Written by
Allen Ginsberg |
I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery.
The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a man, sitting dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower, memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck and the razor-sharp artifacts passing into the past--
and the gray Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb,
leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
The grime was no man's grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt--industrial-- modern--all that civilization spotting your crazy golden crown--
and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos--all these
entangled in your mummied roots--and you standing before me in the sunset, all your glory in your form!
A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet natural eye to the new hip moon, woke up alive and excited grasping in the sunset shadow sunrise golden monthly breeze!
How many flies buzzed round you innocent of your grime, while you cursed the heavens of your railroad and your flower soul?
Poor dead flower? when did you forget you were a flower? when did you look at your skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive? the specter and shade of a once powerful mad American locomotive?
You were never no locomotive, Sunflower, you were a sunflower!
And you Locomotive, you are a locomotive, forget me not!
So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all golden sunflowers inside, blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.
|
Written by
Rudyard Kipling |
The 'eathen in 'is blindness bows down to wood an' stone;
'E don't obey no orders unless they is 'is own;
'E keeps 'is side-arms awful: 'e leaves 'em all about,
An' then comes up the Regiment an' pokes the 'eathen out.
All along o' dirtiness, all along o' mess,
All along o' doin' things rather-more-or-less,
All along of abby-nay, kul, an' hazar-ho,
Mind you keep your rifle an' yourself jus' so!
The young recruit is 'aughty -- 'e draf's from Gawd knows where;
They bid 'im show 'is stockin's an' lay 'is mattress square;
'E calls it bloomin' nonsense -- 'e doesn't know, no more --
An' then up comes 'is Company an'kicks'im round the floor!
The young recruit is 'ammered -- 'e takes it very hard;
'E 'angs 'is 'ead an' mutters -- 'e sulks about the yard;
'E talks o' "cruel tyrants" which 'e'll swing for by-an'-by,
An' the others 'ears an' mocks 'im, an' the boy goes orf to cry.
The young recruit is silly -- 'e thinks o' suicide.
'E's lost 'is gutter-devil; 'e 'asn't got 'is pride;
But day by day they kicks 'im, which 'elps 'im on a bit,
Till 'e finds 'isself one mornin' with a full an' proper kit.
Gettin' clear o' dirtiness, gettin' done with mess,
Gettin' shut o' doin' things rather-more-or-less;
Not so fond of abby-nay, kul, nor hazar-ho,
Learns to keep 'is ripe an "isself jus'so!
The young recruit is 'appy -- 'e throws a chest to suit;
You see 'im grow mustaches; you 'ear 'im slap' is boot.
'E learns to drop the "bloodies" from every word 'e slings,
An 'e shows an 'ealthy brisket when 'e strips for bars an' rings.
The cruel-tyrant-sergeants they watch 'im 'arf a year;
They watch 'im with 'is comrades, they watch 'im with 'is beer;
They watch 'im with the women at the regimental dance,
And the cruel-tyrant-sergeants send 'is name along for "Lance.
"
An' now 'e's 'arf o' nothin', an' all a private yet,
'Is room they up an' rags 'im to see what they will get.
They rags 'im low an' cunnin', each dirty trick they can,
But 'e learns to sweat 'is temper an 'e learns to sweat 'is man.
An', last, a Colour-Sergeant, as such to be obeyed,
'E schools 'is men at cricket, 'e tells 'em on parade,
They sees 'im quick an 'andy, uncommon set an' smart,
An' so 'e talks to orficers which 'ave the Core at 'eart.
'E learns to do 'is watchin' without it showin' plain;
'E learns to save a dummy, an' shove 'im straight again;
'E learns to check a ranker that's buyin' leave to shirk;
An 'e learns to malce men like 'im so they'll learn to like their work.
An' when it comes to marchin' he'll see their socks are right,
An' when it comes: to action 'e shows 'em how to sight.
'E knows their ways of thinkin' and just what's in their mind;
'E knows when they are takin' on an' when they've fell be'ind.
'E knows each talkin' corp'ral that leads a squad astray;
'E feels 'is innards 'eavin', 'is bowels givin' way;
'E sees the blue-white faces all tryin 'ard to grin,
An 'e stands an' waits an' suffers till it's time to cap'em in.
An' now the hugly bullets come peckin' through the dust,
An' no one wants to face 'em, but every beggar must;
So, like a man in irons, which isn't glad to go,
They moves 'em off by companies uncommon stiff an' slow.
Of all 'is five years' schoolin' they don't remember much
Excep' the not retreatin', the step an' keepin' touch.
It looks like teachin' wasted when they duck an' spread an 'op --
But if 'e 'adn't learned 'em they'd be all about the shop.
An' now it's "'Oo goes backward?" an' now it's "'Oo comes on?"
And now it's "Get the doolies," an' now the Captain's gone;
An' now it's bloody murder, but all the while they 'ear
'Is voice, the same as barrick-drill, a-shepherdin' the rear.
'E's just as sick as they are, 'is 'eart is like to split,
But 'e works 'em, works 'em, works 'em till he feels them take the bit;
The rest is 'oldin' steady till the watchful bugles play,
An 'e lifts 'em, lifts 'em, lifts 'em through the charge that wins the day!
The 'eathen in 'is blindness bows down to wood an' stone --
'E don't obey no orders unless they is 'is own.
The 'eathen in 'is blindness must end where 'e began
But the backbone of the Army is the Non-commissioned Man!
Keep away from dirtiness -- keep away from mess,
Don't get into doin' things rather-more-or-less!
Let's ha' done with abby-nay, kul, and hazar-ho;
Mind you keep your rifle an' yourself jus' so!
|
Written by
Anne Sexton |
We sail out of season into on oyster-gray wind,
over a terrible hardness.
Where Dickens crossed with mal de mer
in twenty weeks or twenty days
I cross toward him in five.
Wraped in robes--
not like Caesar but like liver with bacon--
I rest on the stern
burning my mouth with a wind-hot ash,
watching my ship
bypass the swells
as easily as an old woman reads a palm.
I think; as I look North, that a field of mules
lay down to die.
The ship is 27 hours out.
I have entered her.
She might be a whale,
sleeping 2000 and ship's company,
the last 40¢ martini
and steel staterooms where night goes on forever.
Being inside them is, I think,
the way one would dig into a planet
and forget the word light.
I have walked cities,
miles of mole alleys with carpets.
Inside I have been ten girls who speak French.
They languish everywhere like bedsheets.
Oh my Atlantic of the cracked shores,
those blemished gates of Rockport and Boothbay,
those harbor smells like the innards of animals!
Old childish Queen, where did you go,
you bayer at wharfs and Victorian houses?
I have read each page of my mother's voyage.
I have read each page of her mother's voyage.
I have learned their words as they learned Dickens'.
I have swallowed these words like bullets.
But I have forgotten the last guest--terror.
Unlike them, I cannot toss in the cabin
as in childbirth.
Now always leaving me in the West
is the wake,
a ragged bridal veil, unexplained,
seductive, always rushing down the stairs,
never detained, never enough.
The ship goes on
as though nothing else were happening.
Generation after generation,
I go her way.
She will run East, knot by knot, over an old bloodstream,
stripping it clear,
each hour ripping it, pounding, pounding,
forcing through as through a virgin.
Oh she is so quick!
This dead street never stops!
|
Written by
Paul Laurence Dunbar |
I been t'inkin' 'bout de preachah; whut he said de othah night,
'Bout hit bein' people's dooty, fu' to keep dey faces bright;
How one ought to live so pleasant dat ouah tempah never riles,
Meetin' evahbody roun' us wid ouah very nicest smiles.
Dat 's all right, I ain't a-sputin' not a t'ing dat soun's lak fac',
But you don't ketch folks a-grinnin' wid a misery in de back;
An' you don't fin' dem a-smilin' w'en dey 's hongry ez kin be,
Leastways, dat 's how human natur' allus seems to 'pear to me.
We is mos' all putty likely fu' to have our little cares,
[Pg 213]An' I think we 'se doin' fus' rate w'en we jes' go long and bears,
Widout breakin' up ouah faces in a sickly so't o' grin,
W'en we knows dat in ouah innards we is p'intly mad ez sin.
Oh dey 's times fu' bein' pleasant an' fu' goin' smilin' roun',
'Cause I don't believe in people allus totin' roun' a frown,
But it's easy 'nough to titter w'en de stew is smokin' hot,
But hit's mighty ha'd to giggle w'en dey's nuffin' in de pot.
|
Written by
Robert William Service |
I don't think men of eighty odd
Should let a surgeon operate;
Better to pray for peace with God,
And reconcile oneself to Fate:
At four-score years we really should
Be quite prepared to go for good.
That's what I told my husband but
He had a hearty lust for life,
And so he let a surgeon cut
Into his innards with a knife.
The sawbones swore: "The man's so fat
His kidneys take some getting at.
"
And then (according to a nurse),
They heard him petulantly say:
"Adipose tissue is curse:
It's hard to pack them tripes away.
"
At last he did; sewed up the skin,
But left, some say, a swab within.
I do not doubt it could be so,
For Lester did not long survive.
But for mishap, I think with woe
My hubby might still be alive.
And while they praise the surgeon's skill,
My home I've sold--to pay his bill.
|