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Best Famous Initial Poems

Here is a collection of the all-time best famous Initial poems. This is a select list of the best famous Initial poetry. Reading, writing, and enjoying famous Initial poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of initial poems.

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Written by Ralph Waldo Emerson | Create an image from this poem

Initial Love

 Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed, Men and manners much deranged; None will now find Cupid latent By this foolish antique patent.
He came late along the waste, Shod like a traveller for haste, With malice dared me to proclaim him, That the maids and boys might name him.
Boy no more, he wears all coats, Frocks, and blouses, capes, capôtes, He bears no bow, or quiver, or wand, Nor chaplet on his head or hand: Leave his weeds and heed his eyes, All the rest he can disguise.
In the pit of his eyes a spark Would bring back day if it were dark, And,—if I tell you all my thought, Though I comprehend it not,— In those unfathomable orbs Every function he absorbs; He doth eat, and drink, and fish, and shoot, And write, and reason, and compute, And ride, and run, and have, and hold, And whine, and flatter, and regret, And kiss, and couple, and beget, By those roving eye-balls bold; Undaunted are their courages, Right Cossacks in their forages; Fleeter they than any creature, They are his steeds and not his feature, Inquisitive, and fierce, and fasting, Restless, predatory, hasting,— And they pounce on other eyes, As lions on their prey; And round their circles is writ, Plainer than the day, Underneath, within, above, Love, love, love, love.
He lives in his eyes, There doth digest, and work, and spin, And buy, and sell, and lose, and win; He rolls them with delighted motion, Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein, That they may seize and entertain The glance that to their glance opposes, Like fiery honey sucked from roses.
He palmistry can understand, Imbibing virtue by his hand As if it were a living root; The pulse of hands will make him mute; With all his force he gathers balms Into those wise thrilling palms.
Cupid is a casuist, A mystic, and a cabalist, Can your lurking Thought surprise, And interpret your device; Mainly versed in occult science, In magic, and in clairvoyance.
Oft he keeps his fine ear strained, And reason on her tiptoe pained, For aery intelligence, And for strange coincidence.
But it touches his quick heart When Fate by omens takes his part, And chance-dropt hints from Nature's sphere Deeply soothe his anxious ear.
Heralds high before him run, He has ushers many a one, Spreads his welcome where he goes, And touches all things with his rose.
All things wait for and divine him,— How shall I dare to malign him, Or accuse the god of sport?— I must end my true report, Painting him from head to foot, In as far as I took note, Trusting well the matchless power Of this young-eyed emperor Will clear his fame from every cloud, With the bards, and with the crowd.
He is wilful, mutable, Shy, untamed, inscrutable, Swifter-fashioned than the fairies, Substance mixed of pure contraries, His vice some elder virtue's token, And his good is evil spoken.
Failing sometimes of his own, He is headstrong and alone; He affects the wood and wild, Like a flower-hunting child, Buries himself in summer waves, In trees, with beasts, in mines, and caves, Loves nature like a horned cow, Bird, or deer, or cariboo.
Shun him, nymphs, on the fleet horses! He has a total world of wit, O how wise are his discourses! But he is the arch-hypocrite, And through all science and all art, Seeks alone his counterpart.
He is a Pundit of the east, He is an augur and a priest, And his soul will melt in prayer, But word and wisdom are a snare; Corrupted by the present toy, He follows joy, and only joy.
There is no mask but he will wear, He invented oaths to swear, He paints, he carves, he chants, he prays, And holds all stars in his embrace, Godlike, —but 'tis for his fine pelf, The social quintessence of self.
Well, said I, he is hypocrite, And folly the end of his subtle wit, He takes a sovran privilege Not allowed to any liege, For he does go behind all law, And right into himself does draw, For he is sovranly allied.
Heaven's oldest blood flows in his side, And interchangeably at one With every king on every throne, That no God dare say him nay, Or see the fault, or seen betray; He has the Muses by the heart, And the Parcæ all are of his part.
His many signs cannot be told, He has not one mode, but manifold, Many fashions and addresses, Piques, reproaches, hurts, caresses, Action, service, badinage, He will preach like a friar, And jump like Harlequin, He will read like a crier, And fight like a Paladin.
Boundless is his memory, Plans immense his term prolong, He is not of counted age, Meaning always to be young.
And his wish is intimacy, Intimater intimacy, And a stricter privacy, The impossible shall yet be done, And being two shall still be one.
As the wave breaks to foam on shelves, Then runs into a wave again, So lovers melt their sundered selves, Yet melted would be twain.


Written by Robert Browning | Create an image from this poem

Soliloquy Of The Spanish Cloister

 I.
Gr-r-r---there go, my heart's abhorrence! Water your damned flower-pots, do! If hate killed men, Brother Lawrence, God's blood, would not mine kill you! What? your myrtle-bush wants trimming? Oh, that rose has prior claims--- Needs its leaden vase filled brimming? Hell dry you up with its flames! II.
At the meal we sit together: _Salve tibi!_ I must hear Wise talk of the kind of weather, Sort of season, time of year: _Not a plenteous cork-crop: scarcely Dare we hope oak-galls, I doubt: What's the Latin name for ``parsley''?_ What's the Greek name for Swine's Snout? III.
Whew! We'll have our platter burnished, Laid with care on our own shelf! With a fire-new spoon we're furnished, And a goblet for ourself, Rinsed like something sacrificial Ere 'tis fit to touch our chaps--- Marked with L.
for our initial! (He-he! There his lily snaps!) IV.
_Saint_, forsooth! While brown Dolores Squats outside the Convent bank With Sanchicha, telling stories, Steeping tresses in the tank, Blue-black, lustrous, thick like horsehairs, ---Can't I see his dead eye glow, Bright as 'twere a Barbary corsair's? (That is, if he'd let it show!) V.
When he finishes refection, Knife and fork he never lays Cross-wise, to my recollection, As do I, in Jesu's praise.
I the Trinity illustrate, Drinking watered orange-pulp--- In three sips the Arian frustrate; While he drains his at one gulp.
VI.
Oh, those melons? If he's able We're to have a feast! so nice! One goes to the Abbot's table, All of us get each a slice.
How go on your flowers? None double Not one fruit-sort can you spy? Strange!---And I, too, at such trouble, Keep them close-nipped on the sly! VII.
There's a great text in Galatians, Once you trip on it, entails Twenty-nine distinct damnations, One sure, if another fails: If I trip him just a-dying, Sure of heaven as sure can be, Spin him round and send him flying Off to hell, a Manichee? VIII.
Or, my scrofulous French novel On grey paper with blunt type! Simply glance at it, you grovel Hand and foot in Belial's gripe: If I double down its pages At the woeful sixteenth print, When he gathers his greengages, Ope a sieve and slip it in't? IX.
Or, there's Satan!---one might venture Pledge one's soul to him, yet leave Such a flaw in the indenture As he'd miss till, past retrieve, Blasted lay that rose-acacia We're so proud of! _Hy, Zy, Hine .
.
.
_ 'St, there's Vespers! _Plena grati Ave, Virgo!_ Gr-r-r---you swine!
Written by Denise Duhamel | Create an image from this poem

On Being Born The Same Exact Day Of The Same Exact Year As Boy George

 We must have clamored for the same mother, hurried for
 the same womb.
I know it now as I read that my birthday is his.
Since the first time I saw his picture, I sensed something— and with a fierce bonding and animosity began following his career.
Look where I am and look where he is! There is a book documenting his every haircut while all my image-building attempts go unnoticed, even by my friends.
I'm too wimpy to just dye my curls red or get them straightened.
I, sickeningly moral, talked about chemicals when I should have been hanging out with George's pal, Marilyn.
He would have set me right: Stop your whining and put on this feather tuxedo.
Look, do you want to be famous or not? In the latest articles, Boy George is claiming he's not really happy.
Hmm, I think, just like me.
When he comes to New York and stays in hotels in Gramercy Park maybe he feels a pull to the Lower East Side, wanders towards places where I am, but not knowing me, doesn't know why.
One interviewer asks if he wishes he were a woman.
Aha! I read on with passion: and a poet?—I bet you'd like that— You wouldn't have to sing anymore, do those tiring tours.
George, we could switch.
You could come live at my place, have some privacy, regain your sense of self.
So I begin my letter.
Dear Boy George, Do you ever sit and wonder what's gone wrong? If there's been some initial mistake? Well, don't be alarmed, but there has been.
Written by Victor Hugo | Create an image from this poem

THE BLINDED BOURBONS

 ("Qui leur eût dit l'austère destineé?") 
 
 {II. v., November, 1836.} 


 Who then, to them{1} had told the Future's story? 
 Or said that France, low bowed before their glory, 
 One day would mindful be 
 Of them and of their mournful fate no more, 
 Than of the wrecks its waters have swept o'er 
 The unremembering sea? 
 
 That their old Tuileries should see the fall 
 Of blazons from its high heraldic hall, 
 Dismantled, crumbling, prone;{2} 
 Or that, o'er yon dark Louvre's architrave{3} 
 A Corsican, as yet unborn, should grave 
 An eagle, then unknown? 
 
 That gay St. Cloud another lord awaited, 
 Or that in scenes Le Nôtre's art created 
 For princely sport and ease, 
 Crimean steeds, trampling the velvet glade, 
 Should browse the bark beneath the stately shade 
 Of the great Louis' trees? 
 
 Fraser's Magazine. 
 
 {Footnote 1: The young princes, afterwards Louis XVIII. and Charles X.} 
 
 {Footnote 2: The Tuileries, several times stormed by mobs, was so 
 irreparably injured by the Communists that, in 1882, the Paris Town 
 Council decided that the ruins should be cleared away.} 
 
 {Footnote 3: After the Eagle and the Bee superseded the Lily-flowers, 
 the Third Napoleon's initial "N" flourished for two decades, but has 
 been excised or plastered over, the words "National Property" or 
 "Liberty, Equality, Fraternity" being cut in the stone profusely.} 


 




Written by Emily Dickinson | Create an image from this poem

Love -- is anterior to Life --

 Love -- is anterior to Life --
Posterior -- to Death --
Initial of Creation, and
The Exponent of Earth --


Written by Connie Wanek | Create an image from this poem

Jump Rope

 There is menace
in its relentless course, round and round,
describing an ellipsoid,
an airy prison in which a young girl
is incarcerated.
Whom will she marry? Whom will she love? The rope, like a snake, has the gift of divination, yet reveals only a hint, a single initial.
But what if she never misses? Is competence its own reward? Will the rope never strike her ankle, love's bite? The enders turn and turn, two-handed as their arms tire, their enchantments exhausted.
It hurts to watch her now, flushed and scowling, her will stronger than her limbs, her braids lashing her shoulders with each small success.

Book: Shattered Sighs