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Best Famous Heathen Poems

Here is a collection of the all-time best famous Heathen poems. This is a select list of the best famous Heathen poetry. Reading, writing, and enjoying famous Heathen poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of heathen poems.

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Written by Rudyard Kipling | Create an image from this poem

Recessional

1897


God of our fathers, known of old,
   Lord of our far-flung battle-line,
Beneath whose awful Hand we hold
   Dominion over palm and pine—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

The tumult and the shouting dies;
   The Captains and the Kings depart:
Still stands Thine ancient sacrifice,
   An humble and a contrite heart.
Lord God of Hosts, be with us yet, Lest we forget—lest we forget! Far-called, our navies melt away; On dune and headland sinks the fire: Lo, all our pomp of yesterday Is one with Nineveh and Tyre! Judge of the Nations, spare us yet, Lest we forget—lest we forget! If, drunk with sight of power, we loose Wild tongues that have not Thee in awe, Such boastings as the Gentiles use, Or lesser breeds without the Law— Lord God of Hosts, be with us yet, Lest we forget—lest we forget! For heathen heart that puts her trust In reeking tube and iron shard, All valiant dust that builds on dust, And guarding, calls not Thee to guard, For frantic boast and foolish word— Thy mercy on Thy People, Lord!


Written by Countee Cullen | Create an image from this poem

Heritage

 What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear, Though I cram against my ear Both my thumbs, and keep them there, Great drums throbbing through the air.
So I lie, whose fount of pride, Dear distress, and joy allied, Is my somber flesh and skin, With the dark blood dammed within Like great pulsing tides of wine That, I fear, must burst the fine Channels of the chafing net Where they surge and foam and fret.
Africa?A book one thumbs Listlessly, till slumber comes.
Unremembered are her bats Circling through the night, her cats Crouching in the river reeds, Stalking gentle flesh that feeds By the river brink; no more Does the bugle-throated roar Cry that monarch claws have leapt From the scabbards where they slept.
Silver snakes that once a year Doff the lovely coats you wear, Seek no covert in your fear Lest a mortal eye should see; What's your nakedness to me? Here no leprous flowers rear Fierce corollas in the air; Here no bodies sleek and wet, Dripping mingled rain and sweat, Tread the savage measures of Jungle boys and girls in love.
What is last year's snow to me, Last year's anything?The tree Budding yearly must forget How its past arose or set­­ Bough and blossom, flower, fruit, Even what shy bird with mute Wonder at her travail there, Meekly labored in its hair.
One three centuries removed From the scenes his fathers loved, Spicy grove, cinnamon tree, What is Africa to me? So I lie, who find no peace Night or day, no slight release From the unremittent beat Made by cruel padded feet Walking through my body's street.
Up and down they go, and back, Treading out a jungle track.
So I lie, who never quite Safely sleep from rain at night-- I can never rest at all When the rain begins to fall; Like a soul gone mad with pain I must match its weird refrain; Ever must I twist and squirm, Writhing like a baited worm, While its primal measures drip Through my body, crying, "Strip! Doff this new exuberance.
Come and dance the Lover's Dance!" In an old remembered way Rain works on me night and day.
Quaint, outlandish heathen gods Black men fashion out of rods, Clay, and brittle bits of stone, In a likeness like their own, My conversion came high-priced; I belong to Jesus Christ, Preacher of humility; Heathen gods are naught to me.
Father, Son, and Holy Ghost, So I make an idle boast; Jesus of the twice-turned cheek, Lamb of God, although I speak With my mouth thus, in my heart Do I play a double part.
Ever at Thy glowing altar Must my heart grow sick and falter, Wishing He I served were black, Thinking then it would not lack Precedent of pain to guide it, Let who would or might deride it; Surely then this flesh would know Yours had borne a kindred woe.
Lord, I fashion dark gods, too, Daring even to give You Dark despairing features where, Crowned with dark rebellious hair, Patience wavers just so much as Mortal grief compels, while touches Quick and hot, of anger, rise To smitten cheek and weary eyes.
Lord, forgive me if my need Sometimes shapes a human creed.
All day long and all night through, One thing only must I do: Quench my pride and cool my blood, Lest I perish in the flood.
Lest a hidden ember set Timber that I thought was wet Burning like the dryest flax, Melting like the merest wax, Lest the grave restore its dead.
Not yet has my heart or head In the least way realized They and I are civilized.
Written by Rudyard Kipling | Create an image from this poem

The Rhyme of the Three Captains

 This ballad appears to refer to one of the exploits of the notorious
Paul Jones, the American pirate.
It is founded on fact.
.
.
.
At the close of a winter day, Their anchors down, by London town, the Three Great Captains lay; And one was Admiral of the North from Solway Firth to Skye, And one was Lord of the Wessex coast and all the lands thereby, And one was Master of the Thames from Limehouse to Blackwall, And he was Captain of the Fleet -- the bravest of them all.
Their good guns guarded their great gray sides that were thirty foot in the sheer, When there came a certain trading-brig with news of a privateer.
Her rigging was rough with the clotted drift that drives in a Northern breeze, Her sides were clogged with the lazy weed that spawns in the Eastern seas.
Light she rode in the rude tide-rip, to left and right she rolled, And the skipper sat on the scuttle-butt and stared at an empty hold.
"I ha' paid Port dues for your Law," quoth he, "and where is the Law ye boast If I sail unscathed from a heathen port to be robbed on a Christian coast? Ye have smoked the hives of the Laccadives as we burn the lice in a bunk, We tack not now to a Gallang prow or a plunging Pei-ho junk; I had no fear but the seas were clear as far as a sail might fare Till I met with a lime-washed Yankee brig that rode off Finisterre.
There were canvas blinds to his bow-gun ports to screen the weight he bore, And the signals ran for a merchantman from Sandy Hook to the Nore.
He would not fly the Rovers' flag -- the bloody or the black, But now he floated the Gridiron and now he flaunted the Jack.
He spoke of the Law as he crimped my crew -- he swore it was only a loan; But when I would ask for my own again, he swore it was none of my own.
He has taken my little parrakeets that nest beneath the Line, He has stripped my rails of the shaddock-frails and the green unripened pine; He has taken my bale of dammer and spice I won beyond the seas, He has taken my grinning heathen gods -- and what should he want o' these? My foremast would not mend his boom, my deckhouse patch his boats; He has whittled the two, this Yank Yahoo, to peddle for shoe-peg oats.
I could not fight for the failing light and a rough beam-sea beside, But I hulled him once for a clumsy crimp and twice because he lied.
Had I had guns (as I had goods) to work my Christian harm, I had run him up from his quarter-deck to trade with his own yard-arm; I had nailed his ears to my capstan-head, and ripped them off with a saw, And soused them in the bilgewater, and served them to him raw; I had flung him blind in a rudderless boat to rot in the rocking dark, I had towed him aft of his own craft, a bait for his brother shark; I had lapped him round with cocoa husk, and drenched him with the oil, And lashed him fast to his own mast to blaze above my spoil; I had stripped his hide for my hammock-side, and tasselled his beard i' the mesh, And spitted his crew on the live bamboo that grows through the gangrened flesh; I had hove him down by the mangroves brown, where the mud-reef sucks and draws, Moored by the heel to his own keel to wait for the land-crab's claws! He is lazar within and lime without, ye can nose him far enow, For he carries the taint of a musky ship -- the reek of the slaver's dhow!" The skipper looked at the tiering guns and the bulwarks tall and cold, And the Captains Three full courteously peered down at the gutted hold, And the Captains Three called courteously from deck to scuttle-butt: -- "Good Sir, we ha' dealt with that merchantman or ever your teeth were cut.
Your words be words of a lawless race, and the Law it standeth thus: He comes of a race that have never a Law, and he never has boarded us.
We ha' sold him canvas and rope and spar -- we know that his price is fair, And we know that he weeps for the lack of a Law as he rides off Finisterre.
And since he is damned for a gallows-thief by you and better than you, We hold it meet that the English fleet should know that we hold him true.
" The skipper called to the tall taffrail: -- "And what is that to me? Did ever you hear of a Yankee brig that rifled a Seventy-three? Do I loom so large from your quarter-deck that I lift like a ship o' the Line? He has learned to run from a shotted gun and harry such craft as mine.
There is never a Law on the Cocos Keys to hold a white man in, But we do not steal the niggers' meal, for that is a ******'s sin.
Must he have his Law as a quid to chaw, or laid in brass on his wheel? Does he steal with tears when he buccaneers? 'Fore Gad, then, why does he steal?" The skipper bit on a deep-sea word, and the word it was not sweet, For he could see the Captains Three had signalled to the Fleet.
But three and two, in white and blue, the whimpering flags began: -- "We have heard a tale of a -- foreign sail, but he is a merchantman.
" The skipper peered beneath his palm and swore by the Great Horn Spoon: -- "'Fore Gad, the Chaplain of the Fleet would bless my picaroon!" By two and three the flags blew free to lash the laughing air: -- "We have sold our spars to the merchantman -- we know that his price is fair.
" The skipper winked his Western eye, and swore by a China storm: -- "They ha' rigged him a Joseph's jury-coat to keep his honour warm.
" The halliards twanged against the tops, the bunting bellied broad, The skipper spat in the empty hold and mourned for a wasted cord.
Masthead -- masthead, the signal sped by the line o' the British craft; The skipper called to his Lascar crew, and put her about and laughed: -- "It's mainsail haul, my bully boys all -- we'll out to the seas again -- Ere they set us to paint their pirate saint, or scrub at his grapnel-chain.
It's fore-sheet free, with her head to the sea, and the swing of the unbought brine -- We'll make no sport in an English court till we come as a ship o' the Line: Till we come as a ship o' the Line, my lads, of thirty foot in the sheer, Lifting again from the outer main with news of a privateer; Flying his pluck at our mizzen-truck for weft of Admiralty, Heaving his head for our dipsey-lead in sign that we keep the sea.
Then fore-sheet home as she lifts to the foam -- we stand on the outward tack, We are paid in the coin of the white man's trade -- the bezant is hard, ay, and black.
The frigate-bird shall carry my word to the Kling and the Orang-Laut How a man may sail from a heathen coast to be robbed in a Christian port; How a man may be robbed in Christian port while Three Great Captains there Shall dip their flag to a slaver's rag -- to show that his trade is fair!"
Written by Robert Hayden | Create an image from this poem

Middle Passage

 I 

Jesús, Estrella, Esperanza, Mercy: 

Sails flashing to the wind like weapons, 
sharks following the moans the fever and the dying; 
horror the corposant and compass rose.
Middle Passage: voyage through death to life upon these shores.
"10 April 1800-- Blacks rebellious.
Crew uneasy.
Our linguist says their moaning is a prayer for death, our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter to the waiting sharks, sang as they went under.
" Desire, Adventure, Tartar, Ann: Standing to America, bringing home black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me Over Life's Tempestuous Sea We pray that Thou wilt grant, O Lord, safe passage to our vessels bringing heathen souls unto Thy chastening.
Jesus Saviour "8 bells.
I cannot sleep, for I am sick with fear, but writing eases fear a little since still my eyes can see these words take shape upon the page & so I write, as one would turn to exorcism.
4 days scudding, but now the sea is calm again.
Misfortune follows in our wake like sharks (our grinning tutelary gods).
Which one of us has killed an albatross? A plague among our blacks--Ophthalmia: blindness--& we have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes & there is blindness in the fo'c'sle & we must sail 3 weeks before we come to port.
" What port awaits us, Davy Jones' or home? I've heard of slavers drifting, drifting, playthings of wind and storm and chance, their crews gone blind, the jungle hatred crawling up on deck.
Thou Who Walked On Galilee "Deponent further sayeth The Bella J left the Guinea Coast with cargo of five hundred blacks and odd for the barracoons of Florida: "That there was hardly room 'tween-decks for half the sweltering cattle stowed spoon-fashion there; that some went mad of thirst and tore their flesh and sucked the blood: "That Crew and Captain lusted with the comeliest of the savage girls kept naked in the cabins; that there was one they called The Guinea Rose and they cast lots and fought to lie with her: "That when the Bo's'n piped all hands, the flames spreading from starboard already were beyond control, the ******* howling and their chains entangled with the flames: "That the burning blacks could not be reached, that the Crew abandoned ship, leaving their shrieking negresses behind, that the Captain perished drunken with the wenches: "Further Deponent sayeth not.
" Pilot Oh Pilot Me II Aye, lad, and I have seen those factories, Gambia, Rio Pongo, Calabar; have watched the artful mongos baiting traps of war wherein the victor and the vanquished Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity and greed turned wild black hides of Fellatah, Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him-- fetish face beneath French parasols of brass and orange velvet, impudent mouth whose cups were carven skulls of enemies: He'd honor us with drum and feast and conjo and palm-oil-glistening wenches deft in love, and for tin crowns that shone with paste, red calico and German-silver trinkets Would have the drums talk war and send his warriors to burn the sleeping villages and kill the sick and old and lead the young in coffles to our factories.
Twenty years a trader, twenty years, for there was wealth aplenty to be harvested from those black fields, and I'd be trading still but for the fevers melting down my bones.
III Shuttles in the rocking loom of history, the dark ships move, the dark ships move, their bright ironical names like jests of kindness on a murderer's mouth; plough through thrashing glister toward fata morgana's lucent melting shore, weave toward New World littorals that are mirage and myth and actual shore.
Voyage through death, voyage whose chartings are unlove.
A charnel stench, effluvium of living death spreads outward from the hold, where the living and the dead, the horribly dying, lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy rots with him, rats eat love's rotten gelid eyes.
But, oh, the living look at you with human eyes whose suffering accuses you, whose hatred reaches through the swill of dark to strike you like a leper's claw.
You cannot stare that hatred down or chain the fear that stalks the watches and breathes on you its fetid scorching breath; cannot kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers of wind and wave, The Amistad, señores, would have reached the port of Príncipe in two, three days at most; but for the storm we should have been prepared for what befell.
Swift as a puma's leap it came.
There was that interval of moonless calm filled only with the water's and the rigging's usual sounds, then sudden movement, blows and snarling cries and they had fallen on us with machete and marlinspike.
It was as though the very air, the night itself were striking us.
Exhausted by the rigors of the storm, we were no match for them.
Our men went down before the murderous Africans.
Our loyal Celestino ran from below with gun and lantern and I saw, before the cane- knife's wounding flash, Cinquez, that surly brute who calls himself a prince, directing, urging on the ghastly work.
He hacked the poor mulatto down, and then he turned on me.
The decks were slippery when daylight finally came.
It sickens me to think of what I saw, of how these apes threw overboard the butchered bodies of our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told: Cinquez was forced to spare the two of us you see to steer the ship to Africa, and we like phantoms doomed to rove the sea voyaged east by day and west by night, deceiving them, hoping for rescue, prisoners on our own vessel, till at length we drifted to the shores of this your land, America, where we were freed from our unspeakable misery.
Now we demand, good sirs, the extradition of Cinquez and his accomplices to La Havana.
And it distresses us to know there are so many here who seem inclined to justify the mutiny of these blacks.
We find it paradoxical indeed that you whose wealth, whose tree of liberty are rooted in the labor of your slaves should suffer the august John Quincey Adams to speak with so much passion of the right of chattel slaves to kill their lawful masters and with his Roman rhetoric weave a hero's garland for Cinquez.
I tell you that we are determined to return to Cuba with our slaves and there see justice done.
Cinquez-- or let us say 'the Prince'--Cinquez shall die.
" The deep immortal human wish, the timeless will: Cinquez its deathless primaveral image, life that transfigures many lives.
Voyage through death to life upon these shores.
Written by Billy Jno Hope | Create an image from this poem

i wrote a life

 this might be the swan song
i have traveled beyond misty mountains
spilled my seed on the hungry rock
hallowed days
blasphemous timelines
art nourishment
prolific like sin
to the serpent edge of youth
once my head rolled in the streets
motors crashing by
inches from my intoxication
a fleshful laugh echoed in time
a mad initiation as part of the door
to the unrepentant lyric
heathen apprentices
i cracked the demon-s egg
tattooed pandora-s eye
with rage, blissillusion
madness conceived
a life, my methadone(placebo)


Written by James Joyce | Create an image from this poem

The Ballad of Persse OReilly

 Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
 (Chorus) Of the Magazine Wall,
 Hump, helmet and all?

He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship To the penal jail of Mountjoy (Chorus) To the jail of Mountjoy! Jail him and joy.
He was fafafather of all schemes for to bother us Slow coaches and immaculate contraceptives for the populace, Mare's milk for the sick, seven dry Sundays a week, Openair love and religion's reform, (Chorus) And religious reform, Hideous in form.
Arrah, why, says you, couldn't he manage it? I'll go bail, my fine dairyman darling, Like the bumping bull of the Cassidys All your butter is in your horns.
(Chorus) His butter is in his horns.
Butter his horns! (Repeat) Hurrah there, Hosty, frosty Hosty, change that shirt on ye, Rhyme the rann, the king of all ranns! Balbaccio, balbuccio! We had chaw chaw chops, chairs, chewing gum, the chicken-pox and china chambers Universally provided by this soffsoaping salesman.
Small wonder He'll Cheat E'erawan our local lads nicknamed him.
When Chimpden first took the floor (Chorus) With his bucketshop store Down Bargainweg, Lower.
So snug he was in his hotel premises sumptuous But soon we'll bonfire all his trash, tricks and trumpery And 'tis short till sheriff Clancy'll be winding up his unlimited company With the bailiff's bom at the door, (Chorus) Bimbam at the door.
Then he'll bum no more.
Sweet bad luck on the waves washed to our island The hooker of that hammerfast viking And Gall's curse on the day when Eblana bay Saw his black and tan man-o'-war.
(Chorus) Saw his man-o'-war On the harbour bar.
Where from? roars Poolbeg.
Cookingha'pence, he bawls Donnez-moi scampitle, wick an wipin'fampiny Fingal Mac Oscar Onesine Bargearse Boniface Thok's min gammelhole Norveegickers moniker Og as ay are at gammelhore Norveegickers cod.
(Chorus) A Norwegian camel old cod.
He is, begod.
Lift it, Hosty, lift it, ye devil, ye! up with the rann, the rhyming rann! It was during some fresh water garden pumping Or, according to the Nursing Mirror, while admiring the monkeys That our heavyweight heathen Humpharey Made bold a maid to woo (Chorus) Woohoo, what'll she doo! The general lost her maidenloo! He ought to blush for himself, the old hayheaded philosopher, For to go and shove himself that way on top of her.
Begob, he's the crux of the catalogue Of our antediluvial zoo, (Chorus) Messrs Billing and Coo.
Noah's larks, good as noo.
He was joulting by Wellinton's monument Our rotorious hippopopotamuns When some bugger let down the backtrap of the omnibus And he caught his death of fusiliers, (Chorus) With his rent in his rears.
Give him six years.
'Tis sore pity for his innocent poor children But look out for his missus legitimate! When that frew gets a grip of old Earwicker Won't there be earwigs on the green? (Chorus) Big earwigs on the green, The largest ever you seen.
Suffoclose! Shikespower! Seudodanto! Anonymoses! Then we'll have a free trade Gael's band and mass meeting For to sod him the brave son of Scandiknavery.
And we'll bury him down in Oxmanstown Along with the devil and the Danes, (Chorus) With the deaf and dumb Danes, And all their remains.
And not all the king's men nor his horses Will resurrect his corpus For there's no true spell in Connacht or hell (bis) That's able to raise a Cain.
Written by Robert Frost | Create an image from this poem

The Black Cottage

 We chanced in passing by that afternoon 
To catch it in a sort of special picture 
Among tar-banded ancient cherry trees, 
Set well back from the road in rank lodged grass, 
The little cottage we were speaking of, 
A front with just a door between two windows, 
Fresh painted by the shower a velvet black.
We paused, the minister and I, to look.
He made as if to hold it at arm's length Or put the leaves aside that framed it in.
"Pretty," he said.
"Come in.
No one will care.
" The path was a vague parting in the grass That led us to a weathered window-sill.
We pressed our faces to the pane.
"You see," he said, "Everything's as she left it when she died.
Her sons won't sell the house or the things in it.
They say they mean to come and summer here Where they were boys.
They haven't come this year.
They live so far away--one is out west-- It will be hard for them to keep their word.
Anyway they won't have the place disturbed.
" A buttoned hair-cloth lounge spread scrolling arms Under a crayon portrait on the wall Done sadly from an old daguerreotype.
"That was the father as he went to war.
She always, when she talked about war, Sooner or later came and leaned, half knelt Against the lounge beside it, though I doubt If such unlifelike lines kept power to stir Anything in her after all the years.
He fell at Gettysburg or Fredericksburg, I ought to know--it makes a difference which: Fredericksburg wasn't Gettysburg, of course.
But what I'm getting to is how forsaken A little cottage this has always seemed; Since she went more than ever, but before-- I don't mean altogether by the lives That had gone out of it, the father first, Then the two sons, till she was left alone.
(Nothing could draw her after those two sons.
She valued the considerate neglect She had at some cost taught them after years.
) I mean by the world's having passed it by-- As we almost got by this afternoon.
It always seems to me a sort of mark To measure how far fifty years have brought us.
Why not sit down if you are in no haste? These doorsteps seldom have a visitor.
The warping boards pull out their own old nails With none to tread and put them in their place.
She had her own idea of things, the old lady.
And she liked talk.
She had seen Garrison And Whittier, and had her story of them.
One wasn't long in learning that she thought Whatever else the Civil War was for It wasn't just to keep the States together, Nor just to free the slaves, though it did both.
She wouldn't have believed those ends enough To have given outright for them all she gave.
Her giving somehow touched the principle That all men are created free and equal.
And to hear her quaint phrases--so removed From the world's view to-day of all those things.
That's a hard mystery of Jefferson's.
What did he mean? Of course the easy way Is to decide it simply isn't true.
It may not be.
I heard a fellow say so.
But never mind, the Welshman got it planted Where it will trouble us a thousand years.
Each age will have to reconsider it.
You couldn't tell her what the West was saying, And what the South to her serene belief.
She had some art of hearing and yet not Hearing the latter wisdom of the world.
White was the only race she ever knew.
Black she had scarcely seen, and yellow never.
But how could they be made so very unlike By the same hand working in the same stuff? She had supposed the war decided that.
What are you going to do with such a person? Strange how such innocence gets its own way.
I shouldn't be surprised if in this world It were the force that would at last prevail.
Do you know but for her there was a time When to please younger members of the church, Or rather say non-members in the church, Whom we all have to think of nowadays, I would have changed the Creed a very little? Not that she ever had to ask me not to; It never got so far as that; but the bare thought Of her old tremulous bonnet in the pew, And of her half asleep was too much for me.
Why, I might wake her up and startle her.
It was the words 'descended into Hades' That seemed too pagan to our liberal youth.
You know they suffered from a general onslaught.
And well, if they weren't true why keep right on Saying them like the heathen? We could drop them.
Only--there was the bonnet in the pew.
Such a phrase couldn't have meant much to her.
But suppose she had missed it from the Creed As a child misses the unsaid Good-night, And falls asleep with heartache--how should I feel? I'm just as glad she made me keep hands off, For, dear me, why abandon a belief Merely because it ceases to be true.
Cling to it long enough, and not a doubt It will turn true again, for so it goes.
Most of the change we think we see in life Is due to truths being in and out of favour.
As I sit here, and oftentimes, I wish I could be monarch of a desert land I could devote and dedicate forever To the truths we keep coming back and back to.
So desert it would have to be, so walled By mountain ranges half in summer snow, No one would covet it or think it worth The pains of conquering to force change on.
Scattered oases where men dwelt, but mostly Sand dunes held loosely in tamarisk Blown over and over themselves in idleness.
Sand grains should sugar in the natal dew The babe born to the desert, the sand storm Retard mid-waste my cowering caravans-- "There are bees in this wall.
" He struck the clapboards, Fierce heads looked out; small bodies pivoted.
We rose to go.
Sunset blazed on the windows.
Written by Henry Vaughan | Create an image from this poem

The True Christians

 So stick up ivy and the bays,
And then restore the heathen ways.
Green will remind you of the spring, Though this great day denies the thing.
And mortifies the earth and all But your wild revels, and loose hall.
Could you wear flowers, and roses strow Blushing upon your breasts' warm snow, That very dress your lightness will Rebuke, and wither at the ill.
The brightness of this day we owe Not unto music, masque, nor show: Nor gallant furniture, nor plate; But to the manger's mean estate.
His life while here, as well as birth, Was but a check to pomp and mirth; And all man's greatness you may see Condemned by His humility.
Then leave your open house and noise, To welcome Him with holy joys, And the poor shepherd's watchfulness: Whom light and hymns from heaven did bless.
What you abound with, cast abroad To those that want, and ease your load.
Who empties thus, will bring more in; But riot is both loss and sin.
Dress finely what comes not in sight, And then you keep your Christmas right.
Written by Henry Lawson | Create an image from this poem

To Be Amused

 You ask me to be gay and glad 
While lurid clouds of danger loom, 
And vain and bad and gambling mad, 
Australia races to her doom.
You bid me sing the light and fair, The dance, the glance on pleasure's wings – While you have wives who will not bear, And beer to drown the fear of things.
A war with reason you would wage To be amused for your short span, Until your children's heritage Is claimed for China by Japan.
The football match, the cricket score, The "scraps", the tote, the mad'ning Cup – You drunken fools that evermore "To-morrow morning" sober up! I see again with haggard eyes, The thirsty land, the wasted flood; Unpeopled plains beyond the skies, And precious streams that run to mud; The ruined health, the wasted wealth, In our mad cities by the seas, The black race suicide by stealth, The starved and murdered industries! You bid me make a farce of day, And make a mockery of death; While not five thousand miles away The yellow millions pant for breath! But heed me now, nor ask me this – Lest you too late should wake to find That hopeless patriotism is The strongest passion in mankind! You'd think the seer sees, perhaps, While staring on from days like these, Politeness in the conquering Japs, Or mercy in the banned Chinese! I mind the days when parents stood, And spake no word, while children ran From Christian lanes and deemed it good To stone a helpless Chinaman.
I see the stricken city fall, The fathers murdered at their doors, The sack, the massacre of all Save healthy slaves and paramours – The wounded hero at the stake, The pure girl to the leper's kiss – God, give us faith, for Christ's own sake To kill our womankind ere this.
I see the Bushman from Out Back, From mountain range and rolling downs, And carts race on each rough bush track With food and rifles from the towns; I see my Bushmen fight and die Amongst the torn blood-spattered trees, And hear all night the wounded cry For men! More men and batteries! I see the brown and yellow rule The southern lands and southern waves, White children in the heathen school, And black and white together slaves; I see the colour-line so drawn (I see it plain and speak I must), That our brown masters of the dawn Might, aye, have fair girls for their lusts! With land and life and race at stake – No matter which race wronged, or how – Let all and one Australia make A superhuman effort now.
Clear out the blasting parasites, The paid-for-one-thing manifold, And curb the goggled "social-lights" That "scorch" to nowhere with our gold.
Store guns and ammunition first, Build forts and warlike factories, Sink bores and tanks where drought is worst, Give over time to industries.
The outpost of the white man's race, Where next his flag shall be unfurled, Make clean the place! Make strong the place! Call white men in from all the world!
Written by Rudyard Kipling | Create an image from this poem

Buddha at Kamakura

 1892
"And there is a Japanese idol at Kamakura"

Oye who treated the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when "the heathen" pray
 To Buddha at Kamakura!

To him the Way, the Law, apart,
Whom Maya held beneath her heart,
Ananda's Lord, the Bodhisat,
 The Buddha of Kamakura.
For though he neither burns nor sees, Nor hears ye thank your Deities, Ye have not sinned with such as these, His children at Kamakura, Yet spare us still the Western joke When joss-sticks turn to scented smoke The little sins of little folk That worship at Kamakura -- The grey-robed, gay-sashed butterflies That flit beneath the Master's eyes.
He is beyond the Mysteries But loves them at Kamakura.
And whoso will, from Pride released, Contemning neither creed nor priest, May feel the Soul of all the East About him at Kamakura.
Yea, every tale Ananda heard, Of birth as fish or beast or bird, While yet in lives the Master stirred, The warm wind brings Kamakura.
Till drowsy eyelids seem to see A-flower 'neath her golden htee The Shwe-Dagon flare easterly From Burmah to Kamakura, And down the loaded air there comes The thunder of Thibetan drums, And droned -- "Om mane padme hums" -- A world's-width from Kamakura.
Yet Brahmans rule Benares still, Buddh-Gaya's ruins pit the hill, And beef-fed zealots threaten ill To Buddha and Kamakura.
A tourist-show, a legend told, A rusting bulk of bronze and gold, S o much, and scarce so much, ye hold The meaning of Kamakura? But when the morning prayer is prayed, Think, ere ye pass to strife and trade, Is God in human image made No nearer than Kamakura?

Book: Shattered Sighs