Written by
Billy Collins |
They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.
Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.
Actually, they are the real artists,
you said, spinning the ice in your glass.
The screwdriver is their brush.
The real vandals are the restorers,
you went on, slowly turning me upside-down,
the ones in the white doctor's smocks
who close the wound in the landscape,
and thus ruin the true art of the mad.
I watched my poem fly down to the front
of the bar and hover there
until the next customer walked in--
then I watched it fly out the open door into the night
and sail away, I could only imagine,
over the dark tenements of the city.
All I had wished to say
was that art was also short,
as a razor can teach with a slash or two,
that it only seems long compared to life,
but that night, I drove home alone
with nothing swinging in the cage of my heart
except the faint hope that I might
catch a glimpse of the thing
in the fan of my headlights,
maybe perched on a road sign or a street lamp,
poor unwritten bird, its wings folded,
staring down at me with tiny illuminated eyes.
|
Written by
Richard Brautigan |
My clumsiest dear, whose hands shipwreck vases,
At whose quick touch all glasses chip and ring,
Whose palms are bulls in china, burs in linen,
And have no cunning with any soft thing
Except all ill-at-ease fidgeting people:
The refugee uncertain at the door
You make at home; deftly you steady
The drunk clambering on his undulant floor.
Unpredictable dear, the taxi drivers' terror,
Shrinking from far headlights pale as a dime
Yet leaping before apopleptic streetcars—
Misfit in any space.
And never on time.
A wrench in clocks and the solar system.
Only
With words and people and love you move at ease;
In traffic of wit expertly maneuver
And keep us, all devotion, at your knees.
Forgetting your coffee spreading on our flannel,
Your lipstick grinning on our coat,
So gaily in love's unbreakable heaven
Our souls on glory of spilt bourbon float.
Be with me, darling, early and late.
Smash glasses—
I will study wry music for your sake.
For should your hands drop white and empty
All the toys of the world would break.
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Written by
James Wright |
Still,
I would leap too
Into the light,
If I had the chance.
It is everything, the wet green stalk of the field
On the other side of the road.
They crouch there, too, faltering in terror
And take strange wing.
Many
Of the dead never moved, but many
Of the dead are alive forever in the split second
Auto headlights more sudden
Than their drivers know.
The drivers burrow backward into dank pools
Where nothing begets
Nothing.
Across the road, tadpoles are dancing
On the quarter thumbnail
Of the moon.
They can't see,
Not yet.
|
Written by
Theodore Roethke |
I
I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken.
II
At the field's end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, --
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.
I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole's elm, a twittering restless cloud, all one morning,
And I watched and watched till my eyes blurred from the bird shapes, --
Cape May, Blackburnian, Cerulean, --
Moving, elusive as fish, fearless,
Hanging, bunched like young fruit, bending the end branches,
Still for a moment,
Then pitching away in half-flight,
Lighter than finches,
While the wrens bickered and sang in the half-green hedgerows,
And the flicker drummed from his dead tree in the chicken-yard.
-- Or to lie naked in sand,
In the silted shallows of a slow river,
Fingering a shell,
Thinking:
Once I was something like this, mindless,
Or perhaps with another mind, less peculiar;
Or to sink down to the hips in a mossy quagmire;
Or, with skinny knees, to sit astride a wet log,
Believing:
I'll return again,
As a snake or a raucous bird,
Or, with luck, as a lion.
I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.
II
The river turns on itself,
The tree retreats into its own shadow.
I feel a weightless change, a moving forward
As of water quickening before a narrowing channel
When banks converge, and the wide river whitens;
Or when two rivers combine, the blue glacial torrent
And the yellowish-green from the mountainy upland, --
At first a swift rippling between rocks,
Then a long running over flat stones
Before descending to the alluvial plane,
To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water
Dropping a fine yellow silt where the sun stays;
And the crabs bask near the edge,
The weedy edge, alive with small snakes and bloodsuckers, --
I have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.
I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air.
IV
The lost self changes,
Turning toward the sea,
A sea-shape turning around, --
An old man with his feet before the fire,
In robes of green, in garments of adieu.
A man faced with his own immensity
Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why
Of being born falls on his naked ears.
His spirit moves like monumental wind
That gentles on a sunny blue plateau.
He is the end of things, the final man.
All finite things reveal infinitude:
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow,
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree :
The pure serene of memory in one man, --
A ripple widening from a single stone
Winding around the waters of the world.
|
Written by
Elinor Wylie |
The headlights raced; the moon, death-faced,
Stared down on that golden river.
I saw through the smoke the scarlet cloak
Of a boy who could not shiver.
His father's hand forced him to stand,
The traffic thundered slaughter;
One foot he thrust in the whirling dust
As it were running water.
As in a dream I saw the stream
Scatter in drops that glistened;
They flamed, they flashed, his brow they splashed,
And danger's son was christened.
The portent passed; his fate was cast,
Sea-farer, desert-ranger.
Tearless I smiled on that fearless child
Dipping his foot in Danger.
|
Written by
Andrei Voznesensky |
I'm waiting for my friend.
The gate's unlocked.
The banisters are lit so he can walk.
I'm waiting for my friend.
The times are dull and tough.
Anticipation lightens our life.
He's driving down the Ring Road, at full speed,
the way I did it when he was in need.
He will arrive to find the spot at once,
the pine is lit well in advance.
There is a dog.
His eyes are phosphorescent.
Are you a friend? I see you're not complacent.
.
.
Some headlights push the darkness off the drive.
My friend is to arrive.
He said that he would come at nine or so.
People are watching a TV show.
Should animosity drop in I'll turn it out, --
I'll wait around.
Months, years go by, but Herman's not in sight.
The whole of nature is cut off from light.
I'll see my friend in hell, or paradise, alive.
I have been waiting for him all my life.
He said he'd come at nine or so today.
God save him while he's on his way.
© Copyright Alec Vagapov's translation
|
Written by
Donald Justice |
1
Dear ghosts, dear presences, O my dear parents,
Why were you so sad on porches, whispering?
What great melancholies were loosed among our swings!
As before a storm one hears the leaves whispering
And marks each small change in the atmosphere,
So was it then to overhear and to fear.
2
But all things then were oracle and secret.
Remember the night when, lost, returning, we turned back
Confused, and our headlights singled out the fox?
Our thoughts went with it then, turning and turning back
With the same terror, into the deep thicket
Beside the highway, at home in the dark thicket.
3
I say the wood within is the dark wood,
Or wound no torn shirt can entirely bandage,
But the sad hand returns to it in secret
Repeatedly, encouraging the bandage
To speak of that other world we might have borne,
The lost world buried before it could be born.
4
Burchfield describes the pinched white souls of violets
Frothing the mouth of a derelict old mine
Just as an evil August night comes down,
All umber, but for one smudge of dusky carmine.
It is the sky of a peculiar sadness—
The other side perhaps of some rare gladness.
5
What is it to be happy, after all? Think
Of the first small joys.
Think of how our parents
Would whistle as they packed for the long summers,
Or, busy about the usual tasks of parents,
Smile down at us suddenly for some secret reason,
Or simply smile, not needing any reason.
6
But even in the summers we remember
The forest had its eyes, the sea its voices,
And there were roads no map would ever master,
Lost roads and moonless nights and ancient voices—
And night crept down with an awful slowness toward the water;
And there were lanterns once, doubled in the water.
7
Sadness has its own beauty, of course.
Toward dusk,
Let us say, the river darkens and look bruised,
And we stand looking out at it through rain.
It is as if life itself were somehow bruised
And tender at this hour; and a few tears commence.
Not that they are but that they feel immense.
|
Written by
Delmore Schwartz |
In the naked bed, in Plato's cave,
Reflected headlights slowly slid the wall,
Carpenters hammered under the shaded window,
Wind troubled the window curtains all night long,
A fleet of trucks strained uphill, grinding,
Their freights covered, as usual.
The ceiling lightened again, the slanting diagram
Slid slowly forth.
Hearing the milkman's clop,
his striving up the stair, the bottle's chink,
I rose from bed, lit a cigarette,
And walked to the window.
The stony street
Displayed the stillness in which buildings stand,
The street-lamp's vigil and the horse's patience.
The winter sky's pure capital
Turned me back to bed with exhausted eyes.
Strangeness grew in the motionless air.
The loose
Film grayed.
Shaking wagons, hooves' waterfalls,
Sounded far off, increasing, louder and nearer.
A car coughed, starting.
Morning softly
Melting the air, lifted the half-covered chair
From underseas, kindled the looking-glass,
Distinguished the dresser and the white wall.
The bird called tentatively, whistled, called,
Bubbled and whistled, so! Perplexed, still wet
With sleep, affectionate, hungry and cold.
So, so,
O son of man, the ignorant night, the travail
Of early morning, the mystery of the beginning
Again and again,
while history is unforgiven.
|
Written by
John Berryman |
There were strange gatherings.
A vote would come
that would be no vote.
There would come a rope.
Yes.
There would come a rope.
Men have their hats down.
"Dancing in the Dark"
will see him up, car-radio-wise.
So many, some
won't find a rut to park.
It is in the occasions, that—not the fathomless heart—
the thinky death consists;
his chest is pinched.
The enemy are sick,
and so is us of.
Often, to rising trysts,
like this one, drove he out
and gasps of love, after all, had got him ready.
However things hurt, men hurt worse.
He's stark
to be jerked onward?
Yes.
In the headlights he got' keep him steady,
leak not, look out over.
This' hard work,
boss, wait' for The Word.
|
Written by
Robert William Service |
I thought I would go daft when Joey died.
He was my first, and wise beyond his years.
For nigh a hundred nights I cried and cried,
Until my weary eyes burned up my tears.
Willie and Rosie tried to comfort me:
A woeful, weeping family were we.
I was a widow with no friends at all,
Ironing men's shirts to buy my kiddies grub;
And then one day a lawyer came to call,
Me with my arms deep in the washing-tub.
The gentleman who ran poor Joey down
Was willing to give us a thousand poun'.
What a godsend! It meant goodbye to care,
The fear of being dumped out on the street.
Rosie and Willie could have wool to wear,
And more than bread and margerine to eat .
.
.
To Joey's broken little legs we owe
Our rescue from a fate of want and woe.
How happily he hurried home to me,
Bringing a new-baked, crisp-brown loaf of bread.
The headlights of the car he did not see,
And when help came they thought that he was dead.
He stared with wonder from a face so wan .
.
.
A long, last look and he was gone,--was gone.
We've comfort now, and yet it hurts to know
We owe our joy to little, laughing Joe.
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