Written by
Natasha Trethewey |
--New Orleans, November 1910
Four weeks have passed since I left, and still
I must write to you of no work.
I've worn down
the soles and walked through the tightness
of my new shoes calling upon the merchants,
their offices bustling.
All the while I kept thinking
my plain English and good writing would secure
for me some modest position Though I dress each day
in my best, hands covered with the lace gloves
you crocheted--no one needs a girl.
How flat
the word sounds, and heavy.
My purse thins.
I spend foolishly to make an appearance of quiet
industry, to mask the desperation that tightens
my throat.
I sit watching--
though I pretend not to notice--the dark maids
ambling by with their white charges.
Do I deceive
anyone? Were they to see my hands, brown
as your dear face, they'd know I'm not quite
what I pretend to be.
I walk these streets
a white woman, or so I think, until I catch the eyes
of some stranger upon me, and I must lower mine,
a negress again.
There are enough things here
to remind me who I am.
Mules lumbering through
the crowded streets send me into reverie, their footfall
the sound of a pointer and chalk hitting the blackboard
at school, only louder.
Then there are women, clicking
their tongues in conversation, carrying their loads
on their heads.
Their husky voices, the wash pots
and irons of the laundresses call to me.
I thought not to do the work I once did, back bending
and domestic; my schooling a gift--even those half days
at picking time, listening to Miss J--.
How
I'd come to know words, the recitations I practiced
to sound like her, lilting, my sentences curling up
or trailing off at the ends.
I read my books until
I nearly broke their spines, and in the cotton field,
I repeated whole sections I'd learned by heart,
spelling each word in my head to make a picture
I could see, as well as a weight I could feel
in my mouth.
So now, even as I write this
and think of you at home, Goodbye
is the waving map of your palm, is
a stone on my tongue.
|
Written by
Marriott Edgar |
Would you hear a Wild tale of adventure
Of a hero who tackled the sea,
A super-man swimming the ocean,
Then hark to the tale of Joe Lee.
Our Channel, our own Straits of Dover
Had heen swum by an alien lot:
Our British-born swimmers had tried it,
But that was as far as they'd got.
So great was the outcry in England,
Darts Players neglected their beer,
And the Chanc'Ior proclaimed from the Woolsack
As Joe Lee were the chap for this 'ere.
For in swimming baths all round the country
Joe were noted for daring and strength;
Quite often he'd dived in the deep end,
And thought nothing of swimming a length.
So they wrote him, C/o Workhouse Master,
Joe were spending the summer with him,
And promised him two Christmas puddings
If over the Channel he'd swim.
Joe jumped into t' breach like an 'ero,
He said, "All their fears I'll relieve,
And it isn't their puddings I'm after,
As I told them last Christmas Eve.
"Though many have tackled the Channel
From Grisnez to Dover that is,
For the honour and glory of England
I'll swim from Dover to Gris-niz.
"
As soon as his words were made public
The newspapers gathered around
And offered to give him a pension
If he lost both his legs and got drowned.
He borrowed a tug from the Navy
To swim in the shelter alee,
The Wireless folk lent him a wavelength,
And the Water Board lent him the sea.
His wife strapped a mascot around him,
The tears to his eyes gently stole;
'Twere some guiness corks she had collected
And stitched to an old camisole.
He entered the water at daybreak,
A man with a camera stood near,
He said "Hurry up and get in, lad,
You're spoiling my view of the pier.
"
At last he were in, he were swimming
With a beautiful overarm stroke,
When the men on the tug saw with horror
That the rope he were tied to had broke.
Then down came a fog, thick as treacle,
The tug looked so distant and dim
A voice shouted "Help, I am drowning,"
Joe listened and found it were him.
The tug circled round till they found him,
They hauled him aboard like a sack,
Tied a new tow-rope around him,
Smacked him and then threw him back.
'Twere at sunset, or just a bit later,
That he realized all wasn't right,
For the tow-rope were trailing behind him
And the noose round his waist getting tight.
One hasty glance over his shoulder,
He saw in a flash what were wrong.
The Captain had shut off his engine,
Joe were towing the Tugboat along.
On and on through the darkness he paddled
Till he knew he were very near in
By the way he kept bumping the bottom
And hitting the stones with his chin.
Was it Grisniz he'd reached?.
.
.
No, it wasn't,
The treacherous tide in its track
Had carried him half-way to Blackpool
And he had to walk all the way back.
|
Written by
Galway Kinnell |
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us.
I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die.
Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the cultures of the plague,
and iron twists weapons toward the true north,
and grease refuses to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and lovers no longer whisper to the presence beside them in the
dark, O corpse-to-be .
.
.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old men,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-g?t, ci-g?t, ci-g?t,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a caf¨¦ at one end
of the Pont Mirabeau, at the zinc bar
where white wine stands in upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn,
as you stand
at this end of the bridge which arcs,
from love, you think, into enduring love,
learn to reach deeper
into the sorrows
to come ¨C to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones.
Kiss
the mouth
which tells you, here,
here is the world.
This mouth.
This laughter.
These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep.
Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched too late with such knowledge, the wages
of dying is love.
|
Written by
Sharon Olds |
In the taxi alone, home from the airport,
I could not believe you were gone.
My palm kept
creeping over the smooth plastic
to find your strong meaty little hand and
squeeze it, find your narrow thigh in the
noble ribbing of the corduroy,
straight and regular as anything in nature, to
find the slack cool cheek of a
child in the heat of a summer morning—
nothing, nothing, waves of bawling
hitting me in hot flashes like some
change of life, some boiling wave
rising in me toward your body, toward
where it should have been on the seat, your
brow curved like a cereal bowl, your
eyes dark with massed crystals like the
magnified scales of a butterfly's wing, the
delicate feelers of your limp hair,
floods of blood rising in my face as I
tried to reassemble the hot
gritty molecules in the car, to
make you appear like a holograph
on the back seat, pull you out of nothing
as I once did—but you were really gone,
the cab glossy as a slit caul out of
which you had slipped, the air glittering
electric with escape as it does in the room at a birth.
|
Written by
Robert William Service |
It's easy to fight when everything's right,
And you're mad with the thrill and the glory;
It's easy to cheer when victory's near,
And wallow in fields that are gory.
It's a different song when everything's wrong,
When you're feeling infernally mortal;
When it's ten against one, and hope there is none,
Buck up, little soldier, and chortle:
Carry on! Carry on!
There isn't much punch in your blow.
You're glaring and staring and hitting out blind;
You're muddy and bloody, but never you mind.
Carry on! Carry on!
You haven't the ghost of a show.
It's looking like death, but while you've a breath,
Carry on, my son! Carry on!
And so in the strife of the battle of life
It's easy to fight when you're winning;
It's easy to slave, and starve and be brave,
When the dawn of success is beginning.
But the man who can meet despair and defeat
With a cheer, there's the man of God's choosing;
The man who can fight to Heaven's own height
Is the man who can fight when he's losing.
Carry on! Carry on!
Things never were looming so black.
But show that you haven't a cowardly streak,
And though you're unlucky you never are weak.
Carry on! Carry on!
Brace up for another attack.
It's looking like hell, but -- you never can tell:
Carry on, old man! Carry on!
There are some who drift out in the deserts of doubt,
And some who in brutishness wallow;
There are others, I know, who in piety go
Because of a Heaven to follow.
But to labour with zest, and to give of your best,
For the sweetness and joy of the giving;
To help folks along with a hand and a song;
Why, there's the real sunshine of living.
Carry on! Carry on!
Fight the good fight and true;
Believe in your mission, greet life with a cheer;
There's big work to do, and that's why you are here.
Carry on! Carry on!
Let the world be the better for you;
And at last when you die, let this be your cry:
Carry on, my soul! Carry on!
|
Written by
Robert William Service |
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.
When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.
There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head -- and there watching him was the lady that's known as Lou.
His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then he clutched the keys with his talon hands -- my God! but that man could play.
Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could HEAR;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow and red, the North Lights swept in bars? --
Then you've a haunch what the music meant .
.
.
hunger and night and the stars.
And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love --
A woman dearer than all the world, and true as Heaven is true --
(God! how ghastly she looks through her rouge, -- the lady that's known as Lou.
)
Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.
'Twas the crowning cry of a heart's despair, and it thrilled you through and through --
"I guess I'll make it a spread misere," said Dangerous Dan McGrew.
The music almost died away .
.
.
then it burst like a pent-up flood;
And it seemed to say, "Repay, repay," and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to kill, to kill .
.
.
then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a damn;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell .
.
.
and that one is Dan McGrew.
"
Then I ducked my head, and the lights went out, and two guns blazed in the dark,
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.
These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with "hooch", and I'm not denying it's so.
I'm not so wise as the lawyer guys, but strictly between us two --
The woman that kissed him and -- pinched his poke -- was the lady that's known as Lou.
|
Written by
James Tate |
I swerved to avoid hitting a squirrel
in the center of the road and that's when
the deer came charging out of the forest
and forced me to hit the brakes for all I
was worth and I careened back to the other
side of the road just as a skunk came toddling
out of Mrs.
Bancroft's front yard and I swung
back perhaps just grazing it a bit.
I glanced
quickly in the rearview mirror and in that
instant a groundhog waddled from the side
of the road and I zigzagged madly and don't
know if I nipped it or not because up ahead I
could see a coyote stalking the Collier's
cat.
Oh well, I said, and drove the rest
of the way home without incident.
|
Written by
Wilfred Owen |
(Being the philosophy of many Soldiers.
)
Sit on the bed; I'm blind, and three parts shell,
Be careful; can't shake hands now; never shall.
Both arms have mutinied against me -- brutes.
My fingers fidget like ten idle brats.
I tried to peg out soldierly -- no use!
One dies of war like any old disease.
This bandage feels like pennies on my eyes.
I have my medals? -- Discs to make eyes close.
My glorious ribbons? -- Ripped from my own back
In scarlet shreds.
(That's for your poetry book.
)
A short life and a merry one, my brick!
We used to say we'd hate to live dead old, --
Yet now .
.
.
I'd willingly be puffy, bald,
And patriotic.
Buffers catch from boys
At least the jokes hurled at them.
I suppose
Little I'd ever teach a son, but hitting,
Shooting, war, hunting, all the arts of hurting.
Well, that's what I learnt, -- that, and making money.
Your fifty years ahead seem none too many?
Tell me how long I've got? God! For one year
To help myself to nothing more than air!
One Spring! Is one too good to spare, too long?
Spring wind would work its own way to my lung,
And grow me legs as quick as lilac-shoots.
My servant's lamed, but listen how he shouts!
When I'm lugged out, he'll still be good for that.
Here in this mummy-case, you know, I've thought
How well I might have swept his floors for ever,
I'd ask no night off when the bustle's over,
Enjoying so the dirt.
Who's prejudiced
Against a grimed hand when his own's quite dust,
Less live than specks that in the sun-shafts turn,
Less warm than dust that mixes with arms' tan?
I'd love to be a sweep, now, black as Town,
Yes, or a muckman.
Must I be his load?
O Life, Life, let me breathe, -- a dug-out rat!
Not worse than ours the existences rats lead --
Nosing along at night down some safe vat,
They find a shell-proof home before they rot.
Dead men may envy living mites in cheese,
Or good germs even.
Microbes have their joys,
And subdivide, and never come to death,
Certainly flowers have the easiest time on earth.
"I shall be one with nature, herb, and stone.
"
Shelley would tell me.
Shelley would be stunned;
The dullest Tommy hugs that fancy now.
"Pushing up daisies," is their creed, you know.
To grain, then, go my fat, to buds my sap,
For all the usefulness there is in soap.
D'you think the Boche will ever stew man-soup?
Some day, no doubt, if .
.
.
Friend, be very sure
I shall be better off with plants that share
More peaceably the meadow and the shower.
Soft rains will touch me, -- as they could touch once,
And nothing but the sun shall make me ware.
Your guns may crash around me.
I'll not hear;
Or, if I wince, I shall not know I wince.
Don't take my soul's poor comfort for your jest.
Soldiers may grow a soul when turned to fronds,
But here the thing's best left at home with friends.
My soul's a little grief, grappling your chest,
To climb your throat on sobs; easily chased
On other sighs and wiped by fresher winds.
Carry my crying spirit till it's weaned
To do without what blood remained these wounds.
|
Written by
Les Murray |
Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts
to buy the vehicle back and repair its image.
Sprawl is doing your farm work by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten dollar notes:
that's idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million dollar deeds.
Sprawl lengthens the legs; it trains greyhounds on liver and beer.
Sprawl almost never says, Why not?, with palms comically raised
nor can it be dressed for, not even in running shoes worn
with mink and a nose ring.
That is Society.
That's Style.
Sprawl is more like the thirteenth banana in a dozen
or anyway the fourteenth.
Sprawl is Hank Stamper in Never Give an Inch
bisecting an obstructive official's desk with a chain saw.
Not harming the official.
Sprawl is never brutal,
though it's often intransigent.
Sprawl is never Simon de Montfort
at a town-storming: Kill them all! God will know His own.
Knowing the man's name this was said to might be sprawl.
Sprawl occurs in art.
The fifteenth to twenty-first
lines in a sonnet, for example.
And in certain paintings.
I have sprawl enough to have forgotten which paintings.
Turner's glorious Burning of the Houses of Parliament
comes to mind, a doubling bannered triumph of sprawl -
except he didn't fire them.
Sprawl gets up the noses of many kinds of people
(every kind that comes in kinds) whose futures don't include it.
Some decry it as criminal presumption, silken-robed Pope Alexander
dividing the new world between Spain and Portugal.
If he smiled in petto afterwards, perhaps the thing did have sprawl.
Sprawl is really classless, though.
It is John Christopher Frederick Murray
asleep in his neighbours' best bed in spurs and oilskins,
but not having thrown up:
sprawl is never Calum, who, in the loud hallway of our house
reinvented the Festoon.
Rather
it's Beatrice Miles going twelve hundred ditto in a taxi,
No Lewd Advances, no Hitting Animals, no Speeding,
on the proceeds of her two-bob-a-sonnet Shakespeare readings.
An image of my country.
And would thatit were more so.
No, sprawl is full gloss murals on a council-house wall.
Sprawl leans on things.
It is loose-limbed in its mind.
Reprimanded and dismissed,
it listens with a grin and one boot up on the rail
of possibility.
It may have to leave the Earth.
Being roughly Christian, it scratches the other cheek
And thinks it unlikely.
Though people have been shot for sprawl.
|
Written by
Robert William Service |
The Wanderlust has lured me to the seven lonely seas,
Has dumped me on the tailing-piles of dearth;
The Wanderlust has haled me from the morris chairs of ease,
Has hurled me to the ends of all the earth.
How bitterly I've cursed it, oh, the Painted Desert knows,
The wraithlike heights that hug the pallid plain,
The all-but-fluid silence, -- yet the longing grows and grows,
And I've got to glut the Wanderlust again.
Soldier, sailor, in what a plight I've been!
Tinker, tailor, oh what a sight I've seen!
And I'm hitting the trail in the morning, boys,
And you won't see my heels for dust;
For it's "all day" with you
When you answer the cue
Of the Wan-der-lust.
The Wanderlust has got me .
.
.
by the belly-aching fire,
By the fever and the freezing and the pain;
By the darkness that just drowns you, by the wail of home desire,
I've tried to break the spell of it -- in vain.
Life might have been a feast for me, now there are only crumbs;
In rags and tatters, beggar-wise I sit;
Yet there's no rest or peace for me, imperious it drums,
The Wanderlust, and I must follow it.
Highway, by-way, many a mile I've done;
Rare way, fair way, many a height I've won;
But I'm pulling my freight in the morning, boys,
And it's over the hills or bust;
For there's never a cure
When you list to the lure
Of the Wan-der-lust.
The Wanderlust has taught me .
.
.
it has whispered to my heart
Things all you stay-at-homes will never know.
The white man and the savage are but three short days apart,
Three days of cursing, crawling, doubt and woe.
Then it's down to chewing muclucs, to the water you can eat,
To fish you bolt with nose held in your hand.
When you get right down to cases, it's King's Grub that rules the races,
And the Wanderlust will help you understand.
Haunting, taunting, that is the spell of it;
Mocking, baulking, that is the hell of it;
But I'll shoulder my pack in the morning, boys,
And I'm going because I must;
For it's so-long to all
When you answer the call
Of the Wan-der-lust.
The Wanderlust has blest me .
.
.
in a ragged blanket curled,
I've watched the gulf of Heaven foam with stars;
I've walked with eyes wide open to the wonder of the world,
I've seen God's flood of glory burst its bars.
I've seen the gold a-blinding in the riffles of the sky,
Till I fancied me a bloated plutocrat;
But I'm freedom's happy bond-slave, and I will be till I die,
And I've got to thank the Wanderlust for that.
Wild heart, child heart, all of the world your home.
Glad heart, mad heart, what can you do but roam?
Oh, I'll beat it once more in the morning, boys,
With a pinch of tea and a crust;
For you cannot deny
When you hark to the cry
Of the Wan-der-lust.
The Wanderlust will claim me at the finish for its own.
I'll turn my back on men and face the Pole.
Beyond the Arctic outposts I will venture all alone;
Some Never-never Land will be my goal.
Thank God! there's none will miss me, for I've been a bird of flight;
And in my moccasins I'll take my call;
For the Wanderlust has ruled me,
And the Wanderlust has schooled me,
And I'm ready for the darkest trail of all.
Grim land, dim land, oh, how the vastness calls!
Far land, star land, oh, how the stillness falls!
For you never can tell if it's heaven or hell,
And I'm taking the trail on trust;
But I haven't a doubt
That my soul will leap out
On its Wan-der-lust.
|