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Best Famous Hulks Poems

Here is a collection of the all-time best famous Hulks poems. This is a select list of the best famous Hulks poetry. Reading, writing, and enjoying famous Hulks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hulks poems.

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Written by Dylan Thomas | Create an image from this poem

Poem On His Birthday

 In the mustardseed sun,
By full tilt river and switchback sea
 Where the cormorants scud,
In his house on stilts high among beaks
 And palavers of birds
This sandgrain day in the bent bay's grave
 He celebrates and spurns
His driftwood thirty-fifth wind turned age;
 Herons spire and spear.

 Under and round him go
Flounders, gulls, on their cold, dying trails,
 Doing what they are told,
Curlews aloud in the congered waves
 Work at their ways to death,
And the rhymer in the long tongued room,
 Who tolls his birthday bell,
Toils towards the ambush of his wounds;
 Herons, steeple stemmed, bless.

 In the thistledown fall,
He sings towards anguish; finches fly
 In the claw tracks of hawks
On a seizing sky; small fishes glide
 Through wynds and shells of drowned
Ship towns to pastures of otters. He
 In his slant, racking house
And the hewn coils of his trade perceives
 Herons walk in their shroud,

 The livelong river's robe
Of minnows wreathing around their prayer;
 And far at sea he knows,
Who slaves to his crouched, eternal end
 Under a serpent cloud,
Dolphins dive in their turnturtle dust,
 The rippled seals streak down
To kill and their own tide daubing blood
 Slides good in the sleek mouth.

 In a cavernous, swung
Wave's silence, wept white angelus knells.
 Thirty-five bells sing struck
On skull and scar where his loves lie wrecked,
 Steered by the falling stars.
And to-morrow weeps in a blind cage
 Terror will rage apart
Before chains break to a hammer flame
 And love unbolts the dark

 And freely he goes lost
In the unknown, famous light of great
 And fabulous, dear God.
Dark is a way and light is a place,
 Heaven that never was
Nor will be ever is always true,
 And, in that brambled void,
Plenty as blackberries in the woods
 The dead grow for His joy.

 There he might wander bare
With the spirits of the horseshoe bay
 Or the stars' seashore dead,
Marrow of eagles, the roots of whales
 And wishbones of wild geese,
With blessed, unborn God and His Ghost,
 And every soul His priest,
Gulled and chanter in young Heaven's fold
 Be at cloud quaking peace,

 But dark is a long way.
He, on the earth of the night, alone
 With all the living, prays,
Who knows the rocketing wind will blow
 The bones out of the hills,
And the scythed boulders bleed, and the last
 Rage shattered waters kick
Masts and fishes to the still quick starts,
 Faithlessly unto Him

 Who is the light of old
And air shaped Heaven where souls grow wild
 As horses in the foam:
Oh, let me midlife mourn by the shrined
 And druid herons' vows
The voyage to ruin I must run,
 Dawn ships clouted aground,
Yet, though I cry with tumbledown tongue,
 Count my blessings aloud:

 Four elements and five
Senses, and man a spirit in love
 Tangling through this spun slime
To his nimbus bell cool kingdom come
 And the lost, moonshine domes,
And the sea that hides his secret selves
 Deep in its black, base bones,
Lulling of spheres in the seashell flesh,
 And this last blessing most,

 That the closer I move
To death, one man through his sundered hulks,
 The louder the sun blooms
And the tusked, ramshackling sea exults;
 And every wave of the way
And gale I tackle, the whole world then,
 With more triumphant faith
That ever was since the world was said,
 Spins its morning of praise,

 I hear the bouncing hills
Grow larked and greener at berry brown
 Fall and the dew larks sing
Taller this thunderclap spring, and how
 More spanned with angles ride
The mansouled fiery islands! Oh,
 Holier then their eyes,
And my shining men no more alone
 As I sail out to die.


Written by Algernon Charles Swinburne | Create an image from this poem

Cleopatra

 HER mouth is fragrant as a vine,
A vine with birds in all its boughs;
Serpent and scarab for a sign
Between the beauty of her brows
And the amorous deep lids divine.

Her great curled hair makes luminous
Her cheeks, her lifted throat and chin.
Shall she not have the hearts of us
To shatter, and the loves therein
To shred between her fingers thus?

Small ruined broken strays of light,
Pearl after pearl she shreds them through
Her long sweet sleepy fingers, white
As any pearl's heart veined with blue,
And soft as dew on a soft night.

As if the very eyes of love
Shone through her shutting lids, and stole
The slow looks of a snake or dove;
As if her lips absorbed the whole
Of love, her soul the soul thereof.

Lost, all the lordly pearls that were
Wrung from the sea's heart, from the green
Coasts of the Indian gulf-river;
Lost, all the loves of the world---so keen
Towards this queen for love of her.

You see against her throat the small
Sharp glittering shadows of them shake;
And through her hair the imperial
Curled likeness of the river snake,
Whose bite shall make an end of all.

Through the scales sheathing him like wings,
Through hieroglyphs of gold and gem,
The strong sense of her beauty stings,
Like a keen pulse of love in them,
A running flame through all his rings.

Under those low large lids of hers
She hath the histories of all time;
The fruit of foliage-stricken years;
The old seasons with their heavy chime
That leaves its rhyme in the world's ears.

She sees the hand of death made bare,
The ravelled riddle of the skies,
The faces faded that were fair,
The mouths made speechless that were wise,
The hollow eyes and dusty hair;

The shape and shadow of mystic things,
Things that fate fashions or forbids;
The staff of time-forgotten Kings
Whose name falls off the Pyramids,
Their coffin-lids and grave-clothings;

Dank dregs, the scum of pool or clod,
God-spawn of lizard-footed clans,
And those dog-headed hulks that trod
Swart necks of the old Egyptians,
Raw draughts of man's beginning God;

The poised hawk, quivering ere he smote,
With plume-like gems on breast and back;
The asps and water-worms afloat
Between the rush-flowers moist and slack;
The cat's warm black bright rising throat.

The purple days of drouth expand
Like a scroll opened out again;
The molten heaven drier than sand,
The hot red heaven without rain,
Sheds iron pain on the empty land.

All Egypt aches in the sun's sight;
The lips of men are harsh for drouth,
The fierce air leaves their cheeks burnt white,
Charred by the bitter blowing south,
Whose dusty mouth is sharp to bite.

All this she dreams of, and her eyes
Are wrought after the sense hereof.
There is no heart in her for sighs;
The face of her is more than love---
A name above the Ptolemies.

Her great grave beauty covers her
As that sleek spoil beneath her feet
Clothed once the anointed soothsayer;
The hallowing is gone forth from it
Now, made unmeet for priests to wear.

She treads on gods and god-like things,
On fate and fear and life and death,
On hate that cleaves and love that clings,
All that is brought forth of man's breath
And perisheth with what it brings.

She holds her future close, her lips
Hold fast the face of things to be;
Actium, and sound of war that dips
Down the blown valleys of the sea,
Far sails that flee, and storms of ships;

The laughing red sweet mouth of wine
At ending of life's festival;
That spice of cerecloths, and the fine
White bitter dust funereal
Sprinkled on all things for a sign;

His face, who was and was not he,
In whom, alive, her life abode;
The end, when she gained heart to see
Those ways of death wherein she trod,
Goddess by god, with Antony.
Written by Robert Burns | Create an image from this poem

454. Epistle from Esopus to Maria

 FROM those drear solitudes and frowsy cells,
Where Infamy with sad Repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ’prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half, to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.


“Alas! I feel I am no actor here!”
’Tis real hangmen real scourges bear!
Prepare Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make thy hair, tho’ erst from gipsy poll’d,
By barber woven, and by barber sold,
Though twisted smooth with Harry’s nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or, haughty Chieftain, ’mid the din of arms
In Highland Bonnet, woo Malvina’s charms;
While sans-culottes stoop up the mountain high,
And steal from me Maria’s prying eye.
Blest Highland bonnet! once my proudest dress,
Now prouder still, Maria’s temples press;
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war:
I see her face the first of Ireland’s sons,
And even out-Irish his Hibernian bronze;
The crafty Colonel leaves the tartan’d lines,
For other wars, where he a hero shines:
The hopeful youth, in Scottish senate bred,
Who owns a Bushby’s heart without the head,
Comes ’mid a string of coxcombs, to display
That veni, vidi, vici, is his way:
The shrinking Bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks:
Though there, his heresies in Church and State
Might well award him Muir and Palmer’s fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
What scandal called Maria’s jaunty stagger
The ricket reeling of a crooked swagger?
Whose spleen (e’en worse than Burns’ venom, when
He dips in gall unmix’d his eager pen,
And pours his vengeance in the burning line,)—
Who christen’d thus Maria’s lyre-divine
The idiot strum of Vanity bemus’d,
And even the abuse of Poesy abus’d?—
Who called her verse a Parish Workhouse, made
For motley foundling Fancies, stolen or strayed?


A Workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack’d repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin’d gipsies litter’d heretofore.


Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know’st the Virtues cannot hate thee worse;
The Vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt’s supreme enough for all?


Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one Satire’s vengeance hurls—
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit!
Who says that fool alone is not thy due,
And quotes thy treacheries to prove it true!


Our force united on thy foes we’ll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply!
Written by John Greenleaf Whittier | Create an image from this poem

Skipper Iresons Ride

 Of all the rides since the birth of time,
Told in story or sung in rhyme, -
On Apuleius' Golden Ass,
Or one-eyed Calendar's horse of brass,
Witch astride of a human back,
Islam's prophet on Al-Borak, -
The strangest ride that ever was sped
Was Ireson's, out from Marblehead!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Body of turkey, head of owl,
Wings a-droop like a rained-on fowl,
Feathered and ruffled in every part,
Skipper Ireson stood in the cart.
Scores of women, old and young,
Strong of muscle, and glib of tongue,
Pushed and pulled up the rocky lane,
Shouting and singing the shrill refrain:
'Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!'

Wrinkled scolds with hands on hips,
Girls in bloom of cheek and lips,
Wild-eyed, free-limbed, such as chase
Bacchus round some antique vase,
Brief of skirt, with ankles bare,
Loose of kerchief and loose of hair,
With conch-shells blowing and fish-horns' twang,
Over and over the Maenads sang:
'Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!'

Small pity for him! - He sailed away
From a leaking ship in Chaleur Bay, -
Sailed away from a sinking wreck,
With his own town's-people on her deck!
'Lay by! lay by!' they called to him.
Back he answered, 'Sink or swim!
Brag of your catch of fish again!'
And off he sailed through the fog and rain!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Fathoms deep in dark Chaleur
That wreck shall lie forevermore.
Mother and sister, wife and maid,
Looked from the rocks of Marblehead
Over the moaning and rainy sea, -
Looked for the coming that might not be!
What did the winds and the sea-birds say
Of the cruel captain who sailed away? -
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Through the street, on either side,
Up flew windows, doors swung wide;
Sharp-tongued spinsters, old wives gray,
Treble lent the fish-horn's bray.
Sea-worn grandsires, cripple-bound,
Hulks of old sailors run aground,
Shook head, and fist, and hat, and cane,
And cracked with curses the hoarse refrain:
'Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!'

Sweetly along the Salem road
Bloom of orchard and lilac showed.
Little the wicked skipper knew
Of the fields so green and the sky so blue.
Riding there in his sorry trim,
Like an Indian idol glum and grim,
Scarcely he seemed the sound to hear
Of voices shouting, far and near:
'Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!'

'Hear me, neighbors!' at last he cried, -
'What to me is this noisy ride?
What is the shame that clothes the skin
To the nameless horror that lives within?
Waking or sleeping, I see a wreck,
And hear a cry from a reeling deck!
Hate me and curse me, - I only dread
The hand of God and the face of the dead!'
Said old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Then the wife of the skipper lost at sea
Said, 'God has touched him! why should we!'
Said an old wife mourning her only son,
'Cut the rogue's tether and let him run!'
So with soft relentings and rude excuse,
Half scorn, half pity, they cut him loose,
And gave him a cloak to hide him in,
And left him alone with his shame and sin.
Poor Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Book: Radiant Verses: A Journey Through Inspiring Poetry