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Best Famous Holly Poems

Here is a collection of the all-time best famous Holly poems. This is a select list of the best famous Holly poetry. Reading, writing, and enjoying famous Holly poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of holly poems.

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Written by Emily Brontë | Create an image from this poem

Love and Friendship

 Love is like the wild rose-briar,
Friendship like the holly-tree --
The holly is dark when the rose-briar blooms
But which will bloom most contantly?
The wild-rose briar is sweet in the spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who wil call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly's sheen,
That when December blights thy brow
He may still leave thy garland green.


Written by Sylvia Plath | Create an image from this poem

Letter In November

 Love, the world
Suddenly turns, turns color.
The streetlight Splits through the rat's tail Pods of the laburnum at nine in the morning.
It is the Arctic, This little black Circle, with its tawn silk grasses - babies hair.
There is a green in the air, Soft, delectable.
It cushions me lovingly.
I am flushed and warm.
I think I may be enormous, I am so stupidly happy, My Wellingtons Squelching and squelching through the beautiful red.
This is my property.
Two times a day I pace it, sniffing The barbarous holly with its viridian Scallops, pure iron, And the wall of the odd corpses.
I love them.
I love them like history.
The apples are golden, Imagine it ---- My seventy trees Holding their gold-ruddy balls In a thick gray death-soup, Their million Gold leaves metal and breathless.
O love, O celibate.
Nobody but me Walks the waist high wet.
The irreplaceable Golds bleed and deepen, the mouths of Thermopylae.
Written by William Shakespeare | Create an image from this poem

Blow Blow Thou Winter Wind

Blow, blow, thou winter wind,
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing heigh-ho! unto the green holly: Most friendship is feigning, most loving mere folly: Then, heigh-ho! the holly! This life is most jolly.
Freeze, freeze, thou bitter sky, Thou dost not bite so nigh As benefits forgot: Though thou the waters warp, Thy sting is not so sharp As friend remember'd not.
Heigh-ho! sing heigh-ho! unto the green holly: Most friendship is feigning, most loving mere folly: Then, heigh-ho! the holly! This life is most jolly.
Written by David Berman | Create an image from this poem

Self-Portrait At 28

 I know it's a bad title
but I'm giving it to myself as a gift
on a day nearly canceled by sunlight
when the entire hill is approaching
the ideal of Virginia
brochured with goldenrod and loblolly
and I think "at least I have not woken up
with a bloody knife in my hand"
by then having absently wandered
one hundred yards from the house
while still seated in this chair
with my eyes closed.
It is a certain hill the one I imagine when I hear the word "hill" and if the apocalypse turns out to be a world-wide nervous breakdown if our five billion minds collapse at once well I'd call that a surprise ending and this hill would still be beautiful a place I wouldn't mind dying alone or with you.
I am trying to get at something and I want to talk very plainly to you so that we are both comforted by the honesty.
You see there is a window by my desk I stare out when I am stuck though the outdoors has rarely inspired me to write and I don't know why I keep staring at it.
My childhood hasn't made good material either mostly being a mulch of white minutes with a few stand out moments, popping tar bubbles on the driveway in the summer a certain amount of pride at school everytime they called it "our sun" and playing football when the only play was "go out long" are what stand out now.
If squeezed for more information I can remember old clock radios with flipping metal numbers and an entree called Surf and Turf.
As a way of getting in touch with my origins every night I set the alarm clock for the time I was born so that waking up becomes a historical reenactment and the first thing I do is take a reading of the day and try to flow with it like when you're riding a mechanical bull and you strain to learn the pattern quickly so you don't inadverantly resist it.
II two I can't remember being born and no one else can remember it either even the doctor who I met years later at a cocktail party.
It's one of the little disappointments that makes you think about getting away going to Holly Springs or Coral Gables and taking a room on the square with a landlady whose hands are scored by disinfectant, telling the people you meet that you are from Alaska, and listen to what they have to say about Alaska until you have learned much more about Alaska than you ever will about Holly Springs or Coral Gables.
Sometimes I am buying a newspaper in a strange city and think "I am about to learn what it's like to live here.
" Oftentimes there is a news item about the complaints of homeowners who live beside the airport and I realize that I read an article on this subject nearly once a year and always receive the same image.
I am in bed late at night in my house near the airport listening to the jets fly overhead a strange wife sleeping beside me.
In my mind, the bedroom is an amalgamation of various cold medicine commercial sets (there is always a box of tissue on the nightstand).
I know these recurring news articles are clues, flaws in the design though I haven't figured out how to string them together yet, but I've begun to notice that the same people are dying over and over again, for instance Minnie Pearl who died this year for the fourth time in four years.
III three Today is the first day of Lent and once again I'm not really sure what it is.
How many more years will I let pass before I take the trouble to ask someone? It reminds of this morning when you were getting ready for work.
I was sitting by the space heater numbly watching you dress and when you asked why I never wear a robe I had so many good reasons I didn't know where to begin.
If you were cool in high school you didn't ask too many questions.
You could tell who'd been to last night's big metal concert by the new t-shirts in the hallway.
You didn't have to ask and that's what cool was: the ability to deduct to know without asking.
And the pressure to simulate coolness means not asking when you don't know, which is why kids grow ever more stupid.
A yearbook's endpages, filled with promises to stay in touch, stand as proof of the uselessness of a teenager's promise.
Not like I'm dying for a letter from the class stoner ten years on but.
.
.
Do you remember the way the girls would call out "love you!" conveniently leaving out the "I" as if they didn't want to commit to their own declarations.
I agree that the "I" is a pretty heavy concept and hope you won't get uncomfortable if I should go into some deeper stuff here.
IV four There are things I've given up on like recording funny answering machine messages.
It's part of growing older and the human race as a group has matured along the same lines.
It seems our comedy dates the quickest.
If you laugh out loud at Shakespeare's jokes I hope you won't be insulted if I say you're trying too hard.
Even sketches from the original Saturday Night Live seem slow-witted and obvious now.
It's just that our advances are irrepressible.
Nowadays little kids can't even set up lemonade stands.
It makes people too self-conscious about the past, though try explaining that to a kid.
I'm not saying it should be this way.
All this new technology will eventually give us new feelings that will never completely displace the old ones leaving everyone feeling quite nervous and split in two.
We will travel to Mars even as folks on Earth are still ripping open potato chip bags with their teeth.
Why? I don't have the time or intelligence to make all the connections like my friend Gordon (this is a true story) who grew up in Braintree Massachusetts and had never pictured a brain snagged in a tree until I brought it up.
He'd never broken the name down to its parts.
By then it was too late.
He had moved to Coral Gables.
V five The hill out my window is still looking beautiful suffused in a kind of gold national park light and it seems to say, I'm sorry the world could not possibly use another poem about Orpheus but I'm available if you're not working on a self-portrait or anything.
I'm watching my dog have nightmares, twitching and whining on the office floor and I try to imagine what beast has cornered him in the meadow where his dreams are set.
I'm just letting the day be what it is: a place for a large number of things to gather and interact -- not even a place but an occasion a reality for real things.
Friends warned me not to get too psychedelic or religious with this piece: "They won't accept it if it's too psychedelic or religious," but these are valid topics and I'm the one with the dog twitching on the floor possibly dreaming of me that part of me that would beat a dog for no good reason no reason that a dog could see.
I am trying to get at something so simple that I have to talk plainly so the words don't disfigure it and if it turns out that what I say is untrue then at least let it be harmless like a leaky boat in the reeds that is bothering no one.
VI six I can't trust the accuracy of my own memories, many of them having blended with sentimental telephone and margarine commercials plainly ruined by Madison Avenue though no one seems to call the advertising world "Madison Avenue" anymore.
Have they moved? Let's get an update on this.
But first I have some business to take care of.
I walked out to the hill behind our house which looks positively Alaskan today and it would be easier to explain this if I had a picture to show you but I was with our young dog and he was running through the tall grass like running through the tall grass is all of life together until a bird calls or he finds a beer can and that thing fills all the space in his head.
You see, his mind can only hold one thought at a time and when he finally hears me call his name he looks up and cocks his head and for a single moment my voice is everything: Self-portrait at 28.
Written by John Betjeman | Create an image from this poem

Christmas

 The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.
The holly in the windy hedge And round the Manor House the yew Will soon be stripped to deck the ledge, The altar, font and arch and pew, So that the villagers can say 'The church looks nice' on Christmas Day.
Provincial Public Houses blaze, Corporation tramcars clang, On lighted tenements I gaze, Where paper decorations hang, And bunting in the red Town Hall Says 'Merry Christmas to you all'.
And London shops on Christmas Eve Are strung with silver bells and flowers As hurrying clerks the City leave To pigeon-haunted classic towers, And marbled clouds go scudding by The many-steepled London sky.
And girls in slacks remember Dad, And oafish louts remember Mum, And sleepless children's hearts are glad.
And Christmas-morning bells say 'Come!' Even to shining ones who dwell Safe in the Dorchester Hotel.
And is it true, This most tremendous tale of all, Seen in a stained-glass window's hue, A Baby in an ox's stall ? The Maker of the stars and sea Become a Child on earth for me ? And is it true ? For if it is, No loving fingers tying strings Around those tissued fripperies, The sweet and silly Christmas things, Bath salts and inexpensive scent And hideous tie so kindly meant, No love that in a family dwells, No carolling in frosty air, Nor all the steeple-shaking bells Can with this single Truth compare - That God was man in Palestine And lives today in Bread and Wine.


Written by Henry Wadsworth Longfellow | Create an image from this poem

The Poets Calendar

 January

Janus am I; oldest of potentates; 
Forward I look, and backward, and below 
I count, as god of avenues and gates, 
The years that through my portals come and go.
I block the roads, and drift the fields with snow; I chase the wild-fowl from the frozen fen; My frosts congeal the rivers in their flow, My fires light up the hearths and hearts of men.
February I am lustration, and the sea is mine! I wash the sands and headlands with my tide; My brow is crowned with branches of the pine; Before my chariot-wheels the fishes glide.
By me all things unclean are purified, By me the souls of men washed white again; E'en the unlovely tombs of those who died Without a dirge, I cleanse from every stain.
March I Martius am! Once first, and now the third! To lead the Year was my appointed place; A mortal dispossessed me by a word, And set there Janus with the double face.
Hence I make war on all the human race; I shake the cities with my hurricanes; I flood the rivers and their banks efface, And drown the farms and hamlets with my rains.
April I open wide the portals of the Spring To welcome the procession of the flowers, With their gay banners, and the birds that sing Their song of songs from their aerial towers.
I soften with my sunshine and my showers The heart of earth; with thoughts of love I glide Into the hearts of men; and with the Hours Upon the Bull with wreathed horns I ride.
May Hark! The sea-faring wild-fowl loud proclaim My coming, and the swarming of the bees.
These are my heralds, and behold! my name Is written in blossoms on the hawthorn-trees.
I tell the mariner when to sail the seas; I waft o'er all the land from far away The breath and bloom of the Hesperides, My birthplace.
I am Maia.
I am May.
June Mine is the Month of Roses; yes, and mine The Month of Marriages! All pleasant sights And scents, the fragrance of the blossoming vine, The foliage of the valleys and the heights.
Mine are the longest days, the loveliest nights; The mower's scythe makes music to my ear; I am the mother of all dear delights; I am the fairest daughter of the year.
July My emblem is the Lion, and I breathe The breath of Libyan deserts o'er the land; My sickle as a sabre I unsheathe, And bent before me the pale harvests stand.
The lakes and rivers shrink at my command, And there is thirst and fever in the air; The sky is changed to brass, the earth to sand; I am the Emperor whose name I bear.
August The Emperor Octavian, called the August, I being his favorite, bestowed his name Upon me, and I hold it still in trust, In memory of him and of his fame.
I am the Virgin, and my vestal flame Burns less intensely than the Lion's rage; Sheaves are my only garlands, and I claim The golden Harvests as my heritage.
September I bear the Scales, where hang in equipoise The night and day; and whenunto my lips I put my trumpet, with its stress and noise Fly the white clouds like tattered sails of ships; The tree-tops lash the air with sounding whips; Southward the clamorous sea-fowl wing their flight; The hedges are all red with haws and hips, The Hunter's Moon reigns empress of the night.
October My ornaments are fruits; my garments leaves, Woven like cloth of gold, and crimson dyed; I do no boast the harvesting of sheaves, O'er orchards and o'er vineyards I preside.
Though on the frigid Scorpion I ride, The dreamy air is full, and overflows With tender memories of the summer-tide, And mingled voices of the doves and crows.
November The Centaur, Sagittarius, am I, Born of Ixion's and the cloud's embrace; With sounding hoofs across the earth I fly, A steed Thessalian with a human face.
Sharp winds the arrows are with which I chase The leaves, half dead already with affright; I shroud myself in gloom; and to the race Of mortals bring nor comfort nor delight.
December Riding upon the Goat, with snow-white hair, I come, the last of all.
This crown of mine Is of the holly; in my hand I bear The thyrsus, tipped with fragrant cones of pine.
I celebrate the birth of the Divine, And the return of the Saturnian reign;-- My songs are carols sung at every shrine, Proclaiming "Peace on earth, good will to men.
"
Written by Eavan Boland | Create an image from this poem

Witness

 Against the enormous rocks of a rough coast
The ocean rams itself in pitched assault
And spastic rage to which there is no halt;
Foam-white brigades collapse; but the huge host

Has infinite reserves; at each attack
The impassive cliffs look down in gray disdain
At scenes of sacrifice, unrelieved pain,
Figured in froth, aquamarine and black.
Something in the blood-chemistry of life, Unspeakable, impressive, undeterred, Expresses itself without needing a word In this sea-crazed Empedoclean Strife.
It is a scene of unmatched melancholy, Weather of misery, cloud cover of distress, To which there are not witnesses, unless One counts the briny, tough and thorned sea holly.
Written by John Keats | Create an image from this poem

Song of the Indian Maid

Song of the Indian Maid 

O SORROW! 
Why dost borrow 
The natural hue of health, from vermeil lips?¡ª 
To give maiden blushes 
To the white rose bushes? 5 
Or is it thy dewy hand the daisy tips? 

O Sorrow! 
Why dost borrow 
The lustrous passion from a falcon-eye?¡ª 
To give the glow-worm light? 10 
Or, on a moonless night, 
To tinge, on siren shores, the salt sea-spry? 

O Sorrow! 
Why dost borrow 
The mellow ditties from a mourning tongue?¡ª 15 
To give at evening pale 
Unto the nightingale, 
That thou mayst listen the cold dews among? 

O Sorrow! 
Why dost borrow 20 
Heart's lightness from the merriment of May?¡ª 
A lover would not tread 
A cowslip on the head, 
Though he should dance from eve till peep of day¡ª 
Nor any drooping flower 25 
Held sacred for thy bower, 
Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; 30 But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, 35 But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,¡ª And so I kept 40 Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, 45 But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue¡ª 50 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din¡ª 'Twas Bacchus and his kin! Like to a moving vintage down they came, 55 Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly 60 By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:¡ª I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, 65 With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, 70 Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, 75 Your lutes, and gentler fate?'¡ª 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:¡ª 80 Come hither, lady fair, and join¨¨d be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left 85 Your nuts in oak-tree cleft?'¡ª 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; 90 Great god of breathless cups and chirping mirth! Come hither, lady fair, and join¨¨d be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, 95 Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads¡ªwith song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, 100 Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
105 Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, 110 On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! 115 I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearl¨¨d hail; Great Brahma from his mystic heaven groans, 120 And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary¡ªso I took a whim To stray away into these forests drear, 125 Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; 130 Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! 135 Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, 140 No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
145
Written by Thomas Hardy | Create an image from this poem

Birds at Winter Nightfall (Triolet)

 Around the house the flakes fly faster, 
And all the berries now are gone 
From holly and cotoneaster 
Around the house.
The flakes fly!--faster Shutting indoors that crumb-outcaster We used to see upon the lawn Around the house.
The flakes fly faster, And all the berries now are gone!
Written by Christina Rossetti | Create an image from this poem

Spring Quiet

 Gone were but the Winter,
Come were but the Spring,
I would go to a covert
Where the birds sing;

Where in the whitethorn
Singeth a thrush,
And a robin sings
In the holly-bush.
Full of fresh scents Are the budding boughs Arching high over A cool green house: Full of sweet scents, And whispering air Which sayeth softly: "We spread no snare; "Here dwell in safety, Here dwell alone, With a clear stream And a mossy stone.
"Here the sun shineth Most shadily; Here is heard an echo Of the far sea, Though far off it be.
"

Book: Shattered Sighs