Written by
Billy Collins |
This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,
as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.
In fact, I would say
my delight at being suffused
with phrases from his saxophone --
some like honey, some like vinegar --
is surpassed only by my gratitude
to Tommy Potter for taking the time
to join us on this breezy afternoon
with his most unwieldy bass
and to the esteemed Arthur Taylor
who is somehow managing to navigate
this crowd with his cumbersome drums.
And I bow deeply to Thelonious Monk
for figuring out a way
to motorize -- or whatever -- his huge piano
so he could be with us today.
This music is loud yet so confidential.
I cannot help feeling even more
like the center of the universe
than usual as I walk along to a rapid
little version of "The Way You Look Tonight,"
and all I can say to my fellow pedestrians,
to the woman in the white sweater,
the man in the tan raincoat and the heavy glasses,
who mistake themselves for the center of the universe --
all I can say is watch your step,
because the five of us, instruments and all,
are about to angle over
to the south side of the street
and then, in our own tightly knit way,
turn the corner at Sixth Avenue.
And if any of you are curious
about where this aggregation,
this whole battery-powered crew,
is headed, let us just say
that the real center of the universe,
the only true point of view,
is full of hope that he,
the hub of the cosmos
with his hair blown sideways,
will eventually make it all the way downtown.
|
Written by
Oliver Wendell Holmes |
Have you heard of the wonderful one-hoss shay,
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it -- ah, but stay,
I'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits, --
Have you ever heard of that, I say?
Seventeen hundred and fifty-five.
Georgius Secundus was then alive, --
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the earth open and gulp her down,
And Braddock's army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake-day
That the Deacon finished the one-hoss shay.
Now in building of chaises, I tell you what,
There is always somewhere a weakest spot, --
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace, -- lurking still,
Find it somewhere you must and will, --
Above or below, or within or without, --
And that's the reason, beyond a doubt,
A chaise breaks down, but does n't wear out.
But the Deacon swore (as Deacons do,
With an "I dew vum," or an "I tell yeou")
He would build one shay to beat the taown
'N' the keounty 'n' all the kentry raoun';
It should be so built that it could n' break daown:
"Fur," said the Deacon, "'t 's mighty plain
Thut the weakes' place mus' stan' the strain;
'N' the way t' fix it, uz I maintain,
Is only jest
T' make that place uz strong uz the rest."
So the Deacon inquired of the village folk
Where he could find the strongest oak,
That could n't be split nor bent nor broke, --
That was for spokes and floor and sills;
He sent for lancewood to make the thills;
The crossbars were ash, from the straightest trees,
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the "Settler's ellum," --
Last of its timber, -- they could n't sell 'em,
Never an axe had seen their chips,
And the wedges flew from between their lips,
Their blunt ends frizzled like celery-tips;
Step and prop-iron, bolt and screw,
Spring, tire, axle, and linchpin too,
Steel of the finest, bright and blue;
Thoroughbrace bison-skin, thick and wide;
Boot, top, dasher, from tough old hide
Found in the pit when the tanner died.
That was the way he "put her through."
"There!" said the Deacon, "naow she'll dew!"
Do! I tell you, I rather guess
She was a wonder, and nothing less!
Colts grew horses, beards turned gray,
Deacon and deaconess dropped away,
Children and grandchildren -- where were they?
But there stood the stout old one-hoss shay
As fresh as on Lisbon-earthquake-day!
EIGHTEEN HUNDRED; -- it came and found
The Deacon's masterpiece strong and sound.
Eighteen hundred increased by ten; --
"Hahnsum kerridge" they called it then.
Eighteen hundred and twenty came; --
Running as usual; much the same.
Thirty and forty at last arrive,
And then come fifty, and FIFTY-FIVE.
Little of all we value here
Wakes on the morn of its hundreth year
Without both feeling and looking *****.
In fact, there's nothing that keeps its youth,
So far as I know, but a tree and truth.
(This is a moral that runs at large;
Take it. -- You're welcome. -- No extra charge.)
FIRST OF NOVEMBER, -- the Earthquake-day, --
There are traces of age in the one-hoss shay,
A general flavor of mild decay,
But nothing local, as one may say.
There could n't be, -- for the Deacon's art
Had made it so like in every part
That there was n't a chance for one to start.
For the wheels were just as strong as the thills,
And the floor was just as strong as the sills,
And the panels just as strong as the floor,
And the whipple-tree neither less nor more,
And the back crossbar as strong as the fore,
And spring and axle and hub encore.
And yet, as a whole, it is past a doubt
In another hour it will be worn out!
First of November, 'Fifty-five!
This morning the parson takes a drive.
Now, small boys, get out of the way!
Here comes the wonderful one-horse shay,
Drawn by a rat-tailed, ewe-necked bay.
"Huddup!" said the parson. -- Off went they.
The parson was working his Sunday's text, --
Had got to fifthly, and stopped perplexed
At what the -- Moses -- was coming next.
All at once the horse stood still,
Close by the meet'n'-house on the hill.
First a shiver, and then a thrill,
Then something decidedly like a spill, --
And the parson was sitting upon a rock,
At half past nine by the meet'n-house clock, --
Just the hour of the Earthquake shock!
What do you think the parson found,
When he got up and stared around?
The poor old chaise in a heap or mound,
As if it had been to the mill and ground!
You see, of course, if you're not a dunce,
How it went to pieces all at once, --
All at once, and nothing first, --
Just as bubbles do when they burst.
End of the wonderful one-hoss shay.
Logic is logic. That's all I say.
|
Written by
Ellis Parker Butler |
You have heard of the wonderful one-hoss shay
That was built in such a logical way
It ran a hundred years to a day.
And then, of a sudden, it up and bust,
And all that was left was a mound of dust?
Holmes—O. W.—told it well
In a rhyme of his—what there was to tell—
But the one-hoss shay wasn’t “one, two, three”
With a vehicle once belonged to me.
One hoss? No, sir! Not six nor nine—
Twenty there were in this rig of mine!
Twenty hosses as tough as rocks,
All caged up in a sort of box
That stood jist back of the forward wheels!
Right! She was one of those automobiles
With twenty hosses bottled inside—
Hosses that not only pull but ride!
Wonder what Holmes would have had to say
If the mare had rode in his one-hoss shay!
I reckon the shay would have logicked out
Before the century rolled about.
Well, this big touring car, I say,
Was built just like the one-hoss shay—
Some dependable, logical way—
Flipflaps, dujabs, wheels and things,
Levers, thing-gum-bobs and springs,
Hub, and felloe, and hoss-power chest—
One part just as strong as the rest;
So “logic is logic,” as Holmes would say,
And no one part could first give way.
Wonderful vehicle, you’ll admit,
With not one flaw in the whole of it;
As long as I had it, I declare
I hadn’t one cent to pay for repair,
It couldn’t break down because, you see,
It was such a logical symphony.
Now for my tale. We’re not so slow
These days as a hundred years ago,
And it’s like enough that the one-hoss shay,
Ambling along in its sleepy way,
Should creep a century ‘thout a break,
But nowadays we aim to make
A pace that is something like a pace,
And if that old shay got in our race
It would stand the pressure twenty days
And go to the home of played-out shays.
“Logic is logic.” Just figure this out—
For I know just what I’m talking about:—
If a one-hoss vehicle, genus shays,
Will stand our pressure twenty days,
Then, vice versa, a twenty-hoss shay
Should stand the pressure just one day;—
Well, mine is a logical automobile,
From rubber tire to steering wheel.
I bought it one morning at just 10.42,
And the very next morning what did it do,
Right on the second, but up and bust!
Talk of the old shay’s pile of dust—
That’s not logical; my mobile
Vanished completely! Brass and steel,
Iron and wood and rubber tire
Went right up in a gush of fire,
And in half a minute a gassy smell
Was all I had left by which to tell
I ever owned a touring car,—
And then that vanished, and there you are!
End of my twenty hoss-power shay.
Logic is logic. That’s all I say.
|
Written by
Oliver Wendell Holmes |
Have you heard of the wonderful one-hoss shay,
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it -- ah, but stay,
I'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits, --
Have you ever heard of that, I say?
Seventeen hundred and fifty-five.
Georgius Secundus was then alive, --
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the earth open and gulp her down,
And Braddock's army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake-day
That the Deacon finished the one-hoss shay.
Now in building of chaises, I tell you what,
There is always somewhere a weakest spot, --
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace, -- lurking still,
Find it somewhere you must and will, --
Above or below, or within or without, --
And that's the reason, beyond a doubt,
A chaise breaks down, but does n't wear out.
But the Deacon swore (as Deacons do,
With an "I dew vum," or an "I tell yeou")
He would build one shay to beat the taown
'N' the keounty 'n' all the kentry raoun';
It should be so built that it could n' break daown:
"Fur," said the Deacon, "'t 's mighty plain
Thut the weakes' place mus' stan' the strain;
'N' the way t' fix it, uz I maintain,
Is only jest
T' make that place uz strong uz the rest."
So the Deacon inquired of the village folk
Where he could find the strongest oak,
That could n't be split nor bent nor broke, --
That was for spokes and floor and sills;
He sent for lancewood to make the thills;
The crossbars were ash, from the straightest trees,
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the "Settler's ellum," --
Last of its timber, -- they could n't sell 'em,
Never an axe had seen their chips,
And the wedges flew from between their lips,
Their blunt ends frizzled like celery-tips;
Step and prop-iron, bolt and screw,
Spring, tire, axle, and linchpin too,
Steel of the finest, bright and blue;
Thoroughbrace bison-skin, thick and wide;
Boot, top, dasher, from tough old hide
Found in the pit when the tanner died.
That was the way he "put her through."
"There!" said the Deacon, "naow she'll dew!"
Do! I tell you, I rather guess
She was a wonder, and nothing less!
Colts grew horses, beards turned gray,
Deacon and deaconess dropped away,
Children and grandchildren -- where were they?
But there stood the stout old one-hoss shay
As fresh as on Lisbon-earthquake-day!
EIGHTEEN HUNDRED; -- it came and found
The Deacon's masterpiece strong and sound.
Eighteen hundred increased by ten; --
"Hahnsum kerridge" they called it then.
Eighteen hundred and twenty came; --
Running as usual; much the same.
Thirty and forty at last arrive,
And then come fifty, and FIFTY-FIVE.
Little of all we value here
Wakes on the morn of its hundreth year
Without both feeling and looking *****.
In fact, there's nothing that keeps its youth,
So far as I know, but a tree and truth.
(This is a moral that runs at large;
Take it. -- You're welcome. -- No extra charge.)
FIRST OF NOVEMBER, -- the Earthquake-day, --
There are traces of age in the one-hoss shay,
A general flavor of mild decay,
But nothing local, as one may say.
There could n't be, -- for the Deacon's art
Had made it so like in every part
That there was n't a chance for one to start.
For the wheels were just as strong as the thills,
And the floor was just as strong as the sills,
And the panels just as strong as the floor,
And the whipple-tree neither less nor more,
And the back crossbar as strong as the fore,
And spring and axle and hub encore.
And yet, as a whole, it is past a doubt
In another hour it will be worn out!
First of November, 'Fifty-five!
This morning the parson takes a drive.
Now, small boys, get out of the way!
Here comes the wonderful one-horse shay,
Drawn by a rat-tailed, ewe-necked bay.
"Huddup!" said the parson. -- Off went they.
The parson was working his Sunday's text, --
Had got to fifthly, and stopped perplexed
At what the -- Moses -- was coming next.
All at once the horse stood still,
Close by the meet'n'-house on the hill.
First a shiver, and then a thrill,
Then something decidedly like a spill, --
And the parson was sitting upon a rock,
At half past nine by the meet'n-house clock, --
Just the hour of the Earthquake shock!
What do you think the parson found,
When he got up and stared around?
The poor old chaise in a heap or mound,
As if it had been to the mill and ground!
You see, of course, if you're not a dunce,
How it went to pieces all at once, --
All at once, and nothing first, --
Just as bubbles do when they burst.
End of the wonderful one-hoss shay.
Logic is logic. That's all I say.
|
Written by
Sidney Lanier |
or, The First Steamboat up the Alabama.
You, Dinah! Come and set me whar de ribber-roads does meet.
De Lord, HE made dese black-jack roots to twis' into a seat.
Umph, dar! De Lord have mussy on dis blin' ole ******'s feet.
It 'pear to me dis mornin' I kin smell de fust o' June.
I 'clar', I b'lieve dat mockin'-bird could play de fiddle soon!
Dem yonder town-bells sounds like dey was ringin' in de moon.
Well, ef dis ****** IS been blind for fo'ty year or mo',
Dese ears, DEY sees the world, like, th'u' de cracks dat's in de do'.
For de Lord has built dis body wid de windows 'hind and 'fo'.
I know my front ones IS stopped up, and things is sort o' dim,
But den, th'u' DEM, temptation's rain won't leak in on ole Jim!
De back ones show me earth enough, aldo' dey's mons'ous slim.
And as for Hebben, -- bless de Lord, and praise His holy name --
DAT shines in all de co'ners of dis cabin jes' de same
As ef dat cabin hadn't nar' a plank upon de frame!
Who CALL me? Listen down de ribber, Dinah! Don't you hyar
Somebody holl'in' "Hoo, Jim, hoo?" My Sarah died las' y'ar;
IS dat black angel done come back to call ole Jim f'om hyar?
My stars, dat cain't be Sarah, shuh! Jes' listen, Dinah, NOW!
What KIN be comin' up dat bend, a-makin' sich a row?
Fus' bellerin' like a pawin' bull, den squealin' like a sow?
De Lord 'a' mussy sakes alive, jes' hear, -- ker-woof, ker-woof --
De Debble's comin' round dat bend, he's comin' shuh enuff,
A-splashin' up de water wid his tail and wid his hoof!
I'se pow'ful skeered; but neversomeless I ain't gwine run away:
I'm gwine to stand stiff-legged for de Lord dis blessed day.
YOU screech, and swish de water, Satan! I'se a gwine to pray.
O hebbenly Marster, what thou willest, dat mus' be jes' so,
And ef Thou hast bespoke de word, some ******'s bound to go.
Den, Lord, please take ole Jim, and lef young Dinah hyar below!
'Scuse Dinah, 'scuse her, Marster; for she's sich a little chile,
She hardly jes' begin to scramble up de homeyard stile,
But dis ole traveller's feet been tired dis many a many a mile.
I'se wufless as de rotten pole of las' year's fodder-stack.
De rheumatiz done bit my bones; you hear 'em crack and crack?
I cain'st sit down 'dout gruntin' like 'twas breakin' o' my back.
What use de wheel, when hub and spokes is warped and split, and rotten?
What use dis dried-up cotton-stalk, when Life done picked my cotton?
I'se like a word dat somebody said, and den done been forgotten.
But, Dinah! Shuh dat gal jes' like dis little hick'ry tree,
De sap's jes' risin in her; she do grow owdaciouslee --
Lord, ef you's clarin' de underbrush, don't cut her down, cut me!
I would not proud persume -- but I'll boldly make reques';
Sence Jacob had dat wrastlin'-match, I, too, gwine do my bes';
When Jacob got all underholt, de Lord he answered Yes!
And what for waste de vittles, now, and th'ow away de bread,
Jes' for to strength dese idle hands to scratch dis ole bald head?
T'ink of de 'conomy, Marster, ef dis ole Jim was dead!
Stop; -- ef I don't believe de Debble's gone on up de stream!
Jes' now he squealed down dar; -- hush; dat's a mighty weakly scream!
Yas, sir, he's gone, he's gone; -- he snort way off, like in a dream!
O glory hallelujah to de Lord dat reigns on high!
De Debble's fai'ly skeered to def, he done gone flyin' by;
I know'd he couldn' stand dat pra'r, I felt my Marster nigh!
You, Dinah; ain't you 'shamed, now, dat you didn' trust to grace?
I heerd you thrashin' th'u' de bushes when he showed his face!
You fool, you think de Debble couldn't beat YOU in a race?
I tell you, Dinah, jes' as shuh as you is standin' dar,
When folks starts prayin', answer-angels drops down th'u' de a'r.
YAS, DINAH, WHAR 'OULD YOU BE NOW, JES' 'CEPTIN' FUR DAT PRA'R?
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