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Best Famous Hitching Poems

Here is a collection of the all-time best famous Hitching poems. This is a select list of the best famous Hitching poetry. Reading, writing, and enjoying famous Hitching poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hitching poems.

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Written by Gwendolyn Brooks | Create an image from this poem

The Lovers of the Poor

 arrive. The Ladies from the Ladies' Betterment
League
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall. 
Cutting with knives served by their softest care,
Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel!
You had better not throw stones upon the wrens!
Herein they kiss and coddle and assault
Anew and dearly in the innocence
With which they baffle nature. Who are full,
Sleek, tender-clad, fit, fiftyish, a-glow, all
Sweetly abortive, hinting at fat fruit,
Judge it high time that fiftyish fingers felt
Beneath the lovelier planes of enterprise.
To resurrect. To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor. The very very worthy
And beautiful poor. Perhaps just not too swarthy?
Perhaps just not too dirty nor too dim
Nor--passionate. In truth, what they could wish
Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze!
God shield them sharply from the beggar-bold!
The noxious needy ones whose battle's bald
Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans,
Dead porridges of assorted dusty grains,
The old smoke, heavy diapers, and, they're told,
Something called chitterlings. The darkness. Drawn
Darkness, or dirty light. The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness. Old
Wood. Old marble. Old tile. Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic,
There is no quiet drama, no rubbed glaze, no
Unkillable infirmity of such
A tasteful turn as lately they have left,
Glencoe, Lake Forest, and to which their cars
Must presently restore them. When they're done
With dullards and distortions of this fistic
Patience of the poor and put-upon.
They've never seen such a make-do-ness as
Newspaper rugs before! In this, this "flat,"
Their hostess is gathering up the oozed, the rich
Rugs of the morning (tattered! the bespattered . . . ),
Readies to spread clean rugs for afternoon.
Here is a scene for you. The Ladies look,
In horror, behind a substantial citizeness
Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor
And tortured thereover, potato peelings, soft-
Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put
Their money collected from delicate rose-fingers
Tipped with their hundred flawless rose-nails seems . . . 
They own Spode, Lowestoft, candelabra,
Mantels, and hostess gowns, and sunburst clocks,
Turtle soup, Chippendale, red satin "hangings,"
Aubussons and Hattie Carnegie. They Winter
In Palm Beach; cross the Water in June; attend,
When suitable, the nice Art Institute;
Buy the right books in the best bindings; saunter
On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre
With fissures everywhere! Why, what are bringings
Of loathe-love largesse? What shall peril hungers
So old old, what shall flatter the desolate?
Tin can, blocked fire escape and chitterling
And swaggering seeking youth and the puzzled wreckage
Of the middle passage, and urine and stale shames
And, again, the porridges of the underslung
And children children children. Heavens! That
Was a rat, surely, off there, in the shadows? Long
And long-tailed? Gray? The Ladies from the Ladies'
Betterment League agree it will be better
To achieve the outer air that rights and steadies,
To hie to a house that does not holler, to ring
Bells elsetime, better presently to cater
To no more Possibilities, to get
Away. Perhaps the money can be posted.
Perhaps they two may choose another Slum!
Some serious sooty half-unhappy home!--
Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center
Of the hall as they walk down the hysterical hall,
They allow their lovely skirts to graze no wall,
Are off at what they manage of a canter,
And, resuming all the clues of what they were,
Try to avoid inhaling the laden air.


Written by Oliver Wendell Holmes | Create an image from this poem

The Flaâneur

 I love all sights of earth and skies, 
From flowers that glow to stars that shine; 
The comet and the penny show, 
All curious things, above, below, 
Hold each in turn my wandering eyes: 
I claim the Christian Pagan's line, 
Humani nihil, -- even so, -- 
And is not human life divine? 
When soft the western breezes blow, 
And strolling youths meet sauntering maids, 
I love to watch the stirring trades 
Beneath the Vallombrosa shades 
Our much-enduring elms bestow; 
The vender and his rhetoric's flow, 
That lambent stream of liquid lies; 
The bait he dangles from his line, 
The gudgeon and his gold-washed prize. 
I halt before the blazoned sign 
That bids me linger to admire 
The drama time can never tire, 
The little hero of the hunch, 
With iron arm and soul of fire, 
And will that works his fierce desire, -- 
Untamed, unscared, unconquered Punch! 
My ear a pleasing torture finds 
In tones the withered sibyl grinds, -- 
The dame sans merci's broken strain, 
Whom I erewhile, perchance, have known, 
When Orleans filled the Bourbon throne, 
A siren singing by the Seine. 

But most I love the tube that spies 
The orbs celestial in their march; 
That shows the comet as it whisks 
Its tail across the planets' disks, 
As if to blind their blood-shot eyes; 
Or wheels so close against the sun 
We tremble at the thought of risks 
Our little spinning ball may run, 
To pop like corn that children parch, 
From summer something overdone, 
And roll, a cinder, through the skies. 

Grudge not to-day the scanty fee 
To him who farms the firmament, 
To whom the Milky Way is free; 
Who holds the wondrous crystal key, 
The silent Open Sesame 
That Science to her sons has lent; 
Who takes his toll, and lifts the bar 
That shuts the road to sun and star. 
If Venus only comes to time, 
(And prophets say she must and shall,) 
To-day will hear the tinkling chime 
Of many a ringing silver dime, 
For him whose optic glass supplies 
The crowd with astronomic eyes, -- 
The Galileo of the Mall. 

Dimly the transit morning broke; 
The sun seemed doubting what to do, 
As one who questions how to dress, 
And takes his doublets from the press, 
And halts between the old and new. 
Please Heaven he wear his suit of blue, 
Or don, at least, his ragged cloak, 
With rents that show the azure through! 

I go the patient crowd to join 
That round the tube my eyes discern, 
The last new-comer of the file, 
And wait, and wait, a weary while, 
And gape, and stretch, and shrug, and smile, 
(For each his place must fairly earn, 
Hindmost and foremost, in his turn,) 
Till hitching onward, pace by pace, 
I gain at last the envied place, 
And pay the white exiguous coin: 
The sun and I are face to face; 
He glares at me, I stare at him; 
And lo! my straining eye has found 
A little spot that, black and round, 
Lies near the crimsoned fire-orb's rim. 
O blessed, beauteous evening star, 
Well named for her whom earth adores, -- 
The Lady of the dove-drawn car, -- 
I know thee in thy white simar; 
But veiled in black, a rayless spot, 
Blank as a careless scribbler's blot, 
Stripped of thy robe of silvery flame, -- 
The stolen robe that Night restores 
When Day has shut his golden doors, -- 
I see thee, yet I know thee not; 
And canst thou call thyself the same? 

A black, round spot, -- and that is all; 
And such a speck our earth would be 
If he who looks upon the stars 
Through the red atmosphere of Mars 
Could see our little creeping ball 
Across the disk of crimson crawl 
As I our sister planet see. 

And art thou, then, a world like ours, 
Flung from the orb that whirled our own 
A molten pebble from its zone? 
How must thy burning sands absorb 
The fire-waves of the blazing orb, 
Thy chain so short, thy path so near, 
Thy flame-defying creatures hear 
The maelstroms of the photosphere! 
And is thy bosom decked with flowers 
That steal their bloom from scalding showers? 
And hast thou cities, domes, and towers, 
And life, and love that makes it dear, 
And death that fills thy tribes with fear? 


Lost in my dream, my spirit soars 
Through paths the wandering angels know; 
My all-pervading thought explores 
The azure ocean's lucent shores; 
I leave my mortal self below, 
As up the star-lit stairs I climb, 
And still the widening view reveals 
In endless rounds the circling wheels 
That build the horologe of time. 
New spheres, new suns, new systems gleam; 
The voice no earth-born echo hears 
Steals softly on my ravished ears: 
I hear them "singing as they shine" -- 
A mortal's voice dissolves my dream: 
My patient neighbor, next in line, 
Hints gently there are those who wait. 
O guardian of the starry gate, 
What coin shall pay this debt of mine? 
Too slight thy claim, too small the fee 
That bids thee turn the potent key 
The Tuscan's hand has placed in thine. 
Forgive my own the small affront, 
The insult of the proffered dime; 
Take it, O friend, since this thy wont, 
But still shall faithful memory be 
A bankrupt debtor unto thee, 
And pay thee with a grateful rhyme.
Written by Robert Frost | Create an image from this poem

II. The Pauper Witch of Grafton

 Now that they've got it settled whose I be,
I'm going to tell them something they won't like:
They've got it settled wrong, and I can prove it.
Flattered I must be to have two towns fighting
To make a present of me to each other.
They don't dispose me, either one of them,
To spare them any trouble. Double trouble's
Always the witch's motto anyway.
I'll double theirs for both of them-you watch me.
They'll find they've got the whole thing to do over, 
That is, if facts is what they want to go by.
They set a lot (now don't they?) by a record
Of Arthur Amy's having once been up
For Hog Reeve in March Meeting here in Warren.
I could have told them any time this twelvemonth 
The Arthur Amy I was married to
Couldn't have been the one they say was up
In Warren at March Meeting, for the reason
He wa'n't but fifteen at the time they say.
The Arthur Amy I was married to
Voted the only times he ever voted,
Which wasn't many, in the town of Wentworth.
One of the times was when 'twas in the warrant
To see if the town wanted to take over
The tote road to our clearing where we lived.
I'll tell you who'd remember-Heman Lapish.
Their Arthur Amy was the father of mine.
So now they've dragged it through the law courts once
I guess they'd better drag it through again.
Wentworth and Warren's both good towns to live in,
Only I happen to prefer to live
In Wentworth from now on; and when all's said,
Right's right, and the temptation to do right
When I can hurt someone by doing it
Has always been too much for me, it has.
I know of some folks that'd be set up
At having in their town a noted witch:
But most would have to think of the expense
That even I would be. They ought to know
That as a witch I'd often milk a bat
And that'd be enough to last for days.
It'd make my position stronger, think,
If I was to consent to give some sign
To make it surer that I was a witch?
It wa'n't no sign, I s'pose, when Mallice Huse
Said that I took him out in his old age
And rode all over everything on him
Until I'd bad him worn to skin and bones
And if I'd left him bitched unblanketed
In front of one Town Hall, I'd left him hitched
front of every one in Grafton County.
Some cried shame on me not to blanket him,
The poor old man. It would have been all right
If someone hadn't said to gnaw the posts
He stood beside and leave his trademark on them,
So they could recognize them. Not a post
That they could hear tell of was scarified.
They made him keep on gnawing till he whined.
Then that same smarty someone said to look­
He'd bet Huse was a cribber and bad gnawed
The crib he slept in-and as sure's you're born
They found he'd gnawed the four posts of his bed,
All four of them to splinters. What did that prove?
Not that he hadn't gnawed the hitching posts
He said he had, besides. Because a horse
Gnaws in the stable ain't no proof to me
He don't gnaw trees and posts and fences too.
But everybody took it for a proof.
I was a strapping girl of twenty then.
The smarty someone who spoiled everything
Was Arthur Amy. You know who he was.
That was the way he started courting me.
He never said much after we were married,
But I mistrusted be was none too proud
Of having interfered in the Huse business.
I guess be found he got more out of me
By having me a witch. Or something happened
To turn him round. He got to saying things
To undo what he'd done and make it right,
Like, "No, she ain't come back from kiting yet.
Last night was one of her nights out. She's kiting.
She thinks when the wind makes a night of it
She might as well herself." But he liked best
To let on he was plagued to death with me:
If anyone had seen me coming home 
Over the ridgepole, ' stride of a broomstick,
As often as he had in the tail of the night,
He guessed they'd know what he had to put up with.
Well, I showed Arthur Amy signs enough
Off from the house as far as we could keep 
And from barn smells you can't wash out of plowed ground
With all the rain and snow of seven years;
And I don't mean just skulls of Rogers' Rangers
On Moosilauke, but woman signs to man,
Only bewitched so I would last him longer. 
Up where the trees grow short, the mosses tall,
I made him gather me wet snowberries
On slippery rocks beside a waterfall.
I made him do it for me in the dark.
And he liked everything I made him do.
I hope if he is where he sees me now
He's so far off be can't see what I've come to.
You can come down from everything to nothing.
All is, if I'd a-known when I was young
And full of it, that this would be the end, 
It doesn't seem as if I'd had the courage
To make so free and kick up in folks' faces.
I might have, but it doesn't seem as if.
Written by Elinor Wylie | Create an image from this poem

Village Mystery

 The woman in the pointed hood 
And cloak blue-gray like a pigeon's wing, 
Whose orchard climbs to the balsam-wood, 
Has done a cruel thing.

To her back door-step came a ghost, 
A girl who had been ten years dead, 
She stood by the granite hitching-post 
And begged for a piece of bread.

Now why should I, who walk alone, 
Who am ironical and proud, 
Turn, when a woman casts a stone 
At a beggar in a shroud?

I saw the dead girl cringe and whine, 
And cower in the weeping air-- 
But, oh, she was no kin of mine, 
And so I did not care!

Book: Reflection on the Important Things