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Best Famous Ineffable Poems

Here is a collection of the all-time best famous Ineffable poems. This is a select list of the best famous Ineffable poetry. Reading, writing, and enjoying famous Ineffable poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ineffable poems.

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Written by Mary Darby Robinson | Create an image from this poem

Ode to the Moon

 PALE GODDESS of the witching hour;
Blest Contemplation's placid friend; 
Oft in my solitary bow'r,
I mark thy lucid beam
From thy crystal car descend,
Whitening the spangled heath, and limpid sapphire stream.
And oft, amidst the shades of night I court thy undulating light; When Fairies dance around the verdant ring, Or frisk beside the bubbling spring, When the thoughtless SHEPHERD'S song Echoes thro' the silent air, As he pens his fleecy care, Or plods with saunt'ring gait, the dewy meads along.
CHASTE ORB! as thro' the vaulted sky Feath'ry clouds transparent sail; When thy languid, weeping eye, Sheds its soft tears upon the painted vale; As I ponder o'er the floods, Or tread with listless step, th'embow'ring woods, O, let thy transitory beam, Soothe my sad mind, with FANCY'S aëry dream.
Wrapt in REFLECTION, let me trace O'er the vast ethereal space, Stars, whose twinkling fires illume Dark-brow'd NIGHT'S obtrusive gloom; Where across the concave wide; Flaming METEORS swiftly glide; Or along the milky way, Vapours shoot a silvery ray; And as I mark, thy faint reclining head, Sinking on Ocean's pearly bed; Let REASON tell my soul, thus all things fade.
The Seasons change, the "garish SUN" When Day's burning car hath run Its fiery course, no more we view, While o'er the mountain's golden head, Streak'd with tints of crimson hue, Twilight's filmy curtains spread, Stealing o'er Nature's face, a desolating shade.
Yon musky FLOW'R, that scents the earth; The SOD, that gave its odours birth; The ROCK, that breaks the torrent's force; The VALE, that owns its wand'ring course; The woodlands where the vocal throng Trill the wild melodious song; Thirsty desarts, sands that glow, Mountains, cap'd with flaky snow; Luxuriant groves, enamell'd fields, All, all, prolific Nature yields, Alike shall end; the sensate HEART, With all its passions, all its fire, Touch'd by FATE'S unerring dart, Shall feel its vital strength expire; Those eyes, that beam with FRIENDSHIP'S ray, And glance ineffable delight, Shall shrink from LIFE'S translucid day, And close their fainting orbs, in DEATH'S impervious night.
Then what remains for mortal pow'r; But TIME'S dull journey to beguile; To deck with joy, the winged hour, To meet its sorrows with a patient smile; And when the toilsome pilgrimage shall end, To greet the tyrant, as a welcome friend.


Written by Sarojini Naidu | Create an image from this poem

Harvest Hymn

 Mens Voices:

LORD of the lotus, lord of the harvest, 
Bright and munificent lord of the morn! 
Thine is the bounty that prospered our sowing, 
Thine is the bounty that nurtured our corn.
We bring thee our songs and our garlands for tribute, The gold of our fields and the gold of our fruit; O giver of mellowing radiance, we hail thee, We praise thee, O Surya, with cymbal and flute.
Lord of the rainbow, lord of the harvest, Great and beneficent lord of the main! Thine is the mercy that cherished our furrows, Thine is the mercy that fostered our grain.
We bring thee our thanks and our garlands for tribute, The wealth of our valleys, new-garnered and ripe; O sender of rain and the dewfall, we hail thee, We praise thee, Varuna, with cymbal and pipe.
Womens Voices: Queen of the gourd-flower, queen of the har- vest, Sweet and omnipotent mother, O Earth! Thine is the plentiful bosom that feeds us, Thine is the womb where our riches have birth.
We bring thee our love and our garlands for tribute, With gifts of thy opulent giving we come; O source of our manifold gladness, we hail thee, We praise thee, O Prithvi, with cymbal and drum.
All Voices: Lord of the Universe, Lord of our being, Father eternal, ineffable Om! Thou art the Seed and the Scythe of our harvests, Thou art our Hands and our Heart and our Home.
We bring thee our lives and our labours for tribute, Grant us thy succour, thy counsel, thy care.
O Life of all life and all blessing, we hail thee, We praise thee, O Bramha, with cymbal and prayer
Written by Walt Whitman | Create an image from this poem

Brother of All with Generous Hand

 1
BROTHER of all, with generous hand, 
Of thee, pondering on thee, as o’er thy tomb, I and my Soul, 
A thought to launch in memory of thee, 
A burial verse for thee.
What may we chant, O thou within this tomb? What tablets, pictures, hang for thee, O millionaire? —The life thou lived’st we know not, But that thou walk’dst thy years in barter, ’mid the haunts of brokers; Nor heroism thine, nor war, nor glory.
Yet lingering, yearning, joining soul with thine, If not thy past we chant, we chant the future, Select, adorn the future.
2 Lo, Soul, the graves of heroes! The pride of lands—the gratitudes of men, The statues of the manifold famous dead, Old World and New, The kings, inventors, generals, poets, (stretch wide thy vision, Soul,) The excellent rulers of the races, great discoverers, sailors, Marble and brass select from them, with pictures, scenes, (The histories of the lands, the races, bodied there, In what they’ve built for, graced and graved, Monuments to their heroes.
) 3 Silent, my Soul, With drooping lids, as waiting, ponder’d, Turning from all the samples, all the monuments of heroes.
While through the interior vistas, Noiseless uprose, phantasmic (as, by night, Auroras of the North,) Lambent tableaux, prophetic, bodiless scenes, Spiritual projections.
In one, among the city streets, a laborer’s home appear’d, After his day’s work done, cleanly, sweet-air’d, the gaslight burning, The carpet swept, and a fire in the cheerful stove.
In one, the sacred parturition scene, A happy, painless mother birth’d a perfect child.
In one, at a bounteous morning meal, Sat peaceful parents, with contented sons.
In one, by twos and threes, young people, Hundreds concentering, walk’d the paths and streets and roads, Toward a tall-domed school.
In one a trio, beautiful, Grandmother, loving daughter, loving daughter’s daughter, sat, Chatting and sewing.
In one, along a suite of noble rooms, ’Mid plenteous books and journals, paintings on the walls, fine statuettes, Were groups of friendly journeymen, mechanics, young and old, Reading, conversing.
All, all the shows of laboring life, City and country, women’s, men’s and children’s, Their wants provided for, hued in the sun, and tinged for once with joy, Marriage, the street, the factory, farm, the house-room, lodging-room, Labor and toil, the bath, gymnasium, play-ground, library, college, The student, boy or girl, led forward to be taught; The sick cared for, the shoeless shod—the orphan father’d and mother’d, The hungry fed, the houseless housed; (The intentions perfect and divine, The workings, details, haply human.
) 4 O thou within this tomb, From thee, such scenes—thou stintless, lavish Giver, Tallying the gifts of Earth—large as the Earth, Thy name an Earth, with mountains, fields and rivers.
Nor by your streams alone, you rivers, By you, your banks, Connecticut, By you, and all your teeming life, Old Thames, By you, Potomac, laving the ground Washington trod—by you Patapsco, You, Hudson—you, endless Mississippi—not by you alone, But to the high seas launch, my thought, his memory.
5 Lo, Soul, by this tomb’s lambency, The darkness of the arrogant standards of the world, With all its flaunting aims, ambitions, pleasures.
(Old, commonplace, and rusty saws, The rich, the gay, the supercilious, smiled at long, Now, piercing to the marrow in my bones, Fused with each drop my heart’s blood jets, Swim in ineffable meaning.
) Lo, Soul, the sphere requireth, portioneth, To each his share, his measure, The moderate to the moderate, the ample to the ample.
Lo, Soul, see’st thou not, plain as the sun, The only real wealth of wealth in generosity, The only life of life in goodness?
Written by Lucy Maud Montgomery | Create an image from this poem

Genius

 Genius, like gold and precious stones, 
is chiefly prized because of its rarity.
Geniuses are people who dash of weird, wild, incomprehensible poems with astonishing facility, and get booming drunk and sleep in the gutter.
Genius elevates its possessor to ineffable spheres far above the vulgar world and fills his soul with regal contempt for the gross and sordid things of earth.
It is probably on account of this that people who have genius do not pay their board, as a general thing.
Geniuses are very singular.
If you see a young man who has frowsy hair and distraught look, and affects eccentricity in dress, you may set him down for a genius.
If he sings about the degeneracy of a world which courts vulgar opulence and neglects brains, he is undoubtedly a genius.
If he is too proud to accept assistance, and spurns it with a lordly air at the very same time that he knows he can't make a living to save his life, he is most certainly a genius.
If he hangs on and sticks to poetry, notwithstanding sawing wood comes handier to him, he is a true genius.
If he throws away every opportunity in life and crushes the affection and the patience of his friends and then protests in sickly rhymes of his hard lot, and finally persists, in spite of the sound advice of persons who have got sense but not any genius, persists in going up some infamous back alley dying in rags and dirt, he is beyond all question a genius.
But above all things, to deftly throw the incoherent ravings of insanity into verse and then rush off and get booming drunk, is the surest of all the different signs of genius.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Naming Of Cats

 The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily, Such as Peter, Augustus, Alonzo or James, Such as Victor or Jonathan, George or Bill Bailey-- All of them sensible everyday names.
There are fancier names if you think they sound sweeter, Some for the gentlemen, some for the dames: Such as Plato, Admetus, Electra, Demeter-- But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular, A name that's peculiar, and more dignified, Else how can he keep up his tail perpendicular, Or spread out his whiskers, or cherish his pride? Of names of this kind, I can give you a quorum, Such as Munkustrap, Quaxo, or Coricopat, Such as Bombalurina, or else Jellylorum- Names that never belong to more than one cat.
But above and beyond there's still one name left over, And that is the name that you never will guess; The name that no human research can discover-- But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation, The reason, I tell you, is always the same: His mind is engaged in a rapt contemplation Of the thought, of the thought, of the thought of his name: His ineffable effable Effanineffable Deep and inscrutable singular Name.


Written by Charles Webb | Create an image from this poem

Silent Letters

  Treacherous as trap door spiders,
they ambush children's innocence.
"Why is there g h in light? It isn't fair!" Buddha declared the world illusory as the p sound in psyche.
Sartre said the same of God from France, Olympus of silent letters, n'est -ce pas? Polite conceals an e in the same way "How are you?" hides "I don't care.
" Physics asserts the desk I lean on, the brush that fluffs my hair, are only dots that punctuate a nullity complete as the g sound in gnome, the c e in Worcestershire.
Passions lurk under the saint's bed, mute as the end of love.
They glide toward us, yellow eyes gleaming, hushed as the finality of hate, malice, snake.
As easily predict the h in lichen, choral, Lichtenstein, as laws against throttling rats, making U-turns on empty streets.
Such nonsense must be memorized.
"Imagine dropkicking a spud," Dad said.
"If e breaks off your toe, it spoils your potato.
" Like compass needles pointing north, silent letters show the power of hidden things.
Voiced by our ancestors, but heard no more, they nudge our thoughts toward death, infinity, our senses' inability to see the earth as round, circling the sun in a universe implacable as "Might Makes Right," ineffable as tomorrow's second r, incomprehensible as imbroglio's g, the e that finishes inscrutable, imponderable, immense, the terrifying k in "I don't know.
"
Written by Robert Browning | Create an image from this poem

Abt Vogler

 Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!

Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night-- Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight.
In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon; And what is,--shall I say, matched both? for I was made perfect too.
All through my keys that gave their sounds to a wish of my soul, All through my soul that praised as its wish flowed visibly forth, All through music and me! For think, had I painted the whole, Why, there it had stood, to see, nor the process so wonder-worth: Had I written the same, made verse--still, effect proceeds from cause, Ye know why the forms are fair, ye hear how the tale is told; It is all triumphant art, but art in obedience to laws, Painter and poet are proud in the artist-list enrolled:-- But here is the finger of God, a flash of the will that can, Existent behind all laws, that made them and, lo, they are! And I know not if, save in this, such gift be allowed to man, That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought; It is everywhere in the world--loud, soft, and all is said: Give it to me to use! I mix it with two in my thought: And, there! Ye have heard and seen: consider and bow the head! Well, it is gone at last, the palace of music I reared; Gone! and the good tears start, the praises that come too slow; For one is assured at first, one scarce can say that he feared, That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind As good, nay, better, perchance: is this your comfort to me? To me, who must be saved because I cling with my mind To the same, same self, same love, same God: ay, what was, shall be.
Therefore to whom turn I but to thee, the ineffable Name? Builder and maker, thou, of houses not made with hands! What, have fear of change from thee who art ever the same? Doubt that thy power can fill the heart that thy power expands? There shall never be one lost good! What was, shall live as before; The evil is null, is nought, is silence implying sound; What was good shall be good, with, for evil, so much good more; On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist; Not its semblance, but itself; no beauty, nor good, nor power Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard, The passion that left the ground to lose itself in the sky, Are music sent up to God by the lover and the bard; Enough that he heard it once: we shall hear it by and by.
And what is our failure here but a triumph's evidence For the fulness of the days? Have we withered or agonized? Why else was the pause prolonged but that singing might issue thence? Why rushed the discords in, but that harmony should be prized? Sorrow is hard to bear, and doubt is slow to clear, Each sufferer says his say, his scheme of the weal and woe: But God has a few of us whom he whispers in the ear; The rest may reason and welcome; 'tis we musicians know.
Well, it is earth with me; silence resumes her reign: I will be patient and proud, and soberly acquiesce.
Give me the keys.
I feel for the common chord again, Sliding by semitones till I sink to the minor,--yes, And I blunt it into a ninth, and I stand on alien ground, Surveying awhile the heights I rolled from into the deep; Which, hark, I have dared and done, for my resting-place is found, The C Major of this life: so, now I will try to sleep.
Written by Stephen Crane | Create an image from this poem

I stood musing in a black world

 I stood musing in a black world,
Not knowing where to direct my feet.
And I saw the quick stream of men Pouring ceaselessly, Filled with eager faces, A torrent of desire.
I called to them, "Where do you go? What do you see?" A thousand voices called to me.
A thousand fingers pointed.
"Look! look! There!" I know not of it.
But, lo! In the far sky shone a radiance Ineffable, divine -- A vision painted upon a pall; And sometimes it was, And sometimes it was not.
I hesitated.
Then from the stream Came roaring voices, Impatient: "Look! look! There!" So again I saw, And leaped, unhesitant, And struggled and fumed With outspread clutching fingers.
The hard hills tore my flesh; The ways bit my feet.
At last I looked again.
No radiance in the far sky, Ineffable, divine; No vision painted upon a pall; And always my eyes ached for the light.
Then I cried in despair, "I see nothing! Oh, where do I go?" The torrent turned again its faces: "Look! look! There!" And at the blindness of my spirit They screamed, "Fool! fool! fool!"
Written by Aleister Crowley | Create an image from this poem

Happy Dust

 For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless lust Ablaze to annihilate Will, to crumble my being to dust, To calcine the dust to an ash, to burn up the ash to an air, To abolish the air with a flash of the final, the fulminant flare.
All this I have done, and dissolved the primordial germ of my thought; I have rolled myself up, and revolved the wheel of my being to Naught.
Is there even the memory left? That I was, that I am? It is lost.
As I utter the Word, I am cleft by the last swift spear of the frost.
Snow! I am nothing at last; I sit, and am utterly still; They are perished, the phantoms, and past; they were born of my weariness-will When I craved, craved being and form, when the con- sciousness-cloud was a mist Precurser of stupor and storm, when I and my shadow had kissed, And brought into life all the shapes that confused the clear space with their marks, Vain spectres whose vapour escapes, a whirlwind of ruinous sparks, No substance have any of these; I have dreamed them in sickness of lust, Delirium born of disease-ah, whence was the master, the "must" Imposed on the All? is it true, then, that something in me Is subject to fate? Are there two, after all, that can be? I have brought all that is to an end; for myself am suffic- ient and sole.
Do I trick myself now? Shall I rend once again this homologous Whole? I have stripped every garment from space; I have strangled the secre of Time, All being is fled from my face, with Motion's inhibited rime.
Stiller and stiller I sit, till even Infinity fades; 'Tis an idol-'tis weakness of wit that breeds, in inanity, shades! Yet the fullness of Naught I become, the deepest and steadiest Naught, Contains in its nature the sum of the functions of being and thought.
Still as I sit, and destroy all possible trace of the past, All germ of the future, nor joy nor knowledge alive at the last, It is vain, for the Silence is dowered with a nature, the seed of a name: Necessity, fearfully flowered with the blossom of possible Aim.
I am Necessity? Scry Necessity mother of Fate! And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare to exist- I have made the Voyage of Thought, the Voyage of Vision, I swam To the heart of the Ocean of Naught from the source of the Spring of I am: I know myself wholly the brother alike of the All and the One; I know that all things are each other, that their sum and their substance is None; But the knowledge itself can excel, its fulness hath broken its bond; All's Truth, and all's falsehood as well, and-what of the region beyond? So, still though I sit, as for ever, I stab to the heart of my spine; I destroy the last seed of endeavour to seal up my soul in the shrine Of Silence, Eternity, Peace; I abandon the Here and the Now; I cease from the effort to cease; I absolve the dead I from its Vow, I am wholly content to be dust, whether that be a mote or a star, To live and to love and to lust, acknowledge what seem for what are, Not to care what I am, if I be, whence I came, whither go, how I thrive, If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough.
I am part of a glorious game.
Am I cast for madness or love? I am cast to esteem them the same.
Am I only a dream in the sleep of some butterfly? Phantom of fright Conceived, who knows how, or how deep, in the measure- less womb of the night? I imagine impossible thought, metaphysical voids that beget Ideas intagible wrought to things less conceivable yet.
It may be.
Little I reck -but, assume the existence of earth.
Am I born to be hanged by the neck, a curse from the hour of my birth? Am I born to abolish man's guilt? His horrible heritage, awe? Or a seed in his wantoness spilt by a jester? I care not a straw, For I understand Do what thou wilt; and that is the whole of the Law.
Written by Elizabeth Bishop | Create an image from this poem

Anaphora

 In memory of Marjorie Carr Stevens


Each day with so much ceremony
begins, with birds, with bells,
with whistles from a factory;
such white-gold skies our eyes
first open on, such brilliant walls
that for a moment we wonder
"Where is the music coming from, the energy?
The day was meant for what ineffable creature
we must have missed?" Oh promptly he
appears and takes his earthly nature
 instantly, instantly falls
 victim of long intrigue,
 assuming memory and mortal
 mortal fatigue.
More slowly falling into sight and showering into stippled faces, darkening, condensing all his light; in spite of all the dreaming squandered upon him with that look, suffers our uses and abuses, sinks through the drift of bodies, sinks through the drift of vlasses to evening to the beggar in the park who, weary, without lamp or book prepares stupendous studies: the fiery event of every day in endless endless assent.

Book: Shattered Sighs