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Best Famous Hospitality Poems

Here is a collection of the all-time best famous Hospitality poems. This is a select list of the best famous Hospitality poetry. Reading, writing, and enjoying famous Hospitality poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hospitality poems.

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Written by Walt Whitman | Create an image from this poem

Great are the Myths

 1
GREAT are the myths—I too delight in them; 
Great are Adam and Eve—I too look back and accept them; 
Great the risen and fallen nations, and their poets, women, sages, inventors, rulers,
 warriors,
 and priests.
Great is Liberty! great is Equality! I am their follower; Helmsmen of nations, choose your craft! where you sail, I sail, I weather it out with you, or sink with you.
Great is Youth—equally great is Old Age—great are the Day and Night; Great is Wealth—great is Poverty—great is Expression—great is Silence.
Youth, large, lusty, loving—Youth, full of grace, force, fascination! Do you know that Old Age may come after you, with equal grace, force, fascination? Day, full-blown and splendid—Day of the immense sun, action, ambition, laughter, The Night follows close, with millions of suns, and sleep, and restoring darkness.
Wealth, with the flush hand, fine clothes, hospitality; But then the Soul’s wealth, which is candor, knowledge, pride, enfolding love; (Who goes for men and women showing Poverty richer than wealth?) Expression of speech! in what is written or said, forget not that Silence is also expressive, That anguish as hot as the hottest, and contempt as cold as the coldest, may be without words.
2 Great is the Earth, and the way it became what it is; Do you imagine it has stopt at this? the increase abandon’d? Understand then that it goes as far onward from this, as this is from the times when it lay in covering waters and gases, before man had appear’d.
Great is the quality of Truth in man; The quality of truth in man supports itself through all changes, It is inevitably in the man—he and it are in love, and never leave each other.
The truth in man is no dictum, it is vital as eyesight; If there be any Soul, there is truth—if there be man or woman there is truth—if there be physical or moral, there is truth; If there be equilibrium or volition, there is truth—if there be things at all upon the earth, there is truth.
O truth of the earth! I am determin’d to press my way toward you; Sound your voice! I scale mountains, or dive in the sea after you.
3 Great is Language—it is the mightiest of the sciences, It is the fulness, color, form, diversity of the earth, and of men and women, and of all qualities and processes; It is greater than wealth—it is greater than buildings, ships, religions, paintings, music.
Great is the English speech—what speech is so great as the English? Great is the English brood—what brood has so vast a destiny as the English? It is the mother of the brood that must rule the earth with the new rule; The new rule shall rule as the Soul rules, and as the love, justice, equality in the Soul rule.
Great is Law—great are the few old land-marks of the law, They are the same in all times, and shall not be disturb’d.
4 Great is Justice! Justice is not settled by legislators and laws—it is in the Soul; It cannot be varied by statutes, any more than love, pride, the attraction of gravity, can; It is immutable—it does not depend on majorities—majorities or what not, come at last before the same passionless and exact tribunal.
For justice are the grand natural lawyers, and perfect judges—is it in their Souls; It is well assorted—they have not studied for nothing—the great includes the less; They rule on the highest grounds—they oversee all eras, states, administrations.
The perfect judge fears nothing—he could go front to front before God; Before the perfect judge all shall stand back—life and death shall stand back—heaven and hell shall stand back.
5 Great is Life, real and mystical, wherever and whoever; Great is Death—sure as life holds all parts together, Death holds all parts together.
Has Life much purport?—Ah, Death has the greatest purport.


Written by D. H. Lawrence | Create an image from this poem

Snake

 A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob-tree I came down the steps with my pitcher And must wait, must stand and wait, for there he was at the trough before me.
He reached down from a fissure in the earth-wall in the gloom And trailed his yellow-brown slackness soft-bellied down, over the edge of the stone trough And rested his throat upon the stone bottom, And where the water had dripped from the tap, in a small clearness, He sipped with his straight mouth, Softly drank through his straight gums, into his slack long body, Silently.
Someone was before me at my water-trough, And I, like a second comer, waiting.
He lifted his head from his drinking, as cattle do, And looked at me vaguely, as drinking cattle do, And flickered his two-forked tongue from his lips, and mused a moment, And stooped and drank a little more, Being earth-brown, earth-golden from the burning bowels of the earth On the day of Sicilian July, with Etna smoking.
The voice of my education said to me He must be killed, For in Sicily the black, black snakes are innocent, the gold are venomous.
And voices in me said, If you were a man You would take a stick and break him now, and finish him off.
But must I confess how I liked him, How glad I was he had come like a guest in quiet, to drink at my water-trough And depart peaceful, pacified, and thankless, Into the burning bowels of this earth? Was it cowardice, that I dared not kill him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured? I felt so honoured.
And yet those voices: If you were not afraid, you would kill him! And truly I was afraid, I was most afraid, But even so, honoured still more That he should seek my hospitality From out the dark door of the secret earth.
He drank enough And lifted his head, dreamily, as one who has drunken, And flickered his tongue like a forked night on the air, so black, Seeming to lick his lips, And looked around like a god, unseeing, into the air, And slowly turned his head, And slowly, very slowly, as if thrice adream, Proceeded to draw his slow length curving round And climb again the broken bank of my wall-face.
And as he put his head into that dreadful hole, And as he slowly drew up, snake-easing his shoulders, and entered farther, A sort of horror, a sort of protest against his withdrawing into that horrid black hole, Deliberately going into the blackness, and slowly drawing himself after, Overcame me now his back was turned.
I looked round, I put down my pitcher, I picked up a clumsy log And threw it at the water-trough with a clatter.
I think it did not hit him, But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone Into the black hole, the earth-lipped fissure in the wall-front, At which, in the intense still noon, I stared with fascination.
And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act! I despised myself and the voices of my accursed human education.
And I thought of the albatross And I wished he would come back, my snake.
For he seemed to me again like a king, Like a king in exile, uncrowned in the underworld, Now due to be crowned again.
And so, I missed my chance with one of the lords Of life.
And I have something to expiate: A pettiness.
Taormina, 1923
Written by Muhammad Ali | Create an image from this poem

To make America the greatest is my goal

To make America the greatest is my goal,
So I beat the Russians, and I beat the Pole,
and for the USA won the medal of gold.
Italians said: "You're Greater than the Cassius of old´´.
We like your name, we like your game,
So make Rome your home if you will.
I said I appreciate your kind hospitality,
But the USA is my country still,
'Cause they're waiting to welcome me in Louisville.
Written by James Whitcomb Riley | Create an image from this poem

A Parting Guest

 What delightful hosts are they -- 
 Life and Love! 
Lingeringly I turn away, 
 This late hour, yet glad enough 
They have not withheld from me 
 Their high hospitality.
So, with face lit with delight And all gratitude, I stay Yet to press their hands and say, "Thanks.
-- So fine a time! Good night.
"
Written by Walt Whitman | Create an image from this poem

Poem of Remembrance for a Girl or a Boy

 YOU just maturing youth! You male or female! 
Remember the organic compact of These States, 
Remember the pledge of the Old Thirteen thenceforward to the rights, life, liberty,
 equality of
 man, 
Remember what was promulged by the founders, ratified by The States, signed in black and
 white
 by the Commissioners, and read by Washington at the head of the army, 
Remember the purposes of the founders,—Remember Washington;
Remember the copious humanity streaming from every direction toward America; 
Remember the hospitality that belongs to nations and men; (Cursed be nation, woman, man,
 without hospitality!) 
Remember, government is to subserve individuals, 
Not any, not the President, is to have one jot more than you or me, 
Not any habitan of America is to have one jot less than you or me.
Anticipate when the thirty or fifty millions, are to become the hundred, or two hundred millions, of equal freemen and freewomen, amicably joined.
Recall ages—One age is but a part—ages are but a part; Recall the angers, bickerings, delusions, superstitions, of the idea of caste, Recall the bloody cruelties and crimes.
Anticipate the best women; I say an unnumbered new race of hardy and well-defined women are to spread through all These States, I say a girl fit for These States must be free, capable, dauntless, just the same as a boy.
Anticipate your own life—retract with merciless power, Shirk nothing—retract in time—Do you see those errors, diseases, weaknesses, lies, thefts? Do you see that lost character?—Do you see decay, consumption, rum-drinking, dropsy, fever, mortal cancer or inflammation? Do you see death, and the approach of death?


Written by Lewis Carroll | Create an image from this poem

Phantasmagoria CANTO II ( Hys Fyve Rules )

 "MY First - but don't suppose," he said,
"I'm setting you a riddle -
Is - if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle, 

"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder.
"And here you must on no pretence Make the first observation.
Wait for the Victim to commence: No Ghost of any common sense Begins a conversation.
"If he should say 'HOW CAME YOU HERE?' (The way that YOU began, Sir,) In such a case your course is clear - 'ON THE BAT'S BACK, MY LITTLE DEAR!' Is the appropriate answer.
"If after this he says no more, You'd best perhaps curtail your Exertions - go and shake the door, And then, if he begins to snore, You'll know the thing's a failure.
"By day, if he should be alone - At home or on a walk - You merely give a hollow groan, To indicate the kind of tone In which you mean to talk.
"But if you find him with his friends, The thing is rather harder.
In such a case success depends On picking up some candle-ends, Or butter, in the larder.
"With this you make a kind of slide (It answers best with suet), On which you must contrive to glide, And swing yourself from side to side - One soon learns how to do it.
"The Second tells us what is right In ceremonious calls:- 'FIRST BURN A BLUE OR CRIMSON LIGHT' (A thing I quite forgot to-night), 'THEN SCRATCH THE DOOR OR WALLS.
'" I said "You'll visit HERE no more, If you attempt the Guy.
I'll have no bonfires on MY floor - And, as for scratching at the door, I'd like to see you try!" "The Third was written to protect The interests of the Victim, And tells us, as I recollect, TO TREAT HIM WITH A GRAVE RESPECT, AND NOT TO CONTRADICT HIM.
" "That's plain," said I, "as Tare and Tret, To any comprehension: I only wish SOME Ghosts I've met Would not so CONSTANTLY forget The maxim that you mention!" "Perhaps," he said, "YOU first transgressed The laws of hospitality: All Ghosts instinctively detest The Man that fails to treat his guest With proper cordiality.
"If you address a Ghost as 'Thing!' Or strike him with a hatchet, He is permitted by the King To drop all FORMAL parleying - And then you're SURE to catch it! "The Fourth prohibits trespassing Where other Ghosts are quartered: And those convicted of the thing (Unless when pardoned by the King) Must instantly be slaughtered.
"That simply means 'be cut up small': Ghosts soon unite anew.
The process scarcely hurts at all - Not more than when YOU're what you call 'Cut up' by a Review.
"The Fifth is one you may prefer That I should quote entire:- THE KING MUST BE ADDRESSED AS 'SIR.
' THIS, FROM A SIMPLE COURTIER, IS ALL THE LAWS REQUIRE: "BUT, SHOULD YOU WISH TO DO THE THING WITH OUT-AND-OUT POLITENESS, ACCOST HIM AS 'MY GOBLIN KING! AND ALWAYS USE, IN ANSWERING, THE PHRASE 'YOUR ROYAL WHITENESS!' "I'm getting rather hoarse, I fear, After so much reciting : So, if you don't object, my dear, We'll try a glass of bitter beer - I think it looks inviting.
"
Written by Henry Wadsworth Longfellow | Create an image from this poem

THE OLD CLOCK ON THE STAIRS

 L'eternite est une pendule, dont le balancier dit et redit sans
cesse ces deux mots seulement dans le silence des tombeaux:
"Toujours! jamais! Jamais! toujours!"--JACQUES BRIDAINE.
Somewhat back from the village street Stands the old-fashioned country-seat.
Across its antique portico Tall poplar-trees their shadows throw; And from its station in the hall An ancient timepiece says to all,-- "Forever--never! Never--forever!" Half-way up the stairs it stands, And points and beckons with its hands From its case of massive oak, Like a monk, who, under his cloak, Crosses himself, and sighs, alas! With sorrowful voice to all who pass,-- "Forever--never! Never--forever!" By day its voice is low and light; But in the silent dead of night, Distinct as a passing footstep's fall, It echoes along the vacant hall, Along the ceiling, along the floor, And seems to say, at each chamber-door,-- "Forever--never! Never--forever!" Through days of sorrow and of mirth, Through days of death and days of birth, Through every swift vicissitude Of changeful time, unchanged it has stood, And as if, like God, it all things saw, It calmly repeats those words of awe,-- "Forever--never! Never--forever!" In that mansion used to be Free-hearted Hospitality; His great fires up the chimney roared; The stranger feasted at his board; But, like the skeleton at the feast, That warning timepiece never ceased,-- "Forever--never! Never--forever!" There groups of merry children played, There youths and maidens dreaming strayed; O precious hours! O golden prime, And affluence of love and time! Even as a Miser counts his gold, Those hours the ancient timepiece told,-- "Forever--never! Never--forever!" From that chamber, clothed in white, The bride came forth on her wedding night; There, in that silent room below, The dead lay in his shroud of snow; And in the hush that followed the prayer, Was heard the old clock on the stair,-- "Forever--never! Never--forever!" All are scattered now and fled, Some are married, some are dead; And when I ask, with throbs of pain.
"Ah! when shall they all meet again?" As in the days long since gone by, The ancient timepiece makes reply,-- "Forever--never! Never--forever! Never here, forever there, Where all parting, pain, and care, And death, and time shall disappear,-- Forever there, but never here! The horologe of Eternity Sayeth this incessantly,-- "Forever--never! Never--forever!"
Written by Emily Dickinson | Create an image from this poem

Remember me implored the Thief!

 "Remember me" implored the Thief!
Oh Hospitality!
My Guest "Today in Paradise"
I give thee guaranty.
That Courtesy will fair remain When the Delight is Dust With which we cite this mightiest case Of compensated Trust.
Of all we are allowed to hope But Affidavit stands That this was due where most we fear Be unexpected Friends.
Written by Henry Van Dyke | Create an image from this poem

The Ancestral Dwelling

 Dear to my heart are the ancestral dwellings of America,
Dearer than if they were haunted by ghosts of royal splendour;
These are the homes that were built by the brave beginners of a nation,
They are simple enough to be great, and full of a friendly dignity.
I love the old white farmhouses nestled in New England valleys, Ample and long and low, with elm-trees feathering over them: Borders of box in the yard, and lilacs, and old-fashioned Howers, A fan-light above the door, and little square panes in the windows, The wood-shed piled with maple and birch and hickory ready for winter, The gambrel-roof with its garret crowded with household relics, -- All the tokens of prudent thrift and the spirit of self-reliance.
I love the look of the shingled houses that front the ocean; Their backs are bowed, and their lichened sides are weather-beaten; Soft in their colour as grey pearls, they are full of patience and courage.
They seem to grow out of the rocks, there is something indomitable about them: Facing the briny wind in a lonely land they stand undaunted, While the thin blue line of smoke from the square-built chimney rises, Telling of shelter for man, with room for a hearth and a cradle.
I love the stately southern mansions with their tall white columns, They look through avenues of trees, over fields where the cotton is growing; I can see the flutter of white frocks along their shady porches, Music and laughter float from the windows, the yards are full of hounds and horses.
They have all ridden away, yet the houses have not forgotten, They are proud of their name and place, and their doors are always open, For the thing they remember best is the pride of their ancient hospitality.
In the towns I love the discreet and tranquil Quaker dwellings, With their demure brick faces and immaculate white-stone doorsteps; And the gabled houses of the Dutch, with their high stoops and iron railings, (I can see their little brass knobs shining in the morning sunlight); And the solid houses of the descendants of the Puritans, Fronting the street with their narrow doors and dormer-windows; And the triple-galleried, many-pillared mansions of Charleston, Standing sideways in their gardens full of roses and magnolias.
Yes, they are all dear to my heart, and in my eyes they are beautiful; For under their roofs were nourished the thoughts that have made the nation; The glory and strength of America came from her ancestral dwellings.
Written by Walt Whitman | Create an image from this poem

Mannahatta

 I WAS asking for something specific and perfect for my city, 
Whereupon, lo! upsprang the aboriginal name! 

Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient;

I see that the word of my city is that word up there, 
Because I see that word nested in nests of water-bays, superb, with tall and wonderful
 spires,
Rich, hemm’d thick all around with sailships and steamships—an island sixteen
 miles
 long, solid-founded, 
Numberless crowded streets—high growths of iron, slender, strong, light, splendidly
 uprising toward clear skies; 
Tide swift and ample, well-loved by me, toward sundown, 
The flowing sea-currents, the little islands, larger adjoining islands, the heights, the
 villas, 
The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black
 sea-steamers well-model’d;
The down-town streets, the jobbers’ houses of business—the houses of business of
 the
 ship-merchants, and money-brokers—the river-streets; 
Immigrants arriving, fifteen or twenty thousand in a week; 
The carts hauling goods—the manly race of drivers of horses—the brown-faced
 sailors; 
The summer air, the bright sun shining, and the sailing clouds aloft; 
The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or
 down,
 with the flood tide or ebb-tide;
The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you
 straight
 in the eyes; 
Trottoirs throng’d—vehicles—Broadway—the women—the shops and
 shows, 
The parades, processions, bugles playing, flags flying, drums beating; 
A million people—manners free and superb—open voices—hospitality—the
 most
 courageous and friendly young men; 
The free city! no slaves! no owners of slaves!
The beautiful city, the city of hurried and sparkling waters! the city of spires and
 masts! 
The city nested in bays! my city! 
The city of such women, I am mad to be with them! I will return after death to be with
 them! 
The city of such young men, I swear I cannot live happy, without I often go talk, walk,
 eat,
 drink, sleep, with them!

Book: Shattered Sighs