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Best Famous In Spades Poems

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Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing. 

To think that the sun rose in the east! that men and women were flexible, real, alive!
 that
 everything was alive! 
To think that you and I did not see, feel, think, nor bear our part! 
To think that we are now here, and bear our part!

2
Not a day passes—not a minute or second, without an accouchement! 
Not a day passes—not a minute or second, without a corpse! 

The dull nights go over, and the dull days also, 
The soreness of lying so much in bed goes over, 
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for, 
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) 
The faithful hand of the living does not desert the hand of the dying, 
The twitching lips press lightly on the forehead of the dying, 
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it, 
It is palpable as the living are palpable. 

The living look upon the corpse with their eye-sight, 
But without eye-sight lingers a different living, and looks curiously on the corpse. 

3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
 others as
 upon us now—yet not act upon us! 
To think of all these wonders of city and country, and others taking great interest in
 them—and we taking no interest in them! 

To think how eager we are in building our houses! 
To think others shall be just as eager, and we quite indifferent! 

(I see one building the house that serves him a few years, or seventy or eighty years at
 most,
I see one building the house that serves him longer than that.) 

Slow-moving and black lines creep over the whole earth—they never cease—they are
 the
 burial lines, 
He that was President was buried, and he that is now President shall surely be buried. 

4
A reminiscence of the vulgar fate, 
A frequent sample of the life and death of workmen,
Each after his kind: 
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
 the
 streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, 
A hearse and stages—other vehicles give place—the funeral of an old Broadway
 stage-driver, the cortege mostly drivers. 

Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
 new-dug grave is halted at, the living alight, the hearse uncloses, 
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
 the
 earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence, 
A minute—no one moves or speaks—it is done, 
He is decently put away—is there anything more? 

He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
 take his
 own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
 women,
 gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
 toward
 the last, sicken’d, was help’d by a contribution, died, aged forty-one
 years—and
 that was his funeral. 

Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
 carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
 on
 somebody, headway, man before and man behind, good day’s work, bad day’s work,
 pet
 stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
 interest in them! 

5
The markets, the government, the working-man’s wages—to think what account they
 are
 through our nights and days! 
To think that other working-men will make just as great account of them—yet we make
 little
 or no account! 

The vulgar and the refined—what you call sin, and what you call goodness—to
 think how
 wide a difference! 
To think the difference will still continue to others, yet we lie beyond the difference.

To think how much pleasure there is! 
Have you pleasure from looking at the sky? have you pleasure from poems? 
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
 election? or with your wife and family? 
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?

—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them. 

Your farm, profits, crops,—to think how engross’d you are! 
To think there will still be farms, profits, crops—yet for you, of what avail? 

6
What will be, will be well—for what is, is well, 
To take interest is well, and not to take interest shall be well.

The sky continues beautiful, 
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
 nor
 the pleasure from poems, 
The domestic joys, the daily housework or business, the building of houses—these are
 not
 phantasms—they have weight, form, location; 
Farms, profits, crops, markets, wages, government, are none of them phantasms, 
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
 well-consider’d. 

You are not thrown to the winds—you gather certainly and safely around yourself; 
Yourself! Yourself! Yourself, forever and ever! 

7
It is not to diffuse you that you were born of your mother and father—it is to
 identify
 you; 
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you, 
You are henceforth secure, whatever comes or goes. 

The threads that were spun are gather’d, the weft crosses the warp, the pattern is
 systematic. 

The preparations have every one been justified, 
The orchestra have sufficiently tuned their instruments—the baton has given the
 signal.

The guest that was coming—he waited long, for reasons—he is now housed, 
He is one of those who are beautiful and happy—he is one of those that to look upon
 and be
 with is enough. 

The law of the past cannot be eluded, 
The law of the present and future cannot be eluded, 
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded, 
The law of heroes and good-doers cannot be eluded, 
The law of drunkards, informers, mean persons—not one iota thereof can be eluded. 

8
Slow moving and black lines go ceaselessly over the earth, 
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
 they
 on the Pacific, and they between, and all through the Mississippi country, and all over
 the
 earth.

The great masters and kosmos are well as they go—the heroes and good-doers are well, 
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
 be
 well, 
But there is more account than that—there is strict account of all. 

The interminable hordes of the ignorant and wicked are not nothing, 
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing, 
The infected in the immigrant hospital are not nothing—the murderer or mean person is
 not
 nothing, 
The perpetual successions of shallow people are not nothing as they go, 
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
 goes. 

9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed, 
I have dream’d that heroes and good-doers shall be under the present and past law, 
And that murderers, drunkards, liars, shall be under the present and past law, 
For I have dream’d that the law they are under now is enough. 

If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d! 
Then indeed suspicion of death. 

Do you suspect death? If I were to suspect death, I should die now, 
Do you think I could walk pleasantly and well-suited toward annihilation? 

10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good, 
The whole universe indicates that it is good, 
The past and the present indicate that it is good. 

How beautiful and perfect are the animals! 
How perfect the earth, and the minutest thing upon it!

What is called good is perfect, and what is called bad is just as perfect, 
The vegetables and minerals are all perfect, and the imponderable fluids are perfect; 
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
 on. 

11
I swear I think now that everything without exception has an eternal Soul! 
The trees have, rooted in the ground! the weeds of the sea have! the animals!

I swear I think there is nothing but immortality! 
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
 for
 it; 
And all preparation is for it! and identity is for it! and life and materials are
 altogether
 for it


Written by Robert Frost | Create an image from this poem

Gathering Leaves

 Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.

I make a great noise
Of rustling all day
Like rabbit and deer
Running away.

But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.

I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?

Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.

Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?
Written by Siegfried Sassoon | Create an image from this poem

The Old Huntsman

 I’ve never ceased to curse the day I signed 
A seven years’ bargain for the Golden Fleece. 
’Twas a bad deal all round; and dear enough 
It cost me, what with my daft management, 
And the mean folk as owed and never paid me, 
And backing losers; and the local bucks 
Egging me on with whiskys while I bragged 
The man I was when huntsman to the Squire. 

I’d have been prosperous if I’d took a farm 
Of fifty acres, drove my gig and haggled 
At Monday markets; now I’ve squandered all 
My savings; nigh three hundred pound I got 
As testimonial when I’d grown too stiff 
And slow to press a beaten fox. 

The Fleece! 
’Twas the damned Fleece that wore my Emily out, 
The wife of thirty years who served me well; 
(Not like this beldam clattering in the kitchen, 
That never trims a lamp nor sweeps the floor, 
And brings me greasy soup in a foul crock.) 

Blast the old harridan! What’s fetched her now, 
Leaving me in the dark, and short of fire? 
And where’s my pipe? ’Tis lucky I’ve a turn 
For thinking, and remembering all that’s past. 
And now’s my hour, before I hobble to bed, 
To set the works a-wheezing, wind the clock 
That keeps the time of life with feeble tick 
Behind my bleared old face that stares and wonders. 

. . . . 
It’s ***** how, in the dark, comes back to mind 
Some morning of September. We’ve been digging 
In a steep sandy warren, riddled with holes, 
And I’ve just pulled the terrier out and left 
A sharp-nosed cub-face blinking there and snapping, 
Then in a moment seen him mobbed and torn 
To strips in the baying hurly of the pack. 
I picture it so clear: the dusty sunshine 
On bracken, and the men with spades, that wipe 
Red faces: one tilts up a mug of ale. 
And, having stopped to clean my gory hands, 
I whistle the jostling beauties out of the wood. 

I’m but a daft old fool! I often wish 
The Squire were back again—ah! he was a man! 
They don’t breed men like him these days; he’d come 
For sure, and sit and talk and suck his briar 
Till the old wife brings up a dish of tea. 

Ay, those were days, when I was serving Squire! 
I never knowed such sport as ’85, 
The winter afore the one that snowed us silly. 

. . . . 
Once in a way the parson will drop in 
And read a bit o’ the Bible, if I’m bad, 
And pray the Lord to make my spirit whole 
In faith: he leaves some ’baccy on the shelf, 
And wonders I don’t keep a dog to cheer me 
Because he knows I’m mortal fond of dogs! 

I ask you, what’s a gent like that to me 
As wouldn’t know Elijah if I saw him, 
Nor have the wit to keep him on the talk? 
’Tis kind of parson to be troubling still 
With such as me; but he’s a town-bred chap, 
Full of his college notions and Christmas hymns. 

Religion beats me. I’m amazed at folk
Drinking the gospels in and never scratching 
Their heads for questions. When I was a lad 
I learned a bit from mother, and never thought 
To educate myself for prayers and psalms. 

But now I’m old and bald and serious-minded,
With days to sit and ponder. I’d no chance 
When young and gay to get the hang of all 
This Hell and Heaven: and when the clergy hoick 
And holloa from their pulpits, I’m asleep, 
However hard I listen; and when they pray
It seems we’re all like children sucking sweets 
In school, and wondering whether master sees. 

I used to dream of Hell when I was first 
Promoted to a huntsman’s job, and scent 
Was rotten, and all the foxes disappeared,
And hounds were short of blood; and officers 
From barracks over-rode ’em all day long 
On weedy, whistling nags that knocked a hole 
In every fence; good sportsmen to a man 
And brigadiers by now, but dreadful hard
On a young huntsman keen to show some sport. 

Ay, Hell was thick with captains, and I rode 
The lumbering brute that’s beat in half a mile, 
And blunders into every blind old ditch. 
Hell was the coldest scenting land I’ve known,
And both my whips were always lost, and hounds 
Would never get their heads down; and a man 
On a great yawing chestnut trying to cast ’em 
While I was in a corner pounded by 
The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts, 
And civil-spoken keepers I couldn’t trust, 
And the main earth unstopp’d. The fox I found 
Was always a three-legged ’un from a bag, 
Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture 
And bellowing at me when I rode their beans 
To cast for beaten fox, or galloped on 
With hounds to a lucky view. I’d lost my voice 
Although I shouted fit to burst my guts,
And couldn’t blow my horn. 

And when I woke, 
Emily snored, and barn-cocks started crowing, 
And morn was at the window; and I was glad 
To be alive because I heard the cry 
Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven! 
The cry of hounds was Heaven for me: I know 
Parson would call me crazed and wrong to say it, 
But where’s the use of life and being glad 
If God’s not in your gladness? 

I’ve no brains
For book-learned studies; but I’ve heard men say 
There’s much in print that clergy have to wink at: 
Though many I’ve met were jolly chaps, and rode 
To hounds, and walked me puppies; and could pick 
Good legs and loins and necks and shoulders, ay,
And feet—’twas necks and feet I looked at first. 

Some hounds I’ve known were wise as half your saints, 
And better hunters. That old dog of the Duke’s, 
Harlequin; what a dog he was to draw! 
And what a note he had, and what a nose
When foxes ran down wind and scent was catchy! 
And that light lemon ***** of the Squire’s, old Dorcas— 
She were a marvellous hunter, were old Dorcas! 
Ay, oft I’ve thought, ‘If there were hounds in Heaven, 
With God as master, taking no subscription; 
And all His bless?d country farmed by tenants, 
And a straight-necked old fox in every gorse!’ 
But when I came to work it out, I found 
There’d be too many huntsmen wanting places, 
Though some I’ve known might get a job with Nick! 

. . . . 
I’ve come to think of God as something like 
The figure of a man the old Duke was 
When I was turning hounds to Nimrod King, 
Before his Grace was took so bad with gout 
And had to quit the saddle. Tall and spare,
Clean-shaved and grey, with shrewd, kind eyes, that twinkled, 
And easy walk; who, when he gave good words, 
Gave them whole-hearted; and would never blame 
Without just cause. Lord God might be like that, 
Sitting alone in a great room of books
Some evening after hunting. 

Now I’m tired 
With hearkening to the tick-tack on the shelf; 
And pondering makes me doubtful. 

Riding home 
On a moonless night of cloud that feels like frost 
Though stars are hidden (hold your feet up, horse!) 
And thinking what a task I had to draw 
A pack with all those lame ’uns, and the lot 
Wanting a rest from all this open weather; 
That’s what I’m doing now. 

And likely, too, 
The frost’ll be a long ’un, and the night 
One sleep. The parsons say we’ll wake to find 
A country blinding-white with dazzle of snow. 

The naked stars make men feel lonely, wheeling 
And glinting on the puddles in the road. 

And then you listen to the wind, and wonder 
If folk are quite such bucks as they appear 
When dressed by London tailors, looking down 
Their boots at covert side, and thinking big. 

. . . . 
This world’s a funny place to live in. Soon 
I’ll need to change my country; but I know 
’Tis little enough I’ve understood my life, 
And a power of sights I’ve missed, and foreign marvels. 

I used to feel it, riding on spring days 
In meadows pied with sun and chasing clouds, 
And half forget how I was there to catch
The foxes; lose the angry, eager feeling 
A huntsman ought to have, that’s out for blood, 
And means his hounds to get it! 

Now I know 
It’s God that speaks to us when we’re bewitched, 
Smelling the hay in June and smiling quiet;
Or when there’s been a spell of summer drought, 
Lying awake and listening to the rain. 

. . . . 
I’d like to be the simpleton I was 
In the old days when I was whipping-in 
To a little harrier-pack in Worcestershire,
And loved a dairymaid, but never knew it 
Until she’d wed another. So I’ve loved 
My life; and when the good years are gone down, 
Discover what I’ve lost. 

I never broke 
Out of my blundering self into the world,
But let it all go past me, like a man 
Half asleep in a land that’s full of wars. 

What a grand thing ’twould be if I could go 
Back to the kennels now and take my hounds 
For summer exercise; be riding out
With forty couple when the quiet skies 
Are streaked with sunrise, and the silly birds 
Grown hoarse with singing; cobwebs on the furze 
Up on the hill, and all the country strange, 
With no one stirring; and the horses fresh,
Sniffing the air I’ll never breathe again. 

. . . . 
You’ve brought the lamp, then, Martha? I’ve no mind 
For newspaper to-night, nor bread and cheese. 
Give me the candle, and I’ll get to bed.
Written by Robert Burns | Create an image from this poem

83. The Cotter's Saturday Night

 MY lov’d, my honour’d, much respected friend!
 No mercenary bard his homage pays;
With honest pride, I scorn each selfish end,
 My dearest meed, a friend’s esteem and praise:
 To you I sing, in simple Scottish lays,
The lowly train in life’s sequester’d scene,
 The native feelings strong, the guileless ways,
What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there I ween!


November chill blaws loud wi’ angry sugh;
 The short’ning winter-day is near a close;
The miry beasts retreating frae the pleugh;
 The black’ning trains o’ craws to their repose:
 The toil-worn Cotter frae his labour goes,—
This night his weekly moil is at an end,
 Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.


At length his lonely cot appears in view,
 Beneath the shelter of an aged tree;
Th’ expectant wee-things, toddlin, stacher through
 To meet their dead, wi’ flichterin noise and glee.
 His wee bit ingle, blinkin bonilie,
His clean hearth-stane, his thrifty wifie’s smile,
 The lisping infant, prattling on his knee,
Does a’ his weary kiaugh and care beguile,
And makes him quite forget his labour and his toil.


Belyve, the elder bairns come drapping in,
 At service out, amang the farmers roun’;
Some ca’ the pleugh, some herd, some tentie rin
 A cannie errand to a neibor town:
 Their eldest hope, their Jenny, woman-grown,
In youthfu’ bloom-love sparkling in her e’e—
 Comes hame, perhaps to shew a braw new gown,
Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.


With joy unfeign’d, brothers and sisters meet,
 And each for other’s weelfare kindly speirs:
The social hours, swift-wing’d, unnotic’d fleet:
 Each tells the uncos that he sees or hears.
 The parents, partial, eye their hopeful years;
Anticipation forward points the view;
 The mother, wi’ her needle and her shears,
Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.


Their master’s and their mistress’ command,
 The younkers a’ are warned to obey;
And mind their labours wi’ an eydent hand,
 And ne’er, tho’ out o’ sight, to jauk or play;
 “And O! be sure to fear the Lord alway,
And mind your duty, duly, morn and night;
 Lest in temptation’s path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain that sought the Lord aright.”


But hark! a rap comes gently to the door;
 Jenny, wha kens the meaning o’ the same,
Tells how a neibor lad came o’er the moor,
 To do some errands, and convoy her hame.
 The wily mother sees the conscious flame
Sparkle in Jenny’s e’e, and flush her cheek;
 With heart-struck anxious care, enquires his name,
While Jenny hafflins is afraid to speak;
Weel-pleased the mother hears, it’s nae wild, worthless rake.


Wi’ kindly welcome, Jenny brings him ben;
 A strappin youth, he takes the mother’s eye;
Blythe Jenny sees the visit’s no ill ta’en;
 The father cracks of horses, pleughs, and kye.
 The youngster’s artless heart o’erflows wi’ joy,
But blate an’ laithfu’, scarce can weel behave;
 The mother, wi’ a woman’s wiles, can spy
What makes the youth sae bashfu’ and sae grave,
Weel-pleas’d to think her bairn’s respected like the lave.


O happy love! where love like this is found:
 O heart-felt raptures! bliss beyond compare!
I’ve paced much this weary, mortal round,
 And sage experience bids me this declare,—
 “If Heaven a draught of heavenly pleasure spare—
One cordial in this melancholy vale,
 ’Tis when a youthful, loving, modest pair
In other’sarms, breathe out the tender tale,
Beneath the milk-white thorn that scents the evening gale.”


Is there, in human form, that bears a heart,
 A wretch! a villain! lost to love and truth!
That can, with studied, sly, ensnaring art,
 Betray sweet Jenny’s unsuspecting youth?
 Curse on his perjur’d arts! dissembling smooth!
Are honour, virtue, conscience, all exil’d?
 Is there no pity, no relenting ruth,
Points to the parents fondling o’er their child?
Then paints the ruin’d maid, and their distraction wild?


But now the supper crowns their simple board,
 The halesome parritch, chief of Scotia’s food;
The sowp their only hawkie does afford,
 That, ’yont the hallan snugly chows her cood:
 The dame brings forth, in complimental mood,
To grace the lad, her weel-hain’d kebbuck, fell;
 And aft he’s prest, and aft he ca’s it guid:
The frugal wifie, garrulous, will tell
How t’was a towmond auld, sin’ lint was i’ the bell.


The cheerfu’ supper done, wi’ serious face,
 They, round the ingle, form a circle wide;
The sire turns o’er, with patriarchal grace,
 The big ha’bible, ance his father’s pride:
 His bonnet rev’rently is laid aside,
His lyart haffets wearing thin and bare;
 Those strains that once did sweet in Zion glide,
He wales a portion with judicious care;
And “Let us worship God!” he says with solemn air.


They chant their artless notes in simple guise,
 They tune their hearts, by far the noblest aim;
Perhaps Dundee’s wild-warbling measures rise;
 Or plaintive Martyrs, worthy of the name;
 Or noble Elgin beets the heaven-ward flame;
The sweetest far of Scotia’s holy lays:
 Compar’d with these, Italian trills are tame;
The tickl’d ears no heart-felt raptures raise;
Nae unison hae they with our Creator’s praise.


The priest-like father reads the sacred page,
 How Abram was the friend of God on high;
Or Moses bade eternal warfare wage
 With Amalek’s ungracious progeny;
 Or how the royal bard did groaning lie
Beneath the stroke of Heaven’s avenging ire;
 Or Job’s pathetic plaint, and wailing cry;
Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.


Perhaps the Christian volume is the theme,
 How guiltless blood for guilty man was shed;
How He, who bore in Heaven the second name,
 Had not on earth whereon to lay His head:
 How His first followers and servants sped;
The precepts sage they wrote to many a land:
 How he, who lone in Patmos banished,
Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.


Then, kneeling down to Heaven’s Eternal King,
 The saint, the father, and the husband prays:
Hope “springs exulting on triumphant wing,” 1
 That thus they all shall meet in future days,
 There, ever bask in uncreated rays,
No more to sigh, or shed the bitter tear,
 Together hymning their Creator’s praise,
In such society, yet still more dear;
While circling Time moves round in an eternal sphere


Compar’d with this, how poor Religion’s pride,
 In all the pomp of method, and of art;
When men display to congregations wide
 Devotion’s ev’ry grace, except the heart!
 The Power, incens’d, the pageant will desert,
The pompous strain, the sacerdotal stole;
 But haply, in some cottage far apart,
May hear, well-pleas’d, the language of the soul;
And in His Book of Life the inmates poor enroll.


Then homeward all take off their sev’ral way;
 The youngling cottagers retire to rest:
The parent-pair their secret homage pay,
 And proffer up to Heaven the warm request,
 That he who stills the raven’s clam’rous nest,
And decks the lily fair in flow’ry pride,
 Would, in the way His wisdom sees the best,
For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.


From scenes like these, old Scotia’s grandeur springs,
 That makes her lov’d at home, rever’d abroad:
Princes and lords are but the breath of kings,
 “An honest man’s the noblest work of God;”
 And certes, in fair virtue’s heavenly road,
The cottage leaves the palace far behind;
 What is a lordling’s pomp? a cumbrous load,
Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!


O Scotia! my dear, my native soil!
 For whom my warmest wish to Heaven is sent,
Long may thy hardy sons of rustic toil
 Be blest with health, and peace, and sweet content!
 And O! may Heaven their simple lives prevent
From luxury’s contagion, weak and vile!
 Then howe’er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.


O Thou! who pour’d the patriotic tide,
 That stream’d thro’ Wallace’s undaunted heart,
Who dar’d to nobly stem tyrannic pride,
 Or nobly die, the second glorious part:
 (The patriot’s God peculiarly thou art,
His friend, inspirer, guardian, and reward!)
 O never, never Scotia’s realm desert;
But still the patriot, and the patriot-bard
In bright succession raise, her ornament and guard!


 Note 1. Pope’s “Windsor Forest.”—R. B. [back]
Written by Lewis Carroll | Create an image from this poem

A Sea Dirge

 There are certain things--as, a spider, a ghost,
 The income-tax, gout, an umbrella for three--
That I hate, but the thing that I hate the most
 Is a thing they call the Sea.

Pour some salt water over the floor--
 Ugly I'm sure you'll allow it to be:
Suppose it extended a mile or more,
 That's very like the Sea.

Beat a dog till it howls outright--
 Cruel, but all very well for a spree:
Suppose that he did so day and night,
 That would be like the Sea.

I had a vision of nursery-maids;
 Tens of thousands passed by me--
All leading children with wooden spades,
 And this was by the Sea.

Who invented those spades of wood?
 Who was it cut them out of the tree?
None, I think, but an idiot could--
 Or one that loved the Sea.

It is pleasant and dreamy, no doubt, to float
 With "thoughts as boundless, and souls as free":
But, suppose you are very unwell in the boat,
 How do you like the Sea?

There is an insect that people avoid
 (Whence is derived the verb "to flee").
Where have you been by it most annoyed?
 In lodgings by the Sea.

If you like your coffee with sand for dregs,
 A decided hint of salt in your tea,
And a fishy taste in the very eggs--
 By all means choose the Sea.

And if, with these dainties to drink and eat,
 You prefer not a vestige of grass or tree,
And a chronic state of wet in your feet,
 Then--I recommend the Sea.

For I have friends who dwell by the coast--
 Pleasant friends they are to me!
It is when I am with them I wonder most
 That anyone likes the Sea.

They take me a walk: though tired and stiff,
 To climb the heights I madly agree;
And, after a tumble or so from the cliff,
 They kindly suggest the Sea.

I try the rocks, and I think it cool
 That they laugh with such an excess of glee,
As I heavily slip into every pool
 That skirts the cold cold Sea.


Written by James Whitcomb Riley | Create an image from this poem

The Raggedy Man

 O the Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed -- an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen -- ef our hired girl says he can --
He milks the cow fer 'Lizabuth Ann. --
 Ain't he a' awful good Raggedy Man?
 Raggedy! Raggedy! Raggedy Man!


W'y, The Raggedy Man -- he's ist so good,
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at boys can't do. --
He clumbed clean up in our big tree
An' shooked a' apple down fer me --
An' 'nother 'n', too, fer 'Lizabuth Ann --
An' 'nother 'n', too, fer The Raggedy Man. --
 Ain't he a' awful kind Raggedy Man?
 Raggedy! Raggedy! Raggedy Man!


An' The Raggedy Man one time say he
Pick' roast' rambos from a' orchurd-tree,
An' et 'em -- all ist roast' an' hot! --
An' it's so, too! -- 'cause a corn-crib got
Afire one time an' all burn' down
On "The Smoot Farm," 'bout four mile from town --
On "The Smoot Farm"! Yes -- an' the hired han'
'At worked there nen 'uz The Raggedy Man! --
 Ain't he the beatin'est Raggedy Man?
 Raggedy! Raggedy! Raggedy Man!


The Raggedy Man's so good an' kind
He'll be our "horsey," an' "haw" an' mind
Ever'thing 'at you make him do --
An' won't run off -- 'less you want him to!
I drived him wunst way down our lane
An' he got skeered, when it 'menced to rain,
An' ist rared up an' squealed and run
Purt' nigh away! -- an' it's all in fun!
Nen he skeered ag'in at a' old tin can ...
 Whoa! y' old runaway Raggedy Man!
 Raggedy! Raggedy! Raggedy Man!


An' The Raggedy Man, he knows most rhymes,
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
An' the Squidgicum-Squees 'at swallers the'rselves:
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can
Turn into me, er 'Lizabuth Ann!
Er Ma, er Pa, er The Raggedy Man!
 Ain't he a funny old Raggedy Man?
 Raggedy! Raggedy! Raggedy Man!


An' wunst, when The Raggedy Man come late,
An' pigs ist root' thue the garden-gate,
He 'tend like the pigs 'uz bears an' said,
"Old Bear-shooter'll shoot 'em dead!"
An' race' an' chase' 'em, an' they'd ist run
When he pint his hoe at 'em like it's a gun
An' go "Bang! -- Bang!" nen 'tend he stan'
An' load up his gun ag'in! Raggedy Man!
 He's an old Bear-shooter Raggedy Man!
 Raggedy! Raggedy! Raggedy Man!


An' sometimes The Raggedy Man lets on
We're little prince-children, an' old King's gone
To git more money, an' lef' us there --
And Robbers is ist thick ever'where;
An' nen -- ef we all won't cry, fer shore --
The Raggedy Man he'll come and "'splore
The Castul-halls," an' steal the "gold" --
An' steal us, too, an' grab an' hold
An' pack us off to his old "Cave"! -- An'
 Haymow's the "cave" o' The Raggedy Man! --
 Raggedy! Raggedy! Raggedy Man!


The Raggedy Man -- one time, when he
Wuz makin' a little bow-'n'-orry fer me,
Says "When you're big like your Pa is,
Air you go' to keep a fine store like his --
An' be a rich merchunt -- an' wear fine clothes? --
Er what air you go' to be, goodness knows?"
An' nen he laughed at 'Lizabuth Ann,
An' I says "'M go' to be a Raggedy Man! --
 I'm ist go' to be a nice Raggedy Man!"
 Raggedy! Raggedy! Raggedy Man!
Written by Derek Walcott | Create an image from this poem

Blues

 Those five or six young guys
lunched on the stoop
that oven-hot summer night
whistled me over. Nice
and friendly. So, I stop.
MacDougal or Christopher
Street in chains of light.

A summer festival. Or some
saint's. I wasn't too far from
home, but not too bright
for a ******, and not too dark.
I figured we were all
one, wop, ******, jew,
besides, this wasn't Central Park.
I'm coming on too strong? You figure
right! They beat this yellow ******
black and blue.

Yeah. During all this, scared
on case one used a knife,
I hung my olive-green, just-bought
sports coat on a fire plug.
I did nothing. They fought
each other, really. Life
gives them a few kcks,
that's all. The spades, the spicks.

My face smashed in, my bloddy mug
pouring, my olive-branch jacket saved
from cuts and tears,
I crawled four flights upstairs.
Sprawled in the gutter, I
remember a few watchers waved
loudly, and one kid's mother shouting
like "Jackie" or "Terry,"
"now that's enough!"
It's nothing really.
They don't get enough love.

You know they wouldn't kill
you. Just playing rough,
like young Americans will.
Still it taught me somthing
about love. If it's so tough,
forget it.
Written by Les Murray | Create an image from this poem

The New Hieroglyphics

 In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.

Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken. People use their own words.

Latin letters are in it for names, for e.g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure

have escaped their toilet doors. I (that is, saya,
Ego, watashji wa) am two eyes without pupils;
those aren't seen when you look out through them.

You has both pupils, we has one, and one blank.
Good is thumbs up, thumb and finger zipping lips 
is confidential. Evil is three-cornered snake eyes.

The effort is always to make the symbols obvious:
the bolt of electricity, winged stethoscope of course
for flying doctor. Prams under fire? Soviet film industry.

Pictographs also shouldn't be too culture-bound:
A heart circled and crossed out surely isn't.
For red, betel spit lost out to ace of diamonds.

Black is the ace of spades. The kind of spades
reads Union boss, the two is feeble effort.
If is the shorthand Libra sing , the scales.

Spare literal pictures render most nouns and verbs
and computers can draw them faster than Pharaoh's scribes.
A bordello prospectus is as explicit as the action,

but everywhere there's sunflower talk, i.e.
metaphor, as we've seen. A figure riding a skyhook
bearing food in one hand is the pictograph for grace,

two animals in a book read Nature, two books
Inside an animal, instinct. Rice in bowl with chopsticks
denotes food. Figure 1 lying prone equals other.

Most emotions are mini-faces, and the speech 
balloon is ubiquitous. A bull inside one is dialect
for placards inside one. Sun and moon together

inside one is poetry. Sun and moon over palette,
over shoes etc are all art forms — but above
a cracked heart and champagne glass? Riddle that

and you're starting to think in World, whose grammar 
is Chinese-terse and fluid. Who needs the square-
equals-diamond book, the dictionary,to know figures

led by strings to their genitals mean fashion?
just as a skirt beneath a circle meanas demure
or ao similar circle shouldering two arrows is macho.

All peoples are at times cat in water with this language
but it does promote international bird on shoulder.
This foretaste now lays its knife and fork parallel.
Written by William Butler Yeats | Create an image from this poem

Under Ben Bulben

 I

Swear by what the sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women
Complexion and form prove superhuman,
That pale, long-visaged company
That air in immortality
Completeness of their passions won;
Now they ride the wintry dawn
Where Ben Bulben sets the scene.

Here's the gist of what they mean.

 II

Many times man lives and dies
Between his two eternities,
That of race and that of soul,
And ancient Ireland knew it all.
Whether man die in his bed
Or the rifle knocks him dead,
A brief parting from those dear
Is the worst man has to fear.
Though grave-diggers' toil is long,
Sharp their spades, their muscles strong.
They but thrust their buried men
Back in the human mind again.

 III

You that Mitchel's prayer have heard,
'Send war in our time, O Lord!'
Know that when all words are said
And a man is fighting mad,
Something drops from eyes long blind,
He completes his partial mind,
For an instant stands at ease,
Laughs aloud, his heart at peace.
Even the wisest man grows tense
With some sort of violence
Before he can accomplish fate,
Know his work or choose his mate.

 IV

Poet and sculptor, do the work,
Nor let the modish painter shirk
What his great forefathers did.
Bring the soul of man to God,
Make him fill the cradles right.

Measurement began our might:
Forms a stark Egyptian thought,
Forms that gentler phidias wrought.
Michael Angelo left a proof
On the Sistine Chapel roof,
Where but half-awakened Adam
Can disturb globe-trotting Madam
Till her bowels are in heat,
proof that there's a purpose set
Before the secret working mind:
Profane perfection of mankind.

Quattrocento put in paint
On backgrounds for a God or Saint
Gardens where a soul's at ease;
Where everything that meets the eye,
Flowers and grass and cloudless sky,
Resemble forms that are or seem
When sleepers wake and yet still dream.
And when it's vanished still declare,
With only bed and bedstead there,
That heavens had opened.
Gyres run on;
When that greater dream had gone
Calvert and Wilson, Blake and Claude,
Prepared a rest for the people of God,
Palmer's phrase, but after that
Confusion fell upon our thought.

 V

Irish poets, earn your trade,
Sing whatever is well made,
Scorn the sort now growing up
All out of shape from toe to top,
Their unremembering hearts and heads
Base-born products of base beds.
Sing the peasantry, and then
Hard-riding country gentlemen,
The holiness of monks, and after
Porter-drinkers' randy laughter;
Sing the lords and ladies gay
That were beaten into the clay
Through seven heroic centuries;
Cast your mind on other days
That we in coming days may be
Still the indomitable Irishry.

 VI

Under bare Ben Bulben's head
In Drumcliff churchyard Yeats is laid.
An ancestor was rector there
Long years ago, a church stands near,
By the road an ancient cross.

No marble, no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:

 Cast a cold eye
 On life, on death.
 Horseman, pass by!
Written by Andrew Marvell | Create an image from this poem

The Character Of Holland

 Holland, that scarce deserves the name of Land,
As but th'Off-scouring of the Brittish Sand;
And so much Earth as was contributed
By English Pilots when they heav'd the Lead;
Or what by th' Oceans slow alluvion fell,
Of shipwrackt Cockle and the Muscle-shell;
This indigested vomit of the Sea
Fell to the Dutch by just Propriety.
Glad then, as Miners that have found the Oar,
They with mad labour fish'd the Land to Shoar;
And div'd as desperately for each piece
Of Earth, as if't had been of Ambergreece;
Collecting anxiously small Loads of Clay,
Less then what building Swallows bear away;
Transfursing into them their Dunghil Soul.
How did they rivet, with Gigantick Piles,
Thorough the Center their new-catched Miles;
And to the stake a strugling Country bound,
Where barking Waves still bait the forced Ground;
Building their watry Babel far more high
To reach the Sea, then those to scale the Sky.
Yet still his claim the Injur'd Ocean laid,
And oft at Leap-frog ore their Steeples plaid:
As if on purpose it on Land had come
To shew them what's their Mare Liberum.
A daily deluge over them does boyl;
The Earth and Water play at Level-coyl;
The Fish oft-times the Burger dispossest,
And sat not as a Meat but as a Guest;
And oft the Tritons and the Sea-Nymphs saw
Whole sholes of Dutch serv'd up for Cabillan;
Or as they over the new Level rang'd
For pickled Herring, pickled Heeren chang'd.
Nature, it seem'd, asham'd of her mistake,
Would throw their land away at Duck and Drake.
Therefore Necessity, that first made Kings,
Something like Government among them brings.
For as with Pygmees who best kills the Crane,
Among the hungry he that treasures Grain,
Among the blind the one-ey'd blinkard reigns,
So rules among the drowned he that draines.
Not who first see the rising Sun commands,
But who could first discern the rising Lands.
Who best could know to pump an Earth so leak
Him they their Lord and Country's Father speak.
To make a Bank was a great Plot of State;
Invent a Shov'l and be a Magistrate.
Hence some small Dyke-grave unperceiv'd invades
The Pow'r, and grows as 'twere a King of Spades.
But for less envy some Joynt States endures,
Who look like a Commission of the Sewers.
For these Half-anders, half wet, and half dry,
Nor bear strict service, nor pure Liberty.
'Tis probable Religion after this
Came next in order; which they could not miss.
How could the Dutch but be converted, when
Th' Apostles were so many Fishermen?
Besides the Waters of themselves did rise,
And, as their Land, so them did re-baptise.
Though Herring for their God few voices mist,
And Poor-John to have been th' Evangelist.
Faith, that could never Twins conceive before,
Never so fertile, spawn'd upon this shore:
More pregnant then their Marg'ret, that laid down
For Hans-in-Kelder of a whole Hans-Town.
Sure when Religion did it self imbark,
And from the east would Westward steer its Ark,
It struck, and splitting on this unknown ground,
Each one thence pillag'd the first piece he found:
Hence Amsterdam, Turk-Christian-Pagan-Jew,
Staple of Sects and Mint of Schisme grew;
That Bank of Conscience, where not one so strange
Opinion but finds Credit, and Exchange.
In vain for Catholicks our selves we bear;
The Universal Church is onely there.
Nor can Civility there want for Tillage,
Where wisely for their Court they chose a Village.
How fit a Title clothes their Governours,
Themselves the Hogs as all their Subjects Bores
Let it suffice to give their Country Fame
That it had one Civilis call'd by Name,
Some Fifteen hundred and more years ago,
But surely never any that was so.
See but their Mairmaids with their Tails of Fish,
Reeking at Church over the Chafing-Dish.
A vestal Turf enshrin'd in Earthen Ware
Fumes through the loop-holes of wooden Square.
Each to the Temple with these Altars tend,
But still does place it at her Western End:
While the fat steam of Female Sacrifice
Fills the Priests Nostrils and puts out his Eyes.
Or what a Spectacle the Skipper gross,
A Water-Hercules Butter-Coloss,
Tunn'd up with all their sev'ral Towns of Beer;
When Stagg'ring upon some Land, Snick and Sneer,
They try, like Statuaries, if they can,
Cut out each others Athos to a Man:
And carve in their large Bodies, where they please,
The Armes of the United Provinces.
But when such Amity at home is show'd;
What then are their confederacies abroad?
Let this one court'sie witness all the rest;
When their hole Navy they together prest,
Not Christian Captives to redeem from Bands:
Or intercept the Western golden Sands:
No, but all ancient Rights and Leagues must vail,
Rather then to the English strike their sail;
to whom their weather-beaten Province ows
It self, when as some greater Vessal tows
A Cock-boat tost with the same wind and fate;
We buoy'd so often up their Sinking State.
Was this Jus Belli & Pacis; could this be
Cause why their Burgomaster of the Sea
Ram'd with Gun-powder, flaming with Brand wine,
Should raging hold his Linstock to the Mine?
While, with feign'd Treaties, they invade by stealth
Our sore new circumcised Common wealth.
Yet of his vain Attempt no more he sees
Then of Case-Butter shot and Bullet-Cheese.
And the torn Navy stagger'd with him home,
While the Sea laught it self into a foam,
'Tis true since that (as fortune kindly sports,)
A wholesome Danger drove us to our ports.
While half their banish'd keels the Tempest tost,
Half bound at home in Prison to the frost:
That ours mean time at leisure might careen,
In a calm Winter, under Skies Serene.
As the obsequious Air and waters rest,
Till the dear Halcyon hatch out all its nest.
The Common wealth doth by its losses grow;
And, like its own Seas, only Ebbs to flow.
Besides that very Agitation laves,
And purges out the corruptible waves.
And now again our armed Bucentore
Doth yearly their Sea-Nuptials restore.
And how the Hydra of seaven Provinces
Is strangled by our Infant Hercules.
Their Tortoise wants its vainly stretched neck;
Their Navy all our Conquest or our Wreck:
Or, what is left, their Carthage overcome
Would render fain unto our better Rome.
Unless our Senate, lest their Youth disuse,
The War, (but who would) Peace if begg'd refuse.
For now of nothing may our State despair,
Darling of Heaven, and of Men the Care;
Provided that they be what they have been,
Watchful abroad, and honest still within.
For while our Neptune doth a Trident shake, Blake,
Steel'd with those piercing Heads, Dean, Monck and
And while Jove governs in the highest Sphere,
Vainly in Hell let Pluto domineer.

Book: Radiant Verses: A Journey Through Inspiring Poetry