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Best Famous Indoor Poems

Here is a collection of the all-time best famous Indoor poems. This is a select list of the best famous Indoor poetry. Reading, writing, and enjoying famous Indoor poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of indoor poems.

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Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee.
The conceits of the poets of other lands I bring thee not, Nor the compliments that have served their turn so long, Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; But an odor I’d bring to-day as from forests of pine in the north, in Maine—or breath of an Illinois prairie, With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or Florida’s glades, With presentment of Yellowstone’s scenes, or Yosemite; And murmuring under, pervading all, I’d bring the rustling sea-sound, That endlessly sounds from the two great seas of the world.
And for thy subtler sense, subtler refrains, O Union! Preludes of intellect tallying these and thee—mind-formulas fitted for thee—real, and sane, and large as these and thee; Thou, mounting higher, diving deeper than we knew—thou transcendental Union! By thee Fact to be justified—blended with Thought; Thought of Man justified—blended with God: Through thy Idea—lo! the immortal Reality! Through thy Reality—lo! the immortal Idea! 2 Brain of the New World! what a task is thine! To formulate the Modern.
.
.
.
.
Out of the peerless grandeur of the modern, Out of Thyself—comprising Science—to recast Poems, Churches, Art, (Recast—may-be discard them, end them—May-be their work is done—who knows?) By vision, hand, conception, on the background of the mighty past, the dead, To limn, with absolute faith, the mighty living present.
(And yet, thou living, present brain! heir of the dead, the Old World brain! Thou that lay folded, like an unborn babe, within its folds so long! Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest it; It to eventuate in thee—the essence of the by-gone time contain’d in thee; Its poems, churches, arts, unwitting to themselves, destined with reference to thee, The fruit of all the Old, ripening to-day in thee.
) 3 Sail—sail thy best, ship of Democracy! Of value is thy freight—’tis not the Present only, The Past is also stored in thee! Thou holdest not the venture of thyself alone—not of thy western continent alone; Earth’s résumé entire floats on thy keel, O ship—is steadied by thy spars; With thee Time voyages in trust—the antecedent nations sink or swim with thee; With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the other continents; Theirs, theirs as much as thine, the destination-port triumphant: —Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great companions, Venerable, priestly Asia sails this day with thee, And royal, feudal Europe sails with thee.
4 Beautiful World of new, superber Birth, that rises to my eyes, Like a limitless golden cloud, filling the western sky; Emblem of general Maternity, lifted above all; Sacred shape of the bearer of daughters and sons; Out of thy teeming womb, thy giant babes in ceaseless procession issuing, Acceding from such gestation, taking and giving continual strength and life; World of the Real! world of the twain in one! World of the Soul—born by the world of the real alone—led to identity, body, by it alone; Yet in beginning only—incalculable masses of composite, precious materials, By history’s cycles forwarded—by every nation, language, hither sent, Ready, collected here—a freer, vast, electric World, to be constructed here, (The true New World—the world of orbic Science, Morals, Literatures to come,) Thou Wonder World, yet undefined, unform’d—neither do I define thee; How can I pierce the impenetrable blank of the future? I feel thy ominous greatness, evil as well as good; I watch thee, advancing, absorbing the present, transcending the past; I see thy light lighting and thy shadow shadowing, as if the entire globe; But I do not undertake to define thee—hardly to comprehend thee; I but thee name—thee prophecy—as now! I merely thee ejaculate! Thee in thy future; Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring spirit; Thee as another equally needed sun, America—radiant, ablaze, swift-moving, fructifying all; Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! (Scattering for good the cloud that hung so long—that weigh’d so long upon the mind of man, The doubt, suspicion, dread, of gradual, certain decadence of man;) Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral, spiritual, South, North, West, East, (To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike, forever equal;) Thee in thy own musicians, singers, artists, unborn yet, but certain; Thee in thy moral wealth and civilization (until which thy proudest material wealth and civilization must remain in vain;) Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour, merely, Thy saviours countless, latent within thyself—thy bibles incessant, within thyself, equal to any, divine as any; Thee in an education grown of thee—in teachers, studies, students, born of thee; Thee in thy democratic fetes, en masse—thy high original festivals, operas, lecturers, preachers; Thee in thy ultimata, (the preparations only now completed—the edifice on sure foundations tied,) Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love, and godlike aspiration, In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal bards—kosmic savans, These! these in thee, (certain to come,) to-day I prophecy.
5 Land tolerating all—accepting all—not for the good alone—all good for thee; Land in the realms of God to be a realm unto thyself; Under the rule of God to be a rule unto thyself.
(Lo! where arise three peerless stars, To be thy natal stars, my country—Ensemble—Evolution—Freedom, Set in the sky of Law.
) Land of unprecedented faith—God’s faith! Thy soil, thy very subsoil, all upheav’d; The general inner earth, so long, so sedulously draped over, now and hence for what it is, boldly laid bare, Open’d by thee to heaven’s light, for benefit or bale.
Not for success alone; Not to fair-sail unintermitted always; The storm shall dash thy face—the murk of war, and worse than war, shall cover thee all over; (Wert capable of war—its tug and trials? Be capable of peace, its trials; For the tug and mortal strain of nations come at last in peace—not war;) In many a smiling mask death shall approach, beguiling thee—thou in disease shalt swelter; The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike thee deep within; Consumption of the worst—moral consumption—shall rouge thy face with hectic: But thou shalt face thy fortunes, thy diseases, and surmount them all, Whatever they are to-day, and whatever through time they may be, They each and all shall lift, and pass away, and cease from thee; While thou, Time’s spirals rounding—out of thyself, thyself still extricating, fusing, Equable, natural, mystical Union thou—(the mortal with immortal blent,) Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, The Soul—its destinies.
The Soul, its destinies—the real real, (Purport of all these apparitions of the real;) In thee, America, the Soul, its destinies; Thou globe of globes! thou wonder nebulous! By many a throe of heat and cold convuls’d—(by these thyself solidifying;) Thou mental, moral orb! thou New, indeed new, Spiritual World! The Present holds thee not—for such vast growth as thine—for such unparallel’d flight as thine, The Future only holds thee, and can hold thee.


Written by Jorie Graham | Create an image from this poem

The Guardian Angel Of The Little Utopia

 Shall I move the flowers again?
Shall I put them further to the left
into the light?
Win that fix it, will that arrange the
thing?
Yellow sky.
Faint cricket in the dried-out bush.
As I approach, my footfall in the leaves drowns out the cricket-chirping I was coming close to hear Yellow sky with black leaves rearranging it.
Wind rearranging the black leaves in it.
But anyway I am indoors, of course, and this is a pane, here, and I have arranged the flowers for you again.
Have taken the dead cordless ones, the yellow bits past apogee, the faded cloth, the pollen-free abandoned marriage-hymn back out, leaving the few crisp blooms to swagger, winglets, limpid debris Shall I arrange these few remaining flowers? Shall I rearrange these gossamer efficiencies? Please don't touch me with your skin.
Please let the thing evaporate.
Please tell me clearly what it is.
The party is so loud downstairs, bristling with souvenirs.
It's a philosophy of life, of course, drinks fluorescent, whips of syntax in the air above the heads -- how small they seem from here, the bobbing universal heads, stuffing the void with eloquence, and also tiny merciless darts of truth.
It's pulled on tight, the air they breathe and rip.
It's like a prize the way it's stretched on tight over the voices, keeping them intermingling, forcing the breaths to marry, marry, cunning little hermeneutic cupola, dome of occasion in which the thoughts re- group, the footprints stall and gnaw in tiny ruts, the napkins wave, are waved , the honeycombing thoughts are felt to dialogue, a form of self- congratulation, no?, or is it suffering? I'm a bit dizzy up here rearranging things, they will come up here soon, and need a setting for their fears, and loves, an architecture for their evolutionary morphic needs -- what will they need if I don't make the place? -- what will they know to miss?, what cry out for, what feel the bitter restless irritations for? A bit dizzy from the altitude of everlastingness, the tireless altitudes of the created place, in which to make a life -- a liberty -- the hollow, fetishized, and starry place, a bit gossamer with dream, a vortex of evaporations, oh little dream, invisible city, invisible hill I make here on the upper floors for you -- down there, where you are entertained, where you are passing time, there's glass and moss on air, there's the feeling of being numerous, mouths submitting to air, lips to protocol, and dreams of sense, tongues, hinges, forceps clicking in anticipation ofas if the moment, freeze-burned by accuracies--of could be thawed open into life again by gladnesses, by rectitude -- no, no -- by the sinewy efforts at sincerity -- can't you feel it gliding round you, mutating, yielding the effort-filled phrases of your talk to air, compounding, stemming them, honeying-open the sheerest innuendoes till the rightness seems to root, in the air, in the compact indoor sky, and the rest, all round, feels like desert, falls away, and you have the sensation of muscular timeliness,and you feel the calligraphic in you reach out like a soul into the midst of others, in conversation, gloved by desire, into the tiny carnage of opinionsSo dizzy.
Life buzzing beneath me though my feeling says the hive is gone, queen gone, the continuum continuing beneath, busy, earnest, in con- versation.
Shall I prepare.
Shall I put this further to the left, shall I move the light, the point-of-view, the shades are drawn, to cast a glow resembling disappearance, slightly red, will that fix it, will that make clear the task, the trellised ongoingness and all these tiny purposes, these parables, this marketplace of tightening truths? Oh knit me that am crumpled dust, the heap is all dispersed.
Knit me that am.
Say therefore.
Say philosophy and mean by that the pane.
Let us look out again.
The yellow sky.
With black leaves rearranging it
Written by Rg Gregory | Create an image from this poem

from Proverbs of Hell

 (a) radical

ban all fires
and places where people congregate
to create comfort
put an end to sleep
good cooking
and the delectation of wine
tear lovers apart
piss on the sun and moon
degut all heavenly harmony
strike out across the bitter ice
and the poisonous marshes

make (if you dare) a better world

(b) expect poison from standing water
  (iii)
lake erie
why not as a joke one night
pick up your bed and walk
to washington – sleep
your damned sleep in its streets
so that one bright metallic morning
it can wake up to the stench
and fermentation of flesh
the gutrot of nerves – the blood’s
green effervescence so active
your skin has a job to keep it all in

isn’t that what things with the palsy
are supposed to do – lovely lake
give the world the miracle it waits for
what a laugh that would be

especially if washington lost its temper
and screamed christ lake erie
i don’t even know what to do
with my own garbage

pollution is just one of those things

go on lake erie
do it tonight

(c) drive your cart and your plow over the bones of the dead

(i)
isn't the next one
easter egg

  i don't want to live any more in an old way

yes it is

  to be a socialist wearing capitalism's cap
  a teacher in the shadow of a dead headmaster
  a tree using somebody else's old sap

  i want to build my future out of new emotions
  to seek more than my own in a spring surround
  to move amongst people keen to move outwards
  putting love and ideas into fresh ground

  who will come with me across this border
  not anywhere but in the bonds we make
  taking the old apart to find new order
  living ourselves boldly for each other's sake

then love is

  if you ask me today what love is
  i should have to name the people i love
  and perhaps because it's spring
  and i cannot control the knife that's in me
  their names would surprise me as much as you

  for years i have assumed that love is bloody
  a thing locked up in house and a family tree
  but suddenly its ache goes out beyond me
  and the first love is greater for the new

  this year more than any other
  the winter has savaged my deepest roots
  and the easter sun is banging hard against the window
  the arms of my loves are flowering widely
  and over the fields a new definition is running

  even though the streets we walk cannot be altered
  and faces there are that will not understand
  we have a sun born of our mutual longings
  whose shine is a hard fact - love is a new land

new spartans

  i haven't felt this young for twenty years
  yesterday i felt twenty years older
  then i had the curtains drawn over recluse fears
  today the sun comes in and instantly it's colder

  must shave and get dressed - i'm being nagged
  to shove my suspicions in a corner and get out
  what use the sun if being plagued with new life
  i can't throw off this centrally-heated doubt

  accept people with ice in their brows
  are the new spartans - they wait
      shall i go with them
  indoor delights that slowly breed into lies
  need to be dumped out of doors - and paralysis with them

no leave it
there's still one more
the need now

  the need now is to chronicle new times
  by their own statutes not as ***-ends of the old
  ideas stand out bravely against the surrounding grey
  seeking their own order in what themselves proclaim
  fortresses no longer belong by right to an older day

  i want to gather in my hands things i believe in
  not to be told that other rules prevail - there is
  a treading forward to be done of great excitement
  and people to be found who by the old laws
  should be little more than dead
      this enlightment

  is cutting like spring into a bitter winter
  and there is this smashing of many concrete shells
  a dream with the cheek to be aggressive has assumed
  its own flesh and bone and will not put up with sleep
  as its prime condition - life out of death is exhumed

it's the other side
is so disappointing
no thanks
leave it for now

(ii)

there follows a brief interlude in honour of mr vasko popa
(the yugoslav poet who in a short visit to this country
has stayed a long time)
and it will not now take place

  this game is called x
  no one else can play

  when the game is over
  we have all joined in

  those who have not been playing
  have to give in an ear

  if you don't have an ear
  use one of those lying about

  left over from the last time
  the game wasn't played

  this game is not to do with ears
  shooting must be done from the heart

  x sits in the middle of the ring - he
  has gone for a stroll up his left nostril

  how can he seize a left-over ear
  and drag it under the ground

  hands up if you have been shot from the heart
  x comes up in the middle of himself

  in this way the game is over before
  it began and everyone willy-nilly

  has had to go home
  before he could put a foot outside


(d) enough! – or too much

   reading popa
   i let fly
   too many words

   i bang away
   at the seed
   but can’t break it

   hurt i turn to
   constructing
   castles with cards

   if you can’t split
   the atom
   man stop writing
Written by Robert Browning | Create an image from this poem

Waring

 I

What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf— 
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken, Written, bustled? Who's to blame If your silence kept unbroken? "True, but there were sundry jottings, Stray-leaves, fragments, blurrs and blottings, Certain first steps were achieved Already which—(is that your meaning?) Had well borne out whoe'er believed In more to come!" But who goes gleaning Hedge-side chance-blades, while full-sheaved Stand cornfields by him? Pride, o'erweening Pride alone, puts forth such claims O'er the day's distinguished names.
Meantime, how much I loved him, I find out now I've lost him: I, who cared not if I moved him, Henceforth never shall get free Of his ghostly company, His eyes that just a little wink As deep I go into the merit Of this and that distinguished spirit— His cheeks' raised colour, soon to sink, As long I dwell on some stupendous And tremendous (Heaven defend us!) Monstr'-inform'-ingens-horrend-ous Demoniaco-seraphic Penman's latest piece of graphic.
Nay, my very wrist grows warm With his dragging weight of arm! E'en so, swimmingly appears, Through one's after-supper musings, Some lost Lady of old years, With her beauteous vain endeavour, And goodness unrepaid as ever; The face, accustomed to refusings, We, puppies that we were.
.
.
Oh never Surely, nice of conscience, scrupled Being aught like false, forsooth, to? Telling aught but honest truth to? What a sin, had we centupled Its possessor's grace and sweetness! No! she heard in its completeness Truth, for truth's a weighty matter, And, truth at issue, we can't flatter! Well, 'tis done with: she's exempt From damning us through such a sally; And so she glides, as down a valley, Taking up with her contempt, Past our reach; and in, the flowers Shut her unregarded hours.
Oh, could I have him back once more, This Waring, but one half-day more! Back, with the quiet face of yore, So hungry for acknowledgment Like mine! I'd fool him to his bent! Feed, should not he, to heart's content? I'd say, "to only have conceived Your great works, though they ne'er make progress, Surpasses all we've yet achieved!" I'd lie so, I should be believed.
I'd make such havoc of the claims Of the day's distinguished names To feast him with, as feasts an ogress Her sharp-toothed golden-crowned child! Or, as one feasts a creature rarely Captured here, unreconciled To capture; and completely gives Its pettish humours licence, barely Requiring that it lives.
Ichabod, Ichabod, The glory is departed! Travels Waring East away? Who, of knowledge, by hearsay, Reports a man upstarted Somewhere as a God, Hordes grown European-hearted, Millions of the wild made tame On a sudden at his fame? In Vishnu-land what Avatar? Or who, in Moscow, toward the Czar, With the demurest of footfalls Over the Kremlin's pavement, bright With serpentine and syenite, Steps, with five other generals, That simultaneously take snuff, For each to have pretext enough To kerchiefwise unfurl his sash Which, softness' self, is yet the stuff To hold fast where a steel chain snaps, And leave the grand white neck no gash? Waring, in Moscow, to those rough Cold northern natures borne, perhaps, Like the lambwhite maiden dear From the circle of mute kings, Unable to repress the tear, Each as his sceptre down he flings, To Dian's fane at Taurica, Where now a captive priestess, she alway Mingles her tender grave Hellenic speech With theirs, tuned to the hailstone-beaten beach, As pours some pigeon, from the myrrhy lands Rapt by the whirlblast to fierce Scythian strands Where bred the swallows, her melodious cry Amid their barbarous twitter! In Russia? Never! Spain were fitter! Ay, most likely, 'tis in Spain That we and Waring meet again— Now, while he turns down that cool narrow lane Into the blackness, out of grave Madrid All fire and shine—abrupt as when there's slid Its stiff gold blazing pall From some black coffin-lid.
Or, best of all, I love to think The leaving us was just a feint; Back here to London did he slink; And now works on without a wink Of sleep, and we are on the brink Of something great in fresco-paint: Some garret's ceiling, walls and floor, Up and down and o'er and o'er He splashes, as none splashed before Since great Caldara Polidore: Or Music means this land of ours Some favour yet, to pity won By Purcell from his Rosy Bowers,— "Give me my so long promised son, Let Waring end what I begun!" Then down he creeps and out he steals Only when the night conceals His face—in Kent 'tis cherry-time, Or, hops are picking; or, at prime Of March, he wanders as, too happy, Years ago when he was young, Some mild eve when woods grew sappy, And the early moths had sprung To life from many a trembling sheath Woven the warm boughs beneath; While small birds said to themselves What should soon be actual song, And young gnats, by tens and twelves, Made as if they were the throng That crowd around and carry aloft The sound they have nursed, so sweet and pure, Out of a myriad noises soft, Into a tone that can endure Amid the noise of a July noon, When all God's creatures crave their boon, All at once and all in tune, And get it, happy as Waring then, Having first within his ken What a man might do with men, And far too glad, in the even-glow, To mix with your world he meant to take Into his hand, he told you, so— And out of it his world to make, To contract and to expand As he shut or oped his hand.
Oh, Waring, what's to really be? A clear stage and a crowd to see! Some Garrick—say—out shall not he The heart of Hamlet's mystery pluck Or, where most unclean beasts are rife, Some Junius—am I right?—shall tuck His sleeve, and out with flaying-knife! Some Chatterton shall have the luck Of calling Rowley into life! Some one shall somehow run amuck With this old world, for want of strife Sound asleep: contrive, contrive To rouse us, Waring! Who's alive? Our men scarce seem in earnest now: Distinguished names!—but 'tis, somehow As if they played at being names Still more distinguished, like the games Of children.
Turn our sport to earnest With a visage of the sternest! Bring the real times back, confessed Still better than our very best! II "When I last saw Waring.
.
.
" (How all turned to him who spoke— You saw Waring? Truth or joke? In land-travel, or seafaring?) ".
.
.
We were sailing by Triest, Where a day or two we harboured: A sunset was in the West, When, looking over the vessel's side, One of our company espied A sudden speck to larboard.
And, as a sea-duck flies and swins At once, so came the light craft up, With its sole lateen sail that trims And turns (the water round its rims Dancing, as round a sinking cup) And by us like a fish it curled, And drew itself up close beside, Its great sail on the instant furled, And o'er its planks, a shrill voice cried (A neck as bronzed as a Lascar's) 'Buy wine of us, you English Brig? Or fruit, tobacco and cigars? A Pilot for you to Triest? Without one, look you ne'er so big, They'll never let you up the bay! We natives should know best.
' I turned, and 'just those fellows' way,' Our captain said, 'The long-shore thieves Are laughing at us in their sleeves.
' "In truth, the boy leaned laughing back; And one, half-hidden by his side Under the furled sail, soon I spied, With great grass hat, and kerchief black, Who looked up, with his kingly throat, Said somewhat, while the other shook His hair back from his eyes to look Their longest at us; then the boat, I know not how, turned sharply round, Laying her whole side on the sea As a leaping fish does; from the lee Into the weather, cut somehow Her sparkling path beneath our bow; And so went off, as with a bound, Into the rose and golden half Of the sky, to overtake the sun, And reach the shore, like the sea-calf Its singing cave; yet I caught one Glance ere away the boat quite passed, And neither time nor toil could mar Those features: so I saw the last Of Waring!"—You? Oh, never star Was lost here, but it rose afar! Look East, where whole new thousands are! In Vishnu-land what Avatar?
Written by Anne Sexton | Create an image from this poem

The Moss Of His Skin

 "Young girls in old Arabia were often buried alive next
to their fathers, apparently as sacrifice to the goddesses
of the tribes.
.
.
" --Harold Feldman, "Children of the Desert" Psychoanalysis and Psychoanalytic Review, Fall 1958 It was only important to smile and hold still, to lie down beside him and to rest awhile, to be folded up together as if we were silk, to sink from the eyes of mother and not to talk.
The black room took us like a cave or a mouth or an indoor belly.
I held my breath and daddy was there, his thumbs, his fat skull, his teeth, his hair growing like a field or a shawl.
I lay by the moss of his skin until it grew strange.
My sisters will never know that I fall out of myself and pretend that Allah will not see how I hold my daddy like an old stone tree.


Written by Laura Riding Jackson | Create an image from this poem

In Due Form

 I do not doubt you.
I know you love me.
It is a fact of your indoor face, A true fancy of your muscularity.
Your step is confident.
Your look is thorough.
Your stay-beside-me is a pillow To roll over on And sleep as on my own upon.
But make me a statement In due form on endless foolscap Witnessed before a notary And sent by post, registered, To be signed for on receipt And opened under oath to believe; An antique paper missing from my strong-box, A bond to clutch when hail tortures the chimney And lightning circles redder round the city, And your brisk step and thorough look Are gallant but uncircumstantial, And not mentionable in a doom-book.

Book: Shattered Sighs