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Best Famous Hemispheres Poems

Here is a collection of the all-time best famous Hemispheres poems. This is a select list of the best famous Hemispheres poetry. Reading, writing, and enjoying famous Hemispheres poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hemispheres poems.

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Written by Pablo Neruda | Create an image from this poem

Ode To Tomatoes

 The street
filled with tomatoes,
midday,
summer,
light is
halved
like
a
tomato,
its juice
runs
through the streets.
In December, unabated, the tomato invades the kitchen, it enters at lunchtime, takes its ease on countertops, among glasses, butter dishes, blue saltcellars.
It sheds its own light, benign majesty.
Unfortunately, we must murder it: the knife sinks into living flesh, red viscera a cool sun, profound, inexhaustible, populates the salads of Chile, happily, it is wed to the clear onion, and to celebrate the union we pour oil, essential child of the olive, onto its halved hemispheres, pepper adds its fragrance, salt, its magnetism; it is the wedding of the day, parsley hoists its flag, potatoes bubble vigorously, the aroma of the roast knocks at the door, it's time! come on! and, on the table, at the midpoint of summer, the tomato, star of earth, recurrent and fertile star, displays its convolutions, its canals, its remarkable amplitude and abundance, no pit, no husk, no leaves or thorns, the tomato offers its gift of fiery color and cool completeness.


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by John Williams | Create an image from this poem

A Benediction Of The Air

 In every presence there is absence.
When we're together, the spaces between Threaten to enclose our bodies And isolate our spirits.
The mirror reflects what we are not, And we wonder if our mate Suspects a fatal misreading Of our original text, Not to mention the dreaded subtext.
Reality, we fear, mocks appearance.
Or is trapped in a hall of mirrors Where infinite regress prevents A grateful egress.
That is, We can never know the meaning Of being two-in-one, Or if we are one-in-two.
What-I-Am is grieved at What-I'm-Not.
What-We-Should-Be is numbed by What-We-Are.
Yes, I'm playing word games With the idea of marriage, Musing over how even we can Secularize Holy wedlock.
Or to figure it another way, To wonder why two televisions In the same house seem natural symbols Of the family in decline.
Yet you are present to me now.
I sense you keenly, at work, Bending red in face to reach A last defiant spot of yellow On those horrific kitchen cabinets.
Your honey hair flecked with paint; Your large soft hidden breasts Pushing down against your shirt.
The hemispheres of those buttocks Curving into uncompromising hips.
To embrace you would be to take hold Of my life in all its substance.
Without romance, I say that if I were to deconstruct myself And fling the pieces at random, They would compose themselves Into your shape.
But I guess that is romantic, The old mystification- Cramming two bodies Into a single space.
Amen! Our separation has taught me That, dwelling in mind, The corporeality Of mates has spiritual mass Which may be formulated: Memory times desire over distance Yields a bodying forth.
Thus I project into the Deadly space between us A corposant,Pulsating a language That will cleave to you In the coolness of sleep With insubstantiality So fierce as to leave its dampness On the morning sheets, Or so gentle As to fan your brow While you paint the kitchen.
A body like a breath, Whispering the axiom By which all religions are blessed: In every absence there is presence.
Bene Bene Benedictus.
Written by Pablo Neruda | Create an image from this poem

Ode To The Lemon

 From blossoms
released
by the moonlight,
from an
aroma of exasperated
love,
steeped in fragrance,
yellowness
drifted from the lemon tree,
and from its plantarium
lemons descended to the earth.
Tender yield! The coasts, the markets glowed with light, with unrefined gold; we opened two halves of a miracle, congealed acid trickled from the hemispheres of a star, the most intense liqueur of nature, unique, vivid, concentrated, born of the cool, fresh lemon, of its fragrant house, its acid, secret symmetry.
Knives sliced a small cathedral in the lemon, the concealed apse, opened, revealed acid stained glass, drops oozed topaz, altars, cool architecture.
So, when you hold the hemisphere of a cut lemon above your plate, you spill a universe of gold, a yellow goblet of miracles, a fragrant nipple of the earth's breast, a ray of light that was made fruit, the minute fire of a planet.
Written by Thomas Hardy | Create an image from this poem

Lines On The Loss Of The Titanic

 In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres.
Over the mirrors meant To glass the opulent The sea-worm crawls -- grotesque, slimed, dumb, indifferent.
Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind.
Dim moon-eyed fishes near Gaze at the gilded gear And query: "What does this vaingloriousness down here?" .
.
.
Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything Prepared a sinister mate For her -- so gaily great -- A Shape of Ice, for the time far and dissociate.
And as the smart ship grew In stature, grace, and hue, In shadowy silent distance grew the Iceberg too.
Alien they seemed to be; No mortal eye could see The intimate welding of their later history, Or sign that they were bent By paths coincident On being anon twin halves of one august event, Till the Spinner of the Years Said "Now!" And each one hears, And consummation comes, and jars two hemispheres.


Written by Joseph Brodsky | Create an image from this poem

Belfast Tune

Here's a girl from a dangerous town
She crops her dark hair short
so that less of her has to frown
when someine gets hurt.
She folds her memories like a parachute.
Dropped she collects the peat and cooks her veggies at home: they shoot here where they eat.
Ah there's more sky in these parts than say ground.
Hence her voice's pitch and her stare stains your retina like a gray bulb when you switch hemispheres and her knee-length quilt skirt's cut to catch the squal I dream of her either loved or killed because the town's too small.
Written by Walt Whitman | Create an image from this poem

Prayer of Columbus

 A BATTER’D, wreck’d old man, 
Thrown on this savage shore, far, far from home, 
Pent by the sea, and dark rebellious brows, twelve dreary months, 
Sore, stiff with many toils, sicken’d, and nigh to death, 
I take my way along the island’s edge,
Venting a heavy heart.
I am too full of woe! Haply, I may not live another day; I can not rest, O God—I can not eat or drink or sleep, Till I put forth myself, my prayer, once more to Thee, Breathe, bathe myself once more in Thee—commune with Thee, Report myself once more to Thee.
Thou knowest my years entire, my life, (My long and crowded life of active work—not adoration merely;) Thou knowest the prayers and vigils of my youth; Thou knowest my manhood’s solemn and visionary meditations; Thou knowest how, before I commenced, I devoted all to come to Thee; Thou knowest I have in age ratified all those vows, and strictly kept them; Thou knowest I have not once lost nor faith nor ecstasy in Thee; (In shackles, prison’d, in disgrace, repining not, Accepting all from Thee—as duly come from Thee.
) All my emprises have been fill’d with Thee, My speculations, plans, begun and carried on in thoughts of Thee, Sailing the deep, or journeying the land for Thee; Intentions, purports, aspirations mine—leaving results to Thee.
O I am sure they really come from Thee! The urge, the ardor, the unconquerable will, The potent, felt, interior command, stronger than words, A message from the Heavens, whispering to me even in sleep, These sped me on.
By me, and these, the work so far accomplish’d (for what has been, has been;) By me Earth’s elder, cloy’d and stifled lands, uncloy’d, unloos’d; By me the hemispheres rounded and tied—the unknown to the known.
The end I know not—it is all in Thee; Or small, or great, I know not—haply, what broad fields, what lands; Haply, the brutish, measureless human undergrowth I know, Transplanted there, may rise to stature, knowledge worthy Thee; Haply the swords I know may there indeed be turn’d to reaping-tools; Haply the lifeless cross I know—Europe’s dead cross—may bud and blossom there.
One effort more—my altar this bleak sand: That Thou, O God, my life hast lighted, With ray of light, steady, ineffable, vouchsafed of Thee, (Light rare, untellable—lighting the very light! Beyond all signs, descriptions, languages!) For that, O God—be it my latest word—here on my knees, Old, poor, and paralyzed—I thank Thee.
My terminus near, The clouds already closing in upon me, The voyage balk’d—the course disputed, lost, I yield my ships to Thee.
Steersman unseen! henceforth the helms are Thine; Take Thou command—(what to my petty skill Thy navigation?) My hands, my limbs grow nerveless; My brain feels rack’d, bewilder’d; Let the old timbers part—I will not part! I will cling fast to Thee, O God, though the waves buffet me; Thee, Thee, at least, I know.
Is it the prophet’s thought I speak, or am I raving? What do I know of life? what of myself? I know not even my own work, past or present; Dim, ever-shifting guesses of it spread before me, Of newer, better worlds, their mighty parturition, Mocking, perplexing me.
And these things I see suddenly—what mean they? As if some miracle, some hand divine unseal’d my eyes, Shadowy, vast shapes, smile through the air and sky, And on the distant waves sail countless ships, And anthems in new tongues I hear saluting me.
Written by Thomas Hardy | Create an image from this poem

The Convergence Of The Twain

 (Lines on the loss of the "Titanic")

 I
 In a solitude of the sea
 Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.
II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres.
III Over the mirrors meant To glass the opulent The sea-worm crawls--grotesque, slimed, dumb, indifferent.
IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind.
V Dim moon-eyed fishes near Gaze at the gilded gear And query: "What does this vaingloriousness down here?".
.
.
VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her--so gaily great-- A Shape of Ice, for the time fat and dissociate.
VIII And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too.
IX Alien they seemed to be: No mortal eye could see The intimate welding of their later history.
X Or sign that they were bent By paths coincident On being anon twin halves of one August event, XI Till the Spinner of the Years Said "Now!" And each one hears, And consummation comes, and jars two hemispheres.
Written by Victor Hugo | Create an image from this poem

THE LAND OF FABLE

 ("L'Orient! qu'y voyez-vous, poëtes?") 
 
 {PRELUDE, b.} 


 Now, vot'ries of the Muses, turn your eyes, 
 Unto the East, and say what there appears! 
 "Alas!" the voice of Poesy replies, 
 "Mystic's that light between the hemispheres!" 
 
 "Yes, dread's the mystic light in yonder heaven— 
 Dull is the gleam behind the distant hill; 
 Like feeble flashes in the welkin driven, 
 When the far thunder seems as it were still! 
 
 "But who can tell if that uncertain glare 
 Be Phoebus' self, adorned with glowing vest; 
 Or, if illusions, pregnant in the air, 
 Have drawn our glances to the radiant west? 
 
 "Haply the sunset has deceived the sight— 
 Perchance 'tis evening, while we look for morning; 
 Bewildered in the mazes of twilight, 
 That lucid sunset may appear a dawning!" 
 
 G.W.M. REYNOLDS 


 




Written by Emily Dickinson | Create an image from this poem

The Crickets sang

 The Crickets sang
And set the Sun
And Workmen finished one by one
Their Seam the Day upon.
The low Grass loaded with the Dew The Twilight stood, as Strangers do With Hat in Hand, polite and new To stay as if, or go.
A Vastness, as a Neighbor, came, A Wisdom, without Face, or Name, A Peace, as Hemispheres at Home And so the Night became.

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