Written by
Lucy Maud Montgomery |
Genius, like gold and precious stones,
is chiefly prized because of its rarity.
Geniuses are people who dash of weird, wild,
incomprehensible poems with astonishing facility,
and get booming drunk and sleep in the gutter.
Genius elevates its possessor to ineffable spheres
far above the vulgar world and fills his soul
with regal contempt for the gross and sordid things of earth.
It is probably on account of this
that people who have genius
do not pay their board, as a general thing.
Geniuses are very singular.
If you see a young man who has frowsy hair
and distraught look, and affects eccentricity in dress,
you may set him down for a genius.
If he sings about the degeneracy of a world
which courts vulgar opulence
and neglects brains,
he is undoubtedly a genius.
If he is too proud to accept assistance,
and spurns it with a lordly air
at the very same time
that he knows he can't make a living to save his life,
he is most certainly a genius.
If he hangs on and sticks to poetry,
notwithstanding sawing wood comes handier to him,
he is a true genius.
If he throws away every opportunity in life
and crushes the affection and the patience of his friends
and then protests in sickly rhymes of his hard lot,
and finally persists,
in spite of the sound advice of persons who have got sense
but not any genius,
persists in going up some infamous back alley
dying in rags and dirt,
he is beyond all question a genius.
But above all things,
to deftly throw the incoherent ravings of insanity into verse
and then rush off and get booming drunk,
is the surest of all the different signs
of genius.
|
Written by
Barry Tebb |
I never did fit in – at six or sixty one –
I stand out in a crowd, too young or old
And gather pity like a shroud. "Is that real silk?"
A teenager inquired. "As real as Oxfam ever is
For one pound fifty." The vast ballroom was growing misty
And blurred with alcohol I’ve never had the taste for.
"**** off" a forty-plus dyed blonde said half in jest.
So I chose the only Asian girl in Squares with hair like jet
And danced with her five minutes centre stage –
I’ve lost all inhibitions in old age. A Malaysian architecture
Student invited me to sit and get my breath back
"Le Corbusier described a house as a machine for living in,"
I quipped; she slipped a smile and sipped her drink and said
"I love Leeds and its people; in seven years I’ve never
Heard a single racist comment, whatever the papers say"
Malaysian girls are rightly known for their sensual beauty
But I made my pitiful excuses and slipped away.
I knew I couldn’t make it, couldn’t even fake it
With all this damned depression in the way.
Leeds boys are always friendlier than the girls,
They see themselves grown older in my years
And push the girls towards me with a glance
"Go and give the poor old man a dance!"
And dance I do and show my poems around
Like calling cards and jot lines on my palms.
Reading Lacan into the night I thought things through
But somehow none of them was half as good as you.
|
Written by
Sylvia Plath |
The day you died I went into the dirt,
Into the lightless hibernaculum
Where bees, striped black and gold, sleep out the blizzard
Like hieratic stones, and the ground is hard.
It was good for twenty years, that wintering --
As if you never existed, as if I came
God-fathered into the world from my mother's belly:
Her wide bed wore the stain of divinity.
I had nothing to do with guilt or anything
When I wormed back under my mother's heart.
Small as a doll in my dress of innocence
I lay dreaming your epic, image by image.
Nobody died or withered on that stage.
Everything took place in a durable whiteness.
The day I woke, I woke on Churchyard Hill.
I found your name, I found your bones and all
Enlisted in a cramped necropolis
your speckled stone skewed by an iron fence.
In this charity ward, this poorhouse, where the dead
Crowd foot to foot, head to head, no flower
Breaks the soil. This is Azalea path.
A field of burdock opens to the south.
Six feet of yellow gravel cover you.
The artificial red sage does not stir
In the basket of plastic evergreens they put
At the headstone next to yours, nor does it rot,
Although the rains dissolve a bloody dye:
The ersatz petals drip, and they drip red.
Another kind of redness bothers me:
The day your slack sail drank my sister's breath
The flat sea purpled like that evil cloth
My mother unrolled at your last homecoming.
I borrow the silts of an old tragedy.
The truth is, one late October, at my birth-cry
A scorpion stung its head, an ill-starred thing;
My mother dreamed you face down in the sea.
The stony actors poise and pause for breath.
I brought my love to bear, and then you died.
It was the gangrene ate you to the bone
My mother said: you died like any man.
How shall I age into that state of mind?
I am the ghost of an infamous suicide,
My own blue razor rusting at my throat.
O pardon the one who knocks for pardon at
Your gate, father -- your hound-*****, daughter, friend.
It was my love that did us both to death.
|
Written by
Wystan Hugh (W H) Auden |
Perfectly happy now, he looked at his estate.
An exile making watches glanced up as he passed
And went on working; where a hospital was rising fast,
A joiner touched his cap; an agent came to tell
Some of the trees he'd planted were progressing well.
The white alps glittered. It was summer. He was very great.
Far off in Paris where his enemies
Whsipered that he was wicked, in an upright chair
A blind old woman longed for death and letters. He would write,
"Nothing is better than life." But was it? Yes, the fight
Against the false and the unfair
Was always worth it. So was gardening. Civilize.
Cajoling, scolding, screaming, cleverest of them all,
He'd had the other children in a holy war
Against the infamous grown-ups; and, like a child, been sly
And humble, when there was occassion for
The two-faced answer or the plain protective lie,
But, patient like a peasant, waited for their fall.
And never doubted, like D'Alembert, he would win:
Only Pascal was a great enemy, the rest
Were rats already poisoned; there was much, though, to be done,
And only himself to count upon.
Dear Diderot was dull but did his best;
Rousseau, he'd always known, would blubber and give in.
Night fell and made him think of women: Lust
Was one of the great teachers; Pascal was a fool.
How Emilie had loved astronomy and bed;
Pimpette had loved him too, like scandal; he was glad.
He'd done his share of weeping for Jerusalem: As a rule,
It was the pleasure-haters who became unjust.
Yet, like a sentinel, he could not sleep. The night was full of wrong,
Earthquakes and executions: soon he would be dead,
And still all over Europe stood the horrible nurses
Itching to boil their children. Only his verses
Perhaps could stop them: He must go on working: Overhead,
The uncomplaining stars composed their lucid song.
|
Written by
Ben Jonson |
MASTER WILLIAM SHAKESPEARE,AND WHAT HE HATH LEFT US by Ben Jonson
To draw no envy, SHAKSPEARE, on thy name, Am I thus ample to thy book and fame ; While I confess thy writings to be such, As neither Man nor Muse can praise too much. 'Tis true, and all men's suffrage. But these ways Were not the paths I meant unto thy praise ; For seeliest ignorance on these may light, Which, when it sounds at best, but echoes right ; Or blind affection, which doth ne'er advance The truth, but gropes, and urgeth all by chance ; Or crafty malice might pretend this praise, And think to ruin where it seemed to raise. These are, as some infamous bawd or whore Should praise a matron ; what could hurt her more ? But thou art proof against them, and, indeed, Above the ill fortune of them, or the need. I therefore will begin: Soul of the age! The applause ! delight ! the wonder of our stage! My SHAKSPEARE rise ! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room : Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read, and praise to give. That I not mix thee so my brain excuses, I mean with great, but disproportioned Muses : For if I thought my judgment were of years, I should commit thee surely with thy peers, And tell how far thou didst our Lyly outshine, Or sporting Kyd, or Marlowe's mighty line. And though thou hadst small Latin and less Greek, From thence to honour thee, I would not seek For names : but call forth thund'ring Aeschylus, Euripides, and Sophocles to us, Pacuvius, Accius, him of Cordova dead, To life again, to hear thy buskin tread And shake a stage : or when thy socks were on, Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come. Triumph, my Britain, thou hast one to show To whom all Scenes of Europe homage owe. He was not of an age, but for all time ! And all the Muses still were in their prime, When, like Apollo, he came forth to warm Our ears, or like a Mercury to charm ! Nature herself was proud of his designs, And joyed to wear the dressing of his lines ! Which were so richly spun, and woven so fit, As, since, she will vouchsafe no other wit. The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie, As they were not of Nature's family. Yet must I not give Nature all ; thy art, My gentle Shakspeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion : and, that he Who casts to write a living line, must sweat, (Such as thine are) and strike the second heat Upon the Muses' anvil ; turn the same, And himself with it, that he thinks to frame ; Or for the laurel he may gain a scorn ; For a good poet's made, as well as born. And such wert thou ! Look how the father's face Lives in his issue, even so the race Of Shakspeare's mind and manners brightly shines In his well torned and true filed lines; In each of which he seems to shake a lance, As brandisht at the eyes of ignorance. Sweet Swan of Avon ! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James ! But stay, I see thee in the hemisphere Advanced, and made a constellation there ! Shine forth, thou Star of Poets, and with rage Or influence, chide or cheer the drooping stage, Which, since thy flight from hence, hath mourned like night, And despairs day, but for thy volume's light.Source: Jonson, Ben. The Works of Ben Jonson, vol. 3. London: Chatto & Windus, 1910. 287-9.
|
Written by
Robert William Service |
'Twas up in a land long famed for gold, where women were far and rare,
Tellus, the smith, had taken to wife a maiden amazingly fair;
Tellus, the brawny worker in iron, hairy and heavy of hand,
Saw her and loved her and bore her away from the tribe of a Southern land;
Deeming her worthy to queen his home and mother him little ones,
That the name of Tellus, the master smith, might live in his stalwart sons.
Now there was little of law in the land, and evil doings were rife,
And every man who joyed in his home guarded the fame of his wife;
For there were those of the silver tongue and the honeyed art to beguile,
Who would cozen the heart from a woman's breast and damn her soul with a smile.
And there were women too quick to heed a look or a whispered word,
And once in a while a man was slain, and the ire of the King was stirred;
So far and wide he proclaimed his wrath, and this was the law he willed:
"That whosoever killeth a man, even shall he be killed."
Now Tellus, the smith, he trusted his wife; his heart was empty of fear.
High on the hill was the gleam of their hearth, a beacon of love and cheer.
High on the hill they builded their bower, where the broom and the bracken meet;
Under a grave of oaks it was, hushed and drowsily sweet.
Here he enshrined her, his dearest saint, his idol, the light of his eye;
Her kisses rested upon his lips as brushes a butterfly.
The weight of her arms around his neck was light as the thistle down;
And sweetly she studied to win his smile, and gently she mocked his frown.
And when at the close of the dusty day his clangorous toil was done,
She hastened to meet him down the way all lit by the amber sun.
Their dove-cot gleamed in the golden light, a temple of stainless love;
Like the hanging cup of a big blue flower was the topaz sky above.
The roses and lilies yearned to her, as swift through their throng she pressed;
A little white, fragile, fluttering thing that lay like a child on his breast.
Then the heart of Tellus, the smith, was proud, and sang for the joy of life,
And there in the bronzing summertide he thanked the gods for his wife.
Now there was one called Philo, a scribe, a man of exquisite grace,
Carved like the god Apollo in limb, fair as Adonis in face;
Eager and winning in manner, full of such radiant charm,
Womenkind fought for his favor and loved to their uttermost harm.
Such was his craft and his knowledge, such was his skill at the game,
Never was woman could flout him, so be he plotted her shame.
And so he drank deep of pleasure, and then it fell on a day
He gazed on the wife of Tellus and marked her out for his prey.
Tellus, the smith, was merry, and the time of the year it was June,
So he said to his stalwart helpers: "Shut down the forge at noon.
Go ye and joy in the sunshine, rest in the coolth of the grove,
Drift on the dreamy river, every man with his love."
Then to himself: "Oh, Beloved, sweet will be your surprise;
To-day will we sport like children, laugh in each other's eyes;
Weave gay garlands of poppies, crown each other with flowers,
Pull plump carp from the lilies, rifle the ferny bowers.
To-day with feasting and gladness the wine of Cyprus will flow;
To-day is the day we were wedded only a twelvemonth ago."
The larks trilled high in the heavens; his heart was lyric with joy;
He plucked a posy of lilies; he sped like a love-sick boy.
He stole up the velvety pathway--his cottage was sunsteeped and still;
Vines honeysuckled the window; softly he peeped o'er the sill.
The lilies dropped from his fingers; devils were choking his breath;
Rigid with horror, he stiffened; ghastly his face was as death.
Like a nun whose faith in the Virgin is met with a prurient jibe,
He shrank--'twas the wife of his bosom in the arms of Philo, the scribe.
Tellus went back to his smithy; he reeled like a drunken man;
His heart was riven with anguish; his brain was brooding a plan.
Straight to his anvil he hurried; started his furnace aglow;
Heated his iron and shaped it with savage and masterful blow.
Sparks showered over and round him; swiftly under his hand
There at last it was finished--a hideous and infamous Brand.
That night the wife of his bosom, the light of joy in her eyes,
Kissed him with words of rapture; but he knew that her words were lies.
Never was she so beguiling, never so merry of speech
(For passion ripens a woman as the sunshine ripens a peach).
He clenched his teeth into silence; he yielded up to her lure,
Though he knew that her breasts were heaving from the fire of her paramour.
"To-morrow," he said, "to-morrow"--he wove her hair in a strand,
Twisted it round his fingers and smiled as he thought of the Brand.
The morrow was come, and Tellus swiftly stole up the hill.
Butterflies drowsed in the noon-heat; coverts were sunsteeped and still.
Softly he padded the pathway unto the porch, and within
Heard he the low laugh of dalliance, heard he the rapture of sin.
Knew he her eyes were mystic with light that no man should see,
No man kindle and joy in, no man on earth save he.
And never for him would it kindle. The bloodlust surged in his brain;
Through the senseless stone could he see them, wanton and warily fain.
Horrible! Heaven he sought for, gained it and gloried and fell--
Oh, it was sudden--headlong into the nethermost hell. . . .
Was this he, Tellus, this marble? Tellus . . . not dreaming a dream?
Ah! sharp-edged as a javelin, was that a woman's scream?
Was it a door that shattered, shell-like, under his blow?
Was it his saint, that strumpet, dishevelled and cowering low?
Was it her lover, that wild thing, that twisted and gouged and tore?
Was it a man he was crushing, whose head he beat on the floor?
Laughing the while at its weakness, till sudden he stayed his hand--
Through the red ring of his madness flamed the thought of the Brand.
Then bound he the naked Philo with thongs that cut in the flesh,
And the wife of his bosom, fear-frantic, he gagged with a silken mesh,
Choking her screams into silence; bound her down by the hair;
Dragged her lover unto her under her frenzied stare.
In the heat of the hearth-fire embers he heated the hideous Brand;
Twisting her fingers open, he forced its haft in her hand.
He pressed it downward and downward; she felt the living flesh sear;
She saw the throe of her lover; she heard the scream of his fear.
Once, twice and thrice he forced her, heedless of prayer and shriek--
Once on the forehead of Philo, twice in the soft of his cheek.
Then (for the thing was finished) he said to the woman: "See
How you have branded your lover! Now will I let him go free."
He severed the thongs that bound him, laughing: "Revenge is sweet",
And Philo, sobbing in anguish, feebly rose to his feet.
The man who was fair as Apollo, god-like in woman's sight,
Hideous now as a satyr, fled to the pity of night.
Then came they before the Judgment Seat, and thus spoke the Lord of the Land:
"He who seeketh his neighbor's wife shall suffer the doom of the Brand.
Brutish and bold on his brow be it stamped, deep in his cheek let it sear,
That every man may look on his shame, and shudder and sicken and fear.
He shall hear their mock in the market-place, their fleering jibe at the feast;
He shall seek the caves and the shroud of night, and the fellowship of the beast.
Outcast forever from homes of men, far and far shall he roam.
Such be the doom, sadder than death, of him who shameth a home."
|
Written by
Robert Pinsky |
The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians
Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band
Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze
At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--
The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out
Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.
A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once
He stepped up to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--
Like Hart Crane's Bedlamite, "shrill shirt ballooning."
Wonderful how the patern matches perfectly
Across the placket and over the twin bar-tacked
Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans
Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,
Bailey, MacMartin. The kilt, devised for workers
to wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,
The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:
George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit
And feel and its clean smell have satisfied
both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,
The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.
|
Written by
John Milton |
I
O fairest flower no sooner blown but blasted,
Soft silken Primrose fading timelesslie,
Summers chief honour if thou hadst outlasted
Bleak winters force that made thy blossome drie;
For he being amorous on that lovely die
That did thy cheek envermeil, thought to kiss
But kill'd alas, and then bewayl'd his fatal bliss.
II
For since grim Aquilo his charioter
By boistrous rape th' Athenian damsel got,
He thought it toucht his Deitie full neer,
If likewise he some fair one wedded not,
Thereby to wipe away th' infamous blot,
Of long-uncoupled bed, and childless eld,
Which 'mongst the wanton gods a foul reproach was held.
III
So mounting up in ycie-pearled carr,
Through middle empire of the freezing aire
He wanderd long, till thee he spy'd from farr,
There ended was his quest, there ceast his care
Down he descended from his Snow-soft chaire,
But all unwares with his cold-kind embrace
Unhous'd thy Virgin Soul from her fair hiding place.
IV
Yet art thou not inglorious in thy fate;
For so Apollo, with unweeting hand
Whilome did slay his dearly-loved mate
Young Hyacinth born on Eurotas' strand,
Young Hyacinth the pride of Spartan land;
But then transform'd him to a purple flower
Alack that so to change thee winter had no power.
V
Yet can I not perswade me thou art dead
Or that thy coarse corrupts in earths dark wombe,
Or that thy beauties lie in wormie bed,
Hid from the world in a low delved tombe;
Could Heav'n for pittie thee so strictly doom?
O no! for something in thy face did shine
Above mortalitie that shew'd thou wast divine.
VI
Resolve me then oh Soul most surely blest
(If so it be that thou these plaints dost hear)
Tell me bright Spirit where e're thou hoverest
Whether above that high first-moving Spheare
Or in the Elisian fields (if such there were.)
Oh say me true if thou wert mortal wight
And why from us so quickly thou didst take thy flight.
VII
Wert thou some Starr which from the ruin'd roofe
Of shak't Olympus by mischance didst fall;
Which carefull Jove in natures true behoofe
Took up, and in fit place did reinstall?
Or did of late earths Sonnes besiege the wall
Of sheenie Heav'n, and thou some goddess fled
Amongst us here below to hide thy nectar'd head
VIII
Or wert thou that just Maid who once before
Forsook the hated earth, O tell me sooth
And cam'st again to visit us once more?
Or wert thou that sweet smiling Youth!
Or that c[r]own'd Matron sage white-robed Truth?
Or any other of that heav'nly brood
Let down in clowdie throne to do the world some good.
Note: 53 Or wert thou] Or wert thou Mercy -- conjectured by
John Heskin Ch. Ch. Oxon. from Ode on Nativity, st. 15.
IX
Or wert thou of the golden-winged boast,
Who having clad thy self in humane weed,
To earth from thy praefixed seat didst poast,
And after short abode flie back with speed,
As if to shew what creatures Heav'n doth breed,
Thereby to set the hearts of men on fire
To scorn the sordid world, and unto Heav'n aspire.
X
But oh why didst thou not stay here below
To bless us with thy heav'n-lov'd innocence,
To slake his wrath whom sin hath made our foe
To turn Swift-rushing black perdition hence,
Or drive away the slaughtering pestilence,
To stand 'twixt us and our deserved smart
But thou canst best perform that office where thou art.
XI
Then thou the mother of so sweet a child
Her false imagin'd loss cease to lament,
And wisely learn to curb thy sorrows wild;
Think what a present thou to God hast sent,
And render him with patience what he lent;
This if thou do he will an off-spring give,
That till the worlds last-end shall make thy name to live.
|
Written by
Ben Jonson |
To draw no envy, Shakespeare, on thy name
Am I thus ample to thy book and fame;
While I confess thy writings to be such
As neither Man nor Muse can praise too much.
'Tis true, and all men's suffrage. But these ways
Were not the paths I meant unto thy praise;
For silliest ignorance on these may light,
Which when it sounds at best but echoes right;
Or blind affection, which doth ne'er advance
The truth, but gropes, and urges all by chance;
Or crafty malice might pretend this praise,
And think to ruin where it seemed to raise.
These are as some infamous bawd or whore
Should praise a matron. What could hurt her more?
But thou art proof against them, and indeed
Above th' ill fortune of them, or the need.
I therefore will begin: Soul of the Age!
The applause, delight, the wonder of our stage!
My Shakespeare, rise; I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room:
Thou art a monument without a tomb,
And art alive still, while thy book doth live,
And we have wits to read, and praise to give.
That I not mix thee so, my brain excuses,
I mean with great but disproportioned Muses,
For if I thought my judgement were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee I would not seek
For names; but call forth thundering Aeschylus,
Euripides, and Sophocles to us,
Pacuvius, Accius, him of Cordova dead,
To live again, to hear thy buskin tread,
And shake a stage; or, when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
To whom all scenes of Europe homage owe.
He was not of an age, but for all time!
And all the Muses still were in their prime
When, like Apollo, he came forth to warm
Our ears, or, like a Mercury, to charm!
Nature herself was proud of his designs,
And joyed to wear the dressing of his lines!
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, tart Aristophanes,
Neat Terence, witty Plautus, now not please;
But antiquated and deserted lie,
As they were not of Nature's family.
Yet must I not give Nature all; thy art,
My gentle Shakespeare, must enjoy a part.
For though the poet's matter nature be,
His art doth give the fashion; and that he
Who casts to write a living line must sweat
(Such as thine are) and strike the second heat
Upon the Muses' anvil; turn the same,
And himself with it, that he thinks to frame,
Or for the laurel he may gain a scorn;
For a good poet's made as well as born.
And such wert thou. Look how the father's face
Lives in his issue, even so the race
Of Shakespeare's mind and manners brightly shines
In his well turned and true-filed lines:
In each of which he seems to shake a lance,
As brandished at the eyes of ignorance.
Sweet swan of Avon! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That did so take Eliza and our James!
But stay, I see thee in the hemisphere
Advanced, and made a constellation there:
Shine forth, thou Star of Poets, and with rage,
Or influence, chide or cheer the drooping stage,
Which, since thy flight from hence, hath mourned like night,
And despairs day, but for thy volume's light.
|
Written by
Anne Killigrew |
NOt that thy Fair Hand
Should lead me from my deep Dispaire,
Or thy Love, Cloris, End my Care,
And back my Steps command:
But if hereafter thou Retire,
To quench with Tears, thy Wandring Fire,
This Clue I'll leave behinde,
By which thou maist untwine
The Saddest Way,
To shun the Day,
That ever Grief did find.
II.
First take thy Hapless Way
Along the Rocky Northern Shore,
Infamous for the Matchless Store
Of Wracks within that Bay.
None o're the Cursed Beach e're crost,
Unless the Robb'd, the Wrack'd, or Lost
Where on the Strand lye spread,
The Sculls of many Dead.
Their mingl'd Bones,
Among the Stones,
Thy Wretched Feet must tread.
III.
The Trees along the Coast,
Stretch forth to Heaven their blasted Arms,
As if they plaind the North-winds harms,
And Youthful Verdure lost.
There stands a Grove of Fatal Ewe,
Where Sun nere pierc't, nor Wind ere blew.
In it a Brooke doth fleet,
The Noise must guide thy Feet,
For there's no Light,
But all is Night,
And Darkness that you meet.
IV.
Follow th'Infernal Wave,
Until it spread into a Floud,
Poysoning the Creatures of the Wood,
There twice a day a Slave,
I know not for what Impious Thing,
Bears thence the Liquor of that Spring.
It adds to the sad Place,
To hear how at each Pace,
He curses God,
Himself, his Load,
For such his Forlorn Case.
V.
Next make no Noyse, nor talk,
Until th'art past a Narrow Glade,
Where Light does only break the Shade;
'Tis a Murderers Walk.
Observing this thou need'st not fear,
He sleeps the Day or Wakes elsewhere.
Though there's no Clock or Chime,
The Hour he did his Crime,
His Soul awakes,
His Conscience quakes
And warns him that's the Time.
VI.
Thy Steps must next advance,
Where Horrour, Sin, and Spectars dwell,
Where the Woods Shade seems turn'd Hell,
Witches here Nightly Dance,
And Sprights joyn with them when they call,
The Murderer dares not view the Ball.
For Snakes and Toads conspire,
To make them up a Quire.
And for their Light,
And Torches bright,
The Fiends dance all on fire.
VII.
Press on till thou descrie
Among the Trees sad, gastly, wan,
Thinne as the Shadow of a Man,
One that does ever crie,
She is not; and she ne're will be,
Despair and Death come swallow me,
Leave him; and keep thy way,
No more thou now canst stray
Thy Feet do stand,
In Sorrows Land,
It's Kingdomes every way.
VIII.
Here Gloomy Light will shew
Reard like a Castle to the Skie,
A Horrid Cliffe there standing nigh
Shading a Creek below.
In which Recess there lies a Cave,
Dreadful as Hell, still as the Grave.
Sea-Monsters there abide,
The coming of the Tide,
No Noise is near,
To make them fear,
God-sleep might there reside.
IX.
But when the Boysterous Seas,
With Roaring Waves resumes this Cell,
You'd swear the Thunders there did dwell.
So lowd he makes his Plea;
So Tempests bellow under ground,
And Ecchos multiply the Sound!
This is the place I chose,
Changeable like my Woes,
Now calmly Sad,
Then Raging Mad,
As move my Bitter Throwes.
X.
Such Dread besets this Part,
That all the Horrour thou hast past,
Are but Degrees to This at last.
The sight must break my Heart.
Here Bats and Owles that hate the Light
Fly and enjoy Eternal Night.
Scales of Serpents, Fish-bones,
Th'Adders Eye, and Toad-stones,
Are all the Light,
Hath blest my Sight,
Since first began my Groans.
XI.
When thus I lost the Sense,
Of all the heathful World calls Bliss,
And held it Joy, those Joys to miss,
When Beauty was Offence:
Celestial Strains did read the Aire,
Shaking these Mansions of Despaire;
A Form Divine and bright,
Stroke Day through all that Night
As when Heav'ns Queen
In Hell was seen,
With wonder and affright !
XII.
The Monsters fled for fear,
The Terrors of the Cursed Wood
Dismantl'd were, and where they stood,
No longer did appear.
The Gentle Pow'r, which wrought this thing,
Eudora was, who thus did sing.
Dissolv'd is Cloris spell,
From whence thy Evils fell,
Send her this Clue,
'Tis there most due
And thy Phantastick Hell.
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