Written by
Ruth Padel |
(After Pushkin)
Look at the bare wood hand-waxed floor and long
White dressing-gown, the good child's writing-desk
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour.
Is "Tell Him I love him" never a good idea? You can't wish this
Unlived - this world on fire, on storm
Alert, till the shepherd's song
Outside, some hyper-active yellowhammer, bulbul,
Wren, amplified in hills and woods, tell her to bestow
A spot of notice on the dawn.
*
"I'm writing to you. Well, that's it, that's everything.
You'll laugh, but you'll pity me too. I'm ashamed of this.
I meant to keep it quiet. You'd never have known, if -
I wish - I could have seen you once a week. To mull over, day
And night, the things you say, or what we say together.
But word is, you're misogynist. Laddish. A philanderer
Who says what he doesn't mean. (That's not how you come across
To me.) Who couldn't give a toss for domestic peace -
Only for celebrity and showing off -
And won't hang round in a provincial zone
Like this. We don't glitter. Though we do,
Warmly, truly, welcome you.
*
"Why did you come? I'd never have set eyes
On a star like you, or blundered up against
This crazed not-sleeping, hour after hour
In the dark. I might have got the better of
My clumsy fury with constraint, my fret
For things I lack all lexica and phrase-book art
To say. I might have been a faithful wife; a mother.
But that's all done with. This is Fate. God.
Sorted. Here I am - yours, to the last breath.
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate
How right it is to love you. This love is love to death.
*
"I knew you anyway. I loved you, I'm afraid,
In my sleep. Your eyes, that denim-lapis, grey-sea-
Grey-green blue, that Chinese fold of skin
At the inner corner, that shot look
Bleeping "vulnerable" under the screensaver charm,
Kept me alive. Every cell, every last gold atom
Of your body, was engraved in me
Already. Don't tell me that was dream! When you came in,
Staring round in your stripey coat and brocade
Vest, I nearly died! I fainted, I was flame! I recognized
The you I'd always listened to alone, when I wrote
Or tried to wrestle my scatty soul into calm.
*
"Wasn't it you who slipped through the transparent
Darkness to my bed and whispered love? Aren't you
My guardian angel? Or is this arrant
Seeming, hallucination, thrown
Up by that fly engineering a novel does
So beguilingly, or poems? Is this mad?
Are there ways of dreaming I don't know?
Too bad. My soul has made its home
In you. I'm here and bare before you: shy,
In tears. But if I didn't heft my whole self up and hold it there -
A crack-free mirror - loving you, or if I couldn't share
It, set it out in words, I'd die.
*
"I'll wait to hear from you. I must. Please let me hope.
Give me one look, from eyes I hardly dare
To look back at. Or scupper my dream
By scolding me. I've given you rope
To hang me: tell me I'm mistaken. You're so much in
The world; while I just live here, bent on jam
And harvest, songs and books. That's not complaint.
We live such different lives. So - this is the end. It's taken
All night. I'm scared to read it back. I'm faint
With shame and fear. But this is what I am. My crumpled bed,
My words, my open self. All I can do is trust
The whole damn lot of it to you."
*
She sighs. The paper trembles as she presses down
The pink wax seal. Outside, a milk mist clears
From the shimmering valley. If I were her guardian
Angel, I'd divide myself. One half would holler
Don't! Stay on an even keel! Don't dollop over
All you are, to a man who'll go to town
On his next little fling. If he's entranced today
By the way you finger your silk throat inside your collar,
Tomorrow there'll be Olga, Sally, Jane. But then I'd whisper
Go for it, petal. Nothing's as real as what you write.
His funeral, if he's not up to it. What we feel
Is mortal, and won't come again.
*
So cut, weeks later, to an outside shot: the same girl
Taking cover ("Dear God, he's here, he's come!")
Under fat red gooseberries, glimmering hairy stars:
The old, rude bushes she has hide-and-seeked in all
Her life, where mother commands the serfs to sing
While picking, so they can't hurl
The odd gog into their mouths. No one could spy
Her here, not even the sun in its burn-time. Her cheeks
Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble
Before the avid schoolboy plunks his net.
Or imagine
*
A leveret - like the hare you shot, remember?
Which ran round screaming like a baby?
Only mine is shivering in papery winter corn,
While the hunter (as it might be, you) stomps his Hush
Puppies through dead brush. Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers
Under the evening samovar, filling
The Chinese teapot, sending coils of Lapsang Suchong
Floating to the ceiling in the shadows, tracing O and E
In the window's black reflection, one finger
Tendrilling her own breath on the glass.
Like putting a shell to your ear to hear the sea
*
When it's really your own red little sparkle, the echo
Of marching blood. She's asking a phantom
World of pearled-up mist for proof
That her man exists: that gamelans and tumbrils
Won't evade her. But now, among
The kitchen garden's rose-haws, mallow, Pernod-
Coloured pears, she unhooks herself thorn by thorn
For the exit aria. For fade-out. Suddenly there he is
In the avenue, the man she's written to - Charon
Gazing at her with blazing eyes! Darth Vader
From Star Wars. She's trapped, in a house she didn't realize
Was burning. Her letter was a gate to the inferno.
........
(This poem appeared in Pushkin: An Anthology, ed. E. Feinstein, Carcanet 1999)
|
Written by
Henry Wadsworth Longfellow |
January
Janus am I; oldest of potentates;
Forward I look, and backward, and below
I count, as god of avenues and gates,
The years that through my portals come and go.
I block the roads, and drift the fields with snow;
I chase the wild-fowl from the frozen fen;
My frosts congeal the rivers in their flow,
My fires light up the hearths and hearts of men.
February
I am lustration, and the sea is mine!
I wash the sands and headlands with my tide;
My brow is crowned with branches of the pine;
Before my chariot-wheels the fishes glide.
By me all things unclean are purified,
By me the souls of men washed white again;
E'en the unlovely tombs of those who died
Without a dirge, I cleanse from every stain.
March
I Martius am! Once first, and now the third!
To lead the Year was my appointed place;
A mortal dispossessed me by a word,
And set there Janus with the double face.
Hence I make war on all the human race;
I shake the cities with my hurricanes;
I flood the rivers and their banks efface,
And drown the farms and hamlets with my rains.
April
I open wide the portals of the Spring
To welcome the procession of the flowers,
With their gay banners, and the birds that sing
Their song of songs from their aerial towers.
I soften with my sunshine and my showers
The heart of earth; with thoughts of love I glide
Into the hearts of men; and with the Hours
Upon the Bull with wreathed horns I ride.
May
Hark! The sea-faring wild-fowl loud proclaim
My coming, and the swarming of the bees.
These are my heralds, and behold! my name
Is written in blossoms on the hawthorn-trees.
I tell the mariner when to sail the seas;
I waft o'er all the land from far away
The breath and bloom of the Hesperides,
My birthplace. I am Maia. I am May.
June
Mine is the Month of Roses; yes, and mine
The Month of Marriages! All pleasant sights
And scents, the fragrance of the blossoming vine,
The foliage of the valleys and the heights.
Mine are the longest days, the loveliest nights;
The mower's scythe makes music to my ear;
I am the mother of all dear delights;
I am the fairest daughter of the year.
July
My emblem is the Lion, and I breathe
The breath of Libyan deserts o'er the land;
My sickle as a sabre I unsheathe,
And bent before me the pale harvests stand.
The lakes and rivers shrink at my command,
And there is thirst and fever in the air;
The sky is changed to brass, the earth to sand;
I am the Emperor whose name I bear.
August
The Emperor Octavian, called the August,
I being his favorite, bestowed his name
Upon me, and I hold it still in trust,
In memory of him and of his fame.
I am the Virgin, and my vestal flame
Burns less intensely than the Lion's rage;
Sheaves are my only garlands, and I claim
The golden Harvests as my heritage.
September
I bear the Scales, where hang in equipoise
The night and day; and whenunto my lips
I put my trumpet, with its stress and noise
Fly the white clouds like tattered sails of ships;
The tree-tops lash the air with sounding whips;
Southward the clamorous sea-fowl wing their flight;
The hedges are all red with haws and hips,
The Hunter's Moon reigns empress of the night.
October
My ornaments are fruits; my garments leaves,
Woven like cloth of gold, and crimson dyed;
I do no boast the harvesting of sheaves,
O'er orchards and o'er vineyards I preside.
Though on the frigid Scorpion I ride,
The dreamy air is full, and overflows
With tender memories of the summer-tide,
And mingled voices of the doves and crows.
November
The Centaur, Sagittarius, am I,
Born of Ixion's and the cloud's embrace;
With sounding hoofs across the earth I fly,
A steed Thessalian with a human face.
Sharp winds the arrows are with which I chase
The leaves, half dead already with affright;
I shroud myself in gloom; and to the race
Of mortals bring nor comfort nor delight.
December
Riding upon the Goat, with snow-white hair,
I come, the last of all. This crown of mine
Is of the holly; in my hand I bear
The thyrsus, tipped with fragrant cones of pine.
I celebrate the birth of the Divine,
And the return of the Saturnian reign;--
My songs are carols sung at every shrine,
Proclaiming "Peace on earth, good will to men."
|
Written by
Seamus Heaney |
It is December in Wicklow:
Alders dripping, birches
Inheriting the last light,
The ash tree cold to look at.
A comet that was lost
Should be visible at sunset,
Those million tons of light
Like a glimmer of haws and rose-hips,
And I sometimes see a falling star.
If I could come on meteorite!
Instead I walk through damp leaves,
Husks, the spent flukes of autumn,
Imagining a hero
On some muddy compound,
His gift like a slingstone
Whirled for the desperate.
How did I end up like this?
I often think of my friends'
Beautiful prismatic counselling
And the anvil brains of some who hate me
As I sit weighing and weighing
My responsible tristia.
For what? For the ear? For the people?
For what is said behind-backs?
Rain comes down through the alders,
Its low conductive voices
Mutter about let-downs and erosions
And yet each drop recalls
The diamond absolutes.
I am neither internee nor informer;
An inner ?migr?, grown long-haired
And thoughtful; a wood-kerne
Escaped from the massacre,
Taking protective colouring
From bole and bark, feeling
Every wind that blows;
Who, blowing up these sparks
For their meagre heat, have missed
The once-in-a-lifetime portent,
The comet's pulsing rose.
|
Written by
Paul Muldoon |
I was making my way home late one night
this summer, when I staggered
into a snow drift.
Her eyes spoke of a sloe-year,
her mouth a year of haws.
Was she Aurora, or the goddess Flora,
Artemidora, or Venus bright,
or Anorexia, who left
a lemon stain on my flannel sheet?
It's all much of a muchness.
In Belfast's Royal Victoria Hospital
a kidney machine
supports the latest hunger-striker
to have called off his fast, a saline
drip into his bag of brine.
A lick and a promise. Cuckoo spittle.
I hand my sample to Doctor Maw.
She gives me back a confident All Clear.
|
Written by
Stephen Vincent Benet |
(For G. H.)
Say, does that stupid earth
Where they have laid her,
Bind still her sullen mirth,
Mirth which betrayed her?
Do the lush grasses hold,
Greenly and glad,
That brittle-perfect gold
She alone had?
Smugly the common crew,
Over their knitting,
Mourn her -- as butchers do
Sheep-throats they're slitting!
She was my enemy,
One of the best of them.
Would she come back to me,
God damn the rest of them!
Damn them, the flabby, fat,
Sleek little darlings!
We gave them tit for tat,
Snarlings for snarlings!
Squashy pomposities,
Shocked at our violence,
Let not one tactful hiss
Break her new silence!
Maids of antiquity,
Look well upon her;
Ice was her chastity,
Spotless her honor.
Neighbors, with breasts of snow,
Dames of much virtue,
How she could flame and glow!
Lord, how she hurt you!
She was a woman, and
Tender -- at times!
(Delicate was her hand)
One of her crimes!
Hair that strayed elfinly,
Lips red as haws,
You, with the ready lie,
Was that the cause?
Rest you, my enemy,
Slain without fault,
Life smacks but tastelessly
Lacking your salt!
Stuck in a bog whence naught
May catapult me,
Come from the grave, long-sought,
Come and insult me!
WE knew that sugared stuff
Poisoned the other;
Rough as the wind is rough,
Sister and brother!
Breathing the ether clear
Others forlorn have found --
Oh, for that peace austere
She and her scorn have found!
|
Written by
Marriott Edgar |
I'll tell of the Magna Charter
As were signed at the Barons' command
On Runningmead Island in t' middle of t' Thames
By King John, as were known as "Lack Land."
Some say it were wrong of the Barons
Their will on the King so to thrust,
But you'll see if you look at both sides of the case
That they had to do something, or bust.
For John, from the moment they crowned him,
Started acting so cunning and sly,
Being King, of course, he couldn't do wrong,
But, by gum, he'd a proper good try.
He squandered the ratepayers' money,
All their cattle and corn did he take,
'Til there wasn't a morsel of bread in the land,
And folk had to manage on cake.
The way he behaved to young Arthur
Went to show as his feelings was bad;
He tried to get Hubert to poke out his eyes,
Which is no way to treat a young lad.
It were all right him being a tyrant
To vassals and folks of that class,
But he tried on his tricks with the Barons an' all,
And that's where he made a 'faux pas'.
He started bombarding their castles,
And burning them over their head,
'Til there wasn't enough castles left to go round,
And they had to sleep six in a bed.
So they went to the King in a body,
And their spokesman, Fitzwalter by name,
He opened the 'ole in his 'elmet and said,
Conciliatory like, " What's the game?"
The King starts to shilly and shally,
He sits and he haws and he hums,
'Til the Barons in rage started gnashing their teeth,
And them with no teeth gnashed their gums
Said Fitz, through the 'ole in his 'elmet,
"It was you as put us in this plight."
And the King having nothing to say to this, murmured
"Leave your address and I'll write".
This angered the gallant Fitzwalter;
He stamped on the floor with his foot,
And were starting to give John a rare ticking off,
When the 'ole in his 'elmet fell shut.
"We'll get him a Magna Charter,"
Said Fitz when his face he had freed;
Said the Barons "That's right and if one's not enough,
Get a couple and happen they'll breed.''
So they set about making a Charter,
When at finish they'd got it drawn up,
It looked like a paper on cattle disease,
Or the entries for t' Waterloo Cup.
Next day, King John, all unsuspecting,
And having the afternoon free,
To Runningmead Island had taken a boat,
And were having some shrimps for his tea.
He'd just pulled the 'ead off a big 'un,
And were pinching its tail with his thumb,
When up came a barge load of Barons, who said,
"We thought you'd be here so we've come"
When they told him they'd brought Magna Charter,
The King seemed to go kind of limp,
But minding his manners he took off his hat
And said " Thanks very much, have a shrimp."
" You'd best sign at once," said Fitzwalter,
" If you don't, I'll tell thee for a start
The next coronation will happen quite soon,
And you won't be there to take part."
So they spread Charter out on t' tea table,
And John signed his name like a lamb,
His writing in places was sticky and thick
Through dipping his pen in the jam.
And it's through that there Magna Charter,
As were signed by the Barons of old,
That in England to-day we can do what we like,
So long as we do what we're told.
|
Written by
Carl Sandburg |
IF you never came with a pigeon rainbow purple
Shining in the six o’clock September dusk:
If the red sumach on the autumn roads
Never danced on the flame of your eyelashes:
If the red-haws never burst in a million
Crimson fingertwists of your heartcrying:
If all this beauty of yours never crushed me
Then there are many flying acres of birds for me,
Many drumming gray wings going home I shall see,
Many crying voices riding the north wind.
|