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Best Famous Haut Poems

Here is a collection of the all-time best famous Haut poems. This is a select list of the best famous Haut poetry. Reading, writing, and enjoying famous Haut poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of haut poems.

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Written by Charles Baudelaire | Create an image from this poem

Le Gout du Néant

 Morne esprit, autrefois amoureux de la lutte,
L'Espoir, dont l'éperon attisait ton ardeur,
Ne veut plus t'enfourcher! Couche-toi sans pudeur,
Vieux cheval dont le pied à chaque obstacle bute. 
Résigne-toi, mon coeur; dors ton sommeil de brute.

Esprit vaincu, fourbu! Pour toi, vieux maraudeur,
L'amour n'a plus de gout, non plus que la dispute;
Adieu donc, chants du cuivre et soupirs de la flûte!
Plaisirs, ne tentez plus un coeur sombre et boudeur!
Le Printemps adorable a perdu son odeur!

Et le Temps m'engloutit minute par minute,
Comme la neige immense un corps pris de roideur;
Je contemple d'en haut le globe en sa rondeur,
Et je n'y cherche plus l'abri d'une cahute.
Avalanche, veux-tu m'emporter dans ta chute?


Written by Edwin Arlington Robinson | Create an image from this poem

An Island

 Take it away, and swallow it yourself. 
Ha! Look you, there’s a rat. 
Last night there were a dozen on that shelf, 
And two of them were living in my hat. 
Look! Now he goes, but he’ll come back—
Ha? But he will, I say … 
Il reviendra-z-à Pâques, 
Ou à la Trinité …
Be very sure that he’ll return again; 
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.— 
So on the seventh day 
He rested, and made Pain. 
—Man, if you love the Lord, and if the Lord 
Love liars, I will have you at your word
And swallow it. Voilà. Bah! 

Where do I say it is 
That I have lain so long? 
Where do I count myself among the dead, 
As once above the living and the strong?
And what is this that comes and goes, 
Fades and swells and overflows, 
Like music underneath and overhead? 
What is it in me now that rings and roars 
Like fever-laden wine?
What ruinous tavern-shine 
Is this that lights me far from worlds and wars 
And women that were mine? 
Where do I say it is 
That Time has made my bed?
What lowering outland hostelry is this 
For one the stars have disinherited? 

An island, I have said: 
A peak, where fiery dreams and far desires 
Are rained on, like old fires:
A vermin region by the stars abhorred, 
Where falls the flaming word 
By which I consecrate with unsuccess 
An acreage of God’s forgetfulness, 
Left here above the foam and long ago
Made right for my duress; 
Where soon the sea, 
My foaming and long-clamoring enemy, 
Will have within the cryptic, old embrace 
Of her triumphant arms—a memory.
Why then, the place? 
What forage of the sky or of the shore 
Will make it any more, 
To me, than my award of what was left 
Of number, time, and space?

And what is on me now that I should heed 
The durance or the silence or the scorn? 
I was the gardener who had the seed 
Which holds within its heart the food and fire 
That gives to man a glimpse of his desire;
And I have tilled, indeed, 
Much land, where men may say that I have planted 
Unsparingly my corn— 
For a world harvest-haunted 
And for a world unborn.

Meanwhile, am I to view, as at a play, 
Through smoke the funeral flames of yesterday 
And think them far away? 
Am I to doubt and yet be given to know 
That where my demon guides me, there I go?
An island? Be it so. 
For islands, after all is said and done, 
Tell but a wilder game that was begun, 
When Fate, the mistress of iniquities, 
The mad Queen-spinner of all discrepancies,
Beguiled the dyers of the dawn that day, 
And even in such a curst and sodden way 
Made my three colors one. 
—So be it, and the way be as of old: 
So be the weary truth again retold
Of great kings overthrown 
Because they would be kings, and lastly kings alone. 
Fling to each dog his bone. 

Flags that are vanished, flags that are soiled and furled, 
Say what will be the word when I am gone:
What learned little acrid archive men 
Will burrow to find me out and burrow again,— 
But all for naught, unless 
To find there was another Island.… Yes, 
There are too many islands in this world,
There are too many rats, and there is too much rain. 
So three things are made plain 
Between the sea and sky: 
Three separate parts of one thing, which is Pain … 
Bah, what a way to die!—
To leave my Queen still spinning there on high, 
Still wondering, I dare say, 
To see me in this way … 
Madame à sa tour monte 
Si haut qu’elle peut monter—
Like one of our Commissioners… ai! ai!
Prometheus and the women have to cry, 
But no, not I … 
Faugh, what a way to die! 

But who are these that come and go
Before me, shaking laurel as they pass? 
Laurel, to make me know 
For certain what they mean: 
That now my Fate, my Queen, 
Having found that she, by way of right reward,
Will after madness go remembering, 
And laurel be as grass,— 
Remembers the one thing 
That she has left to bring. 
The floor about me now is like a sward
Grown royally. Now it is like a sea 
That heaves with laurel heavily, 
Surrendering an outworn enmity 
For what has come to be. 

But not for you, returning with your curled
And haggish lips. And why are you alone? 
Why do you stay when all the rest are gone? 
Why do you bring those treacherous eyes that reek 
With venom and hate the while you seek 
To make me understand?—
Laurel from every land, 
Laurel, but not the world?

Fury, or perjured Fate, or whatsoever, 
Tell me the bloodshot word that is your name 
And I will pledge remembrance of the same
That shall be crossed out never; 
Whereby posterity 
May know, being told, that you have come to me, 
You and your tongueless train without a sound, 
With covetous hands and eyes and laurel all around,
Foreshowing your endeavor 
To mirror me the demon of my days, 
To make me doubt him, loathe him, face to face. 
Bowed with unwilling glory from the quest 
That was ordained and manifest,
You shake it off and wish me joy of it? 
Laurel from every place,
Laurel, but not the rest?
Such are the words in you that I divine, 
Such are the words of men.
So be it, and what then? 
Poor, tottering counterfeit, 
Are you a thing to tell me what is mine? 

Grant we the demon sees 
An inch beyond the line,
What comes of mine and thine? 
A thousand here and there may shriek and freeze, 
Or they may starve in fine. 
The Old Physician has a crimson cure 
For such as these,
And ages after ages will endure 
The minims of it that are victories. 
The wreath may go from brow to brow, 
The state may flourish, flame, and cease; 
But through the fury and the flood somehow
The demons are acquainted and at ease, 
And somewhat hard to please. 
Mine, I believe, is laughing at me now 
In his primordial way, 
Quite as he laughed of old at Hannibal,
Or rather at Alexander, let us say. 
Therefore, be what you may, 
Time has no further need 
Of you, or of your breed. 
My demon, irretrievably astray,
Has ruined the last chorus of a play 
That will, so he avers, be played again some day; 
And you, poor glowering ghost, 
Have staggered under laurel here to boast 
Above me, dying, while you lean
In triumph awkward and unclean, 
About some words of his that you have read? 
Thing, do I not know them all? 
He tells me how the storied leaves that fall 
Are tramped on, being dead?
They are sometimes: with a storm foul enough 
They are seized alive and they are blown far off 
To mould on islands.—What else have you read? 
He tells me that great kings look very small 
When they are put to bed;
And this being said, 
He tells me that the battles I have won 
Are not my own, 
But his—howbeit fame will yet atone 
For all defect, and sheave the mystery:
The follies and the slaughters I have done 
Are mine alone, 
And so far History. 
So be the tale again retold 
And leaf by clinging leaf unrolled
Where I have written in the dawn, 
With ink that fades anon, 
Like Cæsar’s, and the way be as of old. 

Ho, is it you? I thought you were a ghost. 
Is it time for you to poison me again?
Well, here’s our friend the rain,— 
Mironton, mironton, mirontaine...
Man, I could murder you almost, 
You with your pills and toast. 
Take it away and eat it, and shoot rats.
Ha! there he comes. Your rat will never fail, 
My punctual assassin, to prevail— 
While he has power to crawl, 
Or teeth to gnaw withal— 
Where kings are caged. Why has a king no cats?
You say that I’ll achieve it if I try? 
Swallow it?—No, not I … 
God, what a way to die!
Written by Guillaume Apollinaire | Create an image from this poem

Rhénane dAutomne

 Mon verre est plein d'un vin trembleur comme une flamme
Ecoutez la chanson lente d'un batelier
Qui raconte avoir vu sous la lune sept femmes
Tordre leurs cheveux verts et longs jusqu'à leurs pieds

Debout chantez plus haut en dansant une ronde
Que je n'entende plus le chant du batelier
Et mettez près de moi toutes les filles blondes
Au regard immobile aux nattes repliées

Le Rhin le Rhin est ivre où les vignes se mirent
Tout l'or des nuits tombe en tremblant s'y refléter
La voix chante toujours à en râle-mourir
Ces fées aux cheveux verts qui incantent l'été

Mon verre s'est brisé comme un éclat de rire
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Norman Baron

 et plus profonde, ou l'interet et l'avarice parlent moins haut
que la raison, dans les instants de chagrin domestique, de
maladie, et de peril de mort, les nobles se repentirent de
posseder des serfs, comme d'une chose peu agreable a Dieu, qui
avait cree tous les hommes a son image.--THIERRY, Conquete de
l'Angleterre.

In his chamber, weak and dying,
Was the Norman baron lying;
Loud, without, the tempest thundered
And the castle-turret shook,

In this fight was Death the gainer,
Spite of vassal and retainer,
And the lands his sires had plundered,
Written in the Doomsday Book.

By his bed a monk was seated,
Who in humble voice repeated
Many a prayer and pater-noster,
From the missal on his knee;

And, amid the tempest pealing,
Sounds of bells came faintly stealing,
Bells, that from the neighboring kloster
Rang for the Nativity.

In the hall, the serf and vassal
Held, that night their Christmas wassail;
Many a carol, old and saintly,
Sang the minstrels and the waits;

And so loud these Saxon gleemen
Sang to slaves the songs of freemen,
That the storm was heard but faintly,
Knocking at the castle-gates.

Till at length the lays they chanted
Reached the chamber terror-haunted,
Where the monk, with accents holy,
Whispered at the baron's ear.

Tears upon his eyelids glistened,
As he paused awhile and listened,
And the dying baron slowly
Turned his weary head to hear.

"Wassail for the kingly stranger
Born and cradled in a manger!
King, like David, priest, like Aaron,
Christ is born to set us free!"

And the lightning showed the sainted
Figures on the casement painted,
And exclaimed the shuddering baron,
"Miserere, Domine!"

In that hour of deep contrition
He beheld, with clearer vision,
Through all outward show and fashion,
Justice, the Avenger, rise.

All the pomp of earth had vanished,
Falsehood and deceit were banished,
Reason spake more loud than passion,
And the truth wore no disguise.

Every vassal of his banner,
Every serf born to his manor,
All those wronged and wretched creatures,
By his hand were freed again.

And, as on the sacred missal
He recorded their dismissal,
Death relaxed his iron features,
And the monk replied, "Amen!"

Many centuries have been numbered
Since in death the baron slumbered
By the convent's sculptured portal,
Mingling with the common dust:

But the good deed, through the ages
Living in historic pages,
Brighter grows and gleams immortal,
Unconsumed by moth or rust
Written by John Milton | Create an image from this poem

Psalm 80

 Thou Shepherd that dost Israel keep
Give ear in time of need,
Who leadest like a flock of sheep
Thy loved Josephs seed,
That sitt'st between the Cherubs bright
Between their wings out-spread
Shine forth, and from thy cloud give light,
And on our foes thy dread.
In Ephraims view and Benjamins,
And in Manasse's sight 
Awake* thy strength, come, and be seen *Gnorera.
To save us by thy might.
Turn us again, thy grace divine
To us O God vouchsafe;
Cause thou thy face on us to shine
And then we shall be safe.
Lord God of Hosts, how long wilt thou,
How long wilt thou declare
Thy *smoaking wrath, and angry brow *Gnashanta.
Against thy peoples praire. 
Thou feed'st them with the bread of tears,
Their bread with tears they eat,
And mak'st them* largely drink the tears *Shalish.
Wherewith their cheeks are wet.
A strife thou mak'st us and a prey
To every neighbour foe,
Among themselves they *laugh, they *play, *Jilgnagu.
And *flouts at us they throw.
Return us, and thy grace divine,
O God of Hosts vouchsafe 
Cause thou thy face on us to shine,
And then we shall be safe.
A Vine from Aegypt thou hast brought,
Thy free love made it thine,
And drov'st out Nations proud and haut
To plant this lovely Vine.
Thou did'st prepare for it a place
And root it deep and fast
That it began to grow apace,
And fill'd the land at last. 
With her green shade that cover'd all,
The Hills were over-spread
Her Bows as high as Cedars tall
Advanc'd their lofty head.
Her branches on the western side
Down to the Sea she sent,
And upward to that river wide
Her other branches went.
Why hast thou laid her Hedges low
And brok'n down her Fence, 
That all may pluck her, as they go,
With rudest violence?
The tusked Boar out of the wood
Up turns it by the roots,
Wild Beasts there brouze, and make their food
Her Grapes and tender Shoots.
Return now, God of Hosts, look down
From Heav'n, thy Seat divine,
Behold us, but without a frown,
And visit this thy Vine. 
Visit this Vine, which thy right hand
Hath set, and planted long,
And the young branch, that for thy self
Thou hast made firm and strong.
But now it is consum'd with fire,
And cut with Axes down,
They perish at thy dreadfull ire,
At thy rebuke and frown.
Upon the man of thy right hand
Let thy good hand be laid, 
Upon the Son of Man, whom thou
Strong for thyself hast made.
So shall we not go back from thee
To wayes of sin and shame,
Quick'n us thou, then gladly wee
Shall call upon thy Name.
Return us, and thy grace divine
Lord God of Hosts voutsafe,
Cause thou thy face on us to shine,
And then we shall be safe.


Written by Victor Hugo | Create an image from this poem

Patria.{1}

 ("Là-haut, qui sourit.") 
 
 {Bk. VII. vii., September, 1853.} 


 Who smiles there? Is it 
 A stray spirit, 
 Or woman fair? 
 Sombre yet soft the brow! 
 Bow, nations, bow; 
 O soul in air, 
 Speak—what art thou? 
 
 In grief the fair face seems— 
 What means those sudden gleams? 
 Our antique pride from dreams 
 Starts up, and beams 
 Its conquering glance,— 
 To make our sad hearts dance, 
 And wake in woods hushed long 
 The wild bird's song. 
 Angel of Day! 
 Our Hope, Love, Stay, 
 Thy countenance 
 Lights land and sea 
 Eternally, 
 Thy name is France 
 Or Verity. 
 
 Fair angel in thy glass 
 When vile things move or pass, 
 Clouds in the skies amass; 
 Terrible, alas! 
 Thy stern commands are then: 
 "Form your battalions, men, 
 The flag display!" 
 And all obey. 
 Angel of might 
 Sent kings to smite, 
 The words in dark skies glance, 
 "Mené, Mené," hiss 
 Bolts that never miss! 
 Thy name is France, 
 Or Nemesis. 
 
 As halcyons in May, 
 O nations, in his ray 
 Float and bask for aye, 
 Nor know decay! 
 One arm upraised to heaven 
 Seals the past forgiven; 
 One holds a sword 
 To quell hell's horde, 
 Angel of God! 
 Thy wings stretch broad 
 As heaven's expanse! 
 To shield and free 
 Humanity! 
 Thy name is France, 
 Or Liberty! 
 
 {Footnote 1: Written to music by Beethoven.} 


 





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