted,
And Midnight and the Morning Star
Lay down in death united.
|
Written by
Adela Florence Cory Nicolson |
Softly the feathery Palm-trees fade in the violet Distance,
Faintly the lingering light touches the edge of the sea,
Sadly the Music of Waves, drifts, faint as an Anthem's insistence,
Heard in the aisles of a dream, over the sandhills, to me.
Now that the Lights are reversed, and the Singing changed into sighing,
Now that the wings of our fierce, fugitive passion are furled,
Take I unto myself, all alone in the light that is dying,
Much of the sorrow that lies hid at the Heart of the World.
Sad am I, sad for your loss: for failing the charm of your presence,
Even the sunshine has paled, leaving the Zenith less blue.
Even the ocean lessens the light of its green opalescence,
Since, to my sorrow I loved, loved and grew weary of, you.
Why was our passion so fleeting, why had the flush of your beauty
Only so slender a spell, only so futile a power?
Yet, even thus ever is life, save when long custom or duty
Moulds into sober fruit Love's fragile and fugitive flower.
Fain would my soul have been faithful; never an alien pleasure
Lured me away from the light lit in your luminous eyes,
But we have altered the World as pitiful man has leisure
To criticise, balance, take counsel, assuredly lies.
All through the centuries Man has gathered his flower, and fenced it,
—Infinite strife to attain; infinite struggle to keep,—
Holding his treasure awhile, all Fate and all forces against it,
Knowing it his no more, if ever his vigilance sleep.
But we have altered the World as pitiful man has grown stronger,
So that the things we love are as easily kept as won,
Therefore the ancient fight can engage and detain us no longer,
And all too swiftly, alas, passion is over and done.
Far too speedily now we can gather the coveted treasure,
Enjoy it awhile, be satiated, begin to tire;
And what shall be done henceforth with the profitless after-leisure,
Who has the breath to kindle the ash of a faded fire?
Ah, if it only had lasted! After my ardent endeavour
Came the delirious Joy, flooding my life like a sea,
Days of delight that are burnt on the brain for ever and ever,
Days and nights when you loved, before you grew weary of me.
Softly the sunset decreases dim in the violet Distance,
Even as Love's own fervour has faded away from me,
Leaving the weariness, the monotonous Weight of Existence,—
All the farewells in the world weep in the sound of the sea.
|