Written by
Ogden Nash |
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.
The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.
Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."
The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The bum bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."
Quoth the bum, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."
Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.
"We are higher than twelve and below fourteen,"
Said Maxie to the bum,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.
It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)
The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.
Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.
Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.
Now the damned make way for the double-damned
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.
See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.
And still they come, and from the bum
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."
"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"
The bum reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-damned.
|
Written by
John Clare |
Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at 'clink and bandy' 'chock' and 'taw' and
ducking stone
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone
When I used to lie and sing by old eastwells boiling spring
When I used to tie the willow boughs together for a 'swing'
And fish with crooked pins and thread and never catch a
thing
With heart just like a feather- now as heavy as a stone
When beneath old lea close oak I the bottom branches broke
To make our harvest cart like so many working folk
And then to cut a straw at the brook to have a soak
O I never dreamed of parting or that trouble had a sting
Or that pleasures like a flock of birds would ever take to
wing
Leaving nothing but a little naked spring
When jumping time away on old cross berry way
And eating awes like sugar plumbs ere they had lost the may
And skipping like a leveret before the peep of day
On the rolly polly up and downs of pleasant swordy well
When in round oaks narrow lane as the south got black again
We sought the hollow ash that was shelter from the rain
With our pockets full of peas we had stolen from the grain
How delicious was the dinner time on such a showry day
O words are poor receipts for what time hath stole away
The ancient pulpit trees and the play
When for school oer 'little field' with its brook and wooden
brig
Where I swaggered like a man though I was not half so big
While I held my little plough though twas but a willow twig
And drove my team along made of nothing but a name
'Gee hep' and 'hoit' and 'woi'- O I never call to mind
These pleasant names of places but I leave a sigh behind
While I see the little mouldywharps hang sweeing to the wind
On the only aged willow that in all the field remains
And nature hides her face where theyre sweeing in their
chains
And in a silent murmuring complains
Here was commons for the hills where they seek for
freedom still
Though every commons gone and though traps are set to kill
The little homeless miners- O it turns my bosom chill
When I think of old 'sneap green' puddocks nook and hilly
snow
Where bramble bushes grew and the daisy gemmed in dew
And the hills of silken grass like to cushions to the view
When we threw the pissmire crumbs when we's nothing
else to do
All leveled like a desert by the never weary plough
All vanished like the sun where that cloud is passing now
All settled here for ever on its brow
I never thought that joys would run away from boys
Or that boys would change their minds and forsake such
summer joys
But alack I never dreamed that the world had other toys
To petrify first feelings like the fable into stone
Till I found the pleasure past and a winter come at last
Then the fields were sudden bare and the sky got overcast
And boyhoods pleasing haunts like a blossom in the blast
Was shrivelled to a withered weed and trampled down and
done
Till vanished was the morning spring and set that summer
sun
And winter fought her battle strife and won
By Langley bush I roam but the bush hath left its hill
On cowper green I stray tis a desert strange and chill
And spreading lea close oak ere decay had penned its will
To the axe of the spoiler and self interest fell a prey
And cross berry way and old round oaks narrow lane
With its hollow trees like pulpits I shall never see again
Inclosure like a Buonaparte let not a thing remain
It levelled every bush and tree and levelled every hill
And hung the moles for traitors - though the brook is
running still
It runs a naked brook cold and chill
O had I known as then joy had left the paths of men
I had watched her night and day besure and never slept agen
And when she turned to go O I'd caught her mantle then
And wooed her like a lover by my lonely side to stay
Aye knelt and worshipped on as love in beautys bower
And clung upon her smiles as a bee upon her flower
And gave her heart my poesys all cropt in a sunny hour
As keepsakes and pledges to fade away
But love never heeded to treasure up the may
So it went the comon road with decay
|
Written by
Edward Lear |
I
On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
Lived the Yonghy-Bonghy-B?.
Two old chairs, and half a candle,--
One old jug without a handle,--
These were all his worldly goods:
In the middle of the woods,
These were all the worldly goods,
Of the Yonghy-Bonghy-B?,
Of the Yonghy-Bonghy-B?.
II
Once, among the Bong-trees walking
Where the early pumpkins blow,
To a little heap of stones
Came the Yonghy-Bonghy-B?.
There he heard a Lady talking,
To some milk-white Hens of Dorking,--
''Tis the lady Jingly Jones!
'On that little heap of stones
'Sits the Lady Jingly Jones!'
Said the Yonghy-Bonghy-B?,
Said the Yonghy-Bonghy-B?.
III
'Lady Jingly! Lady Jingly!
'Sitting where the pumpkins blow,
'Will you come and be my wife?'
Said the Yonghy-Bonghy-B?.
'I am tired of living singly,--
'On this coast so wild and shingly,--
'I'm a-weary of my life:
'If you'll come and be my wife,
'Quite serene would be my life!'--
Said the Yonghy-Bonghy-B?,
Said the Yonghy-Bonghy-B?.
IV
'On this Coast of Coromandel,
'Shrimps and watercresses grow,
'Prawns are plentiful and cheap,'
Said the Yonghy-Bonghy-B?.
'You shall have my chairs and candle,
'And my jug without a handle!--
'Gaze upon the rolling deep
('Fish is plentiful and cheap)
'As the sea, my love is deep!'
Said the Yonghy-Bonghy-B?,
Said the Yonghy-Bonghy-B?.
V
Lady Jingly answered sadly,
And her tears began to flow,--
'Your proposal comes too late,
'Mr. Yonghy-Bonghy-B?!
'I would be your wife most gladly!'
(Here she twirled her fingers madly,)
'But in England I've a mate!
'Yes! you've asked me far too late,
'For in England I've a mate,
'Mr. Yonghy-Bonghy-B?!
'Mr. Yonghy-Bonghy-B?!'
VI
'Mr. Jones -- (his name is Handel,--
'Handel Jones, Esquire, & Co.)
'Dorking fowls delights to send,
'Mr. Yonghy-Bonghy-B?!
'Keep, oh! keep your chairs and candle,
'And your jug without a handle,--
'I can merely be your friend!
'-- Should my Jones more Dorkings send,
'I will give you three, my friend!
'Mr. Yonghy-Bonghy-B?!
'Mr. Yonghy-Bonghy-B?!'
VII
'Though you've such a tiny body,
'And your head so large doth grow,--
'Though your hat may blow away,
'Mr. Yonghy-Bonghy-B?!
'Though you're such a Hoddy Doddy--
'Yet a wish that I could modi-
'fy the words I needs must say!
'Will you please to go away?
'That is all I have to say--
'Mr. Yonghy-Bonghy-B?!
'Mr. Yonghy-Bonghy-B?!'.
VIII
Down the slippery slopes of Myrtle,
Where the early pumpkins blow,
To the calm and silent sea
Fled the Yonghy-Bonghy-B?.
There, beyond the Bay of Gurtle,
Lay a large and lively Turtle,--
'You're the Cove,' he said, 'for me
'On your back beyond the sea,
'Turtle, you shall carry me!'
Said the Yonghy-Bonghy-B?,
Said the Yonghy-Bonghy-B?.
IX
Through the silent-roaring ocean
Did the Turtle swiftly go;
Holding fast upon his shell
Rode the Yonghy-Bonghy-B?.
With a sad prim?val motion
Towards the sunset isles of Boshen
Still the Turtle bore him well.
Holding fast upon his shell,
'Lady Jingly Jones, farewell!'
Sang the Yonghy-Bonghy-B?,
Sang the Yonghy-Bonghy-B?.
X
From the Coast of Coromandel,
Did that Lady never go;
On that heap of stones she mourns
For the Yonghy-Bonghy-B?.
On that Coast of Coromandel,
In his jug without a handle
Still she weeps, and daily moans;
On that little hep of stones
To her Dorking Hens she moans,
For the Yonghy-Bonghy-B?,
For the Yonghy-Bonghy-B?.
|
Written by
Tony Harrison |
Bottomless pits. There's on in Castleton,
and stout upholders of our law and order
one day thought its depth worth wagering on
and borrowed a convict hush-hush from his warder
and winched him down; and back, flayed, grey, mad, dumb.
Not even a good flogging made him holler!
O gentlemen, a better way to plumb
the depths of Britain's dangling a scholar,
say, here at the booming shaft at Towanroath,
now National Trust, a place where they got tin,
those gentlemen who silenced the men's oath
and killed the language that they swore it in.
The dumb go down in history and disappear
and not one gentleman's been brough to book:
Mes den hep tavas a-gollas y dyr
(Cornish-)
'the tongueless man gets his land took.'
|
Written by
Paul Laurence Dunbar |
Wen de colo'ed ban' comes ma'chin' down de street,
Don't you people stan' daih starin'; lif yo' feet!
Ain't dey playin'? Hip, hooray!
Stir yo' stumps an' cleah de way,
Fu' de music dat dey mekin' can't be beat.
Oh, de major man's a-swingin' of his stick,
An' de pickaninnies crowdin' roun' him thick;
In his go'geous uniform,
He 's de lightnin' of de sto'm,
An' de little clouds erroun' look mighty slick.
You kin hyeah a fine perfo'mance w'en de white ban's serenade,
An' dey play dey high-toned music mighty sweet,
But hit 's Sousa played in ragtime, an' hit 's Rastus on Parade,
Wen de colo'ed ban' comes ma'chin' down de street.
Wen de colo'ed ban' comes ma'chin' down de street
You kin hyeah de ladies all erroun' repeat:
"Ain't dey handsome? Ain't dey gran'?
Ain't dey splendid? Goodness, lan'!
Wy dey's pu'fect f'om dey fo'heads to dey feet!"
An' sich steppin' to de music down de line,[Pg 179]
'T ain't de music by itself dat meks it fine,
Hit's de walkin', step by step,
An' de keepin' time wid "Hep,"
Dat it mek a common ditty soun' divine.
Oh, de white ban' play hits music, an' hit 's mighty good to hyeah,
An' it sometimes leaves a ticklin' in yo' feet;
But de hea't goes into bus'ness fu' to he'p erlong de eah,
Wen de colo'ed ban' goes ma'chin' down de street.
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