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Best Famous Helplessness Poems

Here is a collection of the all-time best famous Helplessness poems. This is a select list of the best famous Helplessness poetry. Reading, writing, and enjoying famous Helplessness poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of helplessness poems.

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Written by Tupac Shakur | Create an image from this poem

U R Ripping Us Apart!

Before u came the triangle never broke
we were bonded and melded as one
but as the 2 pushed u away
the one got weak and embraced u
and now u are ripping us apart.
.
The worst feeling of helplessness the greatest pain has rested in my heart the vision of heaven fades and the nightmare of loneliness has started.
.
My hero has been defeated by u and now what can i do watch as u destroy us and our love is finally through I know worst is here I feel it in my heart u got into the circle now u are tearing us apart!


Written by Edwin Arlington Robinson | Create an image from this poem

Octaves

 I 

We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel -- 
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand.
II Tumultuously void of a clean scheme Whereon to build, whereof to formulate, The legion life that riots in mankind Goes ever plunging upward, up and down, Most like some crazy regiment at arms, Undisciplined of aught but Ignorance, And ever led resourcelessly along To brainless carnage by drunk trumpeters.
III To me the groaning of world-worshippers Rings like a lonely music played in hell By one with art enough to cleave the walls Of heaven with his cadence, but without The wisdom or the will to comprehend The strangeness of his own perversity, And all without the courage to deny The profit and the pride of his defeat.
IV While we are drilled in error, we are lost Alike to truth and usefulness.
We think We are great warriors now, and we can brag Like Titans; but the world is growing young, And we, the fools of time, are growing with it: -- We do not fight to-day, we only die; We are too proud of death, and too ashamed Of God, to know enough to be alive.
V There is one battle-field whereon we fall Triumphant and unconquered; but, alas! We are too fleshly fearful of ourselves To fight there till our days are whirled and blurred By sorrow, and the ministering wheels Of anguish take us eastward, where the clouds Of human gloom are lost against the gleam That shines on Thought's impenetrable mail.
VI When we shall hear no more the cradle-songs Of ages -- when the timeless hymns of Love Defeat them and outsound them -- we shall know The rapture of that large release which all Right science comprehends; and we shall read, With unoppressed and unoffended eyes, That record of All-Soul whereon God writes In everlasting runes the truth of Him.
VII The guerdon of new childhood is repose: -- Once he has read the primer of right thought, A man may claim between two smithy strokes Beatitude enough to realize God's parallel completeness in the vague And incommensurable excellence That equitably uncreates itself And makes a whirlwind of the Universe.
VIII There is no loneliness: -- no matter where We go, nor whence we come, nor what good friends Forsake us in the seeming, we are all At one with a complete companionship; And though forlornly joyless be the ways We travel, the compensate spirit-gleams Of Wisdom shaft the darkness here and there, Like scattered lamps in unfrequented streets.
IX When one that you and I had all but sworn To be the purest thing God ever made Bewilders us until at last it seems An angel has come back restigmatized, -- Faith wavers, and we wonder what there is On earth to make us faithful any more, But never are quite wise enough to know The wisdom that is in that wonderment.
X Where does a dead man go? -- The dead man dies; But the free life that would no longer feed On fagots of outburned and shattered flesh Wakes to a thrilled invisible advance, Unchained (or fettered else) of memory; And when the dead man goes it seems to me 'T were better for us all to do away With weeping, and be glad that he is gone.
XI So through the dusk of dead, blank-legended, And unremunerative years we search To get where life begins, and still we groan Because we do not find the living spark Where no spark ever was; and thus we die, Still searching, like poor old astronomers Who totter off to bed and go to sleep, To dream of untriangulated stars.
XII With conscious eyes not yet sincere enough To pierce the glimmered cloud that fluctuates Between me and the glorifying light That screens itself with knowledge, I discern The searching rays of wisdom that reach through The mist of shame's infirm credulity, And infinitely wonder if hard words Like mine have any message for the dead.
XIII I grant you friendship is a royal thing, But none shall ever know that royalty For what it is till he has realized His best friend in himself.
'T is then, perforce, That man's unfettered faith indemnifies Of its own conscious freedom the old shame, And love's revealed infinitude supplants Of its own wealth and wisdom the old scorn.
XIV Though the sick beast infect us, we are fraught Forever with indissoluble Truth, Wherein redress reveals itself divine, Transitional, transcendent.
Grief and loss, Disease and desolation, are the dreams Of wasted excellence; and every dream Has in it something of an ageless fact That flouts deformity and laughs at years.
XV We lack the courage to be where we are: -- We love too much to travel on old roads, To triumph on old fields; we love too much To consecrate the magic of dead things, And yieldingly to linger by long walls Of ruin, where the ruinous moonlight That sheds a lying glory on old stones Befriends us with a wizard's enmity.
XVI Something as one with eyes that look below The battle-smoke to glimpse the foeman's charge, We through the dust of downward years may scan The onslaught that awaits this idiot world Where blood pays blood for nothing, and where life Pays life to madness, till at last the ports Of gilded helplessness be battered through By the still crash of salvatory steel.
XVII To you that sit with Sorrow like chained slaves, And wonder if the night will ever come, I would say this: The night will never come, And sorrow is not always.
But my words Are not enough; your eyes are not enough; The soul itself must insulate the Real, Or ever you do cherish in this life -- In this life or in any life -- repose.
XVIII Like a white wall whereon forever breaks Unsatisfied the tumult of green seas, Man's unconjectured godliness rebukes With its imperial silence the lost waves Of insufficient grief.
This mortal surge That beats against us now is nothing else Than plangent ignorance.
Truth neither shakes Nor wavers; but the world shakes, and we shriek.
XIX Nor jewelled phrase nor mere mellifluous rhyme Reverberates aright, or ever shall, One cadence of that infinite plain-song Which is itself all music.
Stronger notes Than any that have ever touched the world Must ring to tell it -- ring like hammer-blows, Right-echoed of a chime primordial, On anvils, in the gleaming of God's forge.
XX The prophet of dead words defeats himself: Whoever would acknowledge and include The foregleam and the glory of the real, Must work with something else than pen and ink And painful preparation: he must work With unseen implements that have no names, And he must win withal, to do that work, Good fortitude, clean wisdom, and strong skill.
XXI To curse the chilled insistence of the dawn Because the free gleam lingers; to defraud The constant opportunity that lives Unchallenged in all sorrow; to forget For this large prodigality of gold That larger generosity of thought, -- These are the fleshly clogs of human greed, The fundamental blunders of mankind.
XXII Forebodings are the fiends of Recreance; The master of the moment, the clean seer Of ages, too securely scans what is, Ever to be appalled at what is not; He sees beyond the groaning borough lines Of Hell, God's highways gleaming, and he knows That Love's complete communion is the end Of anguish to the liberated man.
XXIII Here by the windy docks I stand alone, But yet companioned.
There the vessel goes, And there my friend goes with it; but the wake That melts and ebbs between that friend and me Love's earnest is of Life's all-purposeful And all-triumphant sailing, when the ships Of Wisdom loose their fretful chains and swing Forever from the crumbled wharves of Time.
Written by Stephen Dunn | Create an image from this poem

Story

 A woman's taking her late-afternoon walk
on Chestnut where no sidewalk exists
and houses with gravel driveways
sit back among the pines.
Only the house with the vicious dog is close to the road.
An electric fence keeps him in check.
When she comes to that house, the woman always crosses to the other side.
I'm the woman's husband.
It's a problem loving your protagonist too much.
Soon the dog is going to break through that fence, teeth bared, and go for my wife.
She will be helpless.
I'm out of town, helpless too.
Here comes the dog.
What kind of dog? A mad dog, a dog like one of those teenagers who just loses it on the playground, kills a teacher.
Something's going to happen that can't happen in a good story: out of nowhere a car comes and kills the dog.
The dog flies in the air, lands in a patch of delphiniums.
My wife is crying now.
The woman who hit the dog has gotten out of her car.
She holds both hands to her face.
The woman who owns the dog has run out of her house.
Three women crying in the street, each for different reasons.
All of this is so unlikely; it's as if I've found myself in a country of pure fact, miles from truth's more demanding realm.
When I listened to my wife's story on the phone I knew I'd take it from her, tell it every which way until it had an order and a deceptive period at the end.
That's what I always do in the face of helplessness, make some arrangements if I can.
Praise the odd, serendipitous world.
Nothing I'd be inclined to think of would have stopped that dog.
Only the facts saved her.
Written by Jorie Graham | Create an image from this poem

Salmon

 I watched them once, at dusk, on television, run,
in our motel room half-way through
Nebraska, quick, glittering, past beauty, past
the importance of beauty.
, archaic, not even hungry, not even endangered, driving deeper and deeper into less.
They leapt up falls, ladders, and rock, tearing and leaping, a gold river, and a blue river traveling in opposite directions.
They would not stop, resolution of will and helplessness, as the eye is helpless when the image forms itself, upside-down, backward, driving up into the mind, and the world unfastens itself from the deep ocean of the given.
.
.
Justice, aspen leaves, mother attempting suicide, the white night-flying moth the ants dismantled bit by bit and carried in right through the crack in my wall.
.
.
.
How helpless the still pool is, upstream, awaiting the gold blade of their hurry.
Once, indoors, a child, I watched, at noon, through slatted wooden blinds, a man and woman, naked, eyes closed, climb onto each other, on the terrace floor, and ride--two gold currents wrapping round and round each other, fastening, unfastening.
I hardly knew what I saw.
Whatever shadow there was in that world it was the one each cast onto the other, the thin black seam they seemed to be trying to work away between them.
I held my breath.
as far as I could tell, the work they did with sweat and light was good.
I'd say they traveled far in opposite directions.
What is the light at the end of the day, deep, reddish-gold, bathing the walls, the corridors, light that is no longer light, no longer clarifies, illuminates, antique, freed from the body of that air that carries it.
What is it for the space of time where it is useless, merely beautiful? When they were done, they made a distance one from the other and slept, outstretched, on the warm tile of the terrace floor, smiling, faces pressed against the stone.
Written by Emile Verhaeren | Create an image from this poem

THE SILENCE

Ever since ending of the summer weather.
When last the thunder and the lightning broke,
Shatt'ring themselves upon it at one stroke,
The Silence has not stirred, there in the heather.


All round about stand steeples straight as stakes,
And each its bell between its fingers shakes;
All round about, with their three-storied loads,
The teams prowl down the roads;
All round about, where'er the pine woods end,
The wheel creaks on along its rutty bed,
But not a sound is strong enough to rend
That space intense and dead.


Since summer, thunder-laden, last was heard.
The Silence has not stirred;
And the broad heath-land, where the nights sink down
Beyond the sand-hills brown.
Beyond the endless thickets closely set,
To the far borders of the far-away.
Prolongs It yet.


Even the winds disturb not as they go
The boughs of those long larches, bending low
Where the marsh-water lies,
In which Its vacant eyes
Gaze at themselves unceasing, stubbornly.
Only sometimes, as on their way they move,
The noiseless shadows of the clouds above.
Or of some great bird's hov'ring flight on high,
Brush It in passing by.


Since the last bolt that scored the earth aslant,
Nothing has pierced the Silence dominant.


Of those who cross Its vast immensity,
Whether at twilight or at dawn it be,
There is not one but feels
The dread of the Unknown that It instils;
An ample force supreme, It holds Its sway
Uninterruptedly the same for aye.
Dark walls of blackest fir-trees bar from sight
The outlook towards the paths of hope and light;
Huge, pensive junipers
Affright from far the passing travellers;
Long, narrow paths stretch their straight lines unbent.
Till they fork off in curves malevolent;
And the sun, ever shifting, ceaseless lends
Fresh aspects to the mirage whither tends
Bewilderment


Since the last bolt was forged amid the storm,
The polar Silence at the corners four
Of the wide heather-land has stirred no more.


Old shepherds, whom their hundred years have worn
To things all dislocate and out of gear,
And their old dogs, ragged, tired-out, and torn.
Oft watch It, on the soundless lowlands near,
Or downs of gold beflecked with shadows' flight,
Sit down immensely there beside the night.


Then, at the curves and corners of the mere.
The waters creep with fear;
The heather veils itself, grows wan and white;
All the leaves listen upon all the bushes,
And the incendiary sunset hushes
Before Its face his cries of brandished light.
And in the hamlets that about It lie.
Beneath the thatches of their hovels small
The terror dwells of feeling It is nigh.
And, though It stirs not, dominating all.
Broken with dull despair and helplessness,
Beneath Its presence they crouch motionless,
As though upon the watch—and dread to see.
Through rifts of vapour, open suddenly
At evening, in the moon, the argent eyes
Of Its mute mysteries.


Written by Francesco Petrarch | Create an image from this poem

CANZONE XX

CANZONE XX.

Ben mi credea passar mio tempo omai.

HE CANNOT LIVE WITHOUT SEEING HER, BUT WOULD NOT DIE THAT HE MAY STILL LOVE HER.

As pass'd the years which I have left behind,
To pass my future years I fondly thought,
Amid old studies, with desires the same;
But, from my lady since I fail to find
The accustom'd aid, the work himself has wrought
Let Love regard my tempter who became;
Yet scarce I feel the shame
That, at my age, he makes me thus a thief
Of that bewitching light
For which my life is steep'd in cureless grief;
In youth I better might
Have ta'en the part which now I needs must take,
For less dishonour boyish errors make.
[Pg 187]Those sweet eyes whence alone my life had health
Were ever of their high and heavenly charms
So kind to me when first my thrall begun,
That, as a man whom not his proper wealth,
But some extern yet secret succour arms,
I lived, with them at ease, offending none:
Me now their glances shun
As one injurious and importunate,
Who, poor and hungry, did
Myself the very act, in better state
Which I, in others, chid.
From mercy thus if envy bar me, be
My amorous thirst and helplessness my plea.
In divers ways how often have I tried
If, reft of these, aught mortal could retain
E'en for a single day in life my frame:
But, ah! my soul, which has no rest beside,
Speeds back to those angelic lights again;
And I, though but of wax, turn to their flame,
Planting my mind's best aim
Where less the watch o'er what I love is sure:
As birds i' th' wild wood green,
Where less they fear, will sooner take the lure,
So on her lovely mien,
Now one and now another look I turn,
Wherewith at once I nourish me and burn.
Strange sustenance! upon my death I feed,
And live in flames, a salamander rare!
And yet no marvel, as from love it flows.
A blithe lamb 'mid the harass'd fleecy breed.
Whilom I lay, whom now to worst despair
Fortune and Love, as is their wont, expose.
Winter with cold and snows,
With violets and roses spring is rife,
And thus if I obtain
Some few poor aliments of else weak life,
Who can of theft complain?
So rich a fair should be content with this,
Though others live on hers, if nought she miss.
[Pg 188]Who knows not what I am and still have been,
From the first day I saw those beauteous eyes,
Which alter'd of my life the natural mood?
Traverse all lands, explore each sea between,
Who can acquire all human qualities?
There some on odours live by Ind's vast flood;
Here light and fire are food
My frail and famish'd spirit to appease!
Love! more or nought bestow;
With lordly state low thrift but ill agrees;
Thou hast thy darts and bow,
Take with thy hands my not unwilling breath,
Life were well closed with honourable death.
Pent flames are strongest, and, if left to swell,
Not long by any means can rest unknown,
This own I, Love, and at your hands was taught.
When I thus silent burn'd, you knew it well;
Now e'en to me my cries are weary grown,
Annoy to far and near so long that wrought.
O false world! O vain thought!
O my hard fate! where now to follow thee?
Ah! from what meteor light
Sprung in my heart the constant hope which she,
Who, armour'd with your might,
Drags me to death, binds o'er it as a chain?
Yours is the fault, though mine the loss and pain.
Thus bear I of true love the pains along,
Asking forgiveness of another's debt,
And for mine own; whose eyes should rather shun
That too great light, and to the siren's song
My ears be closed: though scarce can I regret
That so sweet poison should my heart o'errun.
Yet would that all were done,
That who the first wound gave my last would deal;
For, if I right divine,
It were best mercy soon my fate to seal;
Since not a chance is mine
That he may treat me better than before,
'Tis well to die if death shut sorrow's door.
[Pg 189]My song! with fearless feet
The field I keep, for death in flight were shame.
Myself I needs must blame
For these laments; tears, sighs, and death to meet,
Such fate for her is sweet.
Own, slave of Love, whose eyes these rhymes may catch,
Earth has no good that with my grief can match.

Book: Radiant Verses: A Journey Through Inspiring Poetry