Written by
Edward Taylor |
All night a door floated down the river.
It tried to remember little incidents of pleasure
from its former life, like the time the lovers
leaned against it kissing for hours
and whispering those famous words.
Later, there were harsh words and a shoe
was thrown and the door was slammed.
Comings and goings by the thousands,
the early mornings and late nights, years, years.
O they've got big plans, they'll make a bundle.
The door was an island that swayed in its sleep.
The moon turned the doorknob just slightly,
burned its fingers and ran,
and still the door said nothing and slept.
At least that's what they like to say,
the little fishes and so on.
Far away, a bell rang, and then a shot was fired.
|
Written by
Philip Larkin |
'Dockery was junior to you,
Wasn't he?' said the Dean.
'His son's here now.
'
Death-suited, visitant, I nod.
'And do
You keep in touch with-' Or remember how
Black-gowned, unbreakfasted, and still half-tight
We used to stand before that desk, to give
'Our version' of 'these incidents last night'?
I try the door of where I used to live:
Locked.
The lawn spreads dazzlingly wide.
A known bell chimes.
I catch my train, ignored.
Canal and clouds and colleges subside
Slowly from view.
But Dockery, good Lord,
Anyone up today must have been born
In '43, when I was twenty-one.
If he was younger, did he get this son
At nineteen, twenty? Was he that withdrawn
High-collared public-schoolboy, sharing rooms
With Cartwright who was killed? Well, it just shows
How much .
.
.
How little .
.
.
Yawning, I suppose
I fell asleep, waking at the fumes
And furnace-glares of Sheffield, where I changed,
And ate an awful pie, and walked along
The platform to its end to see the ranged
Joining and parting lines reflect a strong
Unhindered moon.
To have no son, no wife,
No house or land still seemed quite natural.
Only a numbness registered the shock
Of finding out how much had gone of life,
How widely from the others.
Dockery, now:
Only nineteen, he must have taken stock
Of what he wanted, and been capable
Of .
.
.
No, that's not the difference: rather, how
Convinced he was he should be added to!
Why did he think adding meant increase?
To me it was dilution.
Where do these
Innate assumptions come from? Not from what
We think truest, or most want to do:
Those warp tight-shut, like doors.
They're more a style
Our lives bring with them: habit for a while,
Suddenly they harden into all we've got
And how we got it; looked back on, they rear
Like sand-clouds, thick and close, embodying
For Dockery a son, for me nothing,
Nothing with all a son's harsh patronage.
Life is first boredom, then fear.
Whether or not we use it, it goes,
And leaves what something hidden from us chose,
And age, and then the only end of age.
|
Written by
Johann Wolfgang von Goethe |
I have taken advantage of the publication of a Second Edition
of my translation of the Poems of Goethe (originally published in
1853), to add to the Collection a version of the much admired classical
Poem of Hermann and Dorothea, which was previously omitted by me
in consequence of its length.
Its universal popularity, however,
and the fact that it exhibits the versatility of Goethe's talents
to a greater extent than, perhaps, any other of his poetical works,
seem to call for its admission into the present volume.
On the other hand I have not thought it necessary to include the
sketch of Goethe's Life that accompanied the First Edition.
At the
time of its publication, comparatively little was known in this
country of the incidents of his career, and my sketch was avowedly
written as a temporary stop-gap, as it were, pending the production
of some work really deserving the tittle of a life of Goethe.
Not
to mention other contributions to the literature of the subject,
Mr.
Lewis's important volumes give the English reader all the information
he is likely to require respecting Goethe's career, and my short
memoir appeared to be no longer required.
I need scarcely add that I have availed myself of this opportunity
to make whatever improvements have suggested themselves to me in
my original version of these Poems.
|
Written by
Emily Dickinson |
The incidents of love
Are more than its Events --
Investment's best Expositor
Is the minute Per Cents --
|
Written by
James Tate |
All night a door floated down the river.
It tried to remember little incidents of pleasure
from its former life, like the time the lovers
leaned against it kissing for hours
and whispering those famous words.
Later, there were harsh words and a shoe
was thrown and the door was slammed.
Comings and goings by the thousands,
the early mornings and late nights, years, years.
O they've got big plans, they'll make a bundle.
The door was an island that swayed in its sleep.
The moon turned the doorknob just slightly,
burned its fingers and ran,
and still the door said nothing and slept.
At least that's what they like to say,
the little fishes and so on.
Far away, a bell rang, and then a shot was fired.
|