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Best Famous Impervious Poems

Here is a collection of the all-time best famous Impervious poems. This is a select list of the best famous Impervious poetry. Reading, writing, and enjoying famous Impervious poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of impervious poems.

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Written by Phillis Wheatley | Create an image from this poem

To a Lady on the Death of Her Husband

Grim monarch! see, depriv'd of vital breath,
A young physician in the dust of death:
Dost thou go on incessant to destroy,
Our griefs to double, and lay waste our joy?
"Enough" thou never yet wast known to say,
Though millions die, the vassals of thy sway:
Nor youth, nor science, nor the ties of love,
Nor aught on earth thy flinty heart can move.
The friend, the spouse from his dire dart to save, In vain we ask the sovereign of the grave.
Fair mourner, there see thy lov'd Leonard laid, And o'er him spread the deep impervious shade; Clos'd are his eyes, and heavy fetters keep His senses bound in never-waking sleep, Till time shall cease, till many a starry world Shall fall from heav'n, in dire confusion hurl'd, Till nature in her final wreck shall lie, And her last groan shall rend the azure sky: Not, not till then his active soul shall claim His body, a divine immortal frame.
But see the softly-stealing tears apace Pursue each other down the mourner's face; But cease thy tears, bid ev'ry sigh depart, And cast the load of anguish from thine heart: From the cold shell of his great soul arise, And look beyond, thou native of the skies; There fix thy view, where fleeter than the wind Thy Leonard mounts, and leaves the earth behind.
Thyself prepare to pass the vale of night To join for ever on the hills of light: To thine embrace his joyful sprit moves To thee, the partner of his earthly loves; He welcomes thee to pleasures more refin'd, And better suited to th' immortal mind.


Written by Mary Darby Robinson | Create an image from this poem

Ode to the Moon

 PALE GODDESS of the witching hour;
Blest Contemplation's placid friend; 
Oft in my solitary bow'r,
I mark thy lucid beam
From thy crystal car descend,
Whitening the spangled heath, and limpid sapphire stream.
And oft, amidst the shades of night I court thy undulating light; When Fairies dance around the verdant ring, Or frisk beside the bubbling spring, When the thoughtless SHEPHERD'S song Echoes thro' the silent air, As he pens his fleecy care, Or plods with saunt'ring gait, the dewy meads along.
CHASTE ORB! as thro' the vaulted sky Feath'ry clouds transparent sail; When thy languid, weeping eye, Sheds its soft tears upon the painted vale; As I ponder o'er the floods, Or tread with listless step, th'embow'ring woods, O, let thy transitory beam, Soothe my sad mind, with FANCY'S aëry dream.
Wrapt in REFLECTION, let me trace O'er the vast ethereal space, Stars, whose twinkling fires illume Dark-brow'd NIGHT'S obtrusive gloom; Where across the concave wide; Flaming METEORS swiftly glide; Or along the milky way, Vapours shoot a silvery ray; And as I mark, thy faint reclining head, Sinking on Ocean's pearly bed; Let REASON tell my soul, thus all things fade.
The Seasons change, the "garish SUN" When Day's burning car hath run Its fiery course, no more we view, While o'er the mountain's golden head, Streak'd with tints of crimson hue, Twilight's filmy curtains spread, Stealing o'er Nature's face, a desolating shade.
Yon musky FLOW'R, that scents the earth; The SOD, that gave its odours birth; The ROCK, that breaks the torrent's force; The VALE, that owns its wand'ring course; The woodlands where the vocal throng Trill the wild melodious song; Thirsty desarts, sands that glow, Mountains, cap'd with flaky snow; Luxuriant groves, enamell'd fields, All, all, prolific Nature yields, Alike shall end; the sensate HEART, With all its passions, all its fire, Touch'd by FATE'S unerring dart, Shall feel its vital strength expire; Those eyes, that beam with FRIENDSHIP'S ray, And glance ineffable delight, Shall shrink from LIFE'S translucid day, And close their fainting orbs, in DEATH'S impervious night.
Then what remains for mortal pow'r; But TIME'S dull journey to beguile; To deck with joy, the winged hour, To meet its sorrows with a patient smile; And when the toilsome pilgrimage shall end, To greet the tyrant, as a welcome friend.
Written by Mary Darby Robinson | Create an image from this poem

Ode to Despair

 TERRIFIC FIEND! thou Monster fell, 
Condemn'd in haunts profane to dwell, 
Why quit thy solitary Home, 
O'er wide Creation's paths to roam? 
Pale Tyrant of the timid Heart, 
Whose visionary spells can bind 
The strongest passions of the mind, 
Freezing Life's current with thy baneful Art.
Nature recoils when thou art near, For round thy form all plagues are seen; Thine is the frantic tone, the sullen mien, The glance of petrifying fear, The haggard Brow, the low'ring Eye, The hollow Cheek, the smother'd Sigh, When thy usurping fangs assail, The sacred Bonds of Friendship fail.
Meek-bosom'd Pity sues in vain; Imperious Sorrow spurns relief, Feeds on the luxury of Grief, Drinks the hot Tear, and hugs the galling Chain.
AH! plunge no more thy ruthless dart, In the dark centre of the guilty Heart; The POW'R SUPREME, with pitying eye, Looks on the erring Child of Misery; MERCY arrests the wing of Time; To expiate the wretch's crime; Insulted HEAV'N consign'd thy brand To the first Murd'rer's crimson hand.
Swift o'er the earth the Monster flew, And round th' ensanguin'd Poisons threw, By CONSCIENCE goaded­driven by FEAR, Till the meek Cherub HOPE subdued his fell career.
Thy Reign is past, when erst the brave Imbib'd contagion o'er the midnight lamp, Close pent in loathsome cells, where poisons damp Hung round the confines of a Living Grave; * Where no glimm'ring ray illum'd The flinty walls, where pond'rous chains Bound the wan Victim to the humid earth, Where VALOUR, GENIUS, TASTE, and WORTH, In pestilential caves entomb'd, Sought thy cold arms, and smiling mock'd their pains.
THERE,­each procrastinated hour The woe-worn suff'rer gasping lay, While by his side in proud array Stalk'd the HUGE FIEND, DESPOTIC POW'R.
There REASON clos'd her radiant eye, And fainting HOPE retir'd to die, Truth shrunk appall'd, In spells of icy Apathy enthrall'd; Till FREEDOM spurn'd the ignominious chain, And roused from Superstition's night, Exulting Nature claim'd her right, And call'd dire Vengeance from her dark domain.
Now take thy solitary flight Amid the turbid gales of night, Where Spectres starting from the tomb, Glide along th' impervious gloom; Or, stretch'd upon the sea-beat shore, Let the wild winds, as they roar, Rock Thee on thy Bed of Stone; Or, in gelid caverns pent, Listen to the sullen moan Of subterranean winds;­or glut thy sight Where stupendous mountains rent Hurl their vast fragments from their dizzy height.
At Thy approach the rifted Pine Shall o'er the shatter'd Rock incline, Whose trembling brow, with wild weeds drest, Frowns on the tawny EAGLE's nest; THERE enjoy the 'witching hour, And freeze in Frenzy's dire conceit, Or seek the Screech-owl's lone retreat, On the bleak rampart of some nodding Tow'r.
In some forest long and drear, Tempt the fierce BANDITTI's rage, War with famish'd Tygers wage, And mock the taunts of Fear.
When across the yawning deep, The Demons of the Tempest sweep, Or deaf'ning Thunders bursting cast Their red bolts on the shivering mast, While fix'd below the sea-boy stands, As threat'ning Death his soul dismays, He lifts his supplicating hands, And shrieks, and groans, and weeps, and prays, Till lost amid the floating fire The agonizing crew expire; THEN let thy transports rend the air, For mad'ning Anguish feeds DESPAIR.
When o'er the couch of pale Disease The MOTHER bends, with tearful eye, And trembles, lest her quiv'ring sigh, Should wake the darling of her breast, Now, by the taper's feeble rays, She steals a last, fond, eager gaze.
Ah, hapless Parent! gaze no more, Thy CHERUB soars among the Blest, Life's crimson Fount begins to freeze, His transitory scene is o'er.
She starts­she raves­her burning brain, Consumes, unconscious of its fires, Dead to the Heart's convulsive Pain, Bewilder'd Memory retires.
See! See! she grasps her flowing hair, From her fix'd eye the big drops roll, Her proud Affliction mocks controul, And riots in DESPAIR, Such are thy haunts, malignant Pow'r, There all thy murd'rous Poisons pour; But come not near my calm retreat, Where Peace and holy FRIENDSHIP meet; Where SCIENCE sheds a gentle ray, And guiltless Mirth beguiles the day, Where Bliss congenial to the MUSE Shall round my Heart her sweets diffuse, Where, from each restless Passion free, I give my noiseless hours, BLESS'D POETRY, TO THEE.
Written by D. H. Lawrence | Create an image from this poem

Baby Tortoise

 You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open, Like some iron door; To lift the upper hawk-beak from the lower base And reach your skinny little neck And take your first bite at some dim bit of herbage, Alone, small insect, Tiny bright-eye, Slow one.
To take your first solitary bite And move on your slow, solitary hunt.
Your bright, dark little eye, Your eye of a dark disturbed night, Under its slow lid, tiny baby tortoise, So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple And set forward, slow-dragging, on your four-pinned toes, Rowing slowly forward.
Whither away, small bird? Rather like a baby working its limbs, Except that you make slow, ageless progress And a baby makes none.
The touch of sun excites you, And the long ages, and the lingering chill Make you pause to yawn, Opening your impervious mouth, Suddenly beak-shaped, and very wide, like some suddenly gaping pincers; Soft red tongue, and hard thin gums, Then close the wedge of your little mountain front, Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple And look with laconic, black eyes? Or is sleep coming over you again, The non-life? You are so hard to wake.
Are you able to wonder? Or is it just your indomitable will and pride of the first life Looking round And slowly pitching itself against the inertia Which had seemed invincible? The vast inanimate, And the fine brilliance of your so tiny eye, Challenger.
Nay, tiny shell-bird, What a huge vast inanimate it is, that you must row against, What an incalculable inertia.
Challenger, Little Ulysses, fore-runner, No bigger than my thumb-nail, Buon viaggio.
All animate creation on your shoulder, Set forth, little Titan, under your battle-shield.
The ponderous, preponderate, Inanimate universe; And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine, Stoic, Ulyssean atom; Suddenly hasty, reckless, on high toes.
Voiceless little bird, Resting your head half out of your wimple In the slow dignity of your eternal pause.
Alone, with no sense of being alone, And hence six times more solitary; Fulfilled of the slow passion of pitching through immemorial ages Your little round house in the midst of chaos.
Over the garden earth, Small bird, Over the edge of all things.
Traveller, With your tail tucked a little on one side Like a gentleman in a long-skirted coat.
All life carried on your shoulder, Invincible fore-runner.
Written by Mari Evans | Create an image from this poem

I am a Black Woman

I am a black woman 
the music of my song 
some sweet arpeggio of tears 
is written in a minor key 
and I 
can be heard humming in the night 
Can be heard 
humming 
in the night

I saw my mate leap screaming to the sea 
and I/with these hands/cupped the lifebreath 
from my issue in the canebrake 
I lost Nat's swinging body in a rain of tears 
and heard my son scream all the way from Anzio 
for Peace he never knew....I 
learned Da Nang and Pork Chop Hill 
in anguish 
Now my nostrils know the gas 
and these trigger tire/d fingers 
seek the softness in my warrior's beard


I am a black woman 
tall as a cypress 
strong 
beyond all definition still 
defying place 
and time 
and circumstance 
assailed 
impervious 
indestructible 
Look 
on me and be 
renewed 


Written by Amy Clampitt | Create an image from this poem

A Hedge Of Rubber Trees

 The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands.
She lived, impervious to trends, behind a potted hedge of rubber trees, with three cats, a canary—refuse from whose cage kept sifting down and then germinating, a yearning seedling choir, around the saucers on the windowsill—and an inexorable cohort of roaches she was too nearsighted to deal with, though she knew they were there, and would speak of them, ruefully, as of an affliction that might once, long ago, have been prevented.
Unclassifiable castoffs, misfits, marginal cases: when you're one yourself, or close to it, there's a reassurance in proving you haven't quite gone under by taking up with somebody odder than you are.
Or trying to.
"They're my friends," she'd say of her cats—Mollie, Mitzi and Caroline, their names were, and she was forever taking one or another in a cab to the vet—as though she had no others.
The roommate who'd become a nun, the one who was Jewish, the couple she'd met on a foliage tour, one fall, were all people she no longer saw.
She worked for a law firm, said all the judges were alcoholic, had never voted.
But would sometimes have me to dinner—breaded veal, white wine, strawberry Bavarian—and sometimes, from what she didn't know she was saying, I'd snatch a shred or two of her threadbare history.
Baltic cold.
Being sent home in a troika when her feet went numb.
In summer, carriage rides.
A swarm of gypsy children driven off with whips.
An octogenarian father, bishop of a dying schismatic sect.
A very young mother who didn't want her.
A half-brother she met just once.
Cousins in Wisconsin, one of whom phoned her from a candy store, out of the blue, while she was living in Chicago.
What had brought her there, or when, remained unclear.
As did much else.
We'd met in church.
I noticed first a big, soaring soprano with a wobble in it, then the thickly wreathed and braided crimp in the mouse- gold coiffure.
Old? Young? She was of no age.
Through rimless lenses she looked out of a child's, or a doll's, globular blue.
Wore Keds the year round, tended otherwise to overdress.
Owned a mandolin.
Once I got her to take it down from the mantel and plink out, through a warm fuddle of sauterne, a lot of giddy Italian airs from a songbook whose pages had started to crumble.
The canary fluffed and quivered, and the cats, amazed, came out from under the couch and stared.
What could the offspring of the schismatic age and a reluctant child bride expect from life? Not much.
Less and less.
A dream she'd had kept coming back, years after.
She'd taken a job in Washington with some right-wing lobby, and lived in one of those bow-windowed mansions that turn into roominghouses, and her room there had a full-length mirror: oval, with a molding, is the way I picture it.
In her dream something woke her, she got up to look, and there in the glass she'd had was covered over—she gave it a wondering emphasis—with gray veils.
The West Village was changing.
I was changing.
The last time I asked her to dinner, she didn't show.
Hours— or was it days?—later, she phoned to explain: she hadn't been able to find my block; a patrolman had steered her home.
I spent my evenings canvassing for Gene McCarthy.
Passing, I'd see her shades drawn, no light behind the rubber trees.
She wasn't out, she didn't own a TV.
She was in there, getting gently blotto.
What came next, I wasn't brave enough to know.
Only one day, passing, I saw new shades, quick-chic matchstick bamboo, going up where the waterstained old ones had been, and where the seedlings— O gray veils, gray veils—had risen and gone down.
Written by Marge Piercy | Create an image from this poem

Always Unsuitable

 She wore little teeth of pearls around her neck.
They were grinning politely and evenly at me.
Unsuitable they smirked.
It is true I look a stuffed turkey in a suit.
Breasts too big for the silhouette.
She knew at once that we had sex, lots of it as if I had strolled into her diningroom in a dirty negligee smelling gamy smelling fishy and sporting a strawberry on my neck.
I could never charm the mothers, although the fathers ogled me.
I was exactly what mothers had warned their sons against.
I was quicksand I was trouble in the afternoon.
I was the alley cat you don't bring home.
I was the dirty book you don't leave out for your mother to see.
I was the center- fold you masturbate with then discard.
Where I came from, the nights I had wandered and survived, scared them, and where I would go they never imagined.
Ah, what you wanted for your sons were little ladies hatched from the eggs of pearls like pink and silver lizards cool, well behaved and impervious to desire and weather alike.
Mostly that's who they married and left.
Oh, mamas, I would have been your friend.
I would have cooked for you and held you.
I might have rattled the windows of your sorry marriages, but I would have loved you better than you know how to love yourselves, bitter sisters.
Written by Bertolt Brecht | Create an image from this poem

On The Critical Attitude

 The critical attitude
Strikes many people as unfruitful
That is because they find the state
Impervious to their criticism
But what in this case is an unfruitful attitude
Is merely a feeble attitude.
Give criticism arms And states can be demolished by it.
Canalising a river Grafting a fruit tree Educating a person Transforming a state These are instances of fruitful criticism And at the same time instances of art.
Written by Walt Whitman | Create an image from this poem

We Two—How Long We were Fool'd

 WE two—how long we were fool’d! 
Now transmuted, we swiftly escape, as Nature escapes; 
We are Nature—long have we been absent, but now we return; 
We become plants, leaves, foliage, roots, bark; 
We are bedded in the ground—we are rocks;
We are oaks—we grow in the openings side by side; 
We browse—we are two among the wild herds, spontaneous as any; 
We are two fishes swimming in the sea together; 
We are what the locust blossoms are—we drop scent around the lanes, mornings and
 evenings; 
We are also the coarse smut of beasts, vegetables, minerals;
We are two predatory hawks—we soar above, and look down; 
We are two resplendent suns—we it is who balance ourselves, orbic and stellar—we
 are as two comets; 
We prowl fang’d and four-footed in the woods—we spring on prey; 
We are two clouds, forenoons and afternoons, driving overhead; 
We are seas mingling—we are two of those cheerful waves, rolling over each other, and
 interwetting each other;
We are what the atmosphere is, transparent, receptive, pervious, impervious: 
We are snow, rain, cold, darkness—we are each product and influence of the globe; 
We have circled and circled till we have arrived home again—we two have; 
We have voided all but freedom, and all but our own joy.
Written by Robert William Service | Create an image from this poem

Robert William Service - Laughter

 I Laugh at Life: its antics make for me a giddy games,
Where only foolish fellows take themselves with solemn aim.
I laugh at pomp and vanity, at riches, rank and pride; At social inanity, at swager, swank and side.
At poets, pastry-cooks and kings, at folk sublime and small, Who fuss about a thousand things that matter not at all; At those who dream of name and fame, at those who scheme for pelf.
.
.
.
But best of all the laughing game - is laughing at myself.
Some poet chap had labelled man the noblest work of God: I see myself a charlatan, a humbug and a fraud.
Yea, 'spite of show and shallow wit, an sentimental drool, I know myself a hypocrite, a coward and a fool.
And though I kick myself with glee profoundly on the pants, I'm little worse, it seems to me, than other human ants.
For if you probe your private mind, impervious to shame, Oh, Gentle Reader, you may find you're much about the same.
Then let us mock with ancient mirth this comic, cosmic plan; The stars are laughing at the earth; God's greatest joke is man.
For laughter is a buckler bright, and scorn a shining spear; So let us laugh with all our might at folly, fraud and fear.
Yet on our sorry selves be spent our most sardonic glee.
Oh don't pay life a compliment to take is seriously.
For he who can himself despise, be surgeon to the bone, May win to worth in others' eyes, to wisdom in his own.

Book: Shattered Sighs