Written by
John Lindley |
“I’d rather make $700 a week playing a maid than earn $7 a day being a maid”. Hattie McDaniel.
I’m the savage in the jungle
and the busboy in the town.
I’m the one who jumps the highest
when the Boss man comes around.
I’m the maid who wields the wooden broom.
I’m the black boot polish cheeks.
I’m the big fat Lawdy Mama
who always laughs before she speaks.
I’m the plaintive sound of spirituals
on the mighty Mississip’.
I’m the porter in the club car
touching forelock for a tip.
I’m the bent, white-whiskered ol’ Black Joe
with the stick and staggered walk.
I’m the barefoot boy in dungarees
with a stammer in my talk.
I’m the storytelling Mr. Bones
with a jangling tambourine.
I’m the North’s excuse for novelty
and the South’s deleted scene.
I’m the one who takes his lunch break
with the extras and the grips.
I’m the funny liquorice coils of hair
and the funny looking lips.
I’m the white wide eyes and pearly teeth.
I’m the jet black skin that shines.
I’m the soft-shoe shuffling Uncle Tom
for your nickels and your dimes.
I’m the Alabami Mammy
for a state I’ve never seen.
I’m the bona fide Minstrel Man
whose blackface won’t wash clean.
I’m the banjo playing Sambo
with a fixed and manic grin.
I’m the South’s defiant answer
that the Yankees didn’t win.
I’m the inconvenient nigrah
that no one can let go.
I’m the cutesy picaninny
with my hair tied up in bows.
I’m the funny little shoeshine boy.
I’m the convict on the run;
the ****** in the woodpile
when the cotton pickin’s done.
I’m a blacklist in Kentucky.
I’m the night when hound dogs bay.
I’m the cut-price, easy light relief
growing darker by the day.
I’m the “yessir, Massa, right away”
that the audience so enjoys.
I’m the full-grown man of twenty-five
but still they call me ‘boy’.
For I’m the myth in Griffith’s movie.
I’m the steamboat whistle’s cry.
I’m the dust of dead plantations
and the proof of Lincoln’s lie.
I’m the skin upon the leg iron.
I’m the blood upon the club.
I’m the deep black stain you can’t erase
no matter how you scrub.
John Lindley
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Written by
Lewis Carroll |
"AND did you really walk," said I,
"On such a wretched night?
I always fancied Ghosts could fly -
If not exactly in the sky,
Yet at a fairish height."
"It's very well," said he, "for Kings
To soar above the earth:
But Phantoms often find that wings -
Like many other pleasant things -
Cost more than they are worth.
"Spectres of course are rich, and so
Can buy them from the Elves:
But WE prefer to keep below -
They're stupid company, you know,
For any but themselves:
"For, though they claim to be exempt
From pride, they treat a Phantom
As something quite beneath contempt -
Just as no Turkey ever dreamt
Of noticing a Bantam."
"They seem too proud," said I, "to go
To houses such as mine.
Pray, how did they contrive to know
So quickly that 'the place was low,'
And that I 'kept bad wine'?"
"Inspector Kobold came to you - "
The little Ghost began.
Here I broke in - "Inspector who?
Inspecting Ghosts is something new!
Explain yourself, my man!"
"His name is Kobold," said my guest:
"One of the Spectre order:
You'll very often see him dressed
In a yellow gown, a crimson vest,
And a night-cap with a border.
"He tried the Brocken business first,
But caught a sort of chill ;
So came to England to be nursed,
And here it took the form of THIRST,
Which he complains of still.
"Port-wine, he says, when rich and sound,
Warms his old bones like nectar:
And as the inns, where it is found,
Are his especial hunting-ground,
We call him the INN-SPECTRE."
I bore it - bore it like a man -
This agonizing witticism!
And nothing could be sweeter than
My temper, till the Ghost began
Some most provoking criticism.
"Cooks need not be indulged in waste;
Yet still you'd better teach them
Dishes should have SOME SORT of taste.
Pray, why are all the cruets placed
Where nobody can reach them?
"That man of yours will never earn
His living as a waiter!
Is that ***** THING supposed to burn?
(It's far too dismal a concern
To call a Moderator).
"The duck was tender, but the peas
Were very much too old:
And just remember, if you please,
The NEXT time you have toasted cheese,
Don't let them send it cold.
"You'd find the bread improved, I think,
By getting better flour:
And have you anything to drink
That looks a LITTLE less like ink,
And isn't QUITE so sour?"
Then, peering round with curious eyes,
He muttered "Goodness gracious!"
And so went on to criticise -
"Your room's an inconvenient size:
It's neither snug nor spacious.
"That narrow window, I expect,
Serves but to let the dusk in - "
"But please," said I, "to recollect
'Twas fashioned by an architect
Who pinned his faith on Ruskin!"
"I don't care who he was, Sir, or
On whom he pinned his faith!
Constructed by whatever law,
So poor a job I never saw,
As I'm a living Wraith!
"What a re-markable cigar!
How much are they a dozen?"
I growled "No matter what they are!
You're getting as familiar
As if you were my cousin!
"Now that's a thing I WILL NOT STAND,
And so I tell you flat."
"Aha," said he, "we're getting grand!"
(Taking a bottle in his hand)
"I'll soon arrange for THAT!"
And here he took a careful aim,
And gaily cried "Here goes!"
I tried to dodge it as it came,
But somehow caught it, all the same,
Exactly on my nose.
And I remember nothing more
That I can clearly fix,
Till I was sitting on the floor,
Repeating "Two and five are four,
But FIVE AND TWO are six."
What really passed I never learned,
Nor guessed: I only know
That, when at last my sense returned,
The lamp, neglected, dimly burned -
The fire was getting low -
Through driving mists I seemed to see
A Thing that smirked and smiled:
And found that he was giving me
A lesson in Biography,
As if I were a child.
|
Written by
A S J Tessimond |
This trumpeter of nothingness, employed
To keep our reason dull and null and void.
This man of wind and froth and flux will sell
The wares of any who reward him well.
Praising whatever he is paid to praise,
He hunts for ever-newer, smarter ways
To make the gilt seen gold; the shoddy, silk;
To cheat us legally; to bluff and bilk
By methods which no jury can prevent
Because the law's not broken, only bent.
This mind for hire, this mental prostitute
Can tell the half-lie hardest to refute;
Knows how to hide an inconvenient fact
And when to leave a doubtful claim unbacked;
Manipulates the truth but not too much,
And if his patter needs the Human Touch,
Skillfully artless, artlessly naive,
Wears his convenient heart upon his sleeve.
He uses words that once were strong and fine,
Primal as sun and moon and bread and wine,
True, honourable, honoured, clear and keen,
And leaves them shabby, worn, diminished, mean.
He takes ideas and trains them to engage
In the long little wars big combines wage...
He keeps his logic loose, his feelings flimsy;
Turns eloquence to cant and wit to whimsy;
Trims language till it fits his clients, pattern
And style's a glossy tart or limping slattern.
He studies our defences, finds the cracks
And where the wall is weak or worn, attacks.
lie finds the fear that's deep, the wound that's tender,
And mastered, outmanouevered, we surrender.
We who have tried to choose accept his choice
And tired succumb to his untiring voice.
The dripping tap makes even granite soften
We trust the brand-name we have heard so often
And join the queue of sheep that flock to buy;
We fools who know our folly, you and I.
|
Written by
David Wagoner |
They don't want to be your hedge,
Your barrier, your living wall, the no-go
Go-between between your property
And the prying of dogs and strangers. They don't
Want to settle any of your old squabbles
Inside or out of bounds. Their new growth
In three-foot shoots goes thrusting straight
Up in the air each April or goes off
Half-cocked sideways to reconnoiter
Wilder dimensions: the very idea
Of squareness, of staying level seems
Alien to them, and they aren't in the least
Discouraged by being suddenly lopped off
Year after year by clippers or the stuttering
Electric teeth of trimmers hedging their bets
To keep them all in line, all roughly
In order. They don't even
Want to be good-neighborly bushes
(Though under the outer stems and leaves
The thick, thick-headed, soot-blackened
Elderly branches have been dodging
And weaving through so many disastrous springs,
So many whacked-out, contra-
Dictory changes of direction, they've locked
Themselves together for good). Yet each
Original planting, left to itself, would be
No fence, no partition, no crook-jointed
Entanglement, but a tree by now outspread
With all of itself turned upward at every
Inconvenient angle you can imagine,
And look, on the ground, the fallen leaves,
Brown, leathery, as thick as tongues, remain
Almost what they were, tougher than ever,
Slow to molder, to give in, dead slow to feed
The earth with themselves, there at the feet
Of their fathers in the evergreen shade
Of their replacements. Remember, admirers
Long ago would sometimes weave fresh clippings
Into crowns and place them squarely on the heads
Of their most peculiar poets.
|
Written by
Katherine Philips |
Adieu dear object of my Love's excess,
And with thee all my hopes of happiness,
With the same fervent and unchanged heart
Which did it's whole self once to thee impart,
(And which though fortune has so sorely bruis'd,
Would suffer more, to be from this excus'd)
I to resign thy dear Converse submit,
Since I can neither keep, nor merit it.
Thou hast too long to me confined been,
Who ruine am without, passion within.
My mind is sunk below thy tenderness,
And my condition does deserve it less;
I'm so entangl'd and so lost a thing
By all the shocks my daily sorrow bring,
That would'st thou for thy old Orinda call
Thou hardly could'st unravel her at all.
And should I thy clear fortunes interline
With the incessant miseries of mine?
No, no, I never lov'd at such a rate
To tye thee to the rigours of my fate,
As from my obligations thou art free,
Sure thou shalt be so from my Injury,
Though every other worthiness I miss,
Yet I'le at least be generous in this.
I'd rather perish without sigh or groan,
Then thou shoul'dst be condemn'd to give me one;
Nay in my soul I rather could allow
Friendship should be a sufferer, then thou;
Go then, since my sad heart has set thee free,
Let all the loads and chains remain on me.
Though I be left the prey of sea and wind,
Thou being happy wilt in that be kind;
Nor shall I my undoing much deplore,
Since thou art safe, whom I must value more.
Oh! mayst thou ever be so, and as free
From all ills else, as from my company,
And may the torments thou hast had from it
Be all that heaven will to thy life permit.
And that they may thy vertue service do,
Mayest thou be able to forgive them too:
But though I must this sharp submission learn,
I cannot yet unwish thy dear concern.
Not one new comfort I expect to see,
I quit my Joy, hope, life, and all but thee;
Nor seek I thence ought that may discompose
That mind where so serene a goodness grows.
I ask no inconvenient kindness now,
To move thy passion, or to cloud thy brow;
And thou wilt satisfie my boldest plea
By some few soft remembrances of me, [50]
Which may present thee with this candid thought,
I meant not all the troubles that I brought.
Own not what Passion rules, and Fate does crush,
But wish thou couldst have don't without a blush,
And that I had been, ere it was too late,
Either more worthy, or more fortunate.
Ah who can love the thing they cannot prize?
But thou mayst pity though thou dost despise.
Yet I should think that pity bought too dear,
If it should cost those precious Eyes a tear.
Oh may no minutes trouble, thee possess,
But to endear the next hours happiness;
And maist thou when thou art from me remov'd,
Be better pleas'd, but never worse belov'd:
Oh pardon me for pow'ring out my woes
In Rhime now, that I dare not do't in Prose.
For I must lose whatever is call'd dear,
And thy assistance all that loss to bear,
And have more cause than ere I had before,
To fear that I shall never see thee more.
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