Written by
Gwendolyn Brooks |
arrive. The Ladies from the Ladies' Betterment
League
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care,
Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel!
You had better not throw stones upon the wrens!
Herein they kiss and coddle and assault
Anew and dearly in the innocence
With which they baffle nature. Who are full,
Sleek, tender-clad, fit, fiftyish, a-glow, all
Sweetly abortive, hinting at fat fruit,
Judge it high time that fiftyish fingers felt
Beneath the lovelier planes of enterprise.
To resurrect. To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor. The very very worthy
And beautiful poor. Perhaps just not too swarthy?
Perhaps just not too dirty nor too dim
Nor--passionate. In truth, what they could wish
Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze!
God shield them sharply from the beggar-bold!
The noxious needy ones whose battle's bald
Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans,
Dead porridges of assorted dusty grains,
The old smoke, heavy diapers, and, they're told,
Something called chitterlings. The darkness. Drawn
Darkness, or dirty light. The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness. Old
Wood. Old marble. Old tile. Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic,
There is no quiet drama, no rubbed glaze, no
Unkillable infirmity of such
A tasteful turn as lately they have left,
Glencoe, Lake Forest, and to which their cars
Must presently restore them. When they're done
With dullards and distortions of this fistic
Patience of the poor and put-upon.
They've never seen such a make-do-ness as
Newspaper rugs before! In this, this "flat,"
Their hostess is gathering up the oozed, the rich
Rugs of the morning (tattered! the bespattered . . . ),
Readies to spread clean rugs for afternoon.
Here is a scene for you. The Ladies look,
In horror, behind a substantial citizeness
Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor
And tortured thereover, potato peelings, soft-
Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put
Their money collected from delicate rose-fingers
Tipped with their hundred flawless rose-nails seems . . .
They own Spode, Lowestoft, candelabra,
Mantels, and hostess gowns, and sunburst clocks,
Turtle soup, Chippendale, red satin "hangings,"
Aubussons and Hattie Carnegie. They Winter
In Palm Beach; cross the Water in June; attend,
When suitable, the nice Art Institute;
Buy the right books in the best bindings; saunter
On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre
With fissures everywhere! Why, what are bringings
Of loathe-love largesse? What shall peril hungers
So old old, what shall flatter the desolate?
Tin can, blocked fire escape and chitterling
And swaggering seeking youth and the puzzled wreckage
Of the middle passage, and urine and stale shames
And, again, the porridges of the underslung
And children children children. Heavens! That
Was a rat, surely, off there, in the shadows? Long
And long-tailed? Gray? The Ladies from the Ladies'
Betterment League agree it will be better
To achieve the outer air that rights and steadies,
To hie to a house that does not holler, to ring
Bells elsetime, better presently to cater
To no more Possibilities, to get
Away. Perhaps the money can be posted.
Perhaps they two may choose another Slum!
Some serious sooty half-unhappy home!--
Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center
Of the hall as they walk down the hysterical hall,
They allow their lovely skirts to graze no wall,
Are off at what they manage of a canter,
And, resuming all the clues of what they were,
Try to avoid inhaling the laden air.
|
Written by
Emily Dickinson |
A Clock stopped --
Not the Mantel's --
Geneva's farthest skill
Can't put the puppet bowing --
That just now dangled still --
An awe came on the Trinket!
The Figures hunched, with pain --
Then quivered out of Decimals --
Into Degreeless Noon --
It will not stir for Doctors --
This Pendulum of snow --
This Shopman importunes it --
While cool -- concernless No --
Nods from the Gilded pointers --
Nods from the Seconds slim --
Decades of Arrogance between
The Dial life --
And Him --
|
Written by
Mark Doty |
Glassmakers,
at century's end,
compounded metallic lusters
in reference
to natural sheens (dragonfly
and beetle wings,
marbled light on kerosene)
and invented names
as coolly lustrous
as their products'
scarab-gleam: Quetzal,
Aurene, Favrile.
Suggesting,
respectively, the glaze
of feathers,
that sun-shot fog
of which halos
are composed,
and -- what?
What to make of Favrile,
Tiffany's term
for his coppery-rose
flushed with gold
like the alchemized
atmosphere of sunbeams
in a Flemish room?
Faux Moorish,
fake Japanese,
his lamps illumine
chiefly themselves,
copying waterlilies'
bronzy stems,
wisteria or trout scales;
surfaces burnished
like a tidal stream
on which an excitation
of minnows boils
and blooms, artifice
made to show us
the lavish wardrobe
of things, the world's
glaze of appearances
worked into the thin
and gleaming stuff
of craft. A story:
at the puppet opera
--where one man animated
the entire cast
while another ghosted
the voices, basso
to coloratura -- Jimmy wept
at the world of tiny gestures,
forgot, he said,
these were puppets,
forgot these wire
and plaster fabrications
were actors at all,
since their pretense
allowed the passions
released to be--
well, operatic.
It's too much,
to be expected to believe;
art's a mercuried sheen
in which we may discern,
because it is surface,
clear or vague
suggestions of our depths,
Don't we need a word
for the luster
of things which insist
on the fact they're made,
which announce
their maker's bravura?
Favrile, I'd propose,
for the perfect lamp,
too dim and strange
to help us read.
For the kimono woven,
dipped in dyes, unraveled
and loomed again
that the pattern might take on
a subtler shading
For the sonnet's
blown-glass sateen,
for bel canto,
for Faberge
For everything
which begins in limit
(where else might our work
begin?) and ends in grace,
or at least extravagance.
For the silk sleeves
of the puppet queen,
held at a ravishing angle
over her puppet lover slain,
for her lush vowels
mouthed by the plain man
hunched behind the stage.
|
Written by
James Dickey |
They will soon be down
To one, but he still will be
For a little while still will be stopping
The flakes in the air with a look,
Surrounding himself with the silence
Of whitening snarls. Let him eat
The last red meal of the condemned
To extinction, tearing the guts
From an elk. Yet that is not enough
For me. I would have him eat
The heart, and, from it, have an idea
Stream into his gnawing head
That he no longer has a thing
To lose, and so can walk
Out into the open, in the full
Pale of the sub-Arctic sun
Where a single spruce tree is dying
Higher and higher. Let him climb it
With all his meanness and strength.
Lord, we have come to the end
Of this kind of vision of heaven,
As the sky breaks open
Its fans around him and shimmers
And into its northern gates he rises
Snarling complete in the joy of a weasel
With an elk's horned heart in his stomach
Looking straight into the eternal
Blue, where he hauls his kind. I would have it all
My way: at the top of that tree I place
The New World's last eagle
Hunched in mangy feathers giving
Up on the theory of flight.
Dear God of the wildness of poetry, let them mate
To the death in the rotten branches,
Let the tree sway and burst into flame
And mingle them, crackling with feathers,
In crownfire. Let something come
Of it something gigantic legendary
Rise beyond reason over hills
Of ice SCREAMING that it cannot die,
That it has come back, this time
On wings, and will spare no earthly thing:
That it will hover, made purely of northern
Lights, at dusk and fall
On men building roads: will perch
On the moose's horn like a falcon
Riding into battle into holy war against
Screaming railroad crews: will pull
Whole traplines like fibers from the snow
In the long-jawed night of fur trappers.
But, small, filthy, unwinged,
You will soon be crouching
Alone, with maybe some dim racial notion
Of being the last, but none of how much
Your unnoticed going will mean:
How much the timid poem needs
The mindless explosion of your rage,
The glutton's internal fire the elk's
Heart in the belly, sprouting wings,
The pact of the "blind swallowing
Thing," with himself, to eat
The world, and not to be driven off it
Until it is gone, even if it takes
Forever. I take you as you are
And make of you what I will,
Skunk-bear, carcajou, bloodthirsty
Non-survivor.
Lord, let me die but not die
Out.
Copyright © 1966 by James Dickey
Online Source - http://www.theatlantic.com/unbound/poetry/dickey/wolverine.htm
|
Written by
Barry Tebb |
Memories bursting like tears or waves
On some lonely Adriatic shore
Beating again and again
Threshings of green sea foam
Flecked like the marble Leonardo
Chipped for his ‘Moses’.
And my tears came as suddenly
In that dream, criss-crossed
With memory and desire.
Grandad Nicky had worked
Down the pits for a pittance
To bring up his six children
But nothing left over for more
Than a few nuts and an orange
For six Christmas stockings
So hopefully hung, weighted by pennies,
Stretched across the black mantle.
So Lawrence-like and yet not, grandad
A strict Methodist who read only a vast Bible
Hunched in his fireside chair insisting
On chapel three times on Sundays.
Only in retirement did joy and wisdom
Enter him, abandoning chapel he took
To the Friends or Quakers as they called them then
And somehow at seventy the inner light
Consumed him.
Gruff but kind was my impression:
He would take me for walks
Along abandoned railways to the shutdown
Pipeworks where my three uncles
Worked their early manhood through.
It would have delighted Auden and perhaps
That was the bridge between us
Though we were of different generations
And by the time I began to write he had died.
All are gone except some few who may live still
But in their dotage.After my mother’s funeral
None wanted contact: I had been judged in my absence
And found wanting.
Durham was not my county,
Hardly my country, memories from childhood
Of Hunwick Village with its single cobbled street
Of squat stone cottages and paved yards
With earth closets and stacks of sawn logs
Perfuming the air with their sap
In a way only French poets could say
And that is why we have no word but clich?
‘Reflect’ or ‘make come alive’ or other earthbound
Anglicanisms; yet it is there in Valery Larbaud
‘J’ai senti pour la premiere fois toute la douceur de vivre’-
I experienced for the first time all the joy of living.
I quote of their plenitude to mock the absurdity
Of English poets who have no time for Francophiles
Better the ‘O altitudo’ of earlier generations –
Wallace Stevens’ "French and English
Are one language indivisible."
That scent of sawdust, the milkcart the pony pulled
Each morning over the cobbles, the earthenware jug
I carried to be filled, ladle by shining ladle,
From the great churns and there were birds singing
In the still blue over the fields beyond the village
But because I was city-bred I could not name them.
I write to please myself: ‘Only other poets read poems’
|
Written by
Randall Jarrell |
A bird that I don't know,
Hunched on his light-pole like a scarecrow,
Looks sideways out into the wheat
The wind waves under the waves of heat.
The field is yellow as egg-bread dough
Except where (just as though they'd let
It live for looks) a locust billows
In leaf-green and shade-violet,
A standing mercy.
The bird calls twice, "Red clay, red clay";
Or else he's saying, "Directly, directly."
If someone came by I could ask,
Around here all of them must know --
And why they live so and die so --
Or why, for once, the lagging heron
Flaps from the little creek's parched cresses
Across the harsh-grassed, gullied meadow
To the black, rowed evergreens below.
They know and they don't know.
To ask, a man must be a stranger --
And asking, much more answering, is dangerous;
Asked about it, who would not repent
Of all he ever did and never meant,
And think a life and its distresses,
Its random, clutched-for, homefelt blisses,
The circumstances of an accident?
The farthest farmer in a field,
A gaunt plant grown, for seed, by farmers,
Has felt a longing, lorn urbanity
Jailed in his breast; and, just as I,
Has grunted, in his old perplexity,
A standing plea.
From the tar of the blazing square
The eyes shift, in their taciturn
And unavowing, unavailable sorrow.
Yet the intonation of a name confesses
Some secrets that they never meant
To let out to a soul; and what words would not dim
The bowed and weathered heads above the denim
Or the once-too-often washed wash dresses?
They are subdued to their own element.
One day
The red, clay face
Is lowered to the naked clay;
After some words, the body is forsaken
The shadows lengthen, and a dreaming hope
Breathes, from the vague mound, Life;
From the grove under the spire
Stars shine, and a wandering light
Is kindled for the mourner, man.
The angel kneeling with the wreath
Sees, in the moonlight, graves.
|
Written by
Nick Flynn |
At the end there were straws
in her glove compartment, I'd split them open
to taste the familiar bitter residue, near the end
I ate all her Percodans, hungry to know
how far they could take me.
A bottle of red wine each night moved her along
as she wrote, I feel too much, again and again.
You asked how and I said, Suicide, and you asked
how and I said, An overdose, and then
she shot herself, and your eyes filled
with wonder, so I added, In the chest, so you
wouldn't think
her face was gone, and it mattered, somehow,
that you knew this. . .
Every year I'm eight years old and the world
is no longer safe. Our phone becomes unlisted, our mail
is kept in a box at the post office,
and my mother tells me always
leave a light on so it seems
someone is home. She finds a cop
for her next boyfriend, his hair
greasy, pushed back with his fingers. He lets me play
with his service revolver while they kiss
on the couch. Cars slowly fill the windows, and I aim,
making the noise with my mouth, in case it's them,
and when his back is hunched over her I aim
between his shoulder blades, silently,
in case it's him.
|
Written by
Barry Tebb |
Desks are straining on all fours, flanks
Heaving to hurl the hunched riders
Down crack and cranny, buck
Finger-snapping lids, consume
Scrap and scribble between tongue and teeth.
The blackboard is cleaning itself behind me,
Making my neck prick as it scatters dust
Like seed, empties its clogged pores of clich?,
Anoints its carved channels and cavities
With infinite black ooze and sap.
And I don’t trust that corner cupboard!
Opening its dark doors like the jaws of
Cerberus, shelving its stacks to heave
At my head, ready to snap its quick lock
Round my wrist like a crab.
I watch the windows wink and blink,
Tug at their catches, tempt my fingers
With their openings, crack flying cords
To noose my neck; they eye the bulging roof
Beams, bent like a bow above me.
This whole room has rushed to the world’s edge,
My fingers tip its tottering walls
Braced to hold definition, floorboards
Knotted tight against infinity’s axe, doors
Bolted to contain time and place in time and place together.
I cry ‘help’ as my world whirls,
Is loosed at the single eye of heaven.
|
Written by
Stephen Vincent Benet |
Eternally the choking steam goes up
From the black pools of seething oil. . . .
How merry
Those little devils are! They've stolen the pitchfork
From Bel, there, as he slept . . . Look! -- oh look, look!
They've got at Nero! Oh it isn't fair!
Lord, how he squeals! Stop it . . . it's, well -- indecent!
But funny! . . . See, Bel's waked. They'll catch it now!
. . . Eternally that stifling reek arises,
Blotting the dome with smoky, terrible towers,
Black, strangling trees, whispering obscene things
Amongst their branches, clutching with maimed hands,
Or oozing slowly, like blind tentacles
Up to the gates; higher than that heaped brick
Man piled to smite the sun. And all around
Are devils. One can laugh . . . but that hunched shape
The face one stone, like those Assyrian kings!
One sees in carvings, watching men flayed red
Horribly laughable in leaps and writhes;
That face -- utterly evil, clouded round
With evil like a smoke -- it turns smiles sour!
. . . And Nero there, the flabby cheeks astrain
And sweating agony . . . long agony . . .
Imperishable, unappeasable
For ever . . . well . . . it droops the mouth. Till I
Look up.
There's one blue patch no smoke dares touch.
Sky, clear, ineffable, alive with light,
Always the same . . .
Before, I never knew
Rest and green peace.
She stands there in the sun.
. . . It seems so quaint she should have long gold wings.
I never have got used -- folded across
Her breast, or fluttering with fierce, pure light,
Like shaken steel. Her crown too. Well, it's *****!
And then she never cared much for the harp
On earth. Here, though . . .
She is all peace, all quiet,
All passionate desires, the eloquent thunder
Of new, glad suns, shouting aloud for joy,
Over fresh worlds and clean, trampling the air
Like stooping hawks, to the long wind of horns,
Flung from the bastions of Eternity . . .
And she is the low lake, drowsy and gentle,
And good words spoken from the tongues of friends,
And calmness in the evening, and deep thoughts,
Falling like dreams from the stars' solemn mouths.
All these.
They said she was unfaithful once.
Or I remembered it -- and so, for that,
I lie here, I suppose. Yes, so they said.
You see she is so troubled, looking down,
Sorrowing deeply for my torments. I
Of course, feel nothing while I see her -- save
That sometimes when I think the matter out,
And what earth-people said of us, of her,
It seems as if I must be, here, in heaven,
And she --
. . . Then I grow proud; and suddenly
There comes a splatter of oil against my skin,
Hurting this time. And I forget my pride:
And my face writhes.
Some day the little ladder
Of white words that I build up, up, to her
May fetch me out. Meanwhile it isn't bad. . . .
But what a sense of humor God must have!
|
Written by
Allen Ginsberg |
Cool black night thru redwoods
cars parked outside in shade
behind the gate, stars dim above
the ravine, a fire burning by the side
porch and a few tired souls hunched over
in black leather jackets. In the huge
wooden house, a yellow chandelier
at 3 A.M. the blast of loudspeakers
hi-fi Rolling Stones Ray Charles Beatles
Jumping Joe Jackson and twenty youths
dancing to the vibration thru the floor,
a little weed in the bathroom, girls in scarlet
tights, one muscular smooth skinned man
sweating dancing for hours, beer cans
bent littering the yard, a hanged man
sculpture dangling from a high creek branch,
children sleeping softly in their bedroom bunks.
And 4 police cars parked outside the painted
gate, red lights revolving in the leaves.
December 1965
|