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Best Famous Impressive Poems

Here is a collection of the all-time best famous Impressive poems. This is a select list of the best famous Impressive poetry. Reading, writing, and enjoying famous Impressive poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of impressive poems.

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Written by Eavan Boland | Create an image from this poem

Witness

 Against the enormous rocks of a rough coast
The ocean rams itself in pitched assault
And spastic rage to which there is no halt;
Foam-white brigades collapse; but the huge host

Has infinite reserves; at each attack
The impassive cliffs look down in gray disdain
At scenes of sacrifice, unrelieved pain,
Figured in froth, aquamarine and black.
Something in the blood-chemistry of life, Unspeakable, impressive, undeterred, Expresses itself without needing a word In this sea-crazed Empedoclean Strife.
It is a scene of unmatched melancholy, Weather of misery, cloud cover of distress, To which there are not witnesses, unless One counts the briny, tough and thorned sea holly.


Written by Marianne Moore | Create an image from this poem

The Pangolin

 Another armored animal--scale
 lapping scale with spruce-cone regularity until they
form the uninterrupted central
 tail-row! This near artichoke with head and legs and grit-equipped
 gizzard,
the night miniature artist engineer is,
 yes, Leonardo da Vinci's replica--
 impressive animal and toiler of whom we seldom hear.
Armor seems extra.
But for him, the closing ear-ridge-- or bare ear lacking even this small eminence and similarly safe contracting nose and eye apertures impenetrably closable, are not; a true ant-eater, not cockroach eater, who endures exhausting solitary trips through unfamiliar ground at night, returning before sunrise, stepping in the moonlight, on the moonlight peculiarly, that the outside edges of his hands may bear the weight and save the claws for digging.
Serpentined about the tree, he draws away from danger unpugnaciously, with no sound but a harmless hiss; keeping the fragile grace of the Thomas- of-Leighton Buzzard Westminster Abbey wrought-iron vine, or rolls himself into a ball that has power to defy all effort to unroll it; strongly intailed, neat head for core, on neck not breaking off, with curled-in-feet.
Nevertheless he has sting-proof scales; and nest of rocks closed with earth from inside, which can thus darken.
Sun and moon and day and night and man and beast each with a splendor which man in all his vileness cannot set aside; each with an excellence! "Fearfull yet to be feared," the armored ant-eater met by the driver-ant does not turn back, but engulfs what he can, the flattened sword- edged leafpoints on the tail and artichoke set leg- and body-plates quivering violently when it retaliates and swarms on him.
Compact like the furled fringed frill on the hat-brim of Gargallo's hollow iron head of a matador, he will drop and will then walk away unhurt, although if unintruded on, he cautiously works down the tree, helped by his tail.
The giant-pangolin- tail, graceful tool, as a prop or hand or broom or ax, tipped like an elephant's trunkwith special skin, is not lost on this ant- and stone-swallowing uninjurable artichoke which simpletons thought a living fable whom the stones had nourished, whereas ants had done so.
Pangolins are not aggressive animals; between dusk and day they have not unchain-like machine-like form and frictionless creep of a thing made graceful by adversities, con- versities.
To explain grace requires a curious hand.
If that which is at all were not forever, why would those who graced the spires with animals and gathered there to rest, on cold luxurious low stone seats--a monk and monk and monk--between the thus ingenious roof supports, have slaved to confuse grace with a kindly manner, time in which to pay a debt, the cure for sins, a graceful use of what are yet approved stone mullions branching out across the perpendiculars? A sailboat was the first machine.
Pangolins, made for moving quietly also, are models of exactness, on four legs; on hind feet plantigrade, with certain postures of a man.
Beneath sun and moon, man slaving to make his life more sweet, leaves half the flowers worth having, needing to choose wisely how to use his strength; a paper-maker like the wasp; a tractor of foodstuffs, like the ant; spidering a length of web from bluffs above a stream; in fighting, mechanicked like the pangolin; capsizing in disheartenment.
Bedizened or stark naked, man, the self, the being we call human, writing- masters to this world, griffons a dark "Like does not like like that is abnoxious"; and writes error with four r's.
Among animals, one has sense of humor.
Humor saves a few steps, it saves years.
Unignorant, modest and unemotional, and all emotion, he has everlasting vigor, power to grow, though there are few creatures who can make one breathe faster and make one erecter.
Not afraid of anything is he, and then goes cowering forth, tread paced to meet an obstacle at every step.
Consistent with the formula--warm blood, no gills, two pairs of hands and a few hairs-- that is a mammal; there he sits on his own habitat, serge-clad, strong-shod.
The prey of fear, he, always curtailed, extinguished, thwarted by the dusk, work partly done, says to the alternating blaze, "Again the sun! anew each day; and new and new and new, that comes into and steadies my soul.
"
Written by Lewis Carroll | Create an image from this poem

Poeta Fit Non Nascitur

 "How shall I be a poet?
How shall I write in rhyme?
You told me once the very wish
Partook of the sublime:
Then tell me how.
Don't put me off With your 'another time'.
" The old man smiled to see him, To hear his sudden sally; He liked the lad to speak his mind Enthusiastically, And thought, "There's no hum-drum in him, Nor any shilly-shally.
" "And would you be a poet Before you've been to school? Ah well! I hardly thought you So absolute a fool.
First learn to be spasmodic— A very simple rule.
"For first you write a sentence, And then you chop it small! Then mix the bits, and sort them out Just as they chance to fall: The order of the phrases makes No difference at all.
"Then, if you'd be impressive, Remember what I say, The abstract qualities begin With capitals alway: The True, the Good, the Beautiful, These are the things that pay! "Next, when you are describing A shape, or sound, or tint, Don't state the matter plainly, But put it in a hint; And learn to look at all things With a sort of mental squint.
" "For instance, if I wished, Sir, Of mutton-pies to tell, Should I say 'Dreams of fleecy flocks Pent in a wheaten cell'?" "Why, yes," the old man said: "that phrase Would answer very well.
"Then, fourthly, there are epithets That suit with any word— As well as Harvey's Reading Sauce With fish, or flesh, or bird— Of these 'wild,' 'lonely,' 'weary,' 'strange,' Are much to be preferred.
" "And will it do, O will it do To take them in a lump— As 'the wild man went his weary way To a strange and lonely pump'?" "Nay, nay! You must not hastily To such conclusions jump.
"Such epithets, like pepper, Give zest to what you write, And, if you strew them sparely, They whet the appetite: But if you lay them on too thick, You spoil the matter quite! "Last, as to the arrangement; Your reader, you should show him, Must take what information he Can get, and look for no im- mature disclosure of the drift And purpose of your poem.
"Therefore, to test his patience— How much he can endure— Mention no places, names, nor dates, And evermore be sure Throughout the poem to be found Consistently obscure.
"First fix upon the limit To which it shall extend: Then fill it up with 'padding', (Beg some of any friend): Your great sensation-stanza You place towards the end.
Now try your hand, ere Fancy Have lost its present glow—" "And then," his grandson added, "We'll publish it, you know: Green cloth—gold-lettered at the back, In duodecimo!" Then proudly smiled the old man To see the eager lad Rush madly for his pen and ink And for his blotting-pad— But when he thought of publishing, His face grew stern and sad.
Written by Mary Darby Robinson | Create an image from this poem

The Hermit of Mont-Blanc

 High, on the Solitude of Alpine Hills,
O'er-topping the grand imag'ry of Nature,
Where one eternal winter seem'd to reign;
An HERMIT'S threshold, carpetted with moss,
Diversified the Scene.
Above the flakes Of silv'ry snow, full many a modest flow'r Peep'd through its icy veil, and blushing ope'd Its variegated hues; The ORCHIS sweet, The bloomy CISTUS, and the fragrant branch Of glossy MYRTLE.
In his rushy cell, The lonely ANCHORET consum'd his days, Unnotic'd, and unblest.
In early youth, Cross'd in the fond affections of his soul By false Ambition, from his parent home He, solitary, wander'd; while the Maid Whose peerless beauty won his yielding heart Pined in monastic horrors ! Near his sill A little cross he rear'd, where, prostrate low At day's pale glimpse, or when the setting Sun Tissued the western sky with streamy gold, His Orisons he pour'd, for her, whose hours Were wasted in oblivion.
Winters pass'd, And Summers faded, slow, unchearly all To the lone HERMIT'S sorrows: For, still, Love A dark, though unpolluted altar, rear'd On the white waste of wonders! From the peak Which mark'd his neighb'ring Hut, his humid Eye Oft wander'd o'er the rich expanse below; Oft trac'd the glow of vegetating Spring, The full-blown Summer splendours, and the hue Of tawny scenes Autumnal: Vineyards vast, Clothing the upland scene, and spreading wide The promised tide nectareous; while for him The liquid lapse of the slow brook was seen Flashing amid the trees, its silv'ry wave! Far distant, the blue mist of waters rose Veiling the ridgy outline, faintly grey, Blended with clouds, and shutting out the Sun.
The Seasons still revolv'd, and still was he By all forgotten, save by her, whose breast Sigh'd in responsive sadness to the gale That swept her prison turrets.
Five long years, Had seen his graces wither ere his Spring Of life was wasted.
From the social scenes Of human energy an alien driv'n, He almost had forgot the face of Man.
-- No voice had met his ear, save, when perchance The Pilgrim wand'rer, or the Goatherd Swain, Bewilder'd in the starless midnight hour Implored the HERMIT'S aid, the HERMIT'S pray'rs; And nothing loath by pity or by pray'r Was he, to save the wretched.
On the top Of his low rushy Dome, a tinkling bell Oft told the weary Trav'ller to approach Fearless of danger.
The small silver sound In quick vibrations echo'd down the dell To the dim valley's quiet, while the breeze Slept on the glassy LEMAN.
Thus he past His melancholy days, an alien Man From all the joys of social intercourse, Alone, unpitied, by the world forgot! His Scrip each morning bore the day's repast Gather'd on summits, mingling with the clouds, From whose bleak altitude the Eye look'd down While fast the giddy brain was rock'd by fear.
Oft would he start from visionary rest When roaming wolves their midnight chorus howl'd, Or blasts infuriate shatter'd the white cliffs, While the huge fragments, rifted by the storm, Plung'd to the dell below.
Oft would he sit In silent sadness on the jutting block Of snow-encrusted ice, and, shudd'ring mark (Amid the wonders of the frozen world) Dissolving pyramids, and threatening peaks, Hang o'er his hovel, terribly Sublime.
And oft, when Summer breath'd ambrosial gales, Soft sailing o'er the waste of printless dew Or twilight gossamer, his pensive gaze Trac'd the swift storm advancing, whose broad wing Blacken'd the rushy dome of his low Hut; While the pale lightning smote the pathless top Of tow'ring CENIS, scatt'ring high and wide A mist of fleecy Snow.
Then would he hear, (While MEM'RY brought to view his happier days) The tumbling torrent, bursting wildly forth From its thaw'd prison, sweep the shaggy cliff Vast and Stupendous ! strength'ning as it fell, And delving, 'mid the snow, a cavern rude! So liv'd the HERMIT, like an hardy Tree Plac'd on a mountain's solitary brow, And destin'd, thro' the Seasons, to endure Their wond'rous changes.
To behold the face Of ever-varying Nature, and to mark In each grand lineament, the work of GOD! And happier he, in total Solitude Than the poor toil-worn wretch, whose ardent Soul That GOD has nobly organiz'd, but taught, For purposes unknown, to bear the scourge Of sharp adversity, and vulgar pride.
Happier, O ! happier far, than those who feel, Yet live amongst the unfeeling ! feeding still The throbbing heart, with anguish, or with Scorn.
One dreary night when Winter's icy breath Half petrified the scene, when not a star Gleam'd o'er the black infinity of space, Sudden, the HERMIT started from his couch Fear-struck and trembling! Ev'ry limb was shook With painful agitation.
On his cheek The blanch'd interpreter of horror mute Sat terribly impressive! In his breast The ruddy fount of life convulsive flow'd And his broad eyes, fix'd motionless as death, Gaz'd vacantly aghast ! His feeble lamp Was wasting rapidly; the biting gale Pierc'd the thin texture of his narrow cell; And Silence, like a fearful centinel Marking the peril which awaited near, Conspir'd with sullen Night, to wrap the scene In tenfold horrors.
Thrice he rose; and thrice His feet recoil'd; and still the livid flame Lengthen'd and quiver'd as the moaning wind Pass'd thro' the rushy crevice, while his heart Beat, like the death-watch, in his shudd'ring breast.
Like the pale Image of Despair he sat, The cold drops pacing down his hollow cheek, When a deep groan assail'd his startled ear, And rous'd him into action.
To the sill Of his low hovel he rush'd forth, (for fear Will sometimes take the shape of fortitude, And force men into bravery) and soon The wicker bolt unfasten'd.
The swift blast, Now unrestrain'd, flew by; and in its course The quiv'ring lamp extinguish'd, and again His soul was thrill'd with terror.
On he went, E'en to the snow-fring'd margin of the cragg, Which to his citadel a platform made Slipp'ry and perilous! 'Twas darkness, all! All, solitary gloom!--The concave vast Of Heav'n frown'd chaos; for all varied things Of air, and earth, and waters, blended, lost Their forms, in blank oblivion ! Yet not long Did Nature wear her sable panoply, For, while the HERMIT listen'd, from below A stream of light ascended, spreading round A partial view of trackless solitudes; And mingling voices seem'd, with busy hum, To break the spell of horrors.
Down the steep The HERMIT hasten'd, when a shriek of death Re-echoed to the valley.
As he flew, (The treach'rous pathway yielding to his speed,) Half hoping, half despairing, to the scene Of wonder-waking anguish, suddenly The torches were extinct; and second night Came doubly hideous, while the hollow tongues Of cavern'd winds, with melancholy sound Increas'd the HERMIT'S fears.
Four freezing hours He watch'd and pray'd: and now the glimm'ring dawn Peer'd on the Eastern Summits; (the blue light Shedding cold lustre on the colder brows Of Alpine desarts;) while the filmy wing Of weeping Twilight, swept the naked plains Of the Lombardian landscape.
On his knees The ANCHORET blest Heav'n, that he had 'scap'd The many perilous and fearful falls Of waters wild and foamy, tumbling fast From the shagg'd altitude.
But, ere his pray'rs Rose to their destin'd Heav'n, another sight, Than all preceding far more terrible, Palsied devotion's ardour.
On the Snow, Dappled with ruby drops, a track was made By steps precipitate; a rugged path Down the steep frozen chasm had mark'd the fate Of some night traveller, whose bleeding form Had toppled from the Summit.
Lower still The ANCHORET descended, 'till arrived At the first ridge of silv'ry battlements, Where, lifeless, ghastly, paler than the snow On which her cheek repos'd, his darling Maid Slept in the dream of Death ! Frantic and wild He clasp'd her stiff'ning form, and bath'd with tears The lilies of her bosom,--icy cold-- Yet beautiful and spotless.
Now, afar The wond'ring HERMIT heard the clang of arms Re-echoing from the valley: the white cliffs Trembled as though an Earthquake shook their base With terrible concussion ! Thund'ring peals From warfare's brazen throat, proclaim'd th' approach Of conquering legions: onward they extend Their dauntless columns ! In the foremost group A Ruffian met the HERMIT'S startled Eyes Like Hell's worst Demon ! For his murd'rous hands Were smear'd with gore; and on his daring breast A golden cross, suspended, bore the name Of his ill-fated Victim!--ANCHORET! Thy VESTAL Saint, by his unhallow'd hands Torn from RELIGION'S Altar, had been made The sport of a dark Fiend, whose recreant Soul Had sham'd the cause of Valour ! To his cell The Soul-struck Exile turn'd his trembling feet, And after three lone weeks, of pain and pray'r, Shrunk from the scene of Solitude--and DIED!
Written by William Topaz McGonagall | Create an image from this poem

Death and Burial of Lord Tennyson

 Alas! England now mourns for her poet that's gone-
The late and the good Lord Tennyson.
I hope his soul has fled to heaven above, Where there is everlasting joy and love.
He was a man that didn't care for company, Because company interfered with his study, And confused the bright ideas in his brain, And for that reason from company he liked to abstain.
He has written some fine pieces of poetry in his time, Especially the May Queen, which is really sublime; Also the gallant charge of the Light Brigade- A most heroic poem, and beautifully made.
He believed in the Bible, also in Shakspeare, Which he advised young men to read without any fear; And by following the advice of both works therein, They would seldom or never commit any sin.
Lord Tennyson's works are full of the scenery of his boyhood, And during his life all his actions were good; And Lincolnshire was closely associated with his history, And he has done what Wordsworth did for the Lake Country.
His remains now rest in Westminster Abbey, And his funeral was very impressive to see; It was a very touching sight, I must confess, Every class, from the Queen, paying a tribute to the poet's greatness.
The pall-bearers on the right of the coffin were Mr W.
E.
H.
Lecky, And Professor Butler, Master of Trinity, and the Earl of Rosebery; And on the left were Mr J.
A.
Froude and the Marquis of Salisbury, Also Lord Selborne, which was an imposing sight to see.
There were also on the left Professor Jowett, Besides Mr Henry Whyte and Sir James Paget, And the Marquis of DufFerin and the Duke of Argyll, And Lord Salisbury, who seemed melancholy all the while.
The chief mourners were all of the Tennyson family, Including the Hon.
Mr and Mrs Hallam Tennyson, and Masters Lionel and Aubrey, And Mr Arthur Tennyson, and Mr and Mrs Horatio Tennyson; Also Sir Andrew dark, who was looking woe begone.
The bottom of the grave was thickly strewn with white roses, And for such a grave kings will sigh where the poet now reposes; And many of the wreaths were much observed and commented upon, And conspicuous amongst them was one from Mrs Gladstone.
The Gordon boys were there looking solemn and serene, Also Sir Henry Ponsonby to represent the Queen; Likewise Henry Irving, the great tragedian, With a solemn aspect, and driving his brougham.
And, in conclusion, I most earnestly pray, That the people will erect a monument for him without delay, To commemorate the good work he has done, And his name in gold letters written thereon!


Written by William Topaz McGonagall | Create an image from this poem

The Death of the Rev. Dr. Wilson

 'Twas in the year of 1888 and on the 17th of January
That the late Rev.
Dr.
Wilson's soul fled away; The generous-hearted Dr.
had been ailing for some time, But death, with his dart, did pierce the heart of the learned divine.
He was a man of open countenance and of great ability, And late minister of Free St.
Paul's Church, Dundee, And during the twenty-nine years he remained as minister in Dundee He struggled hard for the well-being of the community.
He was the author of several works concerning great men, In particular the Memoirs of Dr.
Candlish and Christ turning His face towards Jerusalem; Which is well worthy of perusal, I'm sure, Because the style is concise and the thoughts clear and pure.
And as for his age, he was in his eightieth year, And has left a family of one son and five daughters dear, And for his loss they will shed many a tear, Because in their hearts they loved him most dear.
He was a man of a very kindly turn, And many of his old members for him will mourn, Because as a preacher he was possessed of courage bold, Just like one of Covenanting heroes of old.
But I hope he is landed safe on Canaan's bright shore, To sing with bright angels for evermore Around that golden throne where God's family doth meet To sing songs night and day, most sacred and sweet.
The coffin containing the remains was brought on Tuesday evening from Edinboro, And as the relatives witnessed its departure their hearts were full of sorrow, And the remains were laid inside Free St.
Paul's Church, Dundee, And interred on Wednesday in the Western Cemetery.
The funeral service began at half-past one o'clock in the afternoon, And with people the church was filled very soon, And the coffin was placed in the centre of the platform, And the lid was covered with wreaths which did the coffin adorn.
There were beautiful wreaths from the grandchildren of the deceased, Whom I hope is now from all troubles released Also there were wreaths from Mrs and Miss Young, Windsor Street, Dundee, Which certainly were most beautiful to see.
Besides the tributes of Miss Morrison and Miss H.
Morrison were a beautiful sight, Also the tributes of Miss Strong and Mr I.
Martin White, Also Mrs and the Misses Henderson's, West Park, Dundee, Besides the Misses White Springrove were magnificent to me.
The members and office-bearers of the church filled the pews on the right, Which was a very impressive and solemn sight; And psalms and hymns were sung by the congregation, And the Rev.
W.
I.
Cox concluded the service with great veneration.
Then the coffin was carried from the church and placed in the hearse, While the congregation allowed the friends to disperse, Then followed the congregation without delay, Some to join the procession, while others went home straightaway.
The procession consisted of the hearse and 47 carriages no less, Which were drawn up in the Nethergate, I do confess, And as the cortege passed slowly along the Nethergate, Large crowds watched the procession and ungrudgingly did wait.
And when the hearse reached the cemetery the Rev.
R.
Waterson offered up a prayer, Then the coffin was lowered into the grave by the pall-bearers there; 'Twas then the friends began to my for their sorrow was profound, Then along with the people assembled there they left the burying-ground.
Written by Ambrose Bierce | Create an image from this poem

Safety-Clutch

 Once I seen a human ruin
In a elevator-well.
And his members was bestrewin' All the place where he had fell.
And I says, apostrophisin' That uncommon woful wreck: "Your position's so surprisin' That I tremble for your neck!" Then that ruin, smilin' sadly And impressive, up and spoke: "Well, I wouldn't tremble badly, For it's been a fortnight broke.
" Then, for further comprehension Of his attitude, he begs I will focus my attention On his various arms and legs-- How they all are contumacious; Where they each, respective, lie; How one trotter proves ungracious, T' other one an alibi.
These particulars is mentioned For to show his dismal state, Which I wasn't first intentioned To specifical relate.
None is worser to be dreaded That I ever have heard tell Than the gent's who there was spreaded In that elevator-well.
Now this tale is allegoric-- It is figurative all, For the well is metaphoric And the feller didn't fall.
I opine it isn't moral For a writer-man to cheat, And despise to wear a laurel As was gotten by deceit.
For 'tis Politics intended By the elevator, mind, It will boost a person splendid If his talent is the kind.
Col.
Bryan had the talent (For the busted man is him) And it shot him up right gallant Till his head began to swim.
Then the rope it broke above him And he painful came to earth Where there's nobody to love him For his detrimented worth.
Though he's living' none would know him, Or at leastwise not as such.
Moral of this woful poem: Frequent oil your safety-clutch.
Written by William Topaz McGonagall | Create an image from this poem

Bonnie Callander

 Chorus --

Bonnie Helen, will you go to Callander with me
And gaze upon its beauties and romantic scenery
Dear Helen, it will help to drive all sorrow away;
Therefore come, sweet Helen, and let's have a holiday.
Callander is a pretty little town most lovely to see, Situated in the midst of mountains towering frowningly; And Ben Ledi is the chief amongst them and famous in history, Looking stern and rugged in all its majesty.
Chorus And as for Bracklinn Falls, they are impressive to sight, Especially the Keltie, which will the visitor's heart delight, With its bonnie banks bordered with beautiful trees, And the effect would be sure the spectator to please.
Chorus The hawthorn hedges and the beautiful wild flowers Will help to enliven the scene and while away the hours; And as the spectator gazes upon Keltie waterfall, The rumbling and fumbling of the water does his heart appall.
Chorus As it makes one fearful plunge into a yawning abyss below, Fifty or sixty feet beneath, where it splashes to and fro, And seethes and boils in a great deep pool, And the sweet, fragrant air around it is very cool.
Chorus 'Tis said two lovers met there with a tragic fate.
Alas! poor souls, and no one near to extricate.
The rail of the bridge upon which they were leaning gave way, And they were drowned in the boiling gulf.
Oh, horror and dismay! Chorus The Pass of Leny is most wild and amazing to see, With its beetling crags and towering mountains and romantic scenery; And the brawling Leny, with its little waterfalls, Will repay the visitor for the time occupied any time he calls.
Chorus Then lovers of the picturesque make haste and go away To the pretty little village of Callander without delay, And breathe the fresh air in the harvest time, And revel amongst romantic scenery in the beautiful sunshine.
Written by William Topaz McGonagall | Create an image from this poem

The Funeral of the Late Prince Henry of Battenberg

 Alas! Prince Henry of Battenberg is dead!
And, I hope, has gone to heaven, its streets to tread,
And to sing with God's saints above,
Where all is joy and peace and love.
'Twas in the year of 1896, and on the 5th of February, Prince Henry was buried at Whippingham- a solemn sight to see.
As the funeral moved off, it was a very impressive sight- First came the military, and police, and volunteers from the Isle of Wight.
Then came the carriage party of the Scots Guards; While the people uncovered their heads as it passed onwards And many of them did sob and sigh When the gun carriage with the coffin was passing by.
Prince Henry's charger was led by Richter, his stud groom; And depicted in the people's faces there was a sad gloom When they saw the noble charger of the dead- It seemed that all joy from them had fled.
The Queen's carriage was followed by the Princess of Wales, and other Princesses, All clad in gorgeous mourning dresses; And there was a number of military representatives, which enhanced the scene; And as the procession moved along it was solemn in the extreme.
Her Majesty looked very sad and serene, Leaning back in her carriage could plainly be seen; And the carriage was drawn by a pair of greys in grand harness; And Her Majesty seemed to be in deep distress.
By Her Majesty's side sat the Princess Beatrice And the two younger Battenberg children, looking very nice; And by the coffin walked the elder Prince, immediately Between Prince Louis and Prince Joseph, holding their hands tenderly.
The "Dead March" was played by the Marine Band; And the music was solemn and very grand, And accompanied by the roll of muffled drums; Whilst among the spectators were heard sighs and hums.
And when the procession arrived at the church of Whippingham, Then the coffin was carried inside- of the good man- And was then laid in its resting place, While sorrow was depicted in every face.
Then there was the firing of guns, with their earthly Thunder Which made the people start and wonder; And the tolling of the village bells, While the solemn music on the air swells.
And the people said, "Prince Henry was a good man, But now he's laid low in the church of Whippingham.
" But when the Grim King his dart does throw, None can escape death, high or low.
The funeral service was certainly very nice- Which was by the request of Princess Beatrice- Which was the rendering of Sullivan's anthem, "Brother, before us thou art gone"- I hope unto thy heavenly home.
No Doubt the Princess Beatrice will mourn for him- But to mourn for the dead it is a sin! Therefore I hope God will comfort her always, And watch o'er her children night and day.
Prince Henry was a God-fearing man- And to deny it few people can- And very kind to his children dear, And for the loss of him they will drop a tear.
His relatives covered the coffin lid with wreaths of flowers, While adown their cheeks flowed tears in showers.
Then the service concluded with "Christ will gather His own"; And each one left with a sad heart and went home.

Book: Shattered Sighs