Written by
Robert Graves |
Under this loop of honeysuckle,
A creeping, coloured caterpillar,
I gnaw the fresh green hawthorn spray,
I nibble it leaf by leaf away.
Down beneath grow dandelions,
Daisies, old-man’s-looking-glasses;
Rooks flap croaking across the lane.
I eat and swallow and eat again.
Here come raindrops helter-skelter;
I munch and nibble unregarding:
Hawthorn leaves are juicy and firm.
I’ll mind my business: I’m a good worm.
When I’m old, tired, melancholy,
I’ll build a leaf-green mausoleum
Close by, here on this lovely spray,
And die and dream the ages away.
Some say worms win resurrection,
With white wings beating flitter-flutter,
But wings or a sound sleep, why should I care?
Either way I’ll miss my share.
Under this loop of honeysuckle,
A hungry, hairy caterpillar,
I crawl on my high and swinging seat,
And eat, eat, eat—as one ought to eat.
|
Written by
Robert Southey |
The summer and autumn had been so wet,
That in winter the corn was growing yet,
'Twas a piteous sight to see all around
The grain lie rotting on the ground.
Every day the starving poor
Crowded around Bishop Hatto's door,
For he had a plentiful last-year's store,
And all the neighbourhood could tell
His granaries were furnish'd well.
At last Bishop Hatto appointed a day
To quiet the poor without delay;
He bade them to his great Barn repair,
And they should have food for the winter there.
Rejoiced such tidings good to hear,
The poor folk flock'd from far and near;
The great barn was full as it could hold
Of women and children, and young and old.
Then when he saw it could hold no more,
Bishop Hatto he made fast the door;
And while for mercy on Christ they call,
He set fire to the Barn and burnt them all.
"I'faith 'tis an excellent bonfire!" quoth he,
"And the country is greatly obliged to me,
For ridding it in these times forlorn
Of Rats that only consume the corn.
"
So then to his palace returned he,
And he sat down to supper merrily,
And he slept that night like an innocent man;
But Bishop Hatto never slept again.
In the morning as he enter'd the hall
Where his picture hung against the wall,
A sweat like death all over him came,
For the Rats had eaten it out of the frame.
As he look'd there came a man from his farm--
He had a countenance white with alarm;
"My Lord, I open'd your granaries this morn,
And the Rats had eaten all your corn.
"
Another came running presently,
And he was pale as pale could be,
"Fly! my Lord Bishop, fly," quoth he,
"Ten thousand Rats are coming this way,.
.
.
The Lord forgive you for yesterday!"
"I'll go to my tower on the Rhine," replied he,
"'Tis the safest place in Germany;
The walls are high and the shores are steep,
And the stream is strong and the water deep.
"
Bishop Hatto fearfully hasten'd away,
And he crost the Rhine without delay,
And reach'd his tower, and barr'd with care
All the windows, doors, and loop-holes there.
He laid him down and closed his eyes;.
.
.
But soon a scream made him arise,
He started and saw two eyes of flame
On his pillow from whence the screaming came.
He listen'd and look'd;.
.
.
it was only the Cat;
And the Bishop he grew more fearful for that,
For she sat screaming, mad with fear
At the Army of Rats that were drawing near.
For they have swum over the river so deep,
And they have climb'd the shores so steep,
And up the Tower their way is bent,
To do the work for which they were sent.
They are not to be told by the dozen or score,
By thousands they come, and by myriads and more,
Such numbers had never been heard of before,
Such a judgment had never been witness'd of yore.
Down on his knees the Bishop fell,
And faster and faster his beads did he tell,
As louder and louder drawing near
The gnawing of their teeth he could hear.
And in at the windows and in at the door,
And through the walls helter-skelter they pour,
And down from the ceiling and up through the floor,
From the right and the left, from behind and before,
From within and without, from above and below,
And all at once to the Bishop they go.
They have whetted their teeth against the stones,
And now they pick the Bishop's bones:
They gnaw'd the flesh from every limb,
For they were sent to do judgment on him!
|
Written by
Ruth Padel |
We're talking different kinds of vulnerability here.
These icicles aren't going to last for ever
Suspended in the ultra violet rays of a Dumfries sun.
But here they hang, a frozen whirligig of lightning,
And the famous American sculptor
Who scrambles the world with his tripod
For strangeness au naturel, got sunset to fill them.
It's not comfortable, a double helix of opalescent fire
*
Wrapping round you, swishing your bark
Down cotton you can't see,
On which a sculptor planned his icicles,
Working all day for that Mesopotamian magic
Of last light before the dark
In a suspended helter-skelter, lit
By almost horizontal rays
Making a mist-carousel from the House of Diamond,
*
A spiral of Pepsodent darkening to the shadowfrost
Of cedars at the Great Gate of Kiev.
Why it makes me think of opening the door to you
I can't imagine.
No one could be less
Of an icicle.
But there it is -
Having put me down in felt-tip
In the mystical appointment book,
You shoot that quick
*
Inquiry-glance, head tilted, when I open up,
Like coming in's another country,
A country you want but have to get used to, hot
From your bal masqu?, making sure
That what you found before's
Still here: a spiral of touch and go,
Lightning licking a tree
Imagining itself Aretha Franklin
*
Singing "You make me feel like a natural woman"
In basso profondo,
Firing the bark with its otherworld ice
The way you fire, lifting me
Off my own floor, legs furled
Round your trunk as that tree goes up
At an angle inside the lightning, roots in
The orange and silver of Dumfries.
*
Now I'm the lightning now you, you are,
As you pour yourself round me
Entirely.
No who's doing what and to who,
Just a tangle of spiral and tree.
You might wonder about sculptors who come all this way
To make a mad thing that won't last.
You know how it is: you spend a day, a whole life.
Then the light's gone, you walk away
*
To the Galloway Paradise Hotel.
Pine-logs,
Cutlery, champagne - OK,
But the important thing was making it.
Hours, and you don't know how it'll be.
Then something like light
Arrives last moment, at speed reckoned
Only by horizons: completing, surprising
With its three hundred thousand
*
Kilometres per second.
Still, even lightning has its moments of panic.
You don't get icicles catching the midwinter sun
In a perfect double helix in Dumfriesshire every day.
And can they be good for each other,
Lightning and tree? It'd make anyone,
Wouldn't it, afraid? That rowan would adore
To sleep and wake up in your arms
*
But's scared of getting burnt.
And the lightning might ask, touching wood,
"What do you want of me, now we're in the same
Atomic chain?" What can the tree say?
"Being the centre of all that you are to yourself -
That'd be OK.
Being my own body's fine
But it needs yours to stay that way.
"
No one could live for ever in
*
A suspended gleam-on-the-edge,
As if sky might tear any minute.
Or not for ever for long.
Those icicles
Won't be surprise any more.
The little snapped threads
Blew away.
Glamour left that hill in Dumfries.
The sculptor went off with his black equipment.
Adzes, twine, leather gloves.
*
What's left is a photo of
A completely solitary sight
In a book anyone might open.
But whether our touch at the door gets forgotten
Or turned into other sights, light, form,
I hope you'll be truthful
To me.
At least as truthful as lightning,
Skinning a tree.
THIS POEM WON THE 1996 National Poetry Prize
|
Written by
Robert Graves |
When outside the icy rain
Comes leaping helter-skelter,
Shall I tie my restive brain
Snugly under shelter?
Shall I make a gentle song
Here in my firelit study,
When outside the winds blow strong
And the lanes are muddy?
With old wine and drowsy meats
Am I to fill my belly?
Shall I glutton here with Keats?
Shall I drink with Shelley?
Tobacco’s pleasant, firelight’s good:
Poetry makes both better.
Clay is wet and so is mud,
Winter rains are wetter.
Yet rest there, Shelley, on the sill,
For though the winds come frorely,
I’m away to the rain-blown hill
And the ghost of Sorley.
|
Written by
Robert Graves |
What could be dafter
Than John Skelton’s laughter?
What sound more tenderly
Than his pretty poetry?
So where to rank old Skelton?
He was no monstrous Milton,
Nor wrote no “Paradise Lost,”
So wondered at by most,
Phrased so disdainfully,
Composed so painfully.
He struck what Milton missed,
Milling an English grist
With homely turn and twist.
He was English through and through,
Not Greek, nor French, nor Jew,
Though well their tongues he knew,
The living and the dead:
Learned Erasmus said,
Hic ’unum Britannicarum
Lumen et decus literarum.
But oh, Colin Clout!
How his pen flies about,
Twiddling and turning,
Scorching and burning,
Thrusting and thrumming!
How it hurries with humming,
Leaping and running,
At the tipsy-topsy Tunning
Of Mistress Eleanor Rumming!
How for poor Philip Sparrow
Was murdered at Carow,
How our hearts he does harrow
Jest and grief mingle
In this jangle-jingle,
For he will not stop
To sweep nor mop,
To prune nor prop,
To cut each phrase up
Like beef when we sup,
Nor sip at each line
As at brandy-wine,
Or port when we dine.
But angrily, wittily,
Tenderly, prettily,
Laughingly, learnedly,
Sadly, madly,
Helter-skelter John
Rhymes serenely on,
As English poets should.
Old John, you do me good!
|
Written by
Thomas Hardy |
I rose at night and visited
The Cave of the Unborn,
And crowding shapes surrounded me
For tidings of the life to be,
Who long had prayed the silent Head
To speed their advent morn.
Their eyes were lit with artless trust;
Hope thrilled their every tone:
"A place the loveliest, is it not?
A pure delight, a beauty-spot
Where all is gentle, pure and just
And ??violence?? is unknown?"
My heart was anguished for their sake;
I could not frame a word;
But they descried my sunken face
And seemed to read therein, and trace
The news which Pity would not break
Nor Truth leave unaverred.
And as I silently retired
I turned and watched them still:
And they came helter-skelter out,
Driven forward like a rabble rout
Into the world they had so desired,
By the all-immanent Will.
|
Written by
Johann Wolfgang von Goethe |
I AM the bard known far and wide,
The travell'd rat-catcher beside;
A man most needful to this town,
So glorious through its old renown.
However many rats I see,
How many weasels there may be,
I cleanse the place from ev'ry one,
All needs must helter-skelter run.
Sometimes the bard so full of cheer
As a child-catcher will appear,
Who e'en the wildest captive brings,
Whene'er his golden tales he sings.
However proud each boy in heart,
However much the maidens start,
I bid the chords sweet music make,
And all must follow in my wake.
Sometimes the skilful bard ye view
In the form of maiden-catcher too;
For he no city enters e'er,
Without effecting wonders there.
However coy may be each maid,
However the women seem afraid,
Yet all will love-sick be ere long
To sound of magic lute and song.
[Da Capo.
] 1803.
*
|
Written by
T Wignesan |
for Léon Vanier*
(The texts I use for my translations are from: Yves-Alain Favre, Ed.
Paul Verlaine: Œuvres Poétiques Complètes.
Paris: Robert Laffont,1992, XCIX-939p.
)
Some few in all this Paris:
We live off pride, yet flat broke we’re
Even if with the bottle a bit too free
We drink above all fresh water
Being very sparing when taken with hunger.
With other fine fare and wines of high-estate
Likewise with beauty: sour-tempered never.
We are the writers of good taste.
Phoebé when all the cats gray be
Highly sharpened to a point much harsher
Our bodies nourrished by glory
Hell licks its lips and in ambush does cower
And with his dart Phoebus pierces us ever
The night cradling us through dreamy waste
Strewn with seeds of peach beds over.
We are the writers of good taste.
A good many of the best minds rally
Holding high Man’s standard: toffee-nosed scoffer
And Lemerre* retains with success poetry’s destiny.
More than one poet then helter-skelter
Sought to join the rest through the narrow fissure;
But Vanier at the very end made haste
The only lucky one to assume the rôle of Fisher*.
We are the writers of good taste.
ENVOI
Even if our stock exchange tends to dither
Princes hold sway: gentle folk and the divining caste.
Whatever one might say or pours forth the preacher,
We are the writers of good taste.
*One of Verlaine’s publishers who first published his near-collected works at 19, quai Saint-Michel, Paris-V.
* Alphonse Lemerre (1838-1912) , one of Verlaine’s publishers at 47, Passage Choiseul, Paris, where from 1866 onwards the Parnassians met regularly.
*Vanier first specialised in articles for fishing as a sport.
© T.
Wignesan – Paris,2013
|
Written by
Edgar Lee Masters |
I have two monuments besides this granite obelisk:
One, the house I built on the hill,
With its spires, bay windows, and roof of slate;
The other, the lake-front in Chicago,
Where the railroad keeps a switching yard,
With whistling engines and crunching wheels,
And smoke and soot thrown over the city,
And the crash of cars along the boulevard, --
A blot like a hog-pen on the harbor
Of a great metropolis, foul as a sty.
I helped to give this heritage
To generations yet unborn, with my vote
In the House of Representatives,
And the lure of the thing was to be at rest
From the never-ending fright of need,
And to give my daughters gentle breeding,
And a sense of security in life.
But, you see, though I had the mansion house
And traveling passes and local distinction,
I could hear the whispers, whispers, whispers,
Wherever I went, and my daughters grew up
With a look as if some one were about to strike them;
And they married madly, helter-skelter,
Just to get out and have a change.
And what was the whole of the business worth?
Why, it wasn't worth a damn!
|
Written by
Omer Tarin |
I
One quarter of a century has elapsed
the diurnal movement of a life-cycle
rotating on its own axis
turned inwards and away from
hung by a nail upon the casement
II
Two of the nine lives have drifted
sinking somewhere near the embankment
while out prowling the empty streets at night
digging in this corner and that
poking here and there
in the trashcans lining the alley
III
Three horsemen have appeared
riding on fiery horses, spewing
their sulphurous flame into the darkness
scorching one and all with their terrible message
blazed ominously across the bedstead
IV
Four has come arrayed
the number of an ephemeral end
a hermetic transmutation ordained
by the fluctuations of fatality,
falling like some ill-omened comet
helter-skelter with the dice.
(from ''A Sad Piper'', 1994)
|