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Best Famous Identify Poems

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Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it


Written by Raymond Carver | Create an image from this poem

Fear

 Fear of seeing a police car pull into the drive.
Fear of falling asleep at night.
Fear of not falling asleep.
Fear of the past rising up.
Fear of the present taking flight.
Fear of the telephone that rings in the dead of night.
Fear of electrical storms.
Fear of the cleaning woman who has a spot on her cheek! Fear of dogs I've been told won't bite.
Fear of anxiety! Fear of having to identify the body of a dead friend.
Fear of running out of money.
Fear of having too much, though people will not believe this.
Fear of psychological profiles.
Fear of being late and fear of arriving before anyone else.
Fear of my children's handwriting on envelopes.
Fear they'll die before I do, and I'll feel guilty.
Fear of having to live with my mother in her old age, and mine.
Fear of confusion.
Fear this day will end on an unhappy note.
Fear of waking up to find you gone.
Fear of not loving and fear of not loving enough.
Fear that what I love will prove lethal to those I love.
Fear of death.
Fear of living too long.
Fear of death.
I've said that.
Written by Mari Evans | Create an image from this poem

Speak the Truth to the People

Speak the truth to the people
Talk sense to the people
Free them with honesty
Free the people with Love and Courage for their Being
Spare them the fantasy
Fantasy enslaves
A slave is enslaved
Can be enslaved by unwisdom
Can be re-enslaved while in flight from the enemy
Can be enslaved by his brother whom he loves
His brother whom he trusts whom he loves
His brother whom he trusts
His brother with the loud voice
And the unwisdom
Speak the truth to the people
It is not necessary to green the heart
Only to identify the enemy
It is not necessary to blow the mind
Only to free the mind
To identify the enemy is to free the mind
A free mind has no need to scream

A free mind is ready for other things

To BUILD black schools
To BUILD black children
To BUILD black minds
To BUILD black love
To BUILD black impregnability
To BUILD a strong black nation
To BUILD

Speak the truth to the people
Spare them the opium of devil-hate
They need no trips on honky-chants.

Move them instead to a BLACK ONENESS.

A black strength which will defend its own
Needing no cacophony of screams for activation
A black strength which will attack the laws
exposes the lies, disassembles the structure
and ravages the very foundation of evil.
Speak the truth to the people
To identify the enemy is to free the mind
Free the mind of the people
Speak to the mind of the people
Speak Truth
Written by Philip Larkin | Create an image from this poem

Continuing To Live

 Continuing to live -- that is, repeat
A habit formed to get necessaries --
Is nearly always losing, or going without.
It varies.
This loss of interest, hair, and enterprise -- Ah, if the game were poker, yes, You might discard them, draw a full house! But it's chess.
And once you have walked the length of your mind, what You command is clear as a lading-list.
Anything else must not, for you, be thought To exist.
And what's the profit? Only that, in time, We half-identify the blind impress All our behavings bear, may trace it home.
But to confess, On that green evening when our death begins, Just what it was, is hardly satisfying, Since it applied only to one man once, And that one dying.
Written by Eugene Field | Create an image from this poem

Lyman frederick and jim

 (FOR THE FELLOWSHIP CLU 

Lyman and Frederick and Jim, one day,
Set out in a great big ship--
Steamed to the ocean adown the bay
Out of a New York slip.
"Where are you going and what is your game?" The people asked those three.
"Darned if we know; but all the same Happy as larks are we; And happier still we're going to be!" Said Lyman And Frederick And Jim.
The people laughed "Aha, oho! Oho, aha!" laughed they; And while those three went sailing so Some pirates steered that way.
The pirates they were laughing, too-- The prospect made them glad; But by the time the job was through Each of them pirates, bold and bad, Had been done out of all he had By Lyman And Frederick And Jim.
Days and weeks and months they sped, Painting that foreign clime A beautiful, bright vermilion red-- And having a ---- of a time! 'T was all so gaudy a lark, it seemed As if it could not be, And some folks thought it a dream they dreamed Of sailing that foreign sea, But I 'll identify you these three-- Lyman And Frederick And Jim.
Lyman and Frederick are bankers and sich And Jim is an editor kind; The first two named are awfully rich And Jim ain't far behind! So keep your eyes open and mind your tricks, Or you are like to be In quite as much of a Tartar fix As the pirates that sailed the sea And monkeyed with the pardners three, Lyman And Frederick And Jim!


Written by Robert Lowell | Create an image from this poem

Identification In Belfast

 (I.
R.
A.
Bombing) The British Army now carries two rifles, one with rubber rabbit-pellets for children, the other's of course for the Provisionals.
.
.
.
'When they first showed me the boy, I thought oh good, it's not him because he's blonde— I imagine his hair was singed dark by the bomb.
He had nothing on him to identify him, except this box of joke trick matches; he liked to have them on him, even at mass.
The police were unhurried and wonderful, they let me go on trying to strike a match.
.
.
I just wouldn't stop—you cling to anything— I couldn't believe I couldn't light one match— only joke matches.
.
.
Then I knew he was Richard.
'
Written by Emily Dickinson | Create an image from this poem

This Dust and its Feature --

 This Dust, and its Feature --
Accredited -- Today --
Will in a second Future --
Cease to identify --

This Mind, and its measure --
A too minute Area
For its enlarged inspection's
Comparison -- appear --

This World, and its species
A too concluded show
For its absorbed Attention's
Remotest scrutiny --
Written by John Berryman | Create an image from this poem

Dream Song 53: He lay in the middle of the world and twicht

 He lay in the middle of the world, and twicht.
More Sparine for Pelides, human (half) & down here as he is, with probably insulting mail to open and certainly unworthy words to hear and his unforgiving memory.
—I seldom go to films.
They are too exciting, said the Honourable Possum.
—It takes me so long to read the 'paper, said to me one day a novelist hot as a firecracker, because I have to identify myself with everyone in it, including the corpses, pal.
' Kierkegaard wanted a society, to refuse to read 'papers, and that was not, friends, his worst idea.
Tiny Hardy, toward the end, refused to say anything, a programme adopted early on by long Housman, and Gottfried Benn said:—We are using our own skins for wallpaper and we cannot win.
Written by Walt Whitman | Create an image from this poem

Spirit whose Work is Done

 SPIRIT whose work is done! spirit of dreadful hours! 
Ere, departing, fade from my eyes your forests of bayonets; 
Spirit of gloomiest fears and doubts, (yet onward ever unfaltering pressing;) 
Spirit of many a solemn day, and many a savage scene! Electric spirit! 
That with muttering voice, through the war now closed, like a tireless phantom flitted,
Rousing the land with breath of flame, while you beat and beat the drum; 
—Now, as the sound of the drum, hollow and harsh to the last, reverberates round me; 
As your ranks, your immortal ranks, return, return from the battles; 
While the muskets of the young men yet lean over their shoulders; 
While I look on the bayonets bristling over their shoulders;
While those slanted bayonets, whole forests of them, appearing in the distance, approach
 and
 pass
 on, returning homeward, 
Moving with steady motion, swaying to and fro, to the right and left, 
Evenly, lightly rising and falling, as the steps keep time; 
—Spirit of hours I knew, all hectic red one day, but pale as death next day; 
Touch my mouth, ere you depart—press my lips close!
Leave me your pulses of rage! bequeath them to me! fill me with currents convulsive! 
Let them scorch and blister out of my chants, when you are gone; 
Let them identify you to the future, in these songs.
Written by Andrew Barton Paterson | Create an image from this poem

The Gundaroo Bullock

 Oh, there's some that breeds the Devon that's as solid as a stone, 
And there's some that breeds the brindle which they call the "Goulburn Roan"; 
But amongst the breeds of cattle there are very, very few 
Like the hairy-whiskered bullock that they breed at Gundaroo.
Far away by Grabben Gullen, where the Murrumbidgee flows, There's a block of broken country-side where no one ever goes; For the banks have gripped the squatters, and the free selectors too, And their stock are always stolen by the men of Gundaroo.
There came a low informer to the Grabben Gullen side, And he said to Smith the squatter, "You must saddle up and ride, For your bullock's in the harness-cask of Morgan Donahoo -- He's the greatest cattle-stealer in the whole of Gundaroo.
" "Oh, ho!" said Smith, the owner of the Grabben Gullen run, "I'll go and get the troopers by the sinking of the sun, And down into his homestead tonight we'll take a ride, With warrants to identify the carcass and the hide.
" That night rode down the troopers, the squatter at their head, They rode into the homestead, and pulled Morgan out of bed.
"Now, show to us the carcass of the bullock that you slew -- The hairy-whiskered bullock that you killed in Gundaroo.
" They peered into the harness-cask, and found it wasn't full, But down among the brine they saw some flesh and bits of wool.
"What's this?" exclaimed the trooper; "an infant, I declare;" Said Morgan, "'Tis the carcass of an old man native bear.
I heard that ye were coming, so an old man bear I slew, Just to give you kindly welcome to my home in Gundaroo.
"The times are something awful, as you can plainly see, The banks have broke the squatters, and they've broke the likes of me; We can't afford a bullock -- such expense would never do -- So an old man bear for breakfast is a treat in Gundaroo.
" And along by Grabben Gullen, where the rushing river flows, In the block of broken country where there's no one ever goes, On the Upper Murrumbidgee, they're a hospitable crew -- But you mustn't ask for "bullock" when you go to Gundaroo.

Book: Shattered Sighs