Written by
William Wordsworth |
In distant countries I have been, And yet I have not often seen A healthy man, a man full grown, Weep in the public roads alone. But such a one, on English ground, And in the broad high-way, I met; Along the broad high-way he came, His cheeks with tears were wet. Sturdy he seemed, though he was sad; And in his arms a lamb he had. He saw me, and he turned aside, As if he wished himself to hide: Then with his coat he made essay To wipe those briny tears away. I follow'd him, and said, "My friend What ails you? wherefore weep you so?" —"Shame on me, Sir! this lusty lamb, He makes my tears to flow. To-day I fetched him from the rock; He is the last of all my flock." When I was young, a single man, And after youthful follies ran. Though little given to care and thought, Yet, so it was, a ewe I bought; And other sheep from her I raised, As healthy sheep as you might see, And then I married, and was rich As I could wish to be; Of sheep I numbered a full score, And every year increas'd my store. Year after year my stock it grew, And from this one, this single ewe, Full fifty comely sheep I raised, As sweet a flock as ever grazed! Upon the mountain did they feed; They throve, and we at home did thrive. —This lusty lamb of all my store Is all that is alive; And now I care not if we die, And perish all of poverty. Six children, Sir! had I to feed, Hard labour in a time of need! My pride was tamed, and in our grief, I of the parish ask'd relief. They said I was a wealthy man; My sheep upon the mountain fed, And it was fit that thence I took Whereof to buy us bread: "Do this; how can we give to you," They cried, "what to the poor is due?" I sold a sheep as they had said, And bought my little children bread, And they were healthy with their food; For me it never did me good. A woeful time it was for me, To see the end of all my gains, The pretty flock which I had reared With all my care and pains, To see it melt like snow away! For me it was a woeful day. Another still! and still another! A little lamb, and then its mother! It was a vein that never stopp'd, Like blood-drops from my heart they dropp'd. Till thirty were not left alive They dwindled, dwindled, one by one, And I may say that many a time I wished they all were gone: They dwindled one by one away; For me it was a woeful day. To wicked deeds I was inclined, And wicked fancies cross'd my mind, And every man I chanc'd to see, I thought he knew some ill of me. No peace, no comfort could I find, No ease, within doors or without, And crazily, and wearily I went my work about. Oft-times I thought to run away; For me it was a woeful day. Sir! 'twas a precious flock to me, As dear as my own children be; For daily with my growing store I loved my children more and more. Alas! it was an evil time; God cursed me in my sore distress, I prayed, yet every day I thought I loved my children less; And every week, and every day, My flock, it seemed to melt away. They dwindled. Sir, sad sight to see! From ten to five, from five to three, A lamb, a weather, and a ewe; And then at last, from three to two; And of my fifty, yesterday I had but only one, And here it lies upon my arm, Alas! and I have none; To-day I fetched it from the rock; It is the last of all my flock.
|
Written by
Robert Hayden |
I
Jesús, Estrella, Esperanza, Mercy:
Sails flashing to the wind like weapons,
sharks following the moans the fever and the dying;
horror the corposant and compass rose.
Middle Passage:
voyage through death
to life upon these shores.
"10 April 1800--
Blacks rebellious. Crew uneasy. Our linguist says
their moaning is a prayer for death,
our and their own. Some try to starve themselves.
Lost three this morning leaped with crazy laughter
to the waiting sharks, sang as they went under."
Desire, Adventure, Tartar, Ann:
Standing to America, bringing home
black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones
New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me
Over Life's Tempestuous Sea
We pray that Thou wilt grant, O Lord,
safe passage to our vessels bringing
heathen souls unto Thy chastening.
Jesus Saviour
"8 bells. I cannot sleep, for I am sick
with fear, but writing eases fear a little
since still my eyes can see these words take shape
upon the page & so I write, as one
would turn to exorcism. 4 days scudding,
but now the sea is calm again. Misfortune
follows in our wake like sharks (our grinning
tutelary gods). Which one of us
has killed an albatross? A plague among
our blacks--Ophthalmia: blindness--& we
have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.'s eyes
& there is blindness in the fo'c'sle
& we must sail 3 weeks before we come
to port."
What port awaits us, Davy Jones' or home? I've
heard of slavers drifting, drifting, playthings of wind and storm and
chance, their crews gone blind, the jungle hatred crawling
up on deck.
Thou Who Walked On Galilee
"Deponent further sayeth The Bella J
left the Guinea Coast
with cargo of five hundred blacks and odd
for the barracoons of Florida:
"That there was hardly room 'tween-decks for half
the sweltering cattle stowed spoon-fashion there;
that some went mad of thirst and tore their flesh
and sucked the blood:
"That Crew and Captain lusted with the comeliest
of the savage girls kept naked in the cabins;
that there was one they called The Guinea Rose
and they cast lots and fought to lie with her:
"That when the Bo's'n piped all hands, the flames
spreading from starboard already were beyond
control, the ******* howling and their chains
entangled with the flames:
"That the burning blacks could not be reached,
that the Crew abandoned ship,
leaving their shrieking negresses behind,
that the Captain perished drunken with the wenches:
"Further Deponent sayeth not."
Pilot Oh Pilot Me
II
Aye, lad, and I have seen those factories,
Gambia, Rio Pongo, Calabar;
have watched the artful mongos baiting traps
of war wherein the victor and the vanquished
Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity
and greed turned wild black hides of Fellatah,
Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him--
fetish face beneath French parasols
of brass and orange velvet, impudent mouth
whose cups were carven skulls of enemies:
He'd honor us with drum and feast and conjo
and palm-oil-glistening wenches deft in love,
and for tin crowns that shone with paste,
red calico and German-silver trinkets
Would have the drums talk war and send
his warriors to burn the sleeping villages
and kill the sick and old and lead the young
in coffles to our factories.
Twenty years a trader, twenty years,
for there was wealth aplenty to be harvested
from those black fields, and I'd be trading still
but for the fevers melting down my bones.
III
Shuttles in the rocking loom of history,
the dark ships move, the dark ships move,
their bright ironical names
like jests of kindness on a murderer's mouth;
plough through thrashing glister toward
fata morgana's lucent melting shore,
weave toward New World littorals that are
mirage and myth and actual shore.
Voyage through death,
voyage whose chartings are unlove.
A charnel stench, effluvium of living death
spreads outward from the hold,
where the living and the dead, the horribly dying,
lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy
rots with him, rats eat love's rotten gelid eyes. But, oh, the
living look at you with human eyes whose suffering accuses you, whose
hatred reaches through the swill of dark to strike you like a leper's
claw. You cannot stare that hatred down or chain the fear that stalks
the watches and breathes on you its fetid scorching breath; cannot
kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers
of wind and wave, The Amistad, señores,
would have reached the port of Príncipe in two,
three days at most; but for the storm we should
have been prepared for what befell.
Swift as a puma's leap it came. There was
that interval of moonless calm filled only
with the water's and the rigging's usual sounds,
then sudden movement, blows and snarling cries
and they had fallen on us with machete
and marlinspike. It was as though the very
air, the night itself were striking us.
Exhausted by the rigors of the storm,
we were no match for them. Our men went down
before the murderous Africans. Our loyal
Celestino ran from below with gun
and lantern and I saw, before the cane-
knife's wounding flash, Cinquez,
that surly brute who calls himself a prince,
directing, urging on the ghastly work.
He hacked the poor mulatto down, and then
he turned on me. The decks were slippery
when daylight finally came. It sickens me
to think of what I saw, of how these apes
threw overboard the butchered bodies of
our men, true Christians all, like so much jetsam.
Enough, enough. The rest is quickly told:
Cinquez was forced to spare the two of us
you see to steer the ship to Africa,
and we like phantoms doomed to rove the sea
voyaged east by day and west by night,
deceiving them, hoping for rescue,
prisoners on our own vessel, till
at length we drifted to the shores of this
your land, America, where we were freed
from our unspeakable misery. Now we
demand, good sirs, the extradition of
Cinquez and his accomplices to La
Havana. And it distresses us to know
there are so many here who seem inclined
to justify the mutiny of these blacks.
We find it paradoxical indeed
that you whose wealth, whose tree of liberty
are rooted in the labor of your slaves
should suffer the august John Quincey Adams
to speak with so much passion of the right
of chattel slaves to kill their lawful masters
and with his Roman rhetoric weave a hero's
garland for Cinquez. I tell you that
we are determined to return to Cuba
with our slaves and there see justice done.
Cinquez--
or let us say 'the Prince'--Cinquez shall die."
The deep immortal human wish,
the timeless will:
Cinquez its deathless primaveral image,
life that transfigures many lives.
Voyage through death
to life upon these shores.
|
Written by
Rainer Maria Rilke |
O trees of life, oh, what when winter comes?
We are not of one mind. Are not like birds
in unison migrating. And overtaken,
overdue, we thrust ourselves into the wind
and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware,
in their magnificence, of any weaknesss.
But we, while wholly concentrating on one thing,
already feel the pressure of another.
Hatred is our first response. And lovers,
are they not forever invading one another's
boundaries? -although they promised space,
hunting and homeland. Then, for a sketch
drawn at a moment's impulse, a ground of contrast
is prepared, painfully, so that we may see.
For they are most exact with us. We do not know
the contours of our feelings. We only know
what shapes them from the outside.
Who has not sat, afraid, before his own heart's
curtain? It lifted and displayed the scenery
of departure. Easy to understand. The well-known
garden swaying just a little. Then came the dancer.
Not he! Enough! However lightly he pretends to move:
he is just disguised, costumed, an ordinary man
who enters through the kitchen when coming home.
I will not have these half-filled human masks;
better the puppet. It at least is full.
I will endure this well-stuffed doll, the wire,
the face that is nothing but appearance. Here out front
I wait. Even if the lights go down and I am told:
"There's nothing more to come," -even if
the grayish drafts of emptiness come drifting down
from the deserted stage -even if not one
of my now silent forebears sist beside me
any longer, not a woman, not even a boy-
he with the brown and squinting eyes-:
I'll still remain. For one can always watch.
Am I not right? You, to whom life would taste
so bitter, Father, after you - for my sake -
slipped of mine, that first muddy infusion
of my necessity. You kept on tasting, Father,
as I kept on growing, troubled by the aftertaste
of my so strange a future as you kept searching
my unfocused gaze -you who, so often since
you died, have been afraid for my well-being,
within my deepest hope, relinquishing that calmness,
the realms of equanimity such as the dead possess
for my so small fate -Am I not right?
And you, my parents, am I not right? You who loved me
for that small beginning of my love for you
from which I always shyly turned away, because
the distance in your features grew, changed,
even while I loved it, into cosmic space
where you no longer were...: and when I feel
inclined to wait before the puppet stage, no,
rather to stare at is so intensely that in the end
to counter-balance my searching gaze, an angel
has to come as an actor, and begin manipulating
the lifeless bodies of the puppets to perform.
Angel and puppet! Now at last there is a play!
Then what we seperate can come together by our
very presence. And only then the entire cycle
of our own life-seasons is revealed and set in motion.
Above, beyond us, the angel plays. Look:
must not the dying notice how unreal, how full
of pretense is all that we accomplish here, where
nothing is to be itself. O hours of childhood,
when behind each shape more that the past lay hidden,
when that which lay before us was not the future.
We grew, of course, and sometimes were impatient
in growing up, half for the sake of pleasing those
with nothing left but their own grown-upness.
Yet, when alone, we entertained ourselves
with what alone endures, we would stand there
in the infinite space that spans the world and toys,
upon a place, which from the first beginnniing
had been prepared to serve a pure event.
Who shows a child just as it stands? Who places him
within his constellation, with the measuring-rod
of distance in his hand. Who makes his death
from gray bread that grows hard, -or leaves
it there inside his rounded mouth, jagged as the core
of a sweet apple?.......The minds of murderers
are easily comprehended. But this: to contain death,
the whole of death, even before life has begun,
to hold it all so gently within oneself,
and not be angry: that is indescribable.
|
Written by
Robert William Service |
Let us have birthdays every day,
(I had the thought while I was shaving)
Because a birthday should be gay,
And full of grace and good behaving.
We can't have cakes and candles bright,
And presents are beyond our giving,
But let lt us cherish with delight
The birthday way of lovely living.
For I have passed three-score and ten
And I can count upon my fingers
The years I hope to bide with men,
(Though by God's grace one often lingers.)
So in the summers left to me,
Because I'm blest beyond my merit,
I hope with gratitude and glee
To sparkle with the birthday spirit.
Let me inform myself each day
Who's proudmost on the natal roster;
If Washington or Henry Clay,
Or Eugene Field or Stephen Foster.
oh lots of famous folks I'll find
Who more than measure to my rating,
And so thanksgivingly inclined
Their birthdays I'll be celebrating.
For Oh I know the cheery glow|
Of Anniversary rejoicing;
Let me reflect its radiance so
My daily gladness I'll be voicing.
And though I'm stooped and silver-haired,
Let me with laughter make the hearth gay,
So by the gods I may be spared
Each year to hear: "Pop, Happy Birthday."
|
Written by
Louisa May Alcott |
Long ago in a poultry yard
One dull November morn,
Beneath a motherly soft wing
A little goose was born.
Who straightway peeped out of the shell
To view the world beyond,
Longing at once to sally forth
And paddle in the pond.
"Oh! be not rash," her father said,
A mild Socratic bird;
Her mother begged her not to stray
With many a warning word.
But little goosey was perverse,
And eagerly did cry,
"I've got a lovely pair of wings,
Of course I ought to fly."
In vain parental cacklings,
In vain the cold sky's frown,
Ambitious goosey tried to soar,
But always tumbled down.
The farmyard jeered at her attempts,
The peacocks screamed, "Oh fie!
You're only a domestic goose,
So don't pretend to fly."
Great cock-a-doodle from his perch
Crowed daily loud and clear,
"Stay in the puddle, foolish bird,
That is your proper sphere,"
The ducks and hens said, one and all,
In gossip by the pool,
"Our children never play such pranks;
My dear, that fowl's a fool."
The owls came out and flew about,
Hooting above the rest,
"No useful egg was ever hatched
From transcendental nest."
Good little goslings at their play
And well-conducted chicks
Were taught to think poor goosey's flights
Were naughty, ill-bred tricks.
They were content to swim and scratch,
And not at all inclined
For any wild goose chase in search
Of something undefined.
Hard times she had as one may guess,
That young aspiring bird,
Who still from every fall arose
Saddened but undeterred.
She knew she was no nightingale
Yet spite of much abuse,
She longed to help and cheer the world,
Although a plain gray goose
She could not sing, she could not fly,
Nor even walk, with grace,
And all the farmyard had declared
A puddle was her place.
But something stronger than herself
Would cry, "Go on, go on!
Remember, though an humble fowl,
You're cousin to a swan."
So up and down poor goosey went,
A busy, hopeful bird.
Searched many wide unfruitful fields,
And many waters stirred.
At length she came unto a stream
Most fertile of all Niles,
Where tuneful birds might soar and sing
Among the leafy isles.
Here did she build a little nest
Beside the waters still,
Where the parental goose could rest
Unvexed by any bill.
And here she paused to smooth her plumes,
Ruffled by many plagues;
When suddenly arose the cry,
"This goose lays golden eggs."
At once the farmyard was agog;
The ducks began to quack;
Prim Guinea fowls relenting called,
"Come back, come back, come back."
Great chanticleer was pleased to give
A patronizing crow,
And the contemptuous biddies clucked,
"I wish my chicks did so."
The peacocks spread their shining tails,
And cried in accents soft,
"We want to know you, gifted one,
Come up and sit aloft."
Wise owls awoke and gravely said,
With proudly swelling breasts,
"Rare birds have always been evoked
From transcendental nests!"
News-hunting turkeys from afar
Now ran with all thin legs
To gobble facts and fictions of
The goose with golden eggs.
But best of all the little fowls
Still playing on the shore,
Soft downy chicks and goslings gay,
Chirped out, "Dear Goose, lay more."
But goosey all these weary years
Had toiled like any ant,
And wearied out she now replied
"My little dears, I can't.
"When I was starving, half this corn
Had been of vital use,
Now I am surfeited with food
Like any Strasbourg goose."
So to escape too many friends,
Without uncivil strife,
She ran to the Atlantic pond
And paddled for her life.
Soon up among the grand old Alps
She found two blessed things,
The health she had so nearly lost,
And rest for weary limbs.
But still across the briny deep
Couched in most friendly words,
Came prayers for letters, tales, or verse
From literary birds.
Whereat the renovated fowl
With grateful thanks profuse,
Took from her wing a quill and wrote
This lay of a Golden Goose.
|
Written by
Eugene Field |
Prudence Mears hath an old blue plate
Hid away in an oaken chest,
And a Franklin platter of ancient date
Beareth Amandy Baker's crest;
What times soever I've been their guest,
Says I to myself in an undertone:
"Of womenfolk, it must be confessed,
These do I love, and these alone."
Well, again, in the Nutmeg State,
Dorothy Pratt is richly blest
With a relic of art and a land effete--
A pitcher of glass that's cut, not pressed.
And a Washington teapot is possessed
Down in Pelham by Marthy Stone--
Think ye now that I say in jest
"These do I love, and these alone?"
Were Hepsy Higgins inclined to mate,
Or Dorcas Eastman prone to invest
In Cupid's bonds, they could find their fate
In the bootless bard of Crockery Quest.
For they've heaps of trumpery--so have the rest
Of those spinsters whose ware I'd like to own;
You can see why I say with such certain zest,
"These do I love, and these alone."
|
Written by
Patrick Kavanagh |
I have lived in important places, times
When great events were decided, who owned
That half a rood of rock, a no-man's land
Surrounded by our pitchfork-armed claims.
I heard the Duffys shouting "Damn your soul"
And old McCabe stripped to the waist, seen
Step the plot defying blue cast-steel—
"Here is the march along these iron stones"
That was the year of the Munich bother. Which
Was more important? I inclined
To lose my faith in Ballyrush and Gortin
Til Homer's ghost came whispering to my mind
He said: I made the Iliad from such
A local row. Gods make their own importance.
|
Written by
Robert Frost |
A lantern light from deeper in the barn
Shone on a man and woman in the door
And threw their lurching shadows on a house
Near by, all dark in every glossy window.
A horse's hoof pawed once the hollow floor,
And the back of the gig they stood beside
Moved in a little. The man grasped a wheel,
The woman spoke out sharply, "Whoa, stand still!"
"I saw it just as plain as a white plate,"
She said, "as the light on the dashboard ran
Along the bushes at the roadside--a man's face.
You must have seen it too."
"I didn't see it.
Are you sure----"
"Yes, I'm sure!"
"--it was a face?"
"Joel, I'll have to look. I can't go in,
I can't, and leave a thing like that unsettled.
Doors locked and curtains drawn will make no difference.
I always have felt strange when we came home
To the dark house after so long an absence,
And the key rattled loudly into place
Seemed to warn someone to be getting out
At one door as we entered at another.
What if I'm right, and someone all the time--
Don't hold my arm!"
"I say it's someone passing."
"You speak as if this were a travelled road.
You forget where we are. What is beyond
That he'd be going to or coming from
At such an hour of night, and on foot too.
What was he standing still for in the bushes?"
"It's not so very late--it's only dark.
There's more in it than you're inclined to say.
Did he look like----?"
"He looked like anyone.
I'll never rest to-night unless I know.
Give me the lantern."
"You don't want the lantern."
She pushed past him and got it for herself.
"You're not to come," she said. "This is my business.
If the time's come to face it, I'm the one
To put it the right way. He'd never dare--
Listen! He kicked a stone. Hear that, hear that!
He's coming towards us. Joel, go in--please.
Hark!--I don't hear him now. But please go in."
"In the first place you can't make me believe it's----"
"It is--or someone else he's sent to watch.
And now's the time to have it out with him
While we know definitely where he is.
Let him get off and he'll be everywhere
Around us, looking out of trees and bushes
Till I sha'n't dare to set a foot outdoors.
And I can't stand it. Joel, let me go!"
"But it's nonsense to think he'd care enough."
"You mean you couldn't understand his caring.
Oh, but you see he hadn't had enough--
Joel, I won't--I won't--I promise you.
We mustn't say hard things. You mustn't either."
"I'll be the one, if anybody goes!
But you give him the advantage with this light.
What couldn't he do to us standing here!
And if to see was what he wanted, why
He has seen all there was to see and gone."
He appeared to forget to keep his hold,
But advanced with her as she crossed the grass.
"What do you want?" she cried to all the dark.
She stretched up tall to overlook the light
That hung in both hands hot against her skirt.
"There's no one; so you're wrong," he said.
"There is.--
What do you want?" she cried, and then herself
Was startled when an answer really came.
"Nothing." It came from well along the road.
She reached a hand to Joel for support:
The smell of scorching woollen made her faint.
"What are you doing round this house at night?"
"Nothing." A pause: there seemed no more to say.
And then the voice again: "You seem afraid.
I saw by the way you whipped up the horse.
I'll just come forward in the lantern light
And let you see."
"Yes, do.--Joel, go back!"
She stood her ground against the noisy steps
That came on, but her body rocked a little.
"You see," the voice said.
"Oh." She looked and looked.
"You don't see--I've a child here by the hand."
"What's a child doing at this time of night----?"
"Out walking. Every child should have the memory
Of at least one long-after-bedtime walk.
What, son?"
"Then I should think you'd try to find
Somewhere to walk----"
"The highway as it happens--
We're stopping for the fortnight down at Dean's."
"But if that's all--Joel--you realize--
You won't think anything. You understand?
You understand that we have to be careful.
This is a very, very lonely place.
Joel!" She spoke as if she couldn't turn.
The swinging lantern lengthened to the ground,
It touched, it struck it, clattered and went out.
|
Written by
Henry Lawson |
When you wear a cloudy collar and a shirt that isn't white,
And you cannot sleep for thinking how you'll reach to-morrow night,
You may be a man of sorrows, and on speaking terms with Care,
And as yet be unacquainted with the Demon of Despair;
For I rather think that nothing heaps the trouble on your mind
Like the knowledge that your trousers badly need a patch behind.
I have noticed when misfortune strikes the hero of the play,
That his clothes are worn and tattered in a most unlikely way;
And the gods applaud and cheer him while he whines and loafs around,
And they never seem to notice that his pants are mostly sound;
But, of course, he cannot help it, for our mirth would mock his care,
If the ceiling of his trousers showed the patches of repair.
You are none the less a hero if you elevate your chin
When you feel the pavement wearing through the leather, sock, and skin;
You are rather more heroic than are ordinary folk
If you scorn to fish for pity under cover of a joke;
You will face the doubtful glances of the people that you know;
But -- of course, you're bound to face them when your pants begin to go.
If, when flush, you took your pleasures -- failed to make a god of Pelf,
Some will say that for your troubles you can only thank yourself --
Some will swear you'll die a beggar, but you only laugh at that,
While your garments hand together and you wear a decent hat;
You may laugh at their predictions while your soles are wearing low,
But -- a man's an awful coward when his pants begin to go.
Though the present and the future may be anything but bright,
It is best to tell the fellows that you're getting on all right,
And a man prefers to say it -- 'tis a manly lie to tell,
For the folks may be persuaded that you're doing very well;
But it's hard to be a hero, and it's hard to wear a grin,
When your most important garment is in places very thin.
Get some sympathy and comfort from the chum who knows you best,
That your sorrows won't run over in the presence of the rest;
There's a chum that you can go to when you feel inclined to whine,
He'll declare your coat is tidy, and he'll say: `Just look at mine!'
Though you may be patched all over he will say it doesn't show,
And he'll swear it can't be noticed when your pants begin to go.
Brother mine, and of misfortune! times are hard, but do not fret,
Keep your courage up and struggle, and we'll laugh at these things yet,
Though there is no corn in Egypt, surely Africa has some --
Keep your smile in working order for the better days to come!
We shall often laugh together at the hard times that we know,
And get measured by the tailor when our pants begin to go.
......
Now the lady of refinement, in the lap of comfort rocked,
Chancing on these rugged verses, will pretend that she is shocked.
Leave her to her smelling-bottle; 'tis the wealthy who decide
That the world should hide its patches 'neath the cruel look of pride;
And I think there's something noble, and I swear there's nothing low,
In the pride of Human Nature when its pants begin to go.
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Written by
Denise Levertov |
Did the people of Viet Nam
use lanterns of stone?
Did they hold ceremonies
to reverence the opening of buds?
Were they inclined to quiet laughter?
Did they use bone and ivory,
jade and silver, for ornament?
Had they an epic poem?
Did they distinguish between speech and singing?
Sir, their light hearts turned to stone.
It is not remembered whether in gardens
stone gardens illumined pleasant ways.
Perhaps they gathered once to delight in blossom,
but after their children were killed
there were no more buds.
Sir, laughter is bitter to the burned mouth.
A dream ago, perhaps. Ornament is for joy.
All the bones were charred.
it is not remembered. Remember,
most were peasants; their life
was in rice and bamboo.
When peaceful clouds were reflected in the paddies
and the water buffalo stepped surely along terraces,
maybe fathers told their sons old tales.
When bombs smashed those mirrors
there was time only to scream.
There is an echo yet
of their speech which was like a song.
It was reported their singing resembled
the flight of moths in moonlight.
Who can say? It is silent now.
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