Written by
Allen Ginsberg |
Blandly mother
takes him strolling
by railroad and by river
-he's the son of the absconded
hot rod angel-
and he imagines cars
and rides them in his dreams,
so lonely growing up among
the imaginary automobiles
and dead souls of Tarrytown
to create
out of his own imagination
the beauty of his wild
forebears-a mythology
he cannot inherit.
Will he later hallucinate
his gods? Waking
among mysteries with
an insane gleam
of recollection?
The recognition-
something so rare
in his soul,
met only in dreams
-nostalgias
of another life.
A question of the soul.
And the injured
losing their injury
in their innocence
-a cock, a cross,
an excellence of love.
And the father grieves
in flophouse
complexities of memory
a thousand miles
away, unknowing
of the unexpected
youthful stranger
bumming toward his door.
- New York, April 13, 1952
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Written by
Edward Estlin (E E) Cummings |
somewhere i have never traveled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
or if your wish be to close me,i and
my life will shut very beautifully,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain, has such small hands
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Written by
Delmore Schwartz |
Is the spider a monster in miniature?
His web is a cruel stair, to be sure,
Designed artfully, cunningly placed,
A delicate trap, carefully spun
To bind the fly (innocent or unaware)
In a net as strong as a chain or a gun.
There are far more spiders than the man in the street
supposes
And the philosopher-king imagines, let alone knows!
There are six hundred kinds of spiders and each one
Differs in kind and in unkindness.
In variety of behavior spiders are unrivalled:
The fat garden spider sits motionless, amidst or at the heart
Of the orb of its web: other kinds run,
Scuttling across the floor, falling into bathtubs,
Trapped in the path of its own wrath, by overconfidence
drowned and undone.
Other kinds - more and more kinds under the stars and
the sun -
Are carnivores: all are relentless, ruthless
Enemies of insects. Their methods of getting food
Are unconventional, numerous, various and sometimes
hilarious:
Some spiders spin webs as beautiful
As Japanese drawings, intricate as clocks, strong as rocks:
Others construct traps which consist only
Of two sticky and tricky threads. Yet this ambush is enough
To bind and chain a crawling ant for long
enough:
The famished spider feels the vibration
Which transforms patience into sensation and satiation.
The handsome wolf spider moves suddenly freely and relies
Upon lightning suddenness, stealth and surprise,
Possessing accurate eyes, pouncing upon his victim with the
speed of surmise.
Courtship is dangerous: there are just as many elaborate
and endless techniques and varieties
As characterize the wooing of more analytic, more
introspective beings: Sometimes the male
Arrives with the gift of a freshly caught fly.
Sometimes he ties down the female, when she is frail,
With deft strokes and quick maneuvres and threads of silk:
But courtship and wooing, whatever their form, are
informed
By extreme caution, prudence, and calculation,
For the female spider, lazier and fiercer than the male
suitor,
May make a meal of him if she does not feel in the same
mood, or if her appetite
Consumes her far more than the revelation of love's
consummation.
Here among spiders, as in the higher forms of nature,
The male runs a terrifying risk when he goes seeking for
the bounty of beautiful Alma Magna Mater:
Yet clearly and truly he must seek and find his mate and
match like every other living creature!
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Written by
Philip Levine |
THE DREAM
This has nothing to do with war
or the end of the world. She
dreams there are gray starlings
on the winter lawn and the buds
of next year's oranges alongside
this year's oranges, and the sun
is still up, a watery circle
of fire settling into the sky
at dinner time, but there's no
flame racing through the house
or threatening the bed. When she
wakens the phone is ringing
in a distant room, but she
doesn't go to answer it. No
one is home with her, and the cars
passing before the house hiss
in the rain. "My children!" she
almost says, but there are no
longer children at home, there
are no longer those who would
turn to her, their faces running
with tears, and ask her forgiveness.
THE WAR
The Michigan Central Terminal
the day after victory. Her brother
home from Europe after years
of her mother's terror, and he still
so young but now with the dark
shadow of a beard, holding her
tightly among all the others
calling for their wives or girls.
That night in the front room
crowded with family and neighbors --
he was first back on the block --
he sat cross-legged on the floor
still in his wool uniform, smoking
and drinking as he spoke of passing
high over the dark cities she'd
only read about. He'd wanted to
go back again and again. He'd wanted
to do this for the country,
for this -- a small house with upstairs
bedrooms -- so he'd asked to go
on raid after raid as though
he hungered to kill or be killed.
THE PRESIDENT
Today on television men
will enter space and return,
men she cannot imagine.
Lost in gigantic paper suits,
they move like sea creatures.
A voice will crackle from out
there where no voices are
speaking of the great theater
of conquest, of advancing
beyond the simple miracles
of flight, the small ventures
of birds and beasts. The President
will answer with words she
cannot remember having
spoken ever to anyone.
THE PHONE CALL
She calls Chicago, but no one
is home. The operator asks
for another number but still
no one answers. Together
they try twenty-one numbers,
and at each no one is ever home.
"Can I call Baltimore?" she asks.
She can, but she knows no one
in Baltimore, no one in
St. Louis, Boston, Washington.
She imagines herself standing
before the glass wall high
over Lake Shore Drive, the cars
below fanning into the city.
East she can see all the way
to Gary and the great gray clouds
of exhaustion rolling over
the lake where her vision ends.
This is where her brother lives.
At such height there's nothing,
no birds, no growing, no noise.
She leans her sweating forehead
against the cold glass, shudders,
and puts down the receiver.
THE GARDEN
Wherever she turns her garden
is alive and growing. The thin
spears of wild asparagus, shaft
of tulip and flag, green stain
of berry buds along the vines,
even in the eaten leaf of
pepper plants and clipped stalk
of snap bean. Mid-afternoon
and already the grass is dry
under the low sun. Bluejay
and dark capped juncos hidden
in dense foliage waiting
the sun's early fall, when she
returns alone to hear them
call and call back, and finally
in the long shadows settle
down to rest and to silence
in the sudden rising chill.
THE GAME
Two boys are playing ball
in the backyard, throwing it
back and forth in the afternoon's
bright sunshine as a black mongrel
big as a shepherd races
from one to the other. She
hides behind the heavy drapes
in her dining room and listens,
but they're too far. Who are
they? They move about her yard
as though it were theirs. Are they
the sons of her sons? They've
taken off their shirts, and she
sees they're not boys at all --
a dark smudge of hair rises
along the belly of one --, and now
they have the dog down thrashing
on his back, snarling and flashing
his teeth, and they're laughing.
AFTER DINNER
She's eaten dinner talking
back to the television, she's
had coffee and brandy, done
the dishes and drifted into
and out of sleep over a book
she found beside the couch. It's
time for bed, but she goes
instead to the front door, unlocks
it, and steps onto the porch.
Behind her she can hear only
the silence of the house. The lights
throw her shadow down the stairs
and onto the lawn, and she walks
carefully to meet it. Now she's
standing in the huge, whispering
arena of night, hearing her
own breath tearing out of her
like the cries of an animal.
She could keep going into
whatever the darkness brings,
she could find a presence there
her shaking hands could hold
instead of each other.
SLEEP
A dark sister lies beside her
all night, whispering
that it's not a dream, that fire
has entered the spaces between
one face and another.
There will be no wakening.
When she wakens, she can't
catch her own breath, so she yells
for help. It comes in the form
of sleep. They whisper
back and forth, using new words
that have no meaning
to anyone. The aspen shreds
itself against her window.
The oranges she saw that day
in her yard explode
in circles of oil, the few stars
quiet and darken. They go on,
two little girls up long past
their hour, playing in bed.
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Written by
Elinor Wylie |
Man, the egregious egoist
(In mystery the twig is bent)
Imagines, by some mental twist,
That he alone is sentient
Of the intolerable load
That on all living creatures lies,
Nor stoops to pity in the toad
The speechless sorrow of his eyes.
He asks no questions of the snake,
Nor plumbs the phosphorescent gloom
Where lidless fishes, broad awake,
Swim staring at a nightmare doom.
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Written by
Matthew Arnold |
A wanderer is man from his birth.
He was born in a ship
On the breast of the river of Time;
Brimming with wonder and joy
He spreads out his arms to the light,
Rivets his gaze on the banks of the stream.
As what he sees is, so have his thoughts been.
Whether he wakes,
Where the snowy mountainous pass,
Echoing the screams of the eagles,
Hems in its gorges the bed
Of the new-born clear-flowing stream;
Whether he first sees light
Where the river in gleaming rings
Sluggishly winds through the plain;
Whether in sound of the swallowing sea—
As is the world on the banks,
So is the mind of the man.
Vainly does each, as he glides,
Fable and dream
Of the lands which the river of Time
Had left ere he woke on its breast,
Or shall reach when his eyes have been closed.
Only the tract where he sails
He wots of; only the thoughts,
Raised by the objects he passes, are his.
Who can see the green earth any more
As she was by the sources of Time?
Who imagines her fields as they lay
In the sunshine, unworn by the plough?
Who thinks as they thought,
The tribes who then roamed on her breast,
Her vigorous, primitive sons?
What girl
Now reads in her bosom as clear
As Rebekah read, when she sate
At eve by the palm-shaded well?
Who guards in her breast
As deep, as pellucid a spring
Of feeling, as tranquil, as sure?
What bard,
At the height of his vision, can deem
Of God, of the world, of the soul,
With a plainness as near,
As flashing as Moses felt
When he lay in the night by his flock
On the starlit Arabian waste?
Can rise and obey
The beck of the Spirit like him?
This tract which the river of Time
Now flows through with us, is the plain.
Gone is the calm of its earlier shore.
Bordered by cities and hoarse
With a thousand cries is its stream.
And we on its breast, our minds
Are confused as the cries which we hear,
Changing and shot as the sights which we see.
And we say that repose has fled
For ever the course of the river of Time.
That cities will crowd to its edge
In a blacker, incessanter line;
That the din will be more on its banks,
Denser the trade on its stream,
Flatter the plain where it flows,
Fiercer the sun overhead;
That never will those on its breast
See an ennobling sight,
Drink of the feeling of quiet again.
But what was before us we know not,
And we know not what shall succeed.
Haply, the river of Time—
As it grows, as the towns on its marge
Fling their wavering lights
On a wider, statlier stream—
May acquire, if not the calm
Of its early mountainous shore,
Yet a solemn peace of its own.
And the width of the waters, the hush
Of the grey expanse where he floats,
Freshening its current and spotted with foam
As it draws to the Ocean, amy strike
Peace to the soul of the man on its breast—
As the pale waste widens around him,
As the banks fade dimmer away,
As the stars come out, and the night-wind
Brings up the stream
Murmurs and scents of the infinite sea.
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Written by
Carolyn Forche |
In Spanish he whispers there is no time left.
It is the sound of scythes arcing in wheat,
the ache of some field song in Salvador.
The wind along the prison, cautious
as Francisco's hands on the inside, touching
the walls as he walks, it is his wife's breath
slipping into his cell each night while he
imagines his hand to be hers. It is a small country.
There is nothing one man will not do to another.
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Written by
Robert William Service |
Elisabeth imagines I've
A yellow streak
She deems I have no dash and drive,
Jest dogoned weak.
'A man should be a man,' says Liz
'Trade blow for blow.'
Poor kid! What my position is
She jest don't know.
She jest don't know my old man killed,
Yea, slew and slew.
As steamy blood he sweetly spilled,
So could I too.
And though no wrath of heart I show
When I see red,
I fear no S. O. B. but oh
Myself I dread.
Though fellers reckon me a dope
And trigger-shy,
'Tain't nice to dangle on a rope,
And like Pa die.
So as I belly to the bar
Meek is my breath . . .
No guts! --Don't needle me too far,
Elizabeth!
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