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Best Famous Hollowly Poems

Here is a collection of the all-time best famous Hollowly poems. This is a select list of the best famous Hollowly poetry. Reading, writing, and enjoying famous Hollowly poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hollowly poems.

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Written by Robert Southey | Create an image from this poem

Mary - A Ballad

 Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England.
I have adopted the metre of Mr.
Lewis's Alonzo and Imogene--a poem deservedly popular.
I.
Who is she, the poor Maniac, whose wildly-fix'd eyes Seem a heart overcharged to express? She weeps not, yet often and deeply she sighs, She never complains, but her silence implies The composure of settled distress.
II.
No aid, no compassion the Maniac will seek, Cold and hunger awake not her care: Thro' her rags do the winds of the winter blow bleak On her poor withered bosom half bare, and her cheek Has the deathy pale hue of despair.
III.
Yet chearful and happy, nor distant the day, Poor Mary the Maniac has been; The Traveller remembers who journeyed this way No damsel so lovely, no damsel so gay As Mary the Maid of the Inn.
IV.
Her chearful address fill'd the guests with delight As she welcomed them in with a smile: Her heart was a stranger to childish affright, And Mary would walk by the Abbey at night When the wind whistled down the dark aisle.
V.
She loved, and young Richard had settled the day, And she hoped to be happy for life; But Richard was idle and worthless, and they Who knew him would pity poor Mary and say That she was too good for his wife.
VI.
'Twas in autumn, and stormy and dark was the night, And fast were the windows and door; Two guests sat enjoying the fire that burnt bright, And smoking in silence with tranquil delight They listen'd to hear the wind roar.
VII.
"Tis pleasant," cried one, "seated by the fire side "To hear the wind whistle without.
" "A fine night for the Abbey!" his comrade replied, "Methinks a man's courage would now be well tried "Who should wander the ruins about.
VIII.
"I myself, like a school-boy, should tremble to hear "The hoarse ivy shake over my head; "And could fancy I saw, half persuaded by fear, "Some ugly old Abbot's white spirit appear, "For this wind might awaken the dead!" IX.
"I'll wager a dinner," the other one cried, "That Mary would venture there now.
" "Then wager and lose!" with a sneer he replied, "I'll warrant she'd fancy a ghost by her side, "And faint if she saw a white cow.
" X.
"Will Mary this charge on her courage allow?" His companion exclaim'd with a smile; "I shall win, for I know she will venture there now, "And earn a new bonnet by bringing a bough "From the elder that grows in the aisle.
" XI.
With fearless good humour did Mary comply, And her way to the Abbey she bent; The night it was dark, and the wind it was high And as hollowly howling it swept thro' the sky She shiver'd with cold as she went.
XII.
O'er the path so well known still proceeded the Maid Where the Abbey rose dim on the sight, Thro' the gate-way she entered, she felt not afraid Yet the ruins were lonely and wild, and their shade Seem'd to deepen the gloom of the night.
XIII.
All around her was silent, save when the rude blast Howl'd dismally round the old pile; Over weed-cover'd fragments still fearless she past, And arrived in the innermost ruin at last Where the elder tree grew in the aisle.
XIV.
Well-pleas'd did she reach it, and quickly drew near And hastily gather'd the bough: When the sound of a voice seem'd to rise on her ear, She paus'd, and she listen'd, all eager to hear, Aud her heart panted fearfully now.
XV.
The wind blew, the hoarse ivy shook over her head, She listen'd,--nought else could she hear.
The wind ceas'd, her heart sunk in her bosom with dread For she heard in the ruins distinctly the tread Of footsteps approaching her near.
XVI.
Behind a wide column half breathless with fear She crept to conceal herself there: That instant the moon o'er a dark cloud shone clear, And she saw in the moon-light two ruffians appear And between them a corpse did they bear.
XVII.
Then Mary could feel her heart-blood curdle cold! Again the rough wind hurried by,-- It blew off the hat of the one, and behold Even close to the feet of poor Mary it roll'd,-- She felt, and expected to die.
XVIII.
"Curse the hat!" he exclaims.
"Nay come on and first hide "The dead body," his comrade replies.
She beheld them in safety pass on by her side, She seizes the hat, fear her courage supplied, And fast thro' the Abbey she flies.
XIX.
She ran with wild speed, she rush'd in at the door, She gazed horribly eager around, Then her limbs could support their faint burthen no more, And exhausted and breathless she sunk on the floor Unable to utter a sound.
XX.
Ere yet her pale lips could the story impart, For a moment the hat met her view;-- Her eyes from that object convulsively start, For--oh God what cold horror then thrill'd thro' her heart, When the name of her Richard she knew! XXI.
Where the old Abbey stands, on the common hard by His gibbet is now to be seen.
Not far from the road it engages the eye, The Traveller beholds it, and thinks with a sigh Of poor Mary the Maid of the Inn.


Written by Robert Graves | Create an image from this poem

To Juan at the Winter Solstice

 There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.
Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall.
Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love.
Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward.
The log groans and confesses: There is one story and one story only.
Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time.
Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.
Written by Elizabeth Barrett Browning | Create an image from this poem

Consolation

ALL are not taken; there are left behind 
Living Belov¨¨ds tender looks to bring 
And make the daylight still a happy thing  
And tender voices to make soft the wind: 
But if it were not so¡ªif I could find 5 
No love in all this world for comforting  
Nor any path but hollowly did ring 
Where 'dust to dust' the love from life disjoin'd; 
And if before those sepulchres unmoving 
I stood alone (as some forsaken lamb 10 
Goes bleating up the moors in weary dearth) 
Crying 'Where are ye O my loved and loving?'¡ª 
I know a voice would sound 'Daughter I AM.
Can I suffice for Heaven and not for earth?'

Book: Reflection on the Important Things