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Best Famous Inhaling Poems

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Written by Gwendolyn Brooks | Create an image from this poem

The Lovers of the Poor

 arrive. The Ladies from the Ladies' Betterment
League
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall. 
Cutting with knives served by their softest care,
Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel!
You had better not throw stones upon the wrens!
Herein they kiss and coddle and assault
Anew and dearly in the innocence
With which they baffle nature. Who are full,
Sleek, tender-clad, fit, fiftyish, a-glow, all
Sweetly abortive, hinting at fat fruit,
Judge it high time that fiftyish fingers felt
Beneath the lovelier planes of enterprise.
To resurrect. To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor. The very very worthy
And beautiful poor. Perhaps just not too swarthy?
Perhaps just not too dirty nor too dim
Nor--passionate. In truth, what they could wish
Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze!
God shield them sharply from the beggar-bold!
The noxious needy ones whose battle's bald
Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans,
Dead porridges of assorted dusty grains,
The old smoke, heavy diapers, and, they're told,
Something called chitterlings. The darkness. Drawn
Darkness, or dirty light. The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness. Old
Wood. Old marble. Old tile. Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic,
There is no quiet drama, no rubbed glaze, no
Unkillable infirmity of such
A tasteful turn as lately they have left,
Glencoe, Lake Forest, and to which their cars
Must presently restore them. When they're done
With dullards and distortions of this fistic
Patience of the poor and put-upon.
They've never seen such a make-do-ness as
Newspaper rugs before! In this, this "flat,"
Their hostess is gathering up the oozed, the rich
Rugs of the morning (tattered! the bespattered . . . ),
Readies to spread clean rugs for afternoon.
Here is a scene for you. The Ladies look,
In horror, behind a substantial citizeness
Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor
And tortured thereover, potato peelings, soft-
Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put
Their money collected from delicate rose-fingers
Tipped with their hundred flawless rose-nails seems . . . 
They own Spode, Lowestoft, candelabra,
Mantels, and hostess gowns, and sunburst clocks,
Turtle soup, Chippendale, red satin "hangings,"
Aubussons and Hattie Carnegie. They Winter
In Palm Beach; cross the Water in June; attend,
When suitable, the nice Art Institute;
Buy the right books in the best bindings; saunter
On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre
With fissures everywhere! Why, what are bringings
Of loathe-love largesse? What shall peril hungers
So old old, what shall flatter the desolate?
Tin can, blocked fire escape and chitterling
And swaggering seeking youth and the puzzled wreckage
Of the middle passage, and urine and stale shames
And, again, the porridges of the underslung
And children children children. Heavens! That
Was a rat, surely, off there, in the shadows? Long
And long-tailed? Gray? The Ladies from the Ladies'
Betterment League agree it will be better
To achieve the outer air that rights and steadies,
To hie to a house that does not holler, to ring
Bells elsetime, better presently to cater
To no more Possibilities, to get
Away. Perhaps the money can be posted.
Perhaps they two may choose another Slum!
Some serious sooty half-unhappy home!--
Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center
Of the hall as they walk down the hysterical hall,
They allow their lovely skirts to graze no wall,
Are off at what they manage of a canter,
And, resuming all the clues of what they were,
Try to avoid inhaling the laden air.


Written by Sidney Lanier | Create an image from this poem

Corn

 To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress
Like women's hands; the embracing boughs express
A subtlety of mighty tenderness;
The copse-depths into little noises start,
That sound anon like beatings of a heart,
Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song;
Through that vague wafture, expirations strong
Throb from young hickories breathing deep and long
With stress and urgence bold of prisoned spring
And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry,
Forth venture odors of more quality
And heavenlier giving. Like Jove's locks awry,
Long muscadines
Rich-wreathe the spacious foreheads of great pines,
And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy
That hide like gentle nuns from human eye
To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green
Dying to silent hints of kisses keen
As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown
From undertalks of leafy souls unknown,
Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between
Old companies of oaks that inward lean
To join their radiant amplitudes of green
I slowly move, with ranging looks that pass
Up from the matted miracles of grass
Into yon veined complex of space
Where sky and leafage interlace
So close, the heaven of blue is seen
Inwoven with a heaven of green.

I wander to the zigzag-cornered fence
Where sassafras, intrenched in brambles dense,
Contests with stolid vehemence
The march of culture, setting limb and thorn
As pikes against the army of the corn.

There, while I pause, my fieldward-faring eyes
Take harvests, where the stately corn-ranks rise,
Of inward dignities
And large benignities and insights wise,
Graces and modest majesties.
Thus, without theft, I reap another's field;
Thus, without tilth, I house a wondrous yield,
And heap my heart with quintuple crops concealed.

Look, out of line one tall corn-captain stands
Advanced beyond the foremost of his bands,
And waves his blades upon the very edge
And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk,
Still shalt thou type the poet-soul sublime
That leads the vanward of his timid time
And sings up cowards with commanding rhyme --
Soul calm, like thee, yet fain, like thee, to grow
By double increment, above, below;
Soul homely, as thou art, yet rich in grace like thee,
Teaching the yeomen selfless chivalry
That moves in gentle curves of courtesy;
Soul filled like thy long veins with sweetness tense,
By every godlike sense
Transmuted from the four wild elements.
Drawn to high plans,
Thou lift'st more stature than a mortal man's,
Yet ever piercest downward in the mould
And keepest hold
Upon the reverend and steadfast earth
That gave thee birth;
Yea, standest smiling in thy future grave,
Serene and brave,
With unremitting breath
Inhaling life from death,
Thine epitaph writ fair in fruitage eloquent,
Thyself thy monument.

As poets should,
Thou hast built up thy hardihood
With universal food,
Drawn in select proportion fair
From honest mould and vagabond air;
From darkness of the dreadful night,
And joyful light;
From antique ashes, whose departed flame
In thee has finer life and longer fame;
From wounds and balms,
From storms and calms,
From potsherds and dry bones
And ruin-stones.
Into thy vigorous substance thou hast wrought
Whate'er the hand of Circumstance hath brought;
Yea, into cool solacing green hast spun
White radiance hot from out the sun.
So thou dost mutually leaven
Strength of earth with grace of heaven;
So thou dost marry new and old
Into a one of higher mould;
So thou dost reconcile the hot and cold,
The dark and bright,
And many a heart-perplexing opposite,
And so,
Akin by blood to high and low,
Fitly thou playest out thy poet's part,
Richly expending thy much-bruised heart
In equal care to nourish lord in hall
Or beast in stall:
Thou took'st from all that thou mightst give to all.

O steadfast dweller on the selfsame spot
Where thou wast born, that still repinest not --
Type of the home-fond heart, the happy lot! --
Deeply thy mild content rebukes the land
Whose flimsy homes, built on the shifting sand
Of trade, for ever rise and fall
With alternation whimsical,
Enduring scarce a day,
Then swept away
By swift engulfments of incalculable tides
Whereon capricious Commerce rides.
Look, thou substantial spirit of content!
Across this little vale, thy continent,
To where, beyond the mouldering mill,
Yon old deserted Georgian hill
Bares to the sun his piteous aged crest
And seamy breast,
By restless-hearted children left to lie
Untended there beneath the heedless sky,
As barbarous folk expose their old to die.
Upon that generous-rounding side,
With gullies scarified
Where keen Neglect his lash hath plied,
Dwelt one I knew of old, who played at toil,
And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain,
He sowed his heart with hopes of swifter gain,
Then sat him down and waited for the rain.
He sailed in borrowed ships of usury --
A foolish Jason on a treacherous sea,
Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance
He lay, content that unthrift Circumstance
Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell,
He staked his life on games of Buy-and-Sell,
And turned each field into a gambler's hell.
Aye, as each year began,
My farmer to the neighboring city ran;
Passed with a mournful anxious face
Into the banker's inner place;
Parleyed, excused, pleaded for longer grace;
Railed at the drought, the worm, the rust, the grass;
Protested ne'er again 'twould come to pass;
With many an `oh' and `if' and `but alas'
Parried or swallowed searching questions rude,
And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed,
He issues smiling from the fatal door,
And buys with lavish hand his yearly store
Till his small borrowings will yield no more.
Aye, as each year declined,
With bitter heart and ever-brooding mind
He mourned his fate unkind.
In dust, in rain, with might and main,
He nursed his cotton, cursed his grain,
Fretted for news that made him fret again,
Snatched at each telegram of Future Sale,
And thrilled with Bulls' or Bears' alternate wail --
In hope or fear alike for ever pale.
And thus from year to year, through hope and fear,
With many a curse and many a secret tear,
Striving in vain his cloud of debt to clear,
At last
He woke to find his foolish dreaming past,
And all his best-of-life the easy prey
Of squandering scamps and quacks that lined his way
With vile array,
From rascal statesman down to petty knave;
Himself, at best, for all his bragging brave,
A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest,
He fled away into the oblivious West,
Unmourned, unblest.

Old hill! old hill! thou gashed and hairy Lear
Whom the divine Cordelia of the year,
E'en pitying Spring, will vainly strive to cheer --
King, that no subject man nor beast may own,
Discrowned, undaughtered and alone --
Yet shall the great God turn thy fate,
And bring thee back into thy monarch state
And majesty immaculate.
Lo, through hot waverings of the August morn,
Thou givest from thy vasty sides forlorn
Visions of golden treasuries of corn --
Ripe largesse lingering for some bolder heart
That manfully shall take thy part,
And tend thee,
And defend thee,
With antique sinew and with modern art.
Written by William Topaz McGonagall | Create an image from this poem

Beautiful Nairn

 All ye tourists who wish to be away
From the crowded city for a brief holiday;
The town of Nairn is worth a visit, I do confess,
And it's only about fifteen miles from Inverness. 

And in the summer season it's a very popular bathing-place,
And the visitors from London and Edinburgh finds solace,
As they walk along the yellow sand beach inhaling fresh air;
Besides, there's every accommodation for ladies and gentlemen there. 

Then there's a large number of bathing coaches there,
And the climate is salubrious, and very warm the air;
And every convenience is within the bathers' reach,
Besides, there's very beautiful walks by the sea beach. 

The visitors to Nairn can pass away the time agreeably,
By viewing Tarbetness, which slopes downwards to the sea;
And Queen Street is one of the prettiest thoroughfares,
Because there's splendid shops in it, and stocked with different wares. 

And there's ornamental grounds, and lovely shady nooks,
Which is a great advantage to visitors while reading their books;
And there's a certain place known as the Ladies' Beach,
So private that no intruder can them reach. 

And there's many neat cottages with gardens very nice,
And picturesque villas, which can be rented at a reasonable price;
Besides, there's a golf course for those that such a game seeks,
Which would prove a great attraction to the knights of clubs and cleeks. 

The surrounding scenery of Nairn is magnificent to be seen,
Especially its fertile fields and woodlands so green;
Besides, not far from Nairn, there's Cawdor Castle, the ancient seat
Of the noble Thanes of Cawdor, with its bold turrets so neat. 

And its massive proportions is very imposing to see,
Because the arched entrance is secured by a drawbridge and a fosse;
And visitors will be allowed all over the grounds to roam,
Besides shown over the castle if the Earl is not at home. 

The scenery surrounding the castle is charming in the summertime,
And the apples in the orchard there is very fine,
Also the flower-beds are most beautiful to see,
Especially in the month of June, when the birds sing merrily. 

Then there's the ancient stronghold of the Bays of Lochloy,
And visitors when they see it will it heartily enjoy;
And a little further on there's the blasted heath of Macbeth,
And a hillock where the witches are wont to dance till out of breath. 

And as the visitors to Nairn walk along the yellow sand,
They can see, right across the Moray Firth, the Black Island so grand,
With its productive fields and romantic scenery,
And as the tourist gazes thereon his heart fills with ecstasy. 

And Darnaway Castle is well worthy of praise,
And to oblige all visitors there are open days,
When they can see the castle where one thousand warriors in all
Oft have assembled in the Earl of Randolph's Hall. 

And in conclusion I will say for good bathing Nairn is the best,
And besides its pleasant scenery is of historical interest;
And the climate gives health to many visitors while there,
Therefore I would recommend Nairn for balmy pure air.
Written by Ted Hughes | Create an image from this poem

Work and Play

 The swallow of summer, she toils all the summer,
A blue-dark knot of glittering voltage,
A whiplash swimmer, a fish of the air.
 But the serpent of cars that crawls through the dust
 In shimmering exhaust
 Searching to slake
 Its fever in ocean
 Will play and be idle or else it will bust. 

The swallow of summer, the barbed harpoon,
She flings from the furnace, a rainbow of purples,
Dips her glow in the pond and is perfect.
 But the serpent of cars that collapsed on the beach
 Disgorges its organs
 A scamper of colours
 Which roll like tomatoes
 Nude as tomatoes
 With sand in their creases
 To cringe in the sparkle of rollers and screech. 

The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.
 But the holiday people
 Are laid out like wounded
 Flat as in ovens
 Roasting and basting
 With faces of torment as space burns them blue
 Their heads are transistors
 Their teeth grit on sand grains
 Their lost kids are squalling
 While man-eating flies
 Jab electric shock needles but what can they do? 

They can climb in their cars with raw bodies, raw faces
 And start up the serpent
 And headache it homeward
 A car full of squabbles
 And sobbing and stickiness
 With sand in their crannies
 Inhaling petroleum
 That pours from the foxgloves
 While the evening swallow
The swallow of summer, cartwheeling through crimson,
Touches the honey-slow river and turning
Returns to the hand stretched from under the eaves -
A boomerang of rejoicing shadow.
Written by Robert Seymour Bridges | Create an image from this poem

A Passer-by

 Whither, O splendid ship, thy white sails crowding, 
Leaning across the bosom of the urgent West, 
That fearest nor sea rising, nor sky clouding, 
Whither away, fair rover, and what thy quest? 
Ah! soon, when Winter has all our vales opprest, 
When skies are cold and misty, and hail is hurling, 
Wilt thoù glìde on the blue Pacific, or rest 
In a summer haven asleep, thy white sails furling. 

I there before thee, in the country that well thou knowest, 
Already arrived am inhaling the odorous air: 
I watch thee enter unerringly where thou goest, 
And anchor queen of the strange shipping there, 
Thy sails for awnings spread, thy masts bare: 
Nor is aught from the foaming reef to the snow-capp'd grandest 
Peak, that is over the feathery palms, more fair 
Than thou, so upright, so stately and still thou standest. 

And yet, O splendid ship, unhail'd and nameless, 
I know not if, aiming a fancy, I rightly divine 
That thou hast a purpose joyful, a courage blameless, 
Thy port assured in a happier land than mine. 
But for all I have given thee, beauty enough is thine, 
As thou, aslant with trim tackle and shrouding, 
From the proud nostril curve of a prow's line 
In the offing scatterest foam, thy white sails crowding.


Written by William Blake | Create an image from this poem

The Book of Thel

 THEL'S MOTTO 

1 Does the Eagle know what is in the pit? 
2 Or wilt thou go ask the Mole?
3 Can Wisdom be put in a silver rod?
4 Or Love in a golden bowl? 

I 

1.1 The daughters of the Seraphim led round their sunny flocks, 
1.2 All but the youngest: she in paleness sought the secret air,
1.3 To fade away like morning beauty from her mortal day:
1.4 Down by the river of Adona her soft voice is heard,
1.5 And thus her gentle lamentation falls like morning dew: 

1.6 "O life of this our spring! why fades the lotus of the water,
1.7 Why fade these children of the spring, born but to smile and fall?
1.8 Ah! Thel is like a wat'ry bow, and like a parting cloud;
1.9 Like a reflection in a glass; like shadows in the water;
1.10 Like dreams of infants, like a smile upon an infant's face;
1.11 Like the dove's voice; like transient day; like music in the air.
1.12 Ah! gentle may I lay me down, and gentle rest my head,
1.13 And gentle sleep the sleep of death, and gentle hear the voice
1.14 Of him that walketh in the garden in the evening time."
1.15 The Lily of the valley, breathing in the humble grass,
1.16 Answer'd the lovely maid and said: "I am a wat'ry weed,
1.17 And I am very small and love to dwell in lowly vales;
1.18 So weak, the gilded butterfly scarce perches on my head.
1.19 Yet I am visited from heaven, and he that smiles on all
1.20 Walks in the valley and each morn over me spreads his hand,
1.21 Saying, 'Rejoice, thou humble grass, thou new-born lily-flower,
1.22 Thou gentle maid of silent valleys and of modest brooks;
1.23 For thou shalt be clothed in light, and fed with morning manna,
1.24 Till summer's heat melts thee beside the fountains and the springs
1.25 To flourish in eternal vales.' Then why should Thel complain?
1.26 Why should the mistress of the vales of Har utter a sigh?" 

1.27 She ceas'd and smil'd in tears, then sat down in her silver shrine. 

1.28 Thel answer'd: "O thou little virgin of the peaceful valley,
1.29 Giving to those that cannot crave, the voiceless, the o'ertired;
1.30 Thy breath doth nourish the innocent lamb, he smells thy milky garments,
1.31 He crops thy flowers while thou sittest smiling in his face,
1.32 Wiping his mild and meekin mouth from all contagious taints.
1.33 Thy wine doth purify the golden honey; thy perfume,
1.34 Which thou dost scatter on every little blade of grass that springs,
1.35 Revives the milked cow, and tames the fire-breathing steed.
1.36 But Thel is like a faint cloud kindled at the rising sun:
1.37 I vanish from my pearly throne, and who shall find my place?" 

1.38 "Queen of the vales," the Lily answer'd, "ask the tender cloud,
1.39 And it shall tell thee why it glitters in the morning sky,
1.40 And why it scatters its bright beauty thro' the humid air.
1.41 Descend, O little Cloud, and hover before the eyes of Thel." 

1.42 The Cloud descended, and the Lily bow'd her modest head
1.43 And went to mind her numerous charge among the verdant grass.

II 

2.1 "O little Cloud," the virgin said, "I charge thee tell to me 
2.2 Why thou complainest not when in one hour thou fade away:
2.3 Then we shall seek thee, but not find. Ah! Thel is like to thee:
2.4 I pass away: yet I complain, and no one hears my voice." 

2.5 The Cloud then shew'd his golden head and his bright form emerg'd,
2.6 Hovering and glittering on the air before the face of Thel. 

2.7 "O virgin, know'st thou not our steeds drink of the golden springs
2.8 Where Luvah doth renew his horses? Look'st thou on my youth,
2.9 And fearest thou, because I vanish and am seen no more,
2.10 Nothing remains? O maid, I tell thee, when I pass away
2.11 It is to tenfold life, to love, to peace and raptures holy:
2.12 Unseen descending, weigh my light wings upon balmy flowers,
2.13 And court the fair-eyed dew to take me to her shining tent:
2.14 The weeping virgin trembling kneels before the risen sun,
2.15 Till we arise link'd in a golden band and never part,
2.16 But walk united, bearing food to all our tender flowers." 

2.17 "Dost thou, O little Cloud? I fear that I am not like thee,
2.18 For I walk thro' the vales of Har, and smell the sweetest flowers,
2.19 But I feed not the little flowers; I hear the warbling birds,
2.20 But I feed not the warbling birds; they fly and seek their food:
2.21 But Thel delights in these no more, because I fade away;
2.22 And all shall say, 'Without a use this shining woman liv'd,
2.23 Or did she only live to be at death the food of worms?' " 

2.24 The Cloud reclin'd upon his airy throne and answer'd thus: 

2.25 "Then if thou art the food of worms, O virgin of the skies,
2.26 How great thy use, how great thy blessing! Every thing that lives
2.27 Lives not alone nor for itself. Fear not, and I will call
2.28 The weak worm from its lowly bed, and thou shalt hear its voice,
2.29 Come forth, worm of the silent valley, to thy pensive queen." 

2.30 The helpless worm arose, and sat upon the Lily's leaf,
2.31 And the bright Cloud sail'd on, to find his partner in the vale. 

III 

3.1 Then Thel astonish'd view'd the Worm upon its dewy bed. 

3.2 "Art thou a Worm? Image of weakness, art thou but a Worm?
3.3 I see thee like an infant wrapped in the Lily's leaf
3.4 Ah! weep not, little voice, thou canst not speak, but thou canst weep.
3.5 Is this a Worm? I see thee lay helpless and naked, weeping,
3.6 And none to answer, none to cherish thee with mother's smiles."
3.7 The Clod of Clay heard the Worm's voice and rais'd her pitying head:
3.8 She bow'd over the weeping infant, and her life exhal'd
3.9 In milky fondness: then on Thel she fix'd her humble eyes. 

3.10 "O beauty of the vales of Har! we live not for ourselves.
3.11 Thou seest me the meanest thing, and so I am indeed.
3.12 My bosom of itself is cold, and of itself is dark;
3.13 But he, that loves the lowly, pours his oil upon my head,
3.14 And kisses me, and binds his nuptial bands around my breast,
3.15 And says: 'Thou mother of my children, I have loved thee
3.16 And I have given thee a crown that none can take away.'
3.17 But how this is, sweet maid, I know not, and I cannot know;
3.18 I ponder, and I cannot ponder; yet I live and love." 

3.19 The daughter of beauty wip'd her pitying tears with her white veil,
3.20 And said: "Alas! I knew not this, and therefore did I weep.
3.21 That God would love a Worm I knew, and punish the evil foot
3.22 That wilful bruis'd its helpless form; but that he cherish'd it
3.23 With milk and oil I never knew, and therefore did I weep;
3.24 And I complain'd in the mild air, because I fade away,
3.25 And lay me down in thy cold bed, and leave my shining lot." 

3.26 "Queen of the vales," the matron Clay answer'd, "I heard thy sighs,
3.27 And all thy moans flew o'er my roof, but I have call'd them down.
3.28 Wilt thou, O Queen, enter my house? 'Tis given thee to enter
3.29 And to return: fear nothing, enter with thy virgin feet." 

IV 

4.1 The eternal gates' terrific porter lifted the northern bar: 
4.2 Thel enter'd in and saw the secrets of the land unknown.
4.3 She saw the couches of the dead, and where the fibrous roots
4.4 Of every heart on earth infixes deep its restless twists:
4.5 A land of sorrows and of tears where never smile was seen. 

4.6 She wander'd in the land of clouds thro' valleys dark, list'ning
4.7 Dolours and lamentations; waiting oft beside a dewy grave
4.8 She stood in silence, list'ning to the voices of the ground,
4.9 Till to her own grave plot she came, and there she sat down,
4.10 And heard this voice of sorrow breathed from the hollow pit. 

4.11 "Why cannot the Ear be closed to its own destruction?
4.12 Or the glist'ning Eye to the poison of a smile?
4.13 Why are Eyelids stor'd with arrows ready drawn,
4.14 Where a thousand fighting men in ambush lie?
4.15 Or an Eye of gifts and graces show'ring fruits and coined gold?
4.16 Why a Tongue impress'd with honey from every wind?
4.17 Why an Ear, a whirlpool fierce to draw creations in?
4.18 Why a Nostril wide inhaling terror, trembling, and affright?
4.19 Why a tender curb upon the youthful burning boy?
4.20 Why a little curtain of flesh on the bed of our desire?" 

4.21 The Virgin started from her seat, and with a shriek
4.22 Fled back unhinder'd till she came into the vales of Har.
Written by G K Chesterton | Create an image from this poem

Variations of an Air

 Old King Cole
Was a merry old soul
And a merry old soul was he
He called for his pipe 
and he called for his bowl 
and he called for his fiddlers three


after Lord Tennyson


Cole, that unwearied prince of Colchester, 
Growing more gay with age and with long days 
Deeper in laughter and desire of life 
As that Virginian climber on our walls 
Flames scarlet with the fading of the year; 
Called for his wassail and that other weed 
Virginian also, from the western woods 
Where English Raleigh checked the boast of Spain, 
And lighting joy with joy, and piling up 
Pleasure as crown for pleasure, bade me bring 
Those three, the minstrels whose emblazoned coats 
Shone with the oyster-shells of Colchester; 
And these three played, and playing grew more fain 
Of mirth and music; till the heathen came 
And the King slept beside the northern sea. 


after W.B. Yeats


Of an old King in a story 
From the grey sea-folk I have heard 
Whose heart was no more broken 
Than the wings of a bird. 

As soon as the moon was silver 
And the thin stars began, 
He took his pipe and his tankard, 
Like an old peasant man. 

And three tall shadows were with him 
And came at his command; 
And played before him for ever 
The fiddles of fairyland. 

And he died in the young summer 
Of the world's desire; 
Before our hearts were broken 
Like sticks in a fire. 


after Walt Whitman


Me clairvoyant, 
Me conscious of you, old camarado, 
Needing no telescope, lorgnette, field-glass, opera-glass, myopic pince-nez, 
Me piercing two thousand years with eye naked and not ashamed; 
The crown cannot hide you from me, 
Musty old feudal-heraldic trappings cannot hide you from me, 
I perceive that you drink. 
(I am drinking with you. I am as drunk as you are.) 
I see you are inhaling tobacco, puffing, smoking, spitting 
(I do not object to your spitting), 
You prophetic of American largeness, 
You anticipating the broad masculine manners of these States; 
I see in you also there are movements, tremors, tears, desire for the melodious, 
I salute your three violinists, endlessly making vibrations, 
Rigid, relentless, capable of going on for ever; 
They play my accompaniment; but I shall take no notice of any accompaniment; 
I myself am a complete orchestra. 
So long.
Written by William Topaz McGonagall | Create an image from this poem

Beautiful Rothesay

 Beautiful Rothesay, your scenery is most grand,
You cannot be surpassed in fair Scotland.
Tis healthy for holiday makers, to go there,
For the benefit of their health, by inhaling the pure air 

And to hear the innocent birds, on a fine Summer day,
Carolling their sweet songs, so lively and gay,
Therefore, holiday makers, be advised by me,
And visit beautiful Rothesay, by the side of the Sea. 

Then sweet Jessie, let us go,
To Scotland's garden of Eden O!
And spend the lovely Summer day,
In the beautiful village of Rothesay. 

There you can see the ships, passing to and fro,
Which will drive away dull care, and woe,
And, the heavens breath smells wooingly there,
Therefore, let's away dear Jessie, to inhale the balmy air. 

The mansions, there, are most beautiful to be seen,
Likewise the trees, and shrubberies, green.
Therefore, we will feel happy and gay,
Walking hand in hand, together the live long day. 

Along the beautiful walks with our hearts fu' cheerie,
My dear love! Until we grow weary.
Then, return home at night, with our spirits light and gay,
After viewing the beautiful scenery of Rothesay.
Written by William Topaz McGonagall | Create an image from this poem

Bonnie Dundee in 1878

 Oh, Bonnie Dundee! I will sing in thy praise
A few but true simple lays,
Regarding some of your beauties of the present day
And virtually speaking, there's none can them gainsay;
There's no other town I know of with you can compare
For spinning mills and lasses fair,
And for stately buildings there's none can excel
The beautiful Albert Institute or the Queen's Hotel,
For it is most handsome to be seen,
Where accommodation can be had for Duke, Lord or Queen,
And the four pillars of the front are made of Aberdeen granite, very fine,
And most beautiful does shine, just like a looking glass,
And for beauty and grandeur there's none can them surpass.
And your fine shops in Reform Street,
Very few can with them compete
For superfine goods, there's none can excel,
From Inverness to Clerkenwell.
And your Tramways, I must confess,
That they have proved a complete success,
Which I am right glad to see ...
And a very great improvement to Bonnie Dundee.
And there's the Royal Arch, most handsome to be seen,
Erected to the memory of our Most Gracious Queen -
Most magnificent to see,
And a very great honour to the people of Dundee.
Then there's the Baxter Park, most beautiful to see,
And a great boon it is to the people of Dundee,
For there they can enjoy themselves when they are free from care
By inhaling the perfumed air,
Emanating from the sweet flowers and green trees and shrubs there.
Oh, Bonnie Dundee! I must conclude my muse,
And to write in praise of thee, my pen does not refuse,
Your beauties that I have alluded to are most worthy to see,
And in conclusion, I will call thee Bonnie Dundee!
Written by William Topaz McGonagall | Create an image from this poem

The Bonnie Sidlaw Hills

 Bonnie Clara, will you go to the bonnie Sidlaw hills
And pu' the blooming heather, and drink from their rills?
There the cranberries among the heather grow,
Believe me, dear Clara, as black as the crow. 

Chorus --

Then, bonnie Clara, will you go
And wander with me to and fro?
And with joy our hearts will o'erflow
When we go to the bonnie Sidlaws O. 
And the rabbits and hares sport in mirthful glee
In the beautiful woods of Glen Ogilvy,
And innocent trout do sport and play
In the little rivulet of Glen Ogilvy all the day. 

Chorus 

And in the bonnie woods of Sidlaw the blackbird doth sing,
Making the woodlands with his notes to ring,
Which ought to make a dull heart feel gay,
And help to oheer us on our way. 

Chorus 

And there the innocent sheep are to be seen
Browsing on the purple heather and pastures green;
And the shepherd can be heard shouting to his dog
As he chases the sheep from out of the bog. 

Chorus 

And from the tops of the Sidlaws can be seen
The beautiful Howe of Strathmore with its trees and shrubberies green;
Likewise Lochee and its spinning mills
Can be seen on a clear day from the Sidlaw hills. 

Chorus 

Therefore, bonnie Clara, let's away
To Sidlaw hills without delay,
And pu' the cranberries and bonnie blooming heather
While we wander to and fro on the Sidlaws together. 

Chorus 

There the lovers can enjoy themselves free from care
By viewing the hilly scenery and inhaling the fresh air,
And return home at night with their hearts full of glee
After viewing the beauties of the Sidlaw hills and Glen Ogilvy.

Book: Radiant Verses: A Journey Through Inspiring Poetry