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Best Famous Hulks Poems

Here is a collection of the all-time best famous Hulks poems. This is a select list of the best famous Hulks poetry. Reading, writing, and enjoying famous Hulks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hulks poems.

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Written by Dylan Thomas | Create an image from this poem

Poem On His Birthday

 In the mustardseed sun,
By full tilt river and switchback sea
 Where the cormorants scud,
In his house on stilts high among beaks
 And palavers of birds
This sandgrain day in the bent bay's grave
 He celebrates and spurns
His driftwood thirty-fifth wind turned age;
 Herons spire and spear.
Under and round him go Flounders, gulls, on their cold, dying trails, Doing what they are told, Curlews aloud in the congered waves Work at their ways to death, And the rhymer in the long tongued room, Who tolls his birthday bell, Toils towards the ambush of his wounds; Herons, steeple stemmed, bless.
In the thistledown fall, He sings towards anguish; finches fly In the claw tracks of hawks On a seizing sky; small fishes glide Through wynds and shells of drowned Ship towns to pastures of otters.
He In his slant, racking house And the hewn coils of his trade perceives Herons walk in their shroud, The livelong river's robe Of minnows wreathing around their prayer; And far at sea he knows, Who slaves to his crouched, eternal end Under a serpent cloud, Dolphins dive in their turnturtle dust, The rippled seals streak down To kill and their own tide daubing blood Slides good in the sleek mouth.
In a cavernous, swung Wave's silence, wept white angelus knells.
Thirty-five bells sing struck On skull and scar where his loves lie wrecked, Steered by the falling stars.
And to-morrow weeps in a blind cage Terror will rage apart Before chains break to a hammer flame And love unbolts the dark And freely he goes lost In the unknown, famous light of great And fabulous, dear God.
Dark is a way and light is a place, Heaven that never was Nor will be ever is always true, And, in that brambled void, Plenty as blackberries in the woods The dead grow for His joy.
There he might wander bare With the spirits of the horseshoe bay Or the stars' seashore dead, Marrow of eagles, the roots of whales And wishbones of wild geese, With blessed, unborn God and His Ghost, And every soul His priest, Gulled and chanter in young Heaven's fold Be at cloud quaking peace, But dark is a long way.
He, on the earth of the night, alone With all the living, prays, Who knows the rocketing wind will blow The bones out of the hills, And the scythed boulders bleed, and the last Rage shattered waters kick Masts and fishes to the still quick starts, Faithlessly unto Him Who is the light of old And air shaped Heaven where souls grow wild As horses in the foam: Oh, let me midlife mourn by the shrined And druid herons' vows The voyage to ruin I must run, Dawn ships clouted aground, Yet, though I cry with tumbledown tongue, Count my blessings aloud: Four elements and five Senses, and man a spirit in love Tangling through this spun slime To his nimbus bell cool kingdom come And the lost, moonshine domes, And the sea that hides his secret selves Deep in its black, base bones, Lulling of spheres in the seashell flesh, And this last blessing most, That the closer I move To death, one man through his sundered hulks, The louder the sun blooms And the tusked, ramshackling sea exults; And every wave of the way And gale I tackle, the whole world then, With more triumphant faith That ever was since the world was said, Spins its morning of praise, I hear the bouncing hills Grow larked and greener at berry brown Fall and the dew larks sing Taller this thunderclap spring, and how More spanned with angles ride The mansouled fiery islands! Oh, Holier then their eyes, And my shining men no more alone As I sail out to die.


Written by Algernon Charles Swinburne | Create an image from this poem

Cleopatra

 HER mouth is fragrant as a vine,
A vine with birds in all its boughs;
Serpent and scarab for a sign
Between the beauty of her brows
And the amorous deep lids divine.
Her great curled hair makes luminous Her cheeks, her lifted throat and chin.
Shall she not have the hearts of us To shatter, and the loves therein To shred between her fingers thus? Small ruined broken strays of light, Pearl after pearl she shreds them through Her long sweet sleepy fingers, white As any pearl's heart veined with blue, And soft as dew on a soft night.
As if the very eyes of love Shone through her shutting lids, and stole The slow looks of a snake or dove; As if her lips absorbed the whole Of love, her soul the soul thereof.
Lost, all the lordly pearls that were Wrung from the sea's heart, from the green Coasts of the Indian gulf-river; Lost, all the loves of the world---so keen Towards this queen for love of her.
You see against her throat the small Sharp glittering shadows of them shake; And through her hair the imperial Curled likeness of the river snake, Whose bite shall make an end of all.
Through the scales sheathing him like wings, Through hieroglyphs of gold and gem, The strong sense of her beauty stings, Like a keen pulse of love in them, A running flame through all his rings.
Under those low large lids of hers She hath the histories of all time; The fruit of foliage-stricken years; The old seasons with their heavy chime That leaves its rhyme in the world's ears.
She sees the hand of death made bare, The ravelled riddle of the skies, The faces faded that were fair, The mouths made speechless that were wise, The hollow eyes and dusty hair; The shape and shadow of mystic things, Things that fate fashions or forbids; The staff of time-forgotten Kings Whose name falls off the Pyramids, Their coffin-lids and grave-clothings; Dank dregs, the scum of pool or clod, God-spawn of lizard-footed clans, And those dog-headed hulks that trod Swart necks of the old Egyptians, Raw draughts of man's beginning God; The poised hawk, quivering ere he smote, With plume-like gems on breast and back; The asps and water-worms afloat Between the rush-flowers moist and slack; The cat's warm black bright rising throat.
The purple days of drouth expand Like a scroll opened out again; The molten heaven drier than sand, The hot red heaven without rain, Sheds iron pain on the empty land.
All Egypt aches in the sun's sight; The lips of men are harsh for drouth, The fierce air leaves their cheeks burnt white, Charred by the bitter blowing south, Whose dusty mouth is sharp to bite.
All this she dreams of, and her eyes Are wrought after the sense hereof.
There is no heart in her for sighs; The face of her is more than love--- A name above the Ptolemies.
Her great grave beauty covers her As that sleek spoil beneath her feet Clothed once the anointed soothsayer; The hallowing is gone forth from it Now, made unmeet for priests to wear.
She treads on gods and god-like things, On fate and fear and life and death, On hate that cleaves and love that clings, All that is brought forth of man's breath And perisheth with what it brings.
She holds her future close, her lips Hold fast the face of things to be; Actium, and sound of war that dips Down the blown valleys of the sea, Far sails that flee, and storms of ships; The laughing red sweet mouth of wine At ending of life's festival; That spice of cerecloths, and the fine White bitter dust funereal Sprinkled on all things for a sign; His face, who was and was not he, In whom, alive, her life abode; The end, when she gained heart to see Those ways of death wherein she trod, Goddess by god, with Antony.
Written by Robert Burns | Create an image from this poem

454. Epistle from Esopus to Maria

 FROM those drear solitudes and frowsy cells,
Where Infamy with sad Repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ’prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half, to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.
“Alas! I feel I am no actor here!” ’Tis real hangmen real scourges bear! Prepare Maria, for a horrid tale Will turn thy very rouge to deadly pale; Will make thy hair, tho’ erst from gipsy poll’d, By barber woven, and by barber sold, Though twisted smooth with Harry’s nicest care, Like hoary bristles to erect and stare.
The hero of the mimic scene, no more I start in Hamlet, in Othello roar; Or, haughty Chieftain, ’mid the din of arms In Highland Bonnet, woo Malvina’s charms; While sans-culottes stoop up the mountain high, And steal from me Maria’s prying eye.
Blest Highland bonnet! once my proudest dress, Now prouder still, Maria’s temples press; I see her wave thy towering plumes afar, And call each coxcomb to the wordy war: I see her face the first of Ireland’s sons, And even out-Irish his Hibernian bronze; The crafty Colonel leaves the tartan’d lines, For other wars, where he a hero shines: The hopeful youth, in Scottish senate bred, Who owns a Bushby’s heart without the head, Comes ’mid a string of coxcombs, to display That veni, vidi, vici, is his way: The shrinking Bard adown the alley skulks, And dreads a meeting worse than Woolwich hulks: Though there, his heresies in Church and State Might well award him Muir and Palmer’s fate: Still she undaunted reels and rattles on, And dares the public like a noontide sun.
What scandal called Maria’s jaunty stagger The ricket reeling of a crooked swagger? Whose spleen (e’en worse than Burns’ venom, when He dips in gall unmix’d his eager pen, And pours his vengeance in the burning line,)— Who christen’d thus Maria’s lyre-divine The idiot strum of Vanity bemus’d, And even the abuse of Poesy abus’d?— Who called her verse a Parish Workhouse, made For motley foundling Fancies, stolen or strayed? A Workhouse! ah, that sound awakes my woes, And pillows on the thorn my rack’d repose! In durance vile here must I wake and weep, And all my frowsy couch in sorrow steep; That straw where many a rogue has lain of yore, And vermin’d gipsies litter’d heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour? Must earth no rascal save thyself endure? Must thou alone in guilt immortal swell, And make a vast monopoly of hell? Thou know’st the Virtues cannot hate thee worse; The Vices also, must they club their curse? Or must no tiny sin to others fall, Because thy guilt’s supreme enough for all? Maria, send me too thy griefs and cares; In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls, Who on my fair one Satire’s vengeance hurls— Who calls thee, pert, affected, vain coquette, A wit in folly, and a fool in wit! Who says that fool alone is not thy due, And quotes thy treacheries to prove it true! Our force united on thy foes we’ll turn, And dare the war with all of woman born: For who can write and speak as thou and I? My periods that deciphering defy, And thy still matchless tongue that conquers all reply!
Written by John Greenleaf Whittier | Create an image from this poem

Skipper Iresons Ride

 Of all the rides since the birth of time,
Told in story or sung in rhyme, -
On Apuleius' Golden Ass,
Or one-eyed Calendar's horse of brass,
Witch astride of a human back,
Islam's prophet on Al-Borak, -
The strangest ride that ever was sped
Was Ireson's, out from Marblehead!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Body of turkey, head of owl,
Wings a-droop like a rained-on fowl,
Feathered and ruffled in every part,
Skipper Ireson stood in the cart.
Scores of women, old and young, Strong of muscle, and glib of tongue, Pushed and pulled up the rocky lane, Shouting and singing the shrill refrain: 'Here's Flud Oirson, fur his horrd horrt, Torr'd an' futherr'd an' corr'd in a corrt By the women o' Morble'ead!' Wrinkled scolds with hands on hips, Girls in bloom of cheek and lips, Wild-eyed, free-limbed, such as chase Bacchus round some antique vase, Brief of skirt, with ankles bare, Loose of kerchief and loose of hair, With conch-shells blowing and fish-horns' twang, Over and over the Maenads sang: 'Here's Flud Oirson, fur his horrd horrt, Torr'd an' futherr'd an' corr'd in a corrt By the women o' Morble'ead!' Small pity for him! - He sailed away From a leaking ship in Chaleur Bay, - Sailed away from a sinking wreck, With his own town's-people on her deck! 'Lay by! lay by!' they called to him.
Back he answered, 'Sink or swim! Brag of your catch of fish again!' And off he sailed through the fog and rain! Old Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead! Fathoms deep in dark Chaleur That wreck shall lie forevermore.
Mother and sister, wife and maid, Looked from the rocks of Marblehead Over the moaning and rainy sea, - Looked for the coming that might not be! What did the winds and the sea-birds say Of the cruel captain who sailed away? - Old Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead! Through the street, on either side, Up flew windows, doors swung wide; Sharp-tongued spinsters, old wives gray, Treble lent the fish-horn's bray.
Sea-worn grandsires, cripple-bound, Hulks of old sailors run aground, Shook head, and fist, and hat, and cane, And cracked with curses the hoarse refrain: 'Here's Flud Oirson, fur his horrd horrt, Torr'd an' futherr'd an' corr'd in a corrt By the women o' Morble'ead!' Sweetly along the Salem road Bloom of orchard and lilac showed.
Little the wicked skipper knew Of the fields so green and the sky so blue.
Riding there in his sorry trim, Like an Indian idol glum and grim, Scarcely he seemed the sound to hear Of voices shouting, far and near: 'Here's Flud Oirson, fur his horrd horrt, Torr'd an' futherr'd an' corr'd in a corrt By the women o' Morble'ead!' 'Hear me, neighbors!' at last he cried, - 'What to me is this noisy ride? What is the shame that clothes the skin To the nameless horror that lives within? Waking or sleeping, I see a wreck, And hear a cry from a reeling deck! Hate me and curse me, - I only dread The hand of God and the face of the dead!' Said old Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead! Then the wife of the skipper lost at sea Said, 'God has touched him! why should we!' Said an old wife mourning her only son, 'Cut the rogue's tether and let him run!' So with soft relentings and rude excuse, Half scorn, half pity, they cut him loose, And gave him a cloak to hide him in, And left him alone with his shame and sin.
Poor Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead!

Book: Reflection on the Important Things