Written by
Robert William Service |
I
There was Claw-fingered Kitty and Windy Ike living the life of shame,
When unto them in the Long, Long Night came the man-who-had-no-name;
Bearing his prize of a black fox pelt, out of the Wild he came.
His cheeks were blanched as the flume-head foam when the brown spring freshets flow;
Deep in their dark, sin-calcined pits were his sombre eyes aglow;
They knew him far for the fitful man who spat forth blood on the snow.
"Did ever you see such a skin?" quoth he; "there's nought in the world so fine--
Such fullness of fur as black as the night, such lustre, such size, such shine;
It's life to a one-lunged man like me; it's London, it's women, it's wine.
"The Moose-hides called it the devil-fox, and swore that no man could kill;
That he who hunted it, soon or late, must surely suffer some ill;
But I laughed at them and their old squaw-tales.
Ha! Ha! I'm laughing still.
"For look ye, the skin--it's as smooth as sin, and black as the core of the Pit.
By gun or by trap, whatever the hap, I swore I would capture it;
By star and by star afield and afar, I hunted and would not quit.
"For the devil-fox, it was swift and sly, and it seemed to fleer at me;
I would wake in fright by the camp-fire light, hearing its evil glee;
Into my dream its eyes would gleam, and its shadow would I see.
"It sniffed and ran from the ptarmigan I had poisoned to excess;
Unharmed it sped from my wrathful lead ('twas as if I shot by guess);
Yet it came by night in the stark moonlight to mock at my weariness.
"I tracked it up where the mountains hunch like the vertebrae of the world;
I tracked it down to the death-still pits where the avalanche is hurled;
From the glooms to the sacerdotal snows, where the carded clouds are curled.
"From the vastitudes where the world protrudes through clouds like seas up-shoaled,
I held its track till it led me back to the land I had left of old--
The land I had looted many moons.
I was weary and sick and cold.
"I was sick, soul-sick, of the futile chase, and there and then I swore
The foul fiend fox might scathless go, for I would hunt no more;
Then I rubbed mine eyes in a vast surprise--it stood by my cabin door.
"A rifle raised in the wraith-like gloom, and a vengeful shot that sped;
A howl that would thrill a cream-faced corpse-- and the demon fox lay dead.
.
.
.
Yet there was never a sign of wound, and never a drop he bled.
"So that was the end of the great black fox, and here is the prize I've won;
And now for a drink to cheer me up--I've mushed since the early sun;
We'll drink a toast to the sorry ghost of the fox whose race is run.
"
II
Now Claw-fingered Kitty and Windy Ike, bad as the worst were they;
In their road-house down by the river-trail they waited and watched for prey;
With wine and song they joyed night long, and they slept like swine by day.
For things were done in the Midnight Sun that no tongue will ever tell;
And men there be who walk earth-free, but whose names are writ in hell--
Are writ in flames with the guilty names of Fournier and Labelle.
Put not your trust in a poke of dust would ye sleep the sleep of sin;
For there be those who would rob your clothes ere yet the dawn comes in;
And a prize likewise in a woman's eyes is a peerless black fox skin.
Put your faith in the mountain cat if you lie within his lair;
Trust the fangs of the mother-wolf, and the claws of the lead-ripped bear;
But oh, of the wiles and the gold-tooth smiles of a dance-hall wench beware!
Wherefore it was beyond all laws that lusts of man restrain,
A man drank deep and sank to sleep never to wake again;
And the Yukon swallowed through a hole the cold corpse of the slain.
III
The black fox skin a shadow cast from the roof nigh to the floor;
And sleek it seemed and soft it gleamed, and the woman stroked it o'er;
And the man stood by with a brooding eye, and gnashed his teeth and swore.
When thieves and thugs fall out and fight there's fell arrears to pay;
And soon or late sin meets its fate, and so it fell one day
That Claw-fingered Kitty and Windy Ike fanged up like dogs at bay.
"The skin is mine, all mine," she cried; "I did the deed alone.
"
"It's share and share with a guilt-yoked pair", he hissed in a pregnant tone;
And so they snarled like malamutes over a mildewed bone.
And so they fought, by fear untaught, till haply it befell
One dawn of day she slipped away to Dawson town to sell
The fruit of sin, this black fox skin that had made their lives a hell.
She slipped away as still he lay, she clutched the wondrous fur;
Her pulses beat, her foot was fleet, her fear was as a spur;
She laughed with glee, she did not see him rise and follow her.
The bluffs uprear and grimly peer far over Dawson town;
They see its lights a blaze o' nights and harshly they look down;
They mock the plan and plot of man with grim, ironic frown.
The trail was steep; 'twas at the time when swiftly sinks the snow;
All honey-combed, the river ice was rotting down below;
The river chafed beneath its rind with many a mighty throe.
And up the swift and oozy drift a woman climbed in fear,
Clutching to her a black fox fur as if she held it dear;
And hard she pressed it to her breast--then Windy Ike drew near.
She made no moan--her heart was stone--she read his smiling face,
And like a dream flashed all her life's dark horror and disgrace;
A moment only--with a snarl he hurled her into space.
She rolled for nigh an hundred feet; she bounded like a ball;
From crag to crag she carromed down through snow and timber fall; .
.
.
A hole gaped in the river ice; the spray flashed--that was all.
A bird sang for the joy of spring, so piercing sweet and frail;
And blinding bright the land was dight in gay and glittering mail;
And with a wondrous black fox skin a man slid down the trail.
IV
A wedge-faced man there was who ran along the river bank,
Who stumbled through each drift and slough, and ever slipped and sank,
And ever cursed his Maker's name, and ever "hooch" he drank.
He travelled like a hunted thing, hard harried, sore distrest;
The old grandmother moon crept out from her cloud-quilted nest;
The aged mountains mocked at him in their primeval rest.
Grim shadows diapered the snow; the air was strangely mild;
The valley's girth was dumb with mirth, the laughter of the wild;
The still, sardonic laughter of an ogre o'er a child.
The river writhed beneath the ice; it groaned like one in pain,
And yawning chasms opened wide, and closed and yawned again;
And sheets of silver heaved on high until they split in twain.
From out the road-house by the trail they saw a man afar
Make for the narrow river-reach where the swift cross-currents are;
Where, frail and worn, the ice is torn and the angry waters jar.
But they did not see him crash and sink into the icy flow;
They did not see him clinging there, gripped by the undertow,
Clawing with bleeding finger-nails at the jagged ice and snow.
They found a note beside the hole where he had stumbled in:
"Here met his fate by evil luck a man who lived in sin,
And to the one who loves me least I leave this black fox skin.
"
And strange it is; for, though they searched the river all around,
No trace or sign of black fox skin was ever after found;
Though one man said he saw the tread of HOOFS deep in the ground.
|
Written by
Paul Laurence Dunbar |
WHO dat knockin' at de do'?
Why, Ike Johnson, -- yes, fu' sho!
Come in, Ike.
I's mighty glad
You come down.
I t'ought you's
mad
At me 'bout de othah night,
An' was stayin' 'way fu' spite.
Say, now, was you mad fu' true
W'en I kin' o' laughed at you?
Speak up, Ike, an' 'spress yo'se'f.
'T ain't no use a-lookin' sad,
An' a-mekin' out you's mad;
Ef you's gwine to be so glum,
Wondah why you evah come.
I don't lak nobody 'roun'
Dat jes' shet dey mouf an' frown,--
Oh, now, man, don't act a dunce!
Cain't you talk? I tol' you once,
Speak up, Ike, an' 'spress yo'se'f.
Wha'd you come hyeah fu' to-night?
Body'd t'ink yo' haid ain't right.
I's done all dat I kin do,--
Dressed perticler, jes' fu' you;
Reckon I'd 'a' bettah wo'
My ol' ragged calico.
Aftah all de pains I's took,
Cain't you tell me how I look?
Speak up, Ike, an' 'spress yo'se'f.
Bless my soul! I 'mos' fu'got
Tellin' you 'bout Tildy Scott.
Don't you know, come Thu'sday
night,
She gwine ma'y Lucius White?
Miss Lize say I allus wuh
Heap sight laklier 'n huh;
An' she'll git me somep'n new,
Ef I wants to ma'y too.
Speak up, Ike, an' 'spress yo'se'f.
I could ma'y in a week,
Ef de man I wants 'ud speak.
Tildy's presents'll be fine,
But dey would n't ekal mine.
Him whut gits me fu' a wife
'Ll be proud, you bet yo' life.
I's had offers; some ain't quit;
But I has n't ma'ied yit!
Speak up, Ike, an' 'spress yo'se'f.
Ike, I loves you,--yes, I does;
You's my choice, and allus was.
Laffin' at you ain't no harm.
--
Go 'way, dahky, whaih's yo' arm?
Hug me closer--dah, dat's right!
Was n't you a awful sight,
Havin' me to baig you so?
Now ax whut you want to know,--
Speak up, Ike, an' 'spress yo'se'f!
|
Written by
Paul Laurence Dunbar |
De times is mighty stirrin' 'mong de people up ouah way,
Dey 'sputin' an' dey argyin' an' fussin' night an' day;
An' all dis monst'ous trouble dat hit meks me tiahed to tell
Is 'bout dat Lucy Jackson dat was sich a mighty belle.
She was de preachah's favoured, an' he tol' de chu'ch one night
Dat she travelled thoo de cloud o' sin a-bearin' of a light;
But, now, I 'low he t'inkin' dat she mus' 'a' los' huh lamp,
Case Lucy done backslided an' dey trouble in de camp.
Huh daddy wants to beat huh, but huh mammy daihs him to,
Fu' she lookin' at de question f'om a ooman's pint o' view;
An' she say dat now she would n't have it diff'ent ef she could;
Dat huh darter only acted jes' lak any othah would.
Cose you know w'en women argy, dey is mighty easy led
By dey hea'ts an' don't go foolin' 'bout de reasons of de haid.
So huh mammy laid de law down (she ain' reckernizin' wrong),
But you got to mek erlowance fu' de cause dat go along.
Now de cause dat made Miss Lucy fu' to th'ow huh grace away
I 's afeard won't baih no 'spection w'en hit come to jedgement day;
Do' de same t'ing been a-wo'kin' evah sence de worl' began,—
De ooman disobeyin' fu' to 'tice along a man.
Ef you 'tended de revivals which we held de wintah pas',
You kin rickolec' dat convuts was a-comin' thick an' fas';
But dey ain't no use in talkin', dey was all lef' in de lu'ch
W'en ol' Mis' Jackson's dartah foun' huh peace an' tuk de chu'ch.
W'y, she shouted ovah evah inch of Ebenezah's flo';
Up into de preachah's pulpit an' f'om dah down to de do';
Den she hugged an' squeezed huh mammy, an' she hugged an' kissed huh dad,
An' she struck out at huh sistah, people said, lak she was mad.[Pg 159]
I has 'tended some revivals dat was lively in my day,
An' I 's seed folks git 'uligion in mos' evah kin' o' way;
But I tell you, an' you b'lieve me dat I 's speakin' true indeed,
Dat gal tuk huh 'ligion ha'dah dan de ha'dest yit I 's seed.
Well, f'om dat, 't was "Sistah Jackson, won't you please do dis er dat?"
She mus' allus sta't de singin' w'en dey 'd pass erroun' de hat,
An' hit seemed dey was n't nuffin' in dat chu'ch dat could go by
'Dout sistah Lucy Jackson had a finger in de pie.
But de sayin' mighty trufeful dat hit easiah to sail
W'en de sea is ca'm an' gentle dan to weathah out a gale.
Dat 's whut made dis ooman's trouble; ef de sto'm had kep' away,
She 'd 'a' had enough 'uligion fu' to lasted out huh day.
Lucy went wid 'Lishy Davis, but w'en she jined chu'ch, you know
Dah was lots o' little places dat, of cose, she could n't go;
An' she had to gin up dancin' an' huh singin' an' huh play.—
Now hit's nachul dat sich goin's-on 'u'd drive a man away.
So, w'en Lucy got so solemn, Ike he sta'ted fu' to go
Wid a gal who was a sinnah an' could mek a bettah show.
Lucy jes' went on to meetin' lak she did n't keer a rap,
But my 'sperunce kep' me t'inkin dah was somep'n' gwine to drap.
Fu' a gal won't let 'uligion er no othah so't o' t'ing
Stop huh w'en she teks a notion dat she wants a weddin' ring.
You kin p'omise huh de blessin's of a happy aftah life
(An' hit's nice to be a angel), but she 'd ravah be a wife.
So w'en Chrismus come an' mastah gin a frolic on de lawn,
Did n't 'sprise me not de littlest seein' Lucy lookin' on.
An' I seed a wa'nin' lightnin' go a-flashin' f'om huh eye
Jest ez 'Lishy an' his new gal went a-gallivantin' by.
An' dat Tildy, umph! she giggled, an' she gin huh dress a flirt
Lak de people she was passin' was ez common ez de dirt;
An' de minit she was dancin', w'y dat gal put on mo' aihs
Dan a cat a-tekin' kittens up a paih o' windin' staihs.[Pg 160]
She could 'fo'd to show huh sma'tness, fu' she could n't he'p but know
Dat wid jes' de present dancahs she was ownah of de flo';
But I t'ink she 'd kin' o' cooled down ef she happened on de sly
Fu' to noticed dat 'ere lightnin' dat I seed in Lucy's eye.
An' she would n't been so 'stonished w'en de people gin a shout,
An' Lucy th'owed huh mantle back an' come a-glidin' out.
Some ahms was dah to tek huh an' she fluttahed down de flo'
Lak a feddah f'om a bedtick w'en de win' commence to blow.
Soon ez Tildy see de trouble, she jes' tu'n an' toss huh haid,
But seem lak she los' huh sperrit, all huh darin'ness was daid.
Did n't cut anothah capah nary time de blessid night;
But de othah one, hit looked lak could n't git enough delight.
W'en you keeps a colt a-stan'nin' in de stable all along,
W'en he do git out hit 's nachul he 'll be pullin' mighty strong.
Ef you will tie up yo' feelin's, hyeah 's de bes' advice to tek,
Look out fu' an awful loosin' w'en de string dat hol's 'em brek.
Lucy's mammy groaned to see huh, an' huh pappy sto'med an' to',
But she kep' right on a-hol'in' to de centah of de flo'.
So dey went an' ast de pastoh ef he could n't mek huh quit,
But de tellin' of de sto'y th'owed de preachah in a fit.
Tildy Taylor chewed huh hank'cher twell she 'd chewed it in a hole,—
All de sinnahs was rejoicin' 'cause a lamb had lef de fol',
An' de las' I seed o' Lucy, she an' 'Lish was side an' side:
I don't blame de gal fu' dancin', an' I could n't ef I tried.
Fu' de men dat wants to ma'y ain't a-growin' 'roun' on trees,
An' de gal dat wants to git one sholy has to try to please.
Hit's a ha'd t'ing fu' a ooman fu 'to pray an' jes' set down,
An' to sacafice a husban' so 's to try to gain a crown.
Now, I don' say she was justified in follerin' huh plan;
But aldough she los' huh 'ligion, yit she sholy got de man.
Latah on, w'en she is suttain dat de preachah 's made 'em fas'
She kin jes' go back to chu'ch an' ax fu'giveness fu' de pas'![Pg 161]
|
Written by
Paul Laurence Dunbar |
Dey had a gread big pahty down to Tom's de othah night;
Was I dah? You bet! I nevah in my life see sich a sight;
All de folks f'om fou' plantations was invited, an' dey come,
Dey come troopin' thick ez chillun when dey hyeahs a fife an' drum.
Evahbody dressed deir fines'—Heish yo' mouf an' git away,
Ain't seen no sich fancy dressin' sence las' quah'tly meetin' day;
Gals all dressed in silks an' satins, not a wrinkle ner a crease,
Eyes a-battin', teeth a-shinin', haih breshed back ez slick ez grease;
Sku'ts all tucked an' puffed an' ruffled, evah blessed seam an' stitch;
Ef you 'd seen 'em wif deir mistus, could n't swahed to which was which.
Men all dressed up in Prince Alberts, swaller-tails 'u'd tek yo' bref!
I cain't tell you nothin' 'bout it, y' ought to seen it fu' yo'se'f.
Who was dah? Now who you askin'? How you 'spect I gwine to know?
You mus' think I stood an' counted evahbody at de do.'
Ole man Babah's house-boy Isaac, brung dat gal, Malindy Jane,
Huh a-hangin' to his elbow, him a-struttin' wif a cane;
My, but Hahvey Jones was jealous! seemed to stick him lak a tho'n;[Pg 84]
But he laughed with Viney Cahteh, tryin' ha'd to not let on,
But a pusson would 'a' noticed f'om de d'rection of his look,
Dat he was watchin' ev'ry step dat Ike an' Lindy took.
Ike he foun' a cheer an' asked huh: "Won't you set down?" wif a smile,
An' she answe'd up a-bowin', "Oh, I reckon 't ain't wuth while."
Dat was jes' fu' Style, I reckon, 'cause she sot down jes' de same,
An' she stayed dah 'twell he fetched huh fu' to jine some so't o' game;
Den I hyeahd huh sayin' propah, ez she riz to go away,
"Oh, you raly mus' excuse me, fu' I hardly keers to play."
But I seen huh in a minute wif de othahs on de flo',
An' dah wasn't any one o' dem a-playin' any mo';
Comin' down de flo' a-bowin' an' a-swayin' an' a-swingin',
Puttin' on huh high-toned mannahs all de time dat she was singin':
"Oh, swing Johnny up an' down, swing him all aroun',
Swing Johnny up an' down, swing him all aroun',
Oh, swing Johnny up an' down, swing him all aroun'
Fa' you well, my dahlin'."
Had to laff at ole man Johnson, he 's a caution now, you bet—
Hittin' clost onto a hunderd, but he 's spry an' nimble yet;
He 'lowed how a-so't o' gigglin', "I ain't ole, I 'll let you see,
D'ain't no use in gittin' feeble, now you youngstahs jes' watch me,"
An' he grabbed ole Aunt Marier—weighs th'ee hunderd mo' er less,
An' he spun huh 'roun' de cabin swingin' Johnny lak de res'.
Evahbody laffed an' hollahed: "Go it! Swing huh, Uncle Jim!"
An' he swung huh too, I reckon, lak a youngstah, who but him.
Dat was bettah 'n young Scott Thomas, tryin' to be so awful smaht.
You know when dey gits to singin' an' dey comes to dat ere paht:
"In some lady's new brick house,
In some lady's gyahden.
Ef you don't let me out, I will jump out,
So fa' you well, my dahlin'."
Den dey 's got a circle 'roun' you, an' you's got to break de line;
Well, dat dahky was so anxious, lak to bust hisse'f a-tryin';[Pg 85]
Kep' on blund'rin' 'roun' an' foolin' 'twell he giv' one gread big jump,
Broke de line, an lit head-fo'most in de fiah-place right plump;
Hit 'ad fiah in it, mind you; well, I thought my soul I 'd bust,
Tried my best to keep f'om laffin', but hit seemed like die I must!
Y' ought to seen dat man a-scramblin' f'om de ashes an' de grime.
Did it bu'n him! Sich a question, why he did n't give it time;
Th'ow'd dem ashes and dem cindahs evah which-a-way I guess,
An' you nevah did, I reckon, clap yo' eyes on sich a mess;
Fu' he sholy made a picter an' a funny one to boot,
Wif his clothes all full o' ashes an' his face all full o' soot.
Well, hit laked to stopped de pahty, an' I reckon lak ez not
Dat it would ef Tom's wife, Mandy, had n't happened on de spot,
To invite us out to suppah—well, we scrambled to de table,
An' I 'd lak to tell you 'bout it—what we had—but I ain't able,
Mention jes' a few things, dough I know I had n't orter,
Fu' I know 't will staht a hank'rin' an' yo' mouf 'll 'mence to worter.
We had wheat bread white ez cotton an' a egg pone jes like gol',
Hog jole, bilin' hot an' steamin' roasted shoat an' ham sliced cold—
Look out! What's de mattah wif you? Don't be fallin' on de flo';
Ef it 's go'n' to 'fect you dat way, I won't tell you nothin' mo'.
Dah now—well, we had hot chittlin's—now you 's tryin' ag'in to fall,
Cain't you stan' to hyeah about it? S'pose you'd been an' seed it all;
Seed dem gread big sweet pertaters, layin' by de possum's side,
Seed dat coon in all his gravy, reckon den you 'd up and died!
Mandy 'lowed "you all mus' 'scuse me, d' wa'n't much upon my she'ves,
But I's done my bes' to suit you, so set down an' he'p yo'se'ves."
Tom, he 'lowed: "I don't b'lieve in 'pologisin' an' perfessin',
Let 'em tek it lak dey ketch it. Eldah Thompson, ask de blessin'."[Pg 86]
Wish you 'd seed dat colo'ed preachah cleah his th'oat an' bow his head;
One eye shet, an' one eye open,—dis is evah wud he said:
"Lawd, look down in tendah mussy on sich generous hea'ts ez dese;
Make us truly thankful, amen. Pass dat possum, ef you please!"
Well, we eat and drunk ouah po'tion, 'twell dah was n't nothin' lef,
An' we felt jes' like new sausage, we was mos' nigh stuffed to def!
Tom, he knowed how we 'd be feelin', so he had de fiddlah 'roun',
An' he made us cleah de cabin fu' to dance dat suppah down.
Jim, de fiddlah, chuned his fiddle, put some rosum on his bow,
Set a pine box on de table, mounted it an' let huh go!
He's a fiddlah, now I tell you, an' he made dat fiddle ring,
'Twell de ol'est an' de lamest had to give deir feet a fling.
Jigs, cotillions, reels an' breakdowns, cordrills an' a waltz er two;
Bless yo' soul, dat music winged 'em an' dem people lak to flew.
Cripple Joe, de old rheumatic, danced dat flo' f'om side to middle,
Th'owed away his crutch an' hopped it; what's rheumatics 'ginst a fiddle?
Eldah Thompson got so tickled dat he lak to los' his grace,
Had to tek bofe feet an' hol' dem so 's to keep 'em in deir place.
An' de Christuns an' de sinnahs got so mixed up on dat flo',
Dat I don't see how dey 'd pahted ef de trump had chanced to blow.
Well, we danced dat way an' capahed in de mos' redic'lous way,
'Twell de roostahs in de bahnyard cleahed deir th'oats an' crowed fu' day.
Y' ought to been dah, fu' I tell you evahthing was rich an' prime,
An' dey ain't no use in talkin', we jes had one scrumptious time![Pg 87]
|
Written by
James Whitcomb Riley |
I crave, dear Lord,
No boundless hoard
Of gold and gear,
Nor jewels fine,
Nor lands, nor kine,
Nor treasure-heaps of anything.
-
Let but a little hut be mine
Where at the hearthstore I may hear
The cricket sing,
And have the shine
Of one glad woman's eyes to make,
For my poor sake,
Our simple home a place divine;-
Just the wee cot-the cricket's chirr-
Love, and the smiling face of her.
I pray not for
Great riches, nor
For vast estates, and castle-halls,-
Give me to hear the bare footfalls
Of children o’er
An oaken floor,
New-risen with sunshine, or bespread
With but the tiny coverlet
And pillow for the baby’s head;
And pray Thou, may
The door stand open and the day
Send ever in a gentle breeze,
With fragrance from the locust-trees,
And drowsy moan of doves, and blur
Of robin-chirps, and drove of bees,
With afterhushes of the stir
Of intermingling sounds, and then
The good-wife and the smile of her
Filling the silences again-
The cricket’s call,
And the wee cot,
Dear Lord of all,
Deny me not!
I pray not that
Men tremble at
My power of place
And lordly sway, -
I only pray for simple grace
To look my neighbor in the face
Full honestly from day to day-
Yield me this horny palm to hold,
And I’ll not pray
For gold;-
The tanned face, garlanded with mirth,
It hath the kingliest smile on earth-
The swart brow, diamonded with sweat,
Hath never need of coronet.
And so I reach,
Dear Lord, to Thee,
And do beseech
Thou givest me
The wee cot, and the cricket’s chirr,
Love, and the glad sweet face of her.
|
Written by
Andrew Barton Paterson |
You see, the thing was this way -- there was me,
That rode Panopply, the Splendor mare,
And Ikey Chambers on the Iron Dook,
And Smith, the half-caste rider on Regret,
And that long bloke from Wagga -- him that rode
Veronikew, the Snowy River horse.
Well, none of them had chances -- not a chance
Among the lot, unless the rest fell dead
Or wasn't trying -- for a blind man's dog
Could see Enchantress was a certain cop,
And all the books was layin' six to four.
They brought her out to show our lot the road,
Or so they said: but, then Gord's truth! you know,
You can believe 'em, though they took an oath
On forty Bibles that they's tell the truth.
But anyhow, an amateur was up
On this Enchantress; and so Ike and me,
We thought that we might frighten him a bit
By asking if he minded riding rough --
"Oh, not at all," says he, "oh, not at all!
I heard at Robbo Park, and if it comes
To bumping I'm your Moses! Strike me blue!"
Says he, "I'll bump you over either rail,
The inside rail or outside -- which you choose
Is good enough for me" -- which settled Ike.
For he was shaky since he near got killed
From being sent a buster on the rail,
When some chap bumped his horse and fetched him down
At Stony Bridge; so Ikey thought it best
To leave this bloke alone, and I agreed.
So all the books was layin' six to four
Against the favourite, and the amateur
Was walking this Enchantress up and down,
And me and Smithy backed him; for we thought
We might as well get something for ourselves,
Because we knew our horses couldn't win.
But Ikey wouldn't back him for a bob;
Because he said he reckoned he was stiff,
And all the books was layin' six to four.
Well, anyhow, before the start the news
Got around that this here amateur was stiff,
And our good stuff was blued, and all the books
Was in it, and the prices lengthened out,
And every book was bustin' of his throat,
And layin' five to one the favourite.
So there was we that couldn't win ourselves,
And this here amateur that wouldn't try,
And all the books was layin' five to one.
So Smithy says to me, "You take a hold
Of that there moke of yours, and round the turn
Come up behind Enchantress with the whip
And let her have it; that long bloke and me
Will wait ahead, and when she comes to us
We'll pass her on and belt her down the straight,
And Ikey'll flog her home -- because his boss
Is judge and steward and the Lord knows what,
And so he won't be touched; and, as for us,
We'll swear we only hit her by mistake!"
And all the books was layin' five to one.
Well, off we went, and comin' to the turn
I saw the amateur was holdinig back
And poking into every hole he could
To get her blocked; and so I pulled behind
And drew the whip and dropped it on the mare.
I let her have it twice, and then she shot
Ahead of me, and Smithy opened out
And let her up beside him on the rails,
And kept her there a-beltin' her like smoke
Until she struggled past him, pullin' hard,
And came to Ike; but Ikey drew his whip
And hit her on the nose, and sent her back
And won the race himself -- for, after all,
It seems he had a fiver on The Dook
And never told us -- so our stuff was lost.
And then they had us up for ridin' foul,
And warned us off the tracks for twelve months each
To get our livin' any way we could;
But Ikey wasn't touched, because his boss
Was judge and steward and the Lord knows what.
But Mister -- if you'll lend us half-a-crown,
I know three certain winners at the Park --
Three certain cops as no one knows but me;
And -- thank you, Mister, come an' have a beer
(I always like a beer about this time) .
.
.
Well, so long, Mister, till we meet again.
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Written by
Paul Laurence Dunbar |
Who dat knockin' at de do'?
Why, Ike Johnson,—yes, fu' sho!
Come in, Ike. I 's mighty glad
You come down. I t'ought you 's mad
At me 'bout de othah night,
An' was stayin' 'way fu' spite.
Say, now, was you mad fu' true
Wen I kin' o' laughed at you?
Speak up, Ike, an' 'spress yo'se'f.
'T ain't no use a-lookin' sad,
An' a-mekin' out you 's mad;
Ef you 's gwine to be so glum,
Wondah why you evah come.
I don't lak nobidy 'roun'
Dat jes' shet dey mouf an' frown,—
Oh, now, man, don't act a dunce!
Cain't you talk? I tol' you once,
Speak up, Ike, an' 'spress yo'se'f.
Wha 'd you come hyeah fu' to-night?
Body 'd t'ink yo' haid ain't right.
I 's done all dat I kin do,[Pg 185]—
Dressed perticler, jes' fu' you;
Reckon I 'd 'a' bettah wo'
My ol' ragged calico.
Aftah all de pains I 's took,
Cain't you tell me how I look?
Speak up, Ike, an' 'spress yo'se'f.
Bless my soul! I 'mos' fu'got
Tellin' you 'bout Tildy Scott.
Don't you know, come Thu'sday night,
She gwine ma'y Lucius White?
Miss Lize say I allus wuh
Heap sight laklier 'n huh;
An' she 'll git me somep'n new,
Ef I wants to ma'y too.
Speak up, Ike, an' 'spress yo'se'f.
I could ma'y in a week,
Ef de man I wants 'ud speak.
Tildy's presents 'll be fine,
But dey would n't ekal mine.
Him whut gits me fu' a wife
'Ll be proud, you bet yo' life.
I 's had offers; some ain't quit;
But I has n't ma'ied yit!
Speak up, Ike, an' 'spress yo'se'f.
Ike, I loves you,—yes, I does;
You 's my choice, and allus was.
Laffin' at you ain't no harm.—
Go 'way, dahky, whah 's yo' arm?
Hug me closer—dah, dat 's right!
Was n't you a awful sight,
Havin' me to baig you so?
Now ax whut you want to know,—
Speak up, Ike, an' 'spress yo'se'f!
|
Written by
Paul Laurence Dunbar |
I has hyeahd o' people dancin' an' I 's hyeahd o' people singin'.
An' I 's been 'roun' lots of othahs dat could keep de banjo ringin';
But of all de whistlin' da'kies dat have lived an' died since Ham,
De whistlin'est I evah seed was ol' Ike Bates's Sam.
In de kitchen er de stable, in de fiel' er mowin' hay,
You could hyeah dat boy a-whistlin' pu'ty nigh a mile erway,—
Puck'rin' up his ugly features 'twell you could n't see his eyes,
Den you 'd hyeah a soun' lak dis un f'om dat awful puckah rise:
 When dey had revival meetin' an' de Lawd's good grace was flowin'
On de groun' dat needed wat'rin' whaih de seeds of good was growin',
While de othahs was a-singin' an' a-shoutin' right an' lef,
You could hyeah dat boy a-whistlin' kin' o' sof beneaf his bref:
[Pg 157] At de call fu' colo'ed soldiers, Sam enlisted 'mong de res'
Wid de blue o' Gawd's great ahmy wropped about his swellin' breas',
An' he laffed an' whistled loudah in his youfful joy an' glee
Dat de govament would let him he'p to mek his people free.
Daih was lots o' ties to bin' him, pappy, mammy, an' his Dinah,—
Dinah, min' you, was his sweet-hea't, an' dey was n't nary finah;
But he lef 'em all, I tell you, lak a king he ma'ched away,
Try'n' his level bes' to whistle, happy, solemn, choky, gay:
 To de front he went an' bravely fought de foe an' kep' his sperrit,
An' his comerds said his whistle made 'em strong when dey could hyeah it.
When a saber er a bullet cut some frien' o' his'n down,
An' de time 'u'd come to trench him an' de boys 'u'd gethah 'roun',
An' dey could n't sta't a hymn-tune, mebbe none o' dem 'u'd keer,
Sam 'u'd whistle "Sleep in Jesus," an' he knowed de Mastah 'd hyeah.
In de camp, all sad discouraged, he would cheer de hea'ts of all,
When above de soun' of labour dey could hyeah his whistle call:
 When de cruel wah was ovah an' de boys come ma'chin' back,
Dey was shouts an' cries an' blessin's all erlong dey happy track,
An' de da'kies all was happy; souls an' bodies bofe was freed.
Why, hit seemed lak de Redeemah mus' 'a' been on earf indeed.
Dey was gethahed all one evenin' jes' befo' de cabin do',
When dey hyeahd somebody whistlin' kin' o' sof' an' sweet an' low.
Dey could n't see de whistlah, but de hymn was cleah and ca'm,
An' dey all stood daih a-listenin' ontwell Dinah shouted, "Sam!"[Pg 158]
An' dey seed a little da'ky way off yandah thoo de trees
Wid his face all in a puckah mekin' jes' sich soun's ez dese:
|
Written by
Paul Laurence Dunbar |
When I come in f'om de co'n-fiel' aftah wo'kin' ha'd all day,
It 's amazin' nice to fin' my suppah all erpon de way;
An' it 's nice to smell de coffee bubblin' ovah in de pot,
An' it 's fine to see de meat a-sizzlin' teasin'-lak an' hot.
But when suppah-time is ovah, an' de t'ings is cleahed away;
Den de happy hours dat foller are de sweetes' of de day.
When my co'ncob pipe is sta'ted, an' de smoke is drawin' prime,
My ole 'ooman says, "I reckon, Ike, it 's candle-lightin' time."
Den de chillun snuggle up to me, an' all commence to call,
"Oh, say, daddy, now it 's time to mek de shadders on de wall."
So I puts my han's togethah—evah daddy knows de way,—
An' de chillun snuggle closer roun' ez I begin to say:—
"Fus' thing, hyeah come Mistah Rabbit; don' you see him wo'k his eahs?[Pg 156]
Huh, uh! dis mus' be a donkey,—look, how innercent he 'pears!
Dah 's de ole black swan a-swimmin'—ain't she got a' awful neck?
Who 's dis feller dat 's a-comin'? Why, dat 's ole dog Tray, I 'spec'!"
Dat 's de way I run on, tryin' fu' to please 'em all I can;
Den I hollahs, "Now be keerful—dis hyeah las' 's de buga-man!"
An' dey runs an' hides dey faces; dey ain't skeered—dey 's lettin' on:
But de play ain't raaly ovah twell dat buga-man is gone.
So I jes' teks up my banjo, an' I plays a little chune,
An' you see dem haids come peepin' out to listen mighty soon.
Den my wife says, "Sich a pappy fu' to give you sich a fright!
Jes, you go to baid, an' leave him: say yo' prayers an' say good-night."
|
Written by
John Berryman |
This is the lay of Ike.
Here's to the glory of the Grewt White—awk—
who has been running—er—er—things in recent—ech—
in the United—If your screen is black,
ladies & gentlemen, we—I like—
at the Point he was already terrific—sick
to a second term, having done no wrong—
no right—no · right—having let the Army—bang—
defend itself from Joe, let venom' Strauss
bile Oppenheimer out of use—use Robb,
who'll later fend for Goldfine—Breaking no laws,
he lay in the White House—sob!!—
who never understood his own strategy—whee—
so Monty's memoirs—nor any strategy,
wanting the ball bulled thro' all parts of the line
at once—proving, by his refusal to take Berlin,
he misread even Clauswitz—wide empty grin
that never lost a vote (O Adlai mine).
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