Written by
Rudyard Kipling |
BOMBAY
Royal and Dower-royal, I the Queen
Fronting thy richest sea with richer hands --
A thousand mills roar through me where I glean
All races from all lands.
CALCUTTA
Me the Sea-captain loved, the River built,
Wealth sought and Kings adventured life to hold.
Hail, England! I am Asia -- Power on silt,
Death in my hands, but Gold!
MADRAS
Clive kissed me on the mouth and eyes and brow,
Wonderful kisses, so that I became
Crowned above Queens -- a withered beldame now,
Brooding on ancient fame.
RANGOON
Hail, Mother! Do they call me rich in trade?
Little care I, but hear the shorn priest drone,
And watch my silk-clad lovers, man by maid,
Laugh 'neath my Shwe Dagon.
SINGAPORE
Hail, Mother! East and West must seek my aid
Ere the spent gear may dare the ports afar.
The second doorway of the wide world's trade
Is mine to loose or bar.
HONG-KONG
Hail, Mother! Hold me fast; my Praya sleeps
Under innumerable keels to-day.
Yet guard (and landward), or to-morrow sweeps
Thy war-ships down the bay!
HALIFAX
Into the mist my guardian prows put forth,
Behind the mist my virgin ramparts lie,
The Warden of the Honour of the North,
Sleepless and veiled am I!
QUEBEC AND MONTREAL
Peace is our portion. Yet a whisper rose,
Foolish and causeless, half in jest, half hate.
Now wake we and remember mighty blows,
And, fearing no man, wait!
VICTORIA
From East to West the circling word has passed,
Till West is East beside our land-locked blue;
From East to West the tested chain holds fast,
The well-forged link rings true!
CAPE TOWN
Hail! Snatched and bartered oft from hand to hand,
I dream my dream, by rock and heath and pine,
Of Empire to the northward. Ay, one land
From Lion's Head to Line!
MELBOURNE
Greeting! Nor fear nor favour won us place,
Got between greed of gold and dread of drouth,
Loud-voiced and reckless as the wild tide-race
That whips our harbour-mouth!
SYDNEY
Greeting! My birth-stain have I turned to good;
Forcing strong wills perverse to steadfastness:
The first flush of the tropics in my blood,
And at my feet Success!
BRISBANE
The northern stirp beneath the southern skies --
I build a Nation for an Empire's need,
Suffer a little, and my land shall rise,
Queen over lands indeed!
HOBART
Man's love first found me; man's hate made me Hell;
For my babes' sake I cleansed those infamies.
Earnest for leave to live and labour well,
God flung me peace and ease.
AUCKLAND
Last, loneliest, loveliest, exquisite, apart --
On us, on us the unswerving season smiles,
Who wonder 'mid our fern why men depart
To seek the Happy Isles!
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Written by
Carl Sandburg |
RUM tiddy um,
tiddy um,
tiddy um tum tum.
My knees are loose-like, my feet want to sling their selves.
I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road?
When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little:
Say, why do I feel so gabby?
Why do I want to holler all over the place?. . .
Do you remember I held empty hands to you
and I said all is yours
the handfuls of nothing?. . .
I ask you for white blossoms.
I bring a concertina after sunset under the apple trees.
I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.”
The orchard here is near and home-like.
The oats in the valley run a mile.
Between are the green and marching potato vines.
The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse … me…”. . .
Old foundations of rotten wood.
An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
So a pickax digs a long tooth with a short memory.
Fire can not eat this rubbish till it has lain in the sun.. . .
The story lags.
The story has no connections.
The story is nothing but a lot of banjo plinka planka plunks.
The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes.. . .
In Burlington long ago
And later again in Ashtabula
I said to myself:
I wonder how far Ophelia went with Hamlet.
What else was there Shakespeare never told?
There must have been something.
If I go bugs I want to do it like Ophelia.
There was class to the way she went out of her head.. . .
Does a famous poet eat watermelon?
Excuse me, ask me something easy.
I have seen farmhands with their faces in fried catfish on a Monday morning.
And the Japanese, two-legged like us,
The Japanese bring slices of watermelon into pictures.
The black seeds make oval polka dots on the pink meat.
Why do I always think of niggers and buck-and-wing dancing whenever I see watermelon?
Summer mornings on the docks I walk among bushel peach baskets piled ten feet high.
Summer mornings I smell new wood and the river wind along with peaches.
I listen to the steamboat whistle hong-honging, hong-honging across the town.
And once I saw a teameo straddling a street with a hayrack load of melons.. . .
Niggers play banjos because they want to.
The explanation is easy.
It is the same as why people pay fifty cents for tickets to a policemen’s masquerade ball or a grocers-and-butchers’ picnic with a fat man’s foot race.
It is the same as why boys buy a nickel’s worth of peanuts and eat them and then buy another nickel’s worth.
Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved.
The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory.
It is the same as why boys go running lickety-split
away from a school-room geography lesson
in April when the crawfishes come out
and the young frogs are calling
and the pussywillows and the cat-tails
know something about geography themselves.. . .
I ask you for white blossoms.
I offer you memories and people.
I offer you a fire zigzag over the green and marching vines.
I bring a concertina after supper under the home-like apple trees.
I make up songs about things to look at:
potato blossoms in summer night mist filling the garden with white spots;
a cavalryman’s yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart.
Bring a concertina after sunset under the apple trees.
Let romance stutter to the western stars, “Excuse … me…”
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Written by
Edward Lear |
There was an old man of Hong Kong,Who never did anything wrong;He lay on his back, with his head in a sack,That innocuous old man of Hong Kong.
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Written by
Rudyard Kipling |
My name is O'Kelly, I've heard the Revelly
From Birr to Bareilly, from Leeds to Lahore,
Hong-Kong and Peshawur,
Lucknow and Etawah,
And fifty-five more all endin' in "pore".
Black Death and his quickness, the depth and the thickness,
Of sorrow and sickness I've known on my way,
But I'm old and I'm nervis,
I'm cast from the Service,
And all I deserve is a shillin' a day.
(Chorus) Shillin' a day,
Bloomin' good pay --
Lucky to touch it, a shillin' a day!
Oh, it drives me half crazy to think of the days I
Went slap for the Ghazi, my sword at my side,
When we rode Hell-for-leather
Both squadrons together,
That didn't care whether we lived or we died.
But it's no use despairin', my wife must go charin'
An' me commissairin' the pay-bills to better,
So if me you be'old
In the wet and the cold,
By the Grand Metropold, won't you give me a letter?
(Full chorus) Give 'im a letter --
'Can't do no better,
Late Troop-Sergeant-Major an' -- runs with a letter!
Think what 'e's been,
Think what 'e's seen,
Think of his pension an' ----
GAWD SAVE THE QUEEN.
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Written by
Charles Bukowski |
each man must realize
that it can all disappear very
quickly:
the cat, the woman, the job,
the front tire,
the bed, the walls, the
room; all our necessities
including love,
rest on foundations of sand -
and any given cause,
no matter how unrelated:
the death of a boy in Hong Kong
or a blizzard in Omaha ...
can serve as your undoing.
all your chinaware crashing to the
kitchen floor, your girl will enter
and you'll be standing, drunk,
in the center of it and she'll ask:
my god, what's the matter?
and you'll answer: I don't know,
I don't know ...
|
Written by
Eugene Field |
Sometime there ben a lyttel boy
That wolde not renne and play,
And helpless like that little tyke
Ben allwais in the way.
"Goe, make you merrie with the rest,"
His weary moder cried;
But with a frown he catcht her gown
And hong untill her side.
That boy did love his moder well,
Which spake him faire, I ween;
He loved to stand and hold her hand
And ken her with his een;
His cosset bleated in the croft,
His toys unheeded lay,--
He wolde not goe, but, tarrying soe,
Ben allwais in the way.
Godde loveth children and doth gird
His throne with soche as these,
And He doth smile in plaisaunce while
They cluster at His knees;
And sometime, when He looked on earth
And watched the bairns at play,
He kenned with joy a lyttel boy
Ben allwais in the way.
And then a moder felt her heart
How that it ben to-torne,--
She kissed eche day till she ben gray
The shoon he used to worn;
No bairn let hold untill her gown,
Nor played upon the floore,--
Godde's was the joy; a lyttel boy
Ben in the way no more!
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