Written by
T S (Thomas Stearns) Eliot |
I
Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
nothing again
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice
And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us
Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.
Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.
II
Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been
contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the Virgin in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying
Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.
Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each
other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.
III
At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.
At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man's mouth drivelling, beyond
repair,
Or the toothed gullet of an agèd shark.
At the first turning of the third stair
Was a slotted window bellied like the figs's fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.
Lord, I am not worthy
Lord, I am not worthy
but speak the word only.
IV
Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary's colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs
Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary's colour,
Sovegna vos
Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing
White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.
The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
no word
But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken
Till the wind shake a thousand whispers from the yew
And after this our exile
V
If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.
O my people, what have I done unto thee.
Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny
the voice
Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose
O my people, what have I done unto thee.
Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.
O my people.
VI
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn
Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings
And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth
This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.
Blessèd sister, holy mother, spirit of the fountain, spirit
of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated
And let my cry come unto Thee.
|
Written by
Andrew Barton Paterson |
Bring me a quart of colonial beer
And some doughy damper to make good cheer,
I must make a heavy dinner;
Heavily dine and heavily sup,
Of indigestible things fill up,
Next month they run the Melbourne Cup,
And I have to dream the winner.
Stoke it in, boys! the half-cooked ham,
The rich ragout and the charming cham.,
I've got to mix my liquor;
Give me a gander's gaunt hind leg,
Hard and tough as a wooden peg,
And I'll keep it down with a hard-boiled egg,
'Twill make me dream the quicker.
Now that I'm full of fearful feed,
Oh, but I'll dream of a winner indeed
In my restless, troubled slumber;
While the night-mares race through my heated brain
And their devil-riders spur amain,
The trip for the Cup will reward my pain,
And I'll spot the winning number.
Thousands and thousands and thousands more,
Like sands on the white Pacific shore,
The crowding people cluster;
For evermore is the story old,
While races are bought and backers are sold,
Drawn by the greed of the gain of gold,
In their thousands still they muster.
* * * * *
And the bookies' cries grow fierce and hot,
"I'll lay the Cup! The double, if not!"
"Five monkeys, Little John, sir!"
"Here's fives bar one, I lay, I lay!"
And so they shout through the livelong day,
And stick to the game that is sure to pay,
While fools put money on, sir!
And now in my dream I seem to go
And bet with a "book" that I seem to know --
A Hebrew money-lender;
A million to five is the price I get --
Not bad! but before I book the bet
The horse's name I clean forgret,
Its number and even gender.
Now for the start, and here they come,
And the hoof-strokes roar like a mighty drum
Beat by a hand unsteady;
They come like a rushing, roaring flood,
Hurrah for the speed of the Chester blood;
For Acme is making the pace so good
They are some of 'em done already.
But round the track she begins to tire,
And a mighty shout goes up "Crossfire!"
The magpie jacket's leading;
And Crossfire challenges fierce and bold,
And the lead she'll have and the lead she'll hold,
But at length gives way to the black and gold,
Which right to the front is speeding.
Carry them on and keep it up --
A flying race is the Melbourne Cup,
You must race and stay to win it;
And old Commotion, Victoria's pride,
Now takes the lead with his raking stride,
And a mighty roar goes far and wide --
"There's only Commotion in it!"
But one draws out from the beaten ruck
And up on the rails by a piece of luck
He comes in a style that's clever;
"It's Trident! Trident! Hurrah for Hales!"
"Go at 'em now while their courage fails;"
"Trident! Trident! for New South Wales!"
"The blue and white for ever!"
Under the whip! with the ears flat back,
Under the whip! though the sinews crack,
No sign of the base white feather:
Stick to it now for your breeding's sake,
Stick to it now though your hearts should break,
While the yells and roars make the grand-stand shake,
They come down the straignt together.
Trident slowly forges ahead,
The fierce whips cut and the spurs are red,
The pace is undiminished
Now for the Panics that never fail!
But many a backer's face grows pale
As old Commotion swings his tail
And swerves -- and the Cup is finished.
* * * * *
And now in my dream it all comes back:
I bet my coin on the Sydney crack,
A million I've won, no question!
"Give me my money, you hook-nosed hog!
Give me my money, bookmaking dog!"
But he disappeared in a kind of fog,
And I woke with "the indigestion".
|
Written by
Robert Lowell |
1
Only today and just for this minute,
when the sunslant finds its true angle,
you can see yellow and pinkish leaves spangle
our gentle, fluffy tree—
suddenly the green summer is momentary...
Autumn is my favorite season—
why does it change clothes and withdraw?
This week the house went on the market—
suddenly I woke up among strangers;
when I go into a room, it moves
with embarrassment, and joins another room.
I don't need conversation, but you to laugh with—
you and a room and a fire,
cold starlight blowing through an open window—
whither?
2
After sunfall, heaven is melodramatic,
a temporary, puckering, burning green.
The patched-up oak
and blacker, indelible pines
have the indigestible meagerness of spines.
One wishes heaven had less solemnity:
a sensual table
with five half-filled bottles of red wine
set round the hectic carved roast—
Bohemia for ourselves
and the familiars of a lifetime
charmed to communion by resurrection—
running together in the rain to mail a single letter,
not the chafe and cling
of this despondent chaff.
3
Yet for a moment, the children
could play truant from their tuition.
4
When I look back, I see a collapsing
accordion of my receding houses,
and myself receding
to a boy of twenty-five or thirty,
too shopworn for less, too impressionable for more—
blackmaned, illmade
in a washed blue workshirt and coalblack trousers,
moving from house to house,
still seeking a boy's license
to see the countryside without arrival.
Hell?
Darling,
terror in happiness may not cure the hungry future,
the time when any illness is chronic,
and the years of discretion are spent on complaint—
until the wristwatch is taken from the wrist.
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