Written by
Henry Van Dyke |
Mother of all the high-strung poets and singers departed,
Mother of all the grass that weaves over their graves the glory of the field,
Mother of all the manifold forms of life, deep-bosomed, patient, impassive,
Silent brooder and nurse of lyrical joys and sorrows!
Out of thee, yea, surely out of the fertile depth below thy breast,
Issued in some strange way, thou lying motionless, voiceless,
All these songs of nature, rhythmical, passionate, yearning,
Coming in music from earth, but not unto earth returning.
Dust are the blood-red hearts that beat in time to these measures,
Thou hast taken them back to thyself, secretly, irresistibly
Drawing the crimson currents of life down, down, down
Deep into thy bosom again, as a river is lost in the sand.
But the souls of the singers have entered into the songs that revealed them, --
Passionate songs, immortal songs of joy and grief and love and longing:
Floating from heart to heart of thy children, they echo above thee:
Do they not utter thy heart, the voices of those that love thee?
Long hadst thou lain like a queen transformed by some old enchantment
Into an alien shape, mysterious, beautiful, speechless,
Knowing not who thou wert, till the touch of thy Lord and Lover
Working within thee awakened the man-child to breathe thy secret.
All of thy flowers and birds and forests and flowing waters
Are but enchanted forms to embody the life of the spirit;
Thou thyself, earth-mother, in mountain and meadow and ocean,
Holdest the poem of God, eternal thought and emotion.
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Written by
Marilyn L Taylor |
A reflection on my students
They are so beautiful, and so very young
they seem almost to glitter with perfection,
these creatures that I briefly move among.
I never get to stay with them for long,
but even so, I view them with affection:
they are so beautiful, and so very young.
Poised or clumsy, placid or high-strung,
they’re expert in the art of introspection,
these creatures that I briefly move among—
And if their words don’t quite trip off the tongue
consistently, with just the right inflection,
they remain beautiful. And very young.
Still, I have to tell myself it’s wrong
to think of them as anything but fiction,
these creatures that I briefly move among—
Because, like me, they’re traveling headlong
in that familiar, vertical direction
that coarsens beautiful, blackmails young,
and turns to phantoms those I move among.
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Written by
Elizabeth Bishop |
Oh, but it is dirty!
--this little filling station,
oil-soaked, oil-permeated
to a disturbing, over-all
black translucency.
Be careful with that match!
Father wears a dirty,
oil-soaked monkey suit
that cuts him under the arms,
and several quick and saucy
and greasy sons assist him
(it's a family filling station),
all quite thoroughly dirty.
Do they live in the station?
It has a cement porch
behind the pumps, and on it
a set of crushed and grease-
impregnated wickerwork;
on the wicker sofa
a dirty dog, quite comfy.
Some comic books provide
the only note of color-
of certain color. They lie
upon a big dim doily
draping a taboret
(part of the set), beside
a big hirsute begonia.
Why the extraneous plant?
Why the taboret?
Why, oh why, the doily?
(Embroidered in daisy stitch
with marguerites, I think,
and heavy with gray crochet.)
Somebody embroidered the doily.
Somebody waters the plant,
or oils it, maybe. Somebody
arranges the rows of cans
so that they softly say:
ESSO--SO--SO--SO
to high-strung automobiles.
Somebody loves us all.
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