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Best Famous Hundredth Poems

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Written by Anna Akhmatova | Create an image from this poem

Requiem

 Not under foreign skies
 Nor under foreign wings protected -
 I shared all this with my own people
 There, where misfortune had abandoned us.
[1961] INSTEAD OF A PREFACE During the frightening years of the Yezhov terror, I spent seventeen months waiting in prison queues in Leningrad.
One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me, her lips blue with cold, who, of course, had never in her life heard my name.
Jolted out of the torpor characteristic of all of us, she said into my ear (everyone whispered there) - 'Could one ever describe this?' And I answered - 'I can.
' It was then that something like a smile slid across what had previously been just a face.
[The 1st of April in the year 1957.
Leningrad] DEDICATION Mountains fall before this grief, A mighty river stops its flow, But prison doors stay firmly bolted Shutting off the convict burrows And an anguish close to death.
Fresh winds softly blow for someone, Gentle sunsets warm them through; we don't know this, We are everywhere the same, listening To the scrape and turn of hateful keys And the heavy tread of marching soldiers.
Waking early, as if for early mass, Walking through the capital run wild, gone to seed, We'd meet - the dead, lifeless; the sun, Lower every day; the Neva, mistier: But hope still sings forever in the distance.
The verdict.
Immediately a flood of tears, Followed by a total isolation, As if a beating heart is painfully ripped out, or, Thumped, she lies there brutally laid out, But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends, Captives of my two satanic years? What miracle do you see in a Siberian blizzard? What shimmering mirage around the circle of the moon? I send each one of you my salutation, and farewell.
[March 1940] INTRODUCTION [PRELUDE] It happened like this when only the dead Were smiling, glad of their release, That Leningrad hung around its prisons Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang Short songs of farewell To the ranks of convicted, demented by suffering, As they, in regiments, walked along - Stars of death stood over us As innocent Russia squirmed Under the blood-spattered boots and tyres Of the black marias.
I You were taken away at dawn.
I followed you As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God.
.
.
The cold of an icon was on your lips, a death-cold sweat On your brow - I will never forget this; I will gather To wail with the wives of the murdered streltsy (1) Inconsolably, beneath the Kremlin towers.
[1935.
Autumn.
Moscow] II Silent flows the river Don A yellow moon looks quietly on Swanking about, with cap askew It sees through the window a shadow of you Gravely ill, all alone The moon sees a woman lying at home Her son is in jail, her husband is dead Say a prayer for her instead.
III It isn't me, someone else is suffering.
I couldn't.
Not like this.
Everything that has happened, Cover it with a black cloth, Then let the torches be removed.
.
.
Night.
IV Giggling, poking fun, everyone's darling, The carefree sinner of Tsarskoye Selo (2) If only you could have foreseen What life would do with you - That you would stand, parcel in hand, Beneath the Crosses (3), three hundredth in line, Burning the new year's ice With your hot tears.
Back and forth the prison poplar sways With not a sound - how many innocent Blameless lives are being taken away.
.
.
[1938] V For seventeen months I have been screaming, Calling you home.
I've thrown myself at the feet of butchers For you, my son and my horror.
Everything has become muddled forever - I can no longer distinguish Who is an animal, who a person, and how long The wait can be for an execution.
There are now only dusty flowers, The chinking of the thurible, Tracks from somewhere into nowhere And, staring me in the face And threatening me with swift annihilation, An enormous star.
[1939] VI Weeks fly lightly by.
Even so, I cannot understand what has arisen, How, my son, into your prison White nights stare so brilliantly.
Now once more they burn, Eyes that focus like a hawk, And, upon your cross, the talk Is again of death.
[1939.
Spring] VII THE VERDICT The word landed with a stony thud Onto my still-beating breast.
Nevermind, I was prepared, I will manage with the rest.
I have a lot of work to do today; I need to slaughter memory, Turn my living soul to stone Then teach myself to live again.
.
.
But how.
The hot summer rustles Like a carnival outside my window; I have long had this premonition Of a bright day and a deserted house.
[22 June 1939.
Summer.
Fontannyi Dom (4)] VIII TO DEATH You will come anyway - so why not now? I wait for you; things have become too hard.
I have turned out the lights and opened the door For you, so simple and so wonderful.
Assume whatever shape you wish.
Burst in Like a shell of noxious gas.
Creep up on me Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation, Or, with a simple tale prepared by you (And known by all to the point of nausea), take me Before the commander of the blue caps and let me glimpse The house administrator's terrified white face.
I don't care anymore.
The river Yenisey Swirls on.
The Pole star blazes.
The blue sparks of those much-loved eyes Close over and cover the final horror.
[19 August 1939.
Fontannyi Dom] IX Madness with its wings Has covered half my soul It feeds me fiery wine And lures me into the abyss.
That's when I understood While listening to my alien delirium That I must hand the victory To it.
However much I nag However much I beg It will not let me take One single thing away: Not my son's frightening eyes - A suffering set in stone, Or prison visiting hours Or days that end in storms Nor the sweet coolness of a hand The anxious shade of lime trees Nor the light distant sound Of final comforting words.
[14 May 1940.
Fontannyi Dom] X CRUCIFIXION Weep not for me, mother.
I am alive in my grave.
1.
A choir of angels glorified the greatest hour, The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!' But to his mother, 'Weep not for me.
.
.
' [1940.
Fontannyi Dom] 2.
Magdalena smote herself and wept, The favourite disciple turned to stone, But there, where the mother stood silent, Not one person dared to look.
[1943.
Tashkent] EPILOGUE 1.
I have learned how faces fall, How terror can escape from lowered eyes, How suffering can etch cruel pages Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair Can suddenly turn white.
I've learned to recognise The fading smiles upon submissive lips, The trembling fear inside a hollow laugh.
That's why I pray not for myself But all of you who stood there with me Through fiercest cold and scorching July heat Under a towering, completely blind red wall.
2.
The hour has come to remember the dead.
I see you, I hear you, I feel you: The one who resisted the long drag to the open window; The one who could no longer feel the kick of familiar soil beneath her feet; The one who, with a sudden flick of her head, replied, 'I arrive here as if I've come home!' I'd like to name you all by name, but the list Has been removed and there is nowhere else to look.
So, I have woven you this wide shroud out of the humble words I overheard you use.
Everywhere, forever and always, I will never forget one single thing.
Even in new grief.
Even if they clamp shut my tormented mouth Through which one hundred million people scream; That's how I wish them to remember me when I am dead On the eve of my remembrance day.
If someone someday in this country Decides to raise a memorial to me, I give my consent to this festivity But only on this condition - do not build it By the sea where I was born, I have severed my last ties with the sea; Nor in the Tsar's Park by the hallowed stump Where an inconsolable shadow looks for me; Build it here where I stood for three hundred hours And no-one slid open the bolt.
Listen, even in blissful death I fear That I will forget the Black Marias, Forget how hatefully the door slammed and an old woman Howled like a wounded beast.
Let the thawing ice flow like tears From my immovable bronze eyelids And let the prison dove coo in the distance While ships sail quietly along the river.
[March 1940.
Fontannyi Dom] FOOTNOTES 1 An elite guard which rose up in rebellion against Peter the Great in 1698.
Most were either executed or exiled.
2 The imperial summer residence outside St Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the Finland Station, called The Crosses because of the shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.


Written by William Wordsworth | Create an image from this poem

WE ARE SEVEN

  A simple child, dear brother Jim,
  That lightly draws its breath,
  And feels its life in every limb,
  What should it know of death?

  I met a little cottage girl,
  She was eight years old, she said;
  Her hair was thick with many a curl
  That cluster'd round her head.

  She had a rustic, woodland air,
  And she was wildly clad;
  Her eyes were fair, and very fair,
  —Her beauty made me glad.

  "Sisters and brothers, little maid,
  How many may you be?"
  "How many? seven in all," she said,
  And wondering looked at me.

  "And where are they, I pray you tell?"
  She answered, "Seven are we,
  And two of us at Conway dwell,
  And two are gone to sea.
"

  "Two of us in the church-yard lie,
  My sister and my brother,
  And in the church-yard cottage, I
  Dwell near them with my mother.
"

  "You say that two at Conway dwell,
  And two are gone to sea,
  Yet you are seven; I pray you tell
  Sweet Maid, how this may be?"

  Then did the little Maid reply,
  "Seven boys and girls are we;
  Two of us in the church-yard lie,
  Beneath the church-yard tree.
"

  "You run about, my little maid,
  Your limbs they are alive;
  If two are in the church-yard laid,
  Then ye are only five.
"

  "Their graves are green, they may be seen,"
  The little Maid replied,
  "Twelve steps or more from my mother's door,
  And they are side by side.
"

  "My stockings there I often knit,
  My 'kerchief there I hem;
  And there upon the ground I sit—
  I sit and sing to them.
"

  "And often after sunset, Sir,
  When it is light and fair,
  I take my little porringer,
  And eat my supper there.
"

  "The first that died was little Jane;
  In bed she moaning lay,
  Till God released her of her pain,
  And then she went away.
"

  "So in the church-yard she was laid,
  And all the summer dry,
  Together round her grave we played,
  My brother John and I.
"

  "And when the ground was white with snow,
  And I could run and slide,
  My brother John was forced to go,
  And he lies by her side.
"

  "How many are you then," said I,
  "If they two are in Heaven?"
  The little Maiden did reply,
  "O Master! we are seven.
"

  "But they are dead; those two are dead!
  Their spirits are in heaven!"
  'Twas throwing words away; for still
  The little Maid would have her will,
  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,
   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,
  His face is fair and fresh to see;
  His limbs are cast in beauty's mould,
  And dearly he loves me.

  One morn we stroll'd on our dry walk,
  Our quiet house all full in view,
  And held such intermitted talk
  As we are wont to do.

  My thoughts on former pleasures ran;
  I thought of Kilve's delightful shore,
  My pleasant home, when Spring began,
  A long, long year before.

  A day it was when I could bear
  To think, and think, and think again;
  With so much happiness to spare,
  I could not feel a pain.

  My boy was by my side, so slim
  And graceful in his rustic dress!
  And oftentimes I talked to him
  In very idleness.

  The young lambs ran a pretty race;
  The morning sun shone bright and warm;
  "Kilve," said I, "was a pleasant place,
  And so is Liswyn farm.
"

  "My little boy, which like you more,"
  I said and took him by the arm—
  "Our home by Kilve's delightful shore,
  Or here at Liswyn farm?"

  "And tell me, had you rather be,"
  I said and held-him by the arm,
  "At Kilve's smooth shore by the green sea,
  Or here at Liswyn farm?"

  In careless mood he looked at me,
  While still I held him by the arm,
  And said, "At Kilve I'd rather be
  Than here at Liswyn farm.
"

  "Now, little Edward, say why so;
  My little Edward, tell me why;"
  "I cannot tell, I do not know.
"
  "Why this is strange," said I.

  "For, here are woods and green hills warm:
  There surely must some reason be
  Why you would change sweet Liswyn farm,
  For Kilve by the green sea.
"

  At this, my boy hung down his head,
  He blush'd with shame, nor made reply;
  And five times to the child I said,
  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,
  It caught his eye, he saw it plain—
  Upon the house-top, glittering bright,
  A broad and gilded vane.

  Then did the boy his tongue unlock,
  And thus to me he made reply;
  "At Kilve there was no weather-cock,
  And that's the reason why.
"

  Oh dearest, dearest boy! my heart
  For better lore would seldom yearn
  Could I but teach the hundredth part
  Of what from thee I learn.

LINES
  Written at a small distance from my House, and sent by
  my little boy to the person to whom they are addressed.

  It is the first mild day of March:
  Each minute sweeter than before,
  The red-breast sings from the tall larch
  That stands beside our door.

  There is a blessing in the air,
  Which seems a sense of joy to yield
  To the bare trees, and mountains bare,
  And grass in the green field.

  My Sister! ('tis a wish of mine)
  Now that our morning meal is done,
  Make haste, your morning task resign;
  Come forth and feel the sun.

  Edward will come with you, and pray,
  Put on with speed your woodland dress,
  And bring no book, for this one day
  We'll give to idleness.

  No joyless forms shall regulate
  Our living Calendar:
  We from to-day, my friend, will date
  The opening of the year.

  Love, now an universal birth,
  From heart to heart is stealing,
  From earth to man, from man to earth,
  —It is the hour of feeling.

  One moment now may give us more
  Than fifty years of reason;
  Our minds shall drink at every pore
  The spirit of the season.

  Some silent laws our hearts may make,
  Which they shall long obey;
  We for the year to come may take
  Our temper from to-day.

  And from the blessed power that rolls
  About, below, above;
  We'll frame the measure of our souls,
  They shall be tuned to love.

  Then come, my sister I come, I pray,
  With speed put on your woodland dress,
  And bring no book; for this one day
  We'll give to idleness.

Written by Robert Browning | Create an image from this poem

A Light Woman

 I.
So far as our story approaches the end, Which do you pity the most of us three?— My friend, or the mistress of my friend With her wanton eyes, or me? II.
My friend was already too good to lose, And seemed in the way of improvement yet, When she crossed his path with her hunting-noose And over him drew her net.
III.
When I saw him tangled in her toils, A shame, said I, if she adds just him To her nine-and-ninety other spoils, The hundredth for a whim! IV.
And before my friend be wholly hers, How easy to prove to him, I said, An eagle's the game her pride prefers, Though she snaps at a wren instead! V.
So, I gave her eyes my own eyes to take, My hand sought hers as in earnest need, And round she turned for my noble sake, And gave me herself indeed.
VI.
The eagle am I, with my fame in the world, The wren is he, with his maiden face.
—You look away and your lip is curled? Patience, a moment's space! VII.
For see, my friend goes shaling and white; He eyes me as the basilisk: I have turned, it appears, his day to night, Eclipsing his sun's disk.
VIII.
And I did it, he thinks, as a very thief: "Though I love her—that, he comprehends— "One should master one's passions, (love, in chief) "And be loyal to one's friends!" IX.
And she,—she lies in my hand as tame As a pear late basking over a wall; Just a touch to try and off it came; 'Tis mine,—can I let it fall? X.
With no mind to eat it, that's the worst! Were it thrown in the road, would the case assist? 'Twas quenching a dozen blue-flies' thirst When I gave its stalk a twist.
XI.
And I,—what I seem to my friend, you see: What I soon shall seem to his love, you guess: What I seem to myself, do you ask of me? No hero, I confess.
XII.
'Tis an awkward thing to play with souls, And matter enough to save one's own: Yet think of my friend, and the burning coals He played with for bits of stone! XIII.
One likes to show the truth for the truth; That the woman was light is very true: But suppose she says,—Never mind that youth! What wrong have I done to you? XIV.
Well, any how, here the story stays, So far at least as I understand; And, Robert Browning, you writer of plays, Here's a subject made to your hand!
Written by William Butler Yeats | Create an image from this poem

In Taras Halls

 A man I praise that once in Tara's Hals
Said to the woman on his knees, 'Lie still.
My hundredth year is at an end.
I think That something is about to happen, I think That the adventure of old age begins.
To many women I have said, ''Lie still,'' And given everything a woman needs, A roof, good clothes, passion, love perhaps, But never asked for love; should I ask that, I shall be old indeed.
' Thereon the man Went to the Sacred House and stood between The golden plough and harrow and spoke aloud That all attendants and the casual crowd might hear.
'God I have loved, but should I ask return Of God or woman, the time were come to die.
' He bade, his hundred and first year at end, Diggers and carpenters make grave and coffin; Saw that the grave was deep, the coffin sound, Summoned the generations of his house, Lay in the coffin, stopped his breath and died.
Written by Carl Sandburg | Create an image from this poem

Jabberers

 I RISE out of my depths with my language.
You rise out of your depths with your language.
Two tongues from the depths, Alike only as a yellow cat and a green parrot are alike, Fling their staccato tantalizations Into a wildcat jabber Over a gossamer web of unanswerables.
The second and the third silence, Even the hundredth silence, Is better than no silence at all (Maybe this is a jabber too—are we at it again, you and I?) I rise out of my depths with my language.
You rise out of your depths with your language.
One thing there is much of; the name men call it by is time; into this gulf our syllabic pronunciamentos empty by the way rockets of fire curve and are gone on the night sky; into this gulf the jabberings go as the shower at a scissors grinder’s wheel…


Written by Czeslaw Milosz | Create an image from this poem

Late Ripeness

 Not soon, as late as the approach of my ninetieth year,
I felt a door opening in me and I entered
the clarity of early morning.
One after another my former lives were departing, like ships, together with their sorrow.
And the countries, cities, gardens, the bays of seas assigned to my brush came closer, ready now to be described better than they were before.
I was not separated from people, grief and pity joined us.
We forget - I kept saying - that we are all children of the King.
For where we come from there is no division into Yes and No, into is, was, and will be.
We were miserable, we used no more than a hundredth part of the gift we received for our long journey.
Moments from yesterday and from centuries ago - a sword blow, the painting of eyelashes before a mirror of polished metal, a lethal musket shot, a caravel staving its hull against a reef - they dwell in us, waiting for a fulfillment.
I knew, always, that I would be a worker in the vineyard, as are all men and women living at the same time, whether they are aware of it or not.
Written by George Herbert | Create an image from this poem

The Sinner

 Lord, how I am all ague, when I seek
What I have treasur'd in my memory! 
Since, if my soul make even with the week, 
Each seventh note by right is due to thee.
I find there quarries of pil'd vanities, But shreds of holiness, that dare not venture To show their face, since cross to thy decrees: There the circumference earth is, heav'n the centre.
In so much dregs the quintessence is small: The spirit and good extract of my heart Comes to about the many hundredth part.
Yet Lord restore thine image, hear my call: And though my hard heart scarce to thee can groan, Remember that thou once didst write in stone.
Written by Victor Hugo | Create an image from this poem

THE FIRST BLACK FLAG

 ("Avez-vous oui dire?") 
 
 {LES BURGRAVES, Part I., March, 1843.} 


 JOB. Hast thou ne'er heard men say 
 That, in the Black Wood, 'twixt Cologne and Spire, 
 Upon a rock flanked by the towering mountains, 
 A castle stands, renowned among all castles? 
 And in this fort, on piles of lava built, 
 A burgrave dwells, among all burgraves famed? 
 Hast heard of this wild man who laughs at laws— 
 Charged with a thousand crimes—for warlike deeds 
 Renowned—and placed under the Empire's ban 
 By the Diet of Frankfort; by the Council 
 Of Pisa banished from the Holy Church; 
 Reprobate, isolated, cursed—yet still 
 Unconquered 'mid his mountains and in will; 
 The bitter foe of the Count Palatine 
 And Treves' proud archbishop; who has spurned 
 For sixty years the ladder which the Empire 
 Upreared to scale his walls? Hast heard that he 
 Shelters the brave—the flaunting rich man strips— 
 Of master makes a slave? That here, above 
 All dukes, aye, kings, eke emperors—in the eyes 
 Of Germany to their fierce strife a prey, 
 He rears upon his tower, in stern defiance, 
 A signal of appeal to the crushed people, 
 A banner vast, of Sorrow's sable hue, 
 Snapped by the tempest in its whirlwind wrath, 
 So that kings quiver as the jades at whips? 
 Hast heard, he touches now his hundredth year— 
 And that, defying fate, in face of heaven, 
 On his invincible peak, no force of war 
 Uprooting other holds—nor powerful Cæsar— 
 Nor Rome—nor age, that bows the pride of man— 
 Nor aught on earth—hath vanquished, or subdued, 
 Or bent this ancient Titan of the Rhine, 
 The excommunicated Job? 
 
 Democratic Review. 


 




Written by Edgar Lee Masters | Create an image from this poem

Rebecca Wasson

 Spring and Summer, Fall and Winter and Spring,
After each other drifting, past my window drifting!
And I lay so many years watching them drift and counting
The years till a terror came in my heart at times,
With the feeling that I had become eternal; at last
My hundredth year was reached! And still I lay
Hearing the tick of the clock, and the low of cattle
And the scream of a jay flying through falling leaves!
Day after day alone in a room of the house
Of a daughter-in-law stricken with age and gray.
And by night, or looking out of the window by day My thought ran back, it seemed, through infinite time To North Carolina and all my girlhood days, And John, my John, away to the war with the British, And all the children, the deaths, and all the sorrows.
And that stretch of years like a prairie in Illinois Through which great figures passed like hurrying horsemen, Washington, Jefferson, Jackson, Webster, Clay.
O beautiful young republic for whom my John and I Gave all of our strength and love! And O my John! Why, when I lay so helpless in bed for years, Praying for you to come, was your coming delayed? Seeing that with a cry of rapture, like that I uttered When you found me in old Virginia after the war, I cried when I beheld you there by the bed, As the sun stood low in the west growing smaller and fainter In the light of your face!
Written by William Butler Yeats | Create an image from this poem

The Three Hermits

 Three old hermits took the air
By a cold and desolate sea,
First was muttering a prayer,
Second rummaged for a flea;
On a windy stone, the third,
Giddy with his hundredth year,
Sang unnoticed like a bird:
'Though the Door of Death is near
And what waits behind the door,
Three times in a single day
I, though upright on the shore,
Fall asleep when I should pray.
' So the first, but now the second: 'We're but given what we have eamed When all thoughts and deeds are reckoned, So it's plain to be discerned That the shades of holy men Who have failed, being weak of will, Pass the Door of Birth again, And are plagued by crowds, until They've the passion to escape.
' Moaned the other, 'They are thrown Into some most fearful shape.
' But the second mocked his moan: 'They are not changed to anything, Having loved God once, but maybe To a poet or a king Or a witty lovely lady.
' While he'd rummaged rags and hair, Caught and cracked his flea, the third, Giddy with his hundredth year, Sang unnoticed like a bird.

Book: Shattered Sighs