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Best Famous Hieroglyph Poems

Here is a collection of the all-time best famous Hieroglyph poems. This is a select list of the best famous Hieroglyph poetry. Reading, writing, and enjoying famous Hieroglyph poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hieroglyph poems.

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Written by Aleister Crowley | Create an image from this poem

The Twins

 [Dedicated to Austin Osman Spare]


Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !

Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?

Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"HOOR and SET be TWINS.
" A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture.
Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate.
Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await.
The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us.
Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term.
Asar on Asi did beget Horus twin brother unto Set.
Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again.
This weird is of the tongue of Khem, The Conjuration used of them.
Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.


Written by Victor Hugo | Create an image from this poem

THE MARBLE FAUN

 ("Il semblait grelotter.") 
 
 {XXXVI., December, 1837.} 


 He seemed to shiver, for the wind was keen. 
 'Twas a poor statue underneath a mass 
 Of leafless branches, with a blackened back 
 And a green foot—an isolated Faun 
 In old deserted park, who, bending forward, 
 Half-merged himself in the entangled boughs, 
 Half in his marble settings. He was there, 
 Pensive, and bound to earth; and, as all things 
 Devoid of movement, he was there—forgotten. 
 
 Trees were around him, whipped by icy blasts— 
 Gigantic chestnuts, without leaf or bird, 
 And, like himself, grown old in that same place. 
 Through the dark network of their undergrowth, 
 Pallid his aspect; and the earth was brown. 
 Starless and moonless, a rough winter's night 
 Was letting down her lappets o'er the mist. 
 This—nothing more: old Faun, dull sky, dark wood. 
 
 Poor, helpless marble, how I've pitied it! 
 Less often man—the harder of the two. 
 
 So, then, without a word that might offend 
 His ear deformed—for well the marble hears 
 The voice of thought—I said to him: "You hail 
 From the gay amorous age. O Faun, what saw you 
 When you were happy? Were you of the Court? 
 
 "Speak to me, comely Faun, as you would speak 
 To tree, or zephyr, or untrodden grass. 
 Have you, O Greek, O mocker of old days, 
 Have you not sometimes with that oblique eye 
 Winked at the Farnese Hercules?—Alone, 
 Have you, O Faun, considerately turned 
 From side to side when counsel-seekers came, 
 And now advised as shepherd, now as satyr?— 
 Have you sometimes, upon this very bench, 
 Seen, at mid-day, Vincent de Paul instilling 
 Grace into Gondi?—Have you ever thrown 
 That searching glance on Louis with Fontange, 
 On Anne with Buckingham; and did they not 
 Start, with flushed cheeks, to hear your laugh ring forth 
 From corner of the wood?—Was your advice 
 As to the thyrsis or the ivy asked, 
 When, in grand ballet of fantastic form, 
 God Phoebus, or God Pan, and all his court, 
 Turned the fair head of the proud Montespan, 
 Calling her Amaryllis?—La Fontaine, 
 Flying the courtiers' ears of stone, came he, 
 Tears on his eyelids, to reveal to you 
 The sorrows of his nymphs of Vaux?—What said 
 Boileau to you—to you—O lettered Faun, 
 Who once with Virgil, in the Eclogue, held 
 That charming dialogue?—Say, have you seen 
 Young beauties sporting on the sward?—Have you 
 Been honored with a sight of Molière 
 In dreamy mood?—Has he perchance, at eve, 
 When here the thinker homeward went, has he, 
 Who—seeing souls all naked—could not fear 
 Your nudity, in his inquiring mind, 
 Confronted you with Man?" 
 
 Under the thickly-tangled branches, thus 
 Did I speak to him; he no answer gave. 
 
 I shook my head, and moved myself away; 
 Then, from the copses, and from secret caves 
 Hid in the wood, methought a ghostly voice 
 Came forth and woke an echo in my souls 
 As in the hollow of an amphora. 
 
 "Imprudent poet," thus it seemed to say, 
 "What dost thou here? Leave the forsaken Fauns 
 In peace beneath their trees! Dost thou not know, 
 Poet, that ever it is impious deemed, 
 In desert spots where drowsy shades repose— 
 Though love itself might prompt thee—to shake down 
 The moss that hangs from ruined centuries, 
 And, with the vain noise of throe ill-timed words, 
 To mar the recollections of the dead?" 
 
 Then to the gardens all enwrapped in mist 
 I hurried, dreaming of the vanished days, 
 And still behind me—hieroglyph obscure 
 Of antique alphabet—the lonely Faun 
 Held to his laughter, through the falling night. 
 
 I went my way; but yet—in saddened spirit 
 Pondering on all that had my vision crossed, 
 Leaves of old summers, fair ones of old time— 
 Through all, at distance, would my fancy see, 
 In the woods, statues; shadows in the past! 
 
 WILLIAM YOUNG 


 A LOVE FOR WINGED THINGS. 
 
 {XXXVII., April 12, 1840.} 


 My love flowed e'er for things with wings. 
 When boy I sought for forest fowl, 
 And caged them in rude rushes' mesh, 
 And fed them with my breakfast roll; 
 So that, though fragile were the door, 
 They rarely fled, and even then 
 Would flutter back at faintest call! 
 
 Man-grown, I charm for men. 


 




Written by Eamon Grennan | Create an image from this poem

One Morning

 Looking for distinctive stones, I found the dead otter
rotting by the tideline, and carried all day the scent of this savage
valediction.
That headlong high sound the oystercatcher makes came echoing through the rocky cove where a cormorant was feeding and submarining in the bay and a heron rose off a boulder where he'd been invisible, drifted a little, stood again -- a hieroglyph or just longevity reflecting on itself between the sky clouding over and the lightly ruffled water.
This was the morning after your dream of dying, of being held and told it didn't matter.
A butterfly went jinking over the wave-silky stones, and where I turned to go up the road again, a couple in a blue camper sat smoking their cigarettes over their breakfast coffee (blue scent of smoke, the thick dark smell of fresh coffee) and talking in quiet voices, first one then the other answering, their radio telling the daily news behind them.
It was warm.
All seemed at peace.
I could feel the sun coming off the water.
Written by Hart Crane | Create an image from this poem

At Melvilles Tomb

 Often beneath the wave, wide from this ledge
The dice of drowned men's bones he saw bequeath
An embassy.
Their numbers as he watched, Beat on the dusty shore and were obscured.
And wrecks passed without sound of bells, The calyx of death's bounty giving back A scattered chapter, livid hieroglyph, The portent wound in corridors of shells.
Then in the circuit calm of one vast coil, Its lashings charmed and malice reconciled, Frosted eyes there were that lifted altars; And silent answers crept across the stars.
Compass, quadrant and sextant contrive No farther tides .
.
.
High in the azure steeps Monody shall not wake the mariner.
This fabulous shadow only the sea keeps.
Written by Howard Nemerov | Create an image from this poem

The Dependencies

 This morning, between two branches of a tree
Beside the door, epeira once again
Has spun and signed his tapestry and trap.
I test his early-warning system and It works, he scrambles forth in sable with The yellow hieroglyph that no one knows The meaning of.
And I remember now How yesterday at dusk the nighthawks came Back as they do about this time each year, Grey squadrons with the slashes white on wings Cruising for bugs beneath the bellied cloud.
Now soon the monarchs will be drifting south, And then the geese will go, and then one day The little garden birds will not be here.
See how many leaves already have Withered and turned; a few have fallen, too.
Change is continuous on the seamless web, Yet moments come like this one, when you feel Upon your heart a signal to attend The definite announcement of an end Where one thing ceases and another starts; When like the spider waiting on the web You know the intricate dependencies Spreading in secret through the fabric vast Of heaven and earth, sending their messages Ciphered in chemistry to all the kinds, The whisper down the bloodstream: it is time.


Written by Algernon Charles Swinburne | Create an image from this poem

The Pilgrims

 Who is your lady of love, O ye that pass
Singing? and is it for sorrow of that which was
That ye sing sadly, or dream of what shall be?
For gladly at once and sadly it seems ye sing.
--Our lady of love by you is unbeholden; For hands she hath none, nor eyes, nor lips, nor golden Treasure of hair, nor face nor form; but we That love, we know her more fair than anything.
--Is she a queen, having great gifts to give? --Yea, these; that whoso hath seen her shall not live Except he serve her sorrowing, with strange pain, Travail and bloodshedding and bitterer tears; And when she bids die he shall surely die.
And he shall leave all things under the sky And go forth naked under sun and rain And work and wait and watch out all his years.
--Hath she on earth no place of habitation? --Age to age calling, nation answering nation, Cries out, Where is she? and there is none to say; For if she be not in the spirit of men, For if in the inward soul she hath no place, In vain they cry unto her, seeking her face, In vain their mouths make much of her; for they Cry with vain tongues, till the heart lives again.
--O ye that follow, and have ye no repentance? For on your brows is written a mortal sentence, An hieroglyph of sorrow, a fiery sign, That in your lives ye shall not pause or rest, Nor have the sure sweet common love, nor keep Friends and safe days, nor joy of life nor sleep.
--These have we not, who have one thing, the divine Face and clear eyes of faith and fruitful breast.
--And ye shall die before your thrones be won.
--Yea, and the changed world and the liberal sun Shall move and shine without us, and we lie Dead; but if she too move on earth and live, But if the old world with all the old irons rent Laugh and give thanks, shall we be not content? Nay, we shall rather live, we shall not die, Life being so little and death so good to give.
--And these men shall forget you.
--Yea, but we Shall be a part of the earth and the ancient sea, And heaven-high air august, and awful fire, And all things good; and no man's heart shall beat But somewhat in it of our blood once shed Shall quiver and quicken, as now in us the dead Blood of men slain and the old same life's desire Plants in their fiery footprints our fresh feet.
--But ye that might be clothed with all things pleasant, Ye are foolish that put off the fair soft present, That clothe yourselves with the cold future air; When mother and father and tender sister and brother And the old live love that was shall be as ye, Dust, and no fruit of loving life shall be.
--She shall be yet who is more than all these were, Than sister or wife or father unto us or mother.
--Is this worth life, is this, to win for wages? Lo, the dead mouths of the awful grey-grown ages, The venerable, in the past that is their prison, In the outer darkness, in the unopening grave, Laugh, knowing how many as ye now say have said, How many, and all are fallen, are fallen and dead: Shall ye dead rise, and these dead have not risen? --Not we but she, who is tender and swift to save.
--Are ye not weary and faint not by the way, Seeing night by night devoured of day by day, Seeing hour by hour consumed in sleepless fire? Sleepless: and ye too, when shall ye too sleep? --We are weary in heart and head, in hands and feet, And surely more than all things sleep were sweet, Than all things save the inexorable desire Which whoso knoweth shall neither faint nor weep.
--Is this so sweet that one were fain to follow? Is this so sure where all men's hopes are hollow.
Even this your dream, that by much tribulation Ye shall make whole flawed hearts, and bowed necks straight? --Nay, though our life were blind, our death were fruitless, Not therefore were the whole world's high hope rootless; But man to man, nation would turn to nation, And the old life live, and the old great world be great.
--Pass on then and pass by us and let us be, For what light think ye after life to see? And if the world fare better will ye know? And if man triumph who shall seek you and say? --Enough of light is this for one life's span, That all men born are mortal, but not man: And we men bring death lives by night to sow, That man may reap and eat and live by day.

Book: Reflection on the Important Things